Pair of "1031" Blue Glazed Stoneware Table Lamps by Einar Johansen for Søholm, Denmark 1950s
Pair of "1031" Blue Glazed Stoneware Table Lamps by Einar Johansen for Søholm, Denmark 1950s
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Price category: usd / eur
Condition:
In good vintage condition. Wear consistent with age and use. The lamps have recently been rewired and reconditioned. The shades are later replacements. Due to the nature and age of the material, the items may have some marks, scratches, and discolouration. These lamps are compatible with E26 / E27 (standard) fittings. All lighting can be converted for US usage.
Dimensions:
12.99 in ø × 14.96 in H
33 cm ø x 38 cm H
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Price category: 2,500 - 5,000 usd / eur
Fridtjof Sejersen founded Sejer Keramik in Denmark in 1943, where between the 1940s and 70s he developed a distinctive body of work in chamotte stoneware, a type of ceramic known for its durability and textured finish. His lamps are particularly recognised for their tactile surfaces and individually worked glazes, with each example displaying subtle variations created during the firing process.
This table lamp is crafted from glazed chamotte stoneware. The coarse texture of the the material remains visible beneath the glaze, creating a surface that is rich in depth and character. The thick dark blue glaze flows naturally over the recessed details while catching the raised edges, accentuating the geometry of the pattern. At the same time, it introduces a bold, yet elegant colour. The timeless tine integrates beautifully in even the most minimalist environments. The base has a plump, rounded profile that feels grounded and inviting, while the stem is slender and long. The slim tapering silhouette provides an elegant counterpoint to the rounded base, while the simple cylindrical shade allows the sculptural qualities of the ceramic to remain the focal point. The base features a geometric pattern, which adds to the visual interest of the design.
Combining careful craftsmanship with expressive glazing, this lamp exemplifies Sejersen's approach to functional ceramics. It is equally compelling as a source of ambient light or as a sculptural object, bringing texture, colour, and material richness to an interior without relying on excessive ornament. Whether placed on a side table, shelf, or desk, it pairs easily with both modern and more traditional furnishings.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
15.75 in ø x 24.21 in H
40 cm ø x 61.5 cm H
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Price category: 5,000 - 7,500 usd / eur
Founded on the Danish island of Bornholm in 1835, Søholm became one of the country's most respected ceramic manufacturers, at a time when when studio pottery enjoyed international acclaim. By the 1960s, the workshop had developed a distinctive visual language characterised by earthy glazes, bold relief decoration, and sculptural forms that blurred the boundary between functional objects and ceramic art. Many of its lamps reflect this approach, transforming stoneware into atmospheric lighting while celebrating the expressive qualities of the material.
Model “1208-3” is distinguished by the striking relationship between its slender neck and broad, rounded body. The lower section stands out through an intricate relief decoration composed of intersecting bands, creating a woven, basket-like motif that introduces remarkable depth and texture to the ceramic surface. As light falls across the pattern, the recessed areas catch shadow while the raised elements become subtly highlighted, giving the base a constantly shifting appearance. The earthy glaze further enriches this effect, blending warm browns, sandy beiges, and soft grey undertones that settle differently across the relief, emphasising the handmade character of each lamp. Above this body, the form narrows elegantly beneath the fitting, creating a graceful transition to the simple cylindrical shade. The geometry of the shade provides a deliberate counterpoint to the expressive ceramic below, allowing the base to remain the visual focal point while diffusing the light and balancing the form. The thought-out design and expert detailing reflect the qualities that characterises Søholm's finest ceramic lighting from the 1960s.
As a pair, the lamps create an immediate focal point within an interior. Combining the tactile qualities of handcrafted ceramics with the elegance of Danish modern lighting, they stand as refined examples of the enduring contribution of Scandinavian design.
Condition:
In good vintage condition. Wear consistent with age and use. The lamps have recently been rewired and reconditioned. The shades are a later replacement. Due to the nature and age of the material, the items may have some marks, scratches, and discolouration.
Dimensions:
19.69 in ø x 25.59 in H
50 cm ø x 65 cm H
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Price category: 2,500 - 5,000 usd / eur
Fridtjof Sejersen was a Danish ceramicist in the postwar period, known for his material experimentation and expressive surface work. From the early 1940s to the late 70s, through his company, Sejer Keramik, Sejersen explored the tactile and visual possibilities of chamotte clay and richly textured glazes. His work sits comfortably within the broader context of Danish modern design, where craftsmanship and artistic individuality were valued as much as functional clarity.
Rather than pursuing strict minimalism, Sejersen’s pieces emphasise depth, surface variation, and a bold handmade charm, giving them a strong presence while remaining rooted in mid-century design. This table lamp is a striking example of mid-century Danish ceramic design, combining the era's affinity for natural materials with an emphasis on uniqueness. This particular lamp features a round shaped body crafted from glazed chamotte stoneware, a type of ceramic known for its durability and textured finish. The body thus offers the piece a natural feel enhanced by the organic relief pattern. The appreciation of nature and simplicity can also be observed through the earthy tones of the lamp, mixing with blues in a flowing, organic pattern. The shade is made out of a light-toned fabric complementing the body through its wavy edge.
As a whole, the lamp represents the strengths of Danish mid-century design, where simplicity was a way of allowing material, form, and light to shine. Beyond its practical use, it represents a moment in Danish design where studio ceramics and functional objects came together seamlessly.
Condition:
In good vintage condition. Wear consistent with age and use. The table lamp has recently been reconditioned. The shade is a later replacement. Due to the age and nature of the stoneware, the lamp may have marks, and discolouration. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.
Dimensions:
13.78 cm ø x 17.52 cm H
35 cm ø x 44.5 cm H
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Price category: 2,500 - 5,000 usd / eur
Scandinavian countries, like Denmark, have achieved world-wide renown by incorporating a modern aesthetic into their traditional craft industries, resulting in era-defining pieces with an unparalleled inventiveness. Produced in the 1960s, this table lamp is a refined example of Danish design where craftsmanship and material experimentation meet timeless functionality.
The lamp’s bold, unique body sits with a grounded presence. The design highlights the ceramic, which shows the natural texture and handmade qualities. The top part of the body features a layered rounded detail, bringing even more visual interest into the composition. The darker tone of the top part creates a beautiful contrast against the light coloured lower body. To maintain the visual rhythm, the beautifully geometric shade brings back the tines of the base, resulting in a homogeneous design. Wherever the lamp is placed, it effortlessly enhances the mood with its refined, polished aesthetic. In addition to its visual appeal, this lamp stands as a testament to the quality and craftsmanship of the mid-20th century.
Both decorative and functional, this table lamp embodies the quiet sophistication that defines Danish mid-century lighting. As an authentic example of 1960s Danish ceramics, it offers a blend of artistry, craftsmanship, and everyday usability. Stylish yet understated, the lamp stands as a refined expression of Palle Michael Degener and Kähler Keramik’s enduring design legacy.
Condition:
In good vintage condition. Wear consistent with age and use. The table lamp has recently been reconditioned. The shade is a later replacement. Due to the age and nature of the ceramic, the lamp may have marks, and discolouration. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.
Dimensions:
17.75 cm ø x 25.79 cm H
40 cm ø x 65.5 cm H
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Price category: 2,500 - 5,000 usd / eur
During the 1960s, Danish ceramicists and lighting designers increasingly explored the relationship between sculpture and functionality. Ernst Keramik was among the generation of manufacturers that handcrafted stoneware to celebrate the individuality of each piece. Their works placed equal emphasis on the ceramic body and its richly varied surface.
Rather than serving merely as a lamp, this piece by Ernst Keramik brings the character of studio pottery into the domestic interior through light, texture, and colour. The sculptural quality of this lamp lies in the striking geometry of its ceramic base. Rising like a column from a broad, faceted plinth, the body’s angular planes catch the light from every direction. The deep blue glaze shifts subtly across the surface, revealing tones that range from earthy browns to deep blues, with glossy highlights accentuating the irregular facets of the stoneware. The finish contrasts beautifully with the restrained shade above, whose simple silhouette allows the ceramic to remain the focal point.
The dialogue between sculptural form and atmospheric illumination gives this piece its enduring appeal. Equally compelling as a ceramic object and as a functional lamp, it reflects the confidence of Danish studio pottery during the period, when artisans increasingly blurred the boundaries between craft, design, and sculpture.
Condition:
In good vintage condition. Wear consistent with age and use. The table lamp has recently been reconditioned. The shade is a later replacement. Due to the age and nature of the stoneware, the lamp may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.
Dimensions:
8.66 in ø x 15.55 cm H
22 cm ø x 39.5 cm H
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Price category: 7,500 - 10,000 usd / eur
Hans Bergström’s designs are just as scarce today as the information available on the Swedish designer, despite his undeniable quality of output. Guided by the mantra, “Light must be white and shine freely,” he designed and produced functional and modern fixtures that were intended to brighten up entire spaces.
The beauty of these stylish lamps lies in the combination of materials, including the accent wooden necks, the brass elements and the scalloped edged shades. The pairing of brass and wood creates an interesting visual effect, where the organic and traditional look of the wood meets the modern look of brass. Swedish lighting manufacturers, like ASEA, were masters of creating designs with great textural variety - as this lovely table lamp shows. The brass elements tie the materials together in a design that is indeed innovative and modern, yet still fresh to the contemporary eye. The beautiful colours and textures of the materials are further emphasised when the light is turned on by the switch on the base. This elegant pair casts an atmospheric light and thus contributes to the warmth of an interior but also fits perfectly on an elegant surface.
This lamp model effortlessly shows off Bergström’s creativity that he always paired with structural precision and material quality. Hans Bergström had a modernist approach based on quality and attention to detail, and was the favourite lighting designer of many fellow architects, among them Bruno Mathsson.
Condition:
In good vintage condition. Wear consistent with age and use. The lamps have recently been reconditioned and rewired. The shades are later replacements. Due to the age and nature of the materials, the items may have marks, and discolouration. All lighting can be converted for US usage.
Dimensions:
15.35 in ⌀ x 22.63 in H
39 cm ⌀ x 57.5 cm H
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Price category: 2,500 - 5,000 usd / eur
Robert Bentsen was among the generation of Danish ceramicists who helped define the character of post-war stoneware production. During a period when Danish ceramics gained international recognition, designers focused on creating forms that highlighted the natural beauty of clay through texture, glazing, and proportion. Artists embraced the functional role of ceramics within the home, while producing pieces that combined artistic expression with the natural beauty of the material.
Model “378” is characterised by a bold body, with a silhouette that narrows from a thick, wide bottom into a thinner, contrasting neck. The stoneware body is enriched by a richly textured surface, where horizontal ridges emphasize the handmade quality of the piece. These ridges create variations in the glaze that subtly shifts in tone across the surface, ranging in earthy browns that catch the light across the shiny surface. The bottom introduces another eye catching detail, contrasting the texture above with a matte, unglazed segment. Above, the cylindrical drum shade introduces a geometric counterpoint to the organic quality of the curved ceramic. When illuminated, the light casts a warm glow that enhances the richness of the glaze and highlights the depth of the textured surface below.
What makes this lamp particularly appealing is the contrast between its restrained form and its highly expressive materiality. The silhouette is simple, yet the surface reveals layer upon layer of visual interest through texture, colour, and craftsmanship. As both a lighting fixture and a ceramic object, model “378” reflects the enduring appeal of Danish stoneware from the 1960s, where utility and artistry were inseparable.
Condition:
In good vintage condition. Wear consistent with age and use. The table lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the age and nature of the stoneware, the lamp may have marks and scratches. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.
Dimensions:
15.74 in W x 8.66 in D x 16.92 in H
40 cm W x 22 cm D x 43 cm H
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Price category: 2,500 - 5,000 usd / eur
Henri Keramik was one of the many Danish ceramic workshops that contributed to the flourishing studio pottery movement of the second half of the twentieth century. During this period, Danish designers increasingly explored stoneware as a medium for both functional and decorative objects, embracing organic forms, textured surfaces, and experimental glazing techniques.
This lamp was produced for Henri Keramik in the second half of the 20th century. Henry Nielsen and his wife Else Nielsen owned the workshop from the 1950s, until its closing in the 1990s. They worked within the danish ceramic tradition, creating pieces that celebrated the natural qualities of the material while maintaining the warmth and practicality associated with Scandinavian design. The body of this lamp is defined by its gently tapering, curved form, enriched by a partially glazed surface that shows striking variation in colour and texture. Flowing glazes cascade across the ceramic body, interacting with the rougher unglazed areas and emphasizing the handmade quality of the piece. The earthy tones, ranging from warm browns and sandy tones to darker accents near the base, highlights the richness of the stoneware and recalls the natural palette that often inspired Scandinavian ceramicists. Above, the softly tapered fabric shade introduces a visual lightness that contrasts beautifully with the textured ceramic. Its gently scalloped edge adds a subtle decorative detail while diffusing the light into a warm and inviting glow.
This lamp stands as a compelling example of the enduring appeal of Danish ceramic design, where material honesty and atmosphere remain at the forefront. More than a source of illumination the lamp brings a distinctive character that feels both decorative and timeless, with an ambient touch.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
15.75 in ø x 20.47 in H
40 cm ø x 52 cm H
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Price category: 2,500 - 5,000 usd / eur
When it comes to this piece, the design’s organic lines focus on the characteristics of brass itself and the artistic ability to easily connect shape and material is especially visible. Table lamps, such as this have an important role to create an ambience that is cosy and stylish while not compromising on quality and functionality.
The model is thoughtfully constructed from high-quality brass. Its luxurious, polished finish exudes a soft, golden hue that gently reflects the light, adding a cosy ambiance to the space it illuminates. This table lamp features a distinctively curved structure and a layered shade. The overall design is simple, yet it radiates quality and style through its unique solutions. The solid brass body shows wonderful craftsmanship, especially when looking at the neck connecting the base and the shade. A neat decorative element that adds to the visual appeal are the star perforations. The pattern runs around the shade, and when the lamp is lit, subte rays of light are distributed through the small stars. Mid-century lighting design is world-famous for numerous reasons. The era’s artists managed to make strictly functional design look beautiful in addition to its practicality and high-quality. This bass table lamp perfectly illustrates this.
Each component of this pice was designed with functionality and elegance in mind, culminating in a model that transcends simple utility. It is a striking blend of form and function, a luminary that offers not just light, but also a touch of modern charm that can enhance the decor and warmth of an interior.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. Minor scratches and dents. Due to the nature of the brass, the item may have some additional marks, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. Due to the age of the lamp we recommend using LED bulbs.
Dimensions:
18.90 in W x 6.30 in D x 18.11 (curved) - 25.59 (extended) in H
48 cm W x 16 cm D x 46 (curved) - 65 (extended) cm H
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Price category: 7,500 - 10,000 usd / eur
Inger Persson (1936–2021) was one of the leading figures of twentieth-century Swedish ceramic design. After studying at Konstfack in Stockholm, she joined Rörstrand in 1959 at only twenty-two years old, during what is widely regarded as the factory's golden age. Working alongside celebrated designers such as Carl-Harry Stålhane, Marianne Westman, and Hertha Bengtsson, Persson developed a highly personal design language characterised by strong forms, rich glazes, and a willingness to move between functional objects and more sculptural creations. Her work is represented in the collections of Sweden's Nationalmuseum, and she remains one of the most recognised names associated with Rörstrand's artistic legacy today.
This pair of table lamps demonstrates Persson's sensitivity to surface and material. The cylindrical stoneware bodies are divided into distinct horizontal bands, each treated with a different glaze. Deep black sections frame the composition above and below, while a speckled band creates a striking contrast through rich brown and off white tones at the centre. Rather than relying on elaborate modelling, the lamps derive their visual interest from the interaction between colour, texture, and the subtle variations created during firing. The vertical form allows the glazes to remain the focal point, emphasising the ceramic quality rather than disguising them as purely functional objects. Above, the pleated fabric shades introduce a softer texture and a warm diffused light that complements the earthy palette of the stoneware.
Persson spent much of her career exploring how simple forms could be transformed through glaze and surface treatment, a quality that is clearly visible here. The lamps function not only as sources of light but also as examples of the experimental ceramic work that made Rörstrand internationally respected during the second half of the twentieth century.
Condition:
In good vintage condition. Wear consistent with age and use. The lamps have recently been reconditioned and rewired. Due to the age and nature of the material, the items may have marks, and discolouration. These lamps are compatible with an E27 / E26 standard fitting. All lighting can be converted for US usage.
Dimensions:
15.75 in ø x 24.41 in H
40 cm ø x 62 cm H
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Price category: 2,500 - 5,000 usd / eur
LYFA traces its origins back to 1903 and occupies an important position within the history of Danish lighting design. Throughout the twentieth century, the company became known for producing fixtures that combined technical innovation with a strong emphasis on aesthetics and craftsmanship. Working with influential designers and skilled manufacturers, LYFA helped establish many of the qualities now associated with Danish lighting: thoughtful functionality, careful material selection, and a belief that light should enhance both the atmosphere and architecture of a space.
This table lamp reflects those principles through an expressive combination of brass and glass. The base is cast in the form of a stylised leaf, its organic contours spreading outward to create a stable base while introducing a decorative quality rooted in nature. From this base rises a slender curved brass arm that arches gracefully forward, giving the lamp a sense of movement and directing attention toward the shade. The shade itself is crafted from amber-coloured glass with softly flaring sides that widen toward the opening. Its warm tone enriches the light, producing a glow that feels intimate and atmospheric. Small mechanical details at the joint between arm and shade make the lamp adjustable, adding a functional dimension without disrupting the overall elegance of the design.
The lamp demonstrates a fascinating dialogue between natural inspiration and technical precision. The leaf-shaped base and flowing arm introduce the organic inspiration, while the adjustable construction and carefully engineered proportions anchor the piece firmly within early modern lighting design. As a result, it functions not only as a source of illumination but also as a sculptural object with a strong visual identity.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. Marks and scratches are present. Due to the nature of the brass, the lamp may have some additional discolouration. The glass shade is a later replacement. The shade has some imperfections due to manufacturing inconsistencies and the age of the item. This lamp is compatible with an E26 / 27 fitting. Due to the age of the lamp we recommend using LED bulbs.
Dimensions:
15.75 in W x 5.12 in D x 13.78 in H
40 cm W x 13 cm D x 35 cm H
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Price category: 2,500 - 5,000 usd / eur
This “6942” model is by Swedish designer and sculptor, Harald Notini. He was the artistic leader at Böhlmarks and is represented at the ‘Nationalmuseum’ in Stockholm. Between the 1920s and 1950s, Böhlmarks was a significant player in the Swedish design movement. Harald Notini, after becoming creative director in 1916, drove the company forward, producing what were considered pioneering and distinctive luminaires for the time.
Like many of the decade’s designs, this table lamp masterfully pairs different materials. Notini cleverly combined brass, lacquered metal, and wood to create this distinctive model. The decorative brass elements tie the materials together in a design that is indeed innovative and modern, yet still fresh to the contemporary eye. The amalgamation of materials creates a harmonious contrast, epitomising the 20th century design principles that sought to marry functionality with form and - most importantly - elegance. Scandinavian mid-century lighting pieces like this lamp are famous for several reasons. Firstly, emphasising clean lines and organic materials creates a sense of simplicity and harmony that seamlessly integrates with various interior styles. Secondly, the commitment to quality craftsmanship ensures durability, a hallmark that endears these pieces to generations. Lastly, the enduring allure lies in the ability of these designs to evoke a sense of nostalgia while remaining relevant in today's design landscape. This "6942" model effortlessly encapsulates these principles. When turned on, the light casts a warm and inviting glow, creating a timeless and comforting ambience. The lamp is grounded by the round, patinated brass base, which echoes the circular details found on the bottom and neck of the piece.
Thanks to it’s masterful sense of proportion, this model is perfectly balanced visually. Apart from the aesthetics, the quality of this table lamp is also true to its Scandinavian heritage. This model is sure to add an elegant touch to any interior with its intricate body.
Condition:
In good vintage condition. Wear consistent with age and use. Minor scratches and marks. The lamp has recently been rewired. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. All lighting can be converted for US usage.
Dimensions:
15.57 in ⌀ x 20.05 in H
37 cm ⌀ x 56 cm H