REQUEST PRICE HERE

Price category: 5,000 - 7,500 usd / eur

This “Grand Pedro” armchair shows the curviness that defined the design of the 1950s. Hiort af Ornäs developed this model for his own furniture company, Puunveisto Oy.

The “Grand Pedro” model has a soft, sculptural shape paired with an ergonomic construction, which is very representative of the designer’s beliefs. Hiort af Ornäs was very firm about two things regarding his chair designs: the sitting comfort and that the model must look good from every single angle. “Pedro” fulfils these principles, for as even from the bottom, it showcases the elongated, tapered back legs that are visually captivating. The body has a welcoming look, with outward curving armrests and a slightly bent backrest. In service of utmost comfort, the sheepskin upholstery is extremely soft. The light colour and texture of the sheepskin complements the lacquered wood legs beautifully, highlighting their sculptural lines.

The craftsmanship and quality provided by Hiort af Ornäs is very visible in the “Pedro” collection that includes a sofa besides this chair. The seating designs of the architect/designer have been gradually more and more recognized world-wide, which resulted in the recent exhibition titled “Forgotten Ornäs”.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. The chair has been reupholstered recently in premium sheepskin. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.13 in W x 28.34 in D x 32.67 in H; Seat height 17.32 in

74 cm W x 72 cm D x 83 cm H; Seat height 44 cm

About the designer:

Carl-Gustaf Vilhelm (nicknamed “Nalle”) Hiort of Ornäs was born on 27 February 1911 and lived most of his life in Tapiola/Espoo in Finland and in his later life moved to Spain. He is remembered as a Finnish interior architect and designer known to be uncompromising.

Before the Finnish wars (1939-1944), Hiort af Ornäs spent his time in Pori, working at Björneborgs Mekaniska Verkstad. He studied at the Helsinki University of Technology to become an architect but never graduated. He did, however, become known as an interior designer, and eventually even more known as a furniture designer.

In 1945, Hiort af Ornäs founded the furniture company Puunveisto Oy, for which he developed versatile techniques for shaping plywood. He started the furniture manufacturing shop on Lauttasaari in Helsinki (Veneentekijäntie 14) together with his brother. The wood shop, showroom and office were all located in the same building in Helsinki. Rolf Mesterton was the man in charge of producing the furniture, but there were several other carpenters at work in the woodshop. Hiort af Ornäs’s furniture was exhibited and sold by the shop Nupponen who also distributed Olavi Hänninen’s designs, while Puunveisto’s furniture were also sold by Gösta Westerbergs Möbler in Stockholm, Sweden but, in spite of a good selection of chairs, tables and shelves, did not do too well. Since production costs were high, Hiort af Ornäs faced economic troubles. The company was later sold to Nupponen after which Hiort af Ornäs’s interest in the company waned.

Hiort af Ornäs spent his retirement in Spain, and designed several buildings for Fuengirola’s Los Pacos neighbourhood, which has a large Finnish population. His house that he drew and built in Tapiola, Espoo, Finland, ‘Villa Hiort’, still stands and houses some of the designer’s original drawings. It is a beautiful example of 1950s Modernism and the talent of Hiort af Ornäs that brought him recognition that lasts to this day. ~H.

REQUEST PRICE HERE

Price category: 5,000 - 7,500 usd / eur

The first half of the 20th century saw the rise of brilliant designers working to create furniture of the highest quality that explored truly modern shapes and forms. Danish cabinetmakers sought to combine comfort and elegance to achieve timeless designs that remain iconic examples of style and skill to this day.

This upholstered armchair proves the success of the cabinetmaker’s pursuit. The craftsmanship is an immediately distinguishable; the chair’s sleek, yet classic look features a high back which is wide at the top but tapers in to draw the eye, highlighting two rows of tufted upholstered buttons. Not only is the body generously padded, but the slightly rounded backrest, as well as the tilted seat increase comfort even further. The chair is upholstered in a soft white sheepskin fabric, providing the piece with a luxurious and textured feel, while contrasting the oak frame. The open and angular armrests complement the rounded plushness of the body, along with the simple tapered legs. The combination of the clean, honest design, high-quality materials, and understated sophistication makes this piece a standout example of Scandinavian furniture.

Danish cabinetmakers were, and are still world-renowned for their unmatched skill. This chair preserves the value and beauty of master craftsmanship, while creating a warm and welcoming look through the use of natural materials.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the wood, the chair may have some marks, scratches, and discolouration. The chair has recently been reconditioned and has recently been reupholstered in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

28.74 in W x 31.1 in D x 33.07 in H; Seat height 17.32 in; Seat depth 28.74 in; Arm height 24.01 in

73 cm W x 79 cm D x 94 cm H; Seat height 44 cm; Seat depth 73 cm; Arm height 61 cm

REQUEST PRICE HERE

Price category: 2,500 - 5,000 usd / eur

This remarkable armchair was designed by German artist, Willi Ohler. The so-called “Worpsweder” either denote chairs made at the Worpsweder Kunsthütten (Worpsweder arts huts) in Germany, or a specific style of German chairs with solid wood frames, broad armrests, often from tall wood, with woven seats and backs. This piece features all of those characteristics.

Crafted during a time when movements like Modernism were reshaping design worldwide, this early 20th-century armchair reflect a transitional style rooted in both simplicity and elegance. This era emphasises clean lines, unique shapes, and high-quality craftsmanship to achieve timeless pieces like this one. The honey-toned wood highlights the warm patina that has developed over decades. The softly sculpted armrests framing the chair bring both elegance and ergonomic comfort to the overall form. Woven wicker is the main highlight of the piece. The material is used to construct the seat and tall backrest. The beautifully symmetrical pattern showcases the timeless artistry of artisanal furniture. The rectangular, slim legs create a sleek structure while not abandoning sturdiness. This chair preserves the value and beauty of master craftsmanship and exquisite materials.

Worpswede in Lower Saxony is famous nationwide for its long tradition as an artists' colony. Nowadays, about 130 artists and craftsmen and women live there permanently. The artists who created the so called "Worpsweder Kuentlerkolonie" were looking for the simple and original in art and life. The traditional reed and rush woven chairs of this region were greatly appreciated by the artists of the colony, and some of them were still produced around 1900-1920. They have become collectors’ pieces thanks to the craftsmanship that went into each chair’s creation.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials the item has minor scratches and discolouration.

Dimensions:

34.64 in W x 33.07 in D x 46.45 in H; Seat height 16.53 in; Seat depth 19.68 in; Arm height 24.80 in

88 cm W x 84 cm D x 118 cm H; Seat height 42 cm; Seat depth 50 cm; Arm height 63 cm

REQUEST PRICE HERE

Price category: 5,000 - 7,500 usd / eur

Mid-century modern design emerged in the years after World War II, it was shaped by a desire for clarity, optimism, and a new way of living. Designers favoured clean lines, honest materials, and balanced proportions. Wood, metal, glass, and new industrial techniques were used to create pieces that were functional yet warm. This longhair easy chair belongs to this period, when comfort and material presence were just as important as clean lines and practicality.

The chair has a relaxed stance, shaped by a simple form and a tactile surface that immediately draws the eye in. The piece are generous in scale, with a rounded back and wide seat that feels welcoming for the sitter. What makes it stand out most is the longhair upholstery, which softens the entire silhouette and gives the model a warm, inviting texture. The fur catches the light in shifting tones, adding depth without being overly dramatic, and it turns the chair into a piece that feels almost alive in the space. Their shape is straightforward, built to support the body with a gentle curve along the sides that helps create a sense of enclosure. The wooden legs are modest and slightly tapered, balancing the design without distracting from the softness above. The overall effect is calm and comfortable, with enough character to make it stand out without overpowering a room.

This easy chair speaks to a moment in design when quality materials and thoughtful proportions could elevate simple forms. It brings warmth, texture, and cosiness to an interior, offering seating that is both aesthetically pleasing and useful. Their mix of simplicity and softness is what makes the piece so enduring, and why furniture like this continues to resonate in contemporary spaces.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The chair has recently been reupholstered in a premium longhair. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

30.70 in W x 31.88 in D x 33.07 in H; Seat height 18.89 in; Seat depth 19.68 in

78 cm W x 81 cm D x 84 cm H; Seat height 48 cm; Seat depth 50 cm

REQUEST PRICE HERE

Price category: 9,000 - 12,500 usd / eur

Strongly influenced by the functional forms of the Bauhaus school in Germany, Danish designers led the way in furniture design during the 1950s. They combined the inspiration brought by new industrial technologies with minimalist design. This style became so influential that it is recognized as a design movement in itself, entitled Danish Design with a subgroup known as Danish Modern.

Danish Modern focused more on the aesthetics of modern design whilst employing the exquisite technique and material familiarity of highly skilled craftsmen such as cabinetmakers. This armchair is a great example of the style with its clean and pure lines coupled with craftsmanship and delicate research into proportions, materials and the requirements of the human body. Adopting the trend of abandoning ornamentation to benefit the form, this chair’s designer and manufacturer both maintained the beauty and warmth inherent to traditional Danish cabinetmaking. The body has gentle, rounded lines that are visible even through the luscious upholstery. The round edges even apply to the wooden feet in the front, which are referred to as “bun feet” which is a shape of a flattened sphere. The modern aesthetic is further elevated by the textured, premium upholstery that complements the shape and the wooden feet as well. Sheepskin is the ultimate material for comfort, warm in the winter and cool in the summer. It elevates the sheer size and shape of the chair, especially around the edges.

From every single angle, this armchair offers stunning lines and a rich texture. Above all, Danish designers believed that design could certainly be used to improve people's lives. Looking at this armchair, this was evidently and too far-fetched ideal.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

31.88 in W x 40.15 in D x 33.07 in H; Seat height 16.53 in

81 cm W x 102 cm D x 84 cm H; Seat height 42 cm

REQUEST PRICE HERE

Price category: 1,000 - 2,500 usd / eur

Rach Finazzi, an Italian designer active from the late 20th century, is recognised for a distinctive approach to furniture-making that merges geometric structures with unique materials. Finazzi’s work often explores unconventional forms and material contrasts, from glass to metal and wood, resulting in pieces that command attention both as functional furniture and as sculptural statements.

This geometric dining chair is a quintessential example of Finazzi’s design ethos, the chair is characterised by a striking interplay between an angular metal framework, natural wood, and plush sheepskin. The chair rests on slender, black metal legs that intersect to create a dynamic, sculptural base, flowing into the arms. The composition feels both visually light and structurally stable. Adding to the design, the backrest is crafted from solid wood in a dramatically tapered, triangular form. The back introduces an architectural element that draws the eye upward, establishing a visual dialogue between the angular metal structure and the natural wood grain. To fully drive in the textural juxtaposition, the seat is upholstered in longhair sheepskin, adding a warm, inviting texture that contrasts beautifully with the cool, industrial feel of the metal frame and the earthy wooden backrest.

More than just seating, this dining chair functions as a sculptural piece that showcases Finazzi’s ability to harmonise disparate materials and forms. The combination of materials creates a compelling visual and tactile experience, showcasing the skill and creativity of Italian craftsmanship. Whether arranged around a dining table with other pieces or displayed as a standalone accent piece, the chair encapsulates a bold design language, merging functionality with a strong artistic presence.

Condition:

In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. The seat has been reupholstered recently in a premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

19.29 in W x 22.04 in D x 44.68 in H; Seat height 19.68 in; Seat depth 20.47 in; Arm height 24.40 in

49 cm W x 56 cm D x 113.5 cm H; Seat height 50 cm; Seat depth 52 cm; Arm height 62 cm