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Price category: 20,000 - 30,000 usd / eur

Finland and Helsinki are extremely important in mid-century modern design history, and one of the most famous designers of the period was Alvar Aalto. In contrast with the functionalism of the international style, Aalto brought a refreshing breath of humanism to modern design, as evidenced by this pair of Model “400” armchairs.

There is a saying that “Functionalism is a Finnish thing”, and it is hard to argue with that when looking at this pair of chairs. Functionality is without a doubt one of the most important aspects of Finnish design, however, there is also a demand for the highest quality, both in design and materials. Alvar Aalto is the Finnish icon of functionalism, and through this “400” or “Tank” model it is easy to see why. The design is first and foremost functional, combining practicality and aesthetics. These chairs feature a solid wooden frame with a striking silhouette. The arms are particularly distinctive thanks to their geometric look. They create a sculptural line that complements the simplicity of the overall form. The wood is painted black and pairs beautifully with the green upholstery, offering a restrained yet sophisticated material contrast. The choice of green allows for a sense of luxury and richness while still remaining grounded.

Aalto's free-form designs, in harmony with human needs and nature, anticipated the organic modernism of the 1950s and 1960s. This model can be a design statement in any space while also serving its functional purpose.

Condition:

In good vintage condition. Wear consistent with age and use. The armchairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The pair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

30.51 in W × 34.64 in D × 25.98 in H; Seat height 15.35 in; Seat depth 23.62 in; Arm height 19.29 in

77.5 cm W x 88 cm D x 66 cm H; Seat height 39 cm; Seat depth 60 cm; Arm height 49 cm

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Price category: 9,000 - 12,500 usd / eur

Finnish designer, Carin Lisa Johansson-Pape, was among the most significant Finnish designers in the second half of the 1900s. She designed made for Stockmann and participated in New York’s World Fair of 1939 and the Milan Triennial IX. The 1940s marked a golden era for interior design, amidst a booming economy and a newfound sense of optimism. Designers like Johansson-Pape sought to create furniture that felt both modern and human, moving away from the stark metal and glass of the machine age toward objects that could bring warmth and comfort to domestic life.

The design of this pair is full of modern energy that has, and surely will continue to endure for generations thanks to its classic look, quality materials and evident quality of the craftsmanship. Chairs are often considered especially revealing of a designer's skill because of the strict limits placed on their design by the demands of the human body. With these chairs, Johansson-Pape arrived at a clearly-structured solution in which a high degree of coherence is maintained while the chairs appear visually light and open. She followed the mid-century modern philosophy guided by functionality and simplicity. The elegance and honesty of the frames is enhanced by the upholstery which complements both the shape and wooden legs gracefully. The streamlined body and soft fabric create not only a modern and elegant look, but also allows great comfort. The dark colour of the wood contrasts with the sheepskin upholstery creating visual interest while maintaining the perfect aesthetic balance of the chairs. This complementing nature can also be felt on a textural level, with sheepskin adding a tactile dimension through its soft, fluffy appearance, while the tapered legs add a modern, smooth feel.

Quality materials, organic curvature and innovative shape define the design of this pair. With the power to offer feelings of cosiness and comfort, these timeless chairs sit as well in contemporary spaces as they did in 1940s Finnish homes.‎

Condition:

In good vintage condition. Wear consistent with age and use. The lounge chairs have recently been reconditioned. The wood has some scratches and stains. Due to the age and nature of the sheepskin, the chairs may have marks and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.92 in W x 29.53 in D x 29.53 in H; Seat depth 22.05 in

76 cm W x 75 cm D x 75 cm H; Seat depth 56 cm

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Price category: 5,000 - 7,500 usd / eur

This “Grand Pedro” armchair shows the curviness that defined the design of the 1950s. Hiort af Ornäs developed this model for his own furniture company, Puunveisto Oy.

The “Grand Pedro” model has a soft, sculptural shape paired with an ergonomic construction, which is very representative of the designer’s beliefs. Hiort af Ornäs was very firm about two things regarding his chair designs: the sitting comfort and that the model must look good from every single angle. “Pedro” fulfils these principles, for as even from the bottom, it showcases the elongated, tapered back legs that are visually captivating. The body has a welcoming look, with outward curving armrests and a slightly bent backrest. In service of utmost comfort, the sheepskin upholstery is extremely soft. The light colour and texture of the sheepskin complements the lacquered wood legs beautifully, highlighting their sculptural lines.

The craftsmanship and quality provided by Hiort af Ornäs is very visible in the “Pedro” collection that includes a sofa besides this chair. The seating designs of the architect/designer have been gradually more and more recognized world-wide, which resulted in the recent exhibition titled “Forgotten Ornäs”.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. The chair has been reupholstered recently in premium sheepskin. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.13 in W x 28.34 in D x 32.67 in H; Seat height 17.32 in

74 cm W x 72 cm D x 83 cm H; Seat height 44 cm

About the designer:

Carl-Gustaf Vilhelm (nicknamed “Nalle”) Hiort of Ornäs was born on 27 February 1911 and lived most of his life in Tapiola/Espoo in Finland and in his later life moved to Spain. He is remembered as a Finnish interior architect and designer known to be uncompromising.

Before the Finnish wars (1939-1944), Hiort af Ornäs spent his time in Pori, working at Björneborgs Mekaniska Verkstad. He studied at the Helsinki University of Technology to become an architect but never graduated. He did, however, become known as an interior designer, and eventually even more known as a furniture designer.

In 1945, Hiort af Ornäs founded the furniture company Puunveisto Oy, for which he developed versatile techniques for shaping plywood. He started the furniture manufacturing shop on Lauttasaari in Helsinki (Veneentekijäntie 14) together with his brother. The wood shop, showroom and office were all located in the same building in Helsinki. Rolf Mesterton was the man in charge of producing the furniture, but there were several other carpenters at work in the woodshop. Hiort af Ornäs’s furniture was exhibited and sold by the shop Nupponen who also distributed Olavi Hänninen’s designs, while Puunveisto’s furniture were also sold by Gösta Westerbergs Möbler in Stockholm, Sweden but, in spite of a good selection of chairs, tables and shelves, did not do too well. Since production costs were high, Hiort af Ornäs faced economic troubles. The company was later sold to Nupponen after which Hiort af Ornäs’s interest in the company waned.

Hiort af Ornäs spent his retirement in Spain, and designed several buildings for Fuengirola’s Los Pacos neighbourhood, which has a large Finnish population. His house that he drew and built in Tapiola, Espoo, Finland, ‘Villa Hiort’, still stands and houses some of the designer’s original drawings. It is a beautiful example of 1950s Modernism and the talent of Hiort af Ornäs that brought him recognition that lasts to this day. ~H.

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Price category: 12,500 - 15,000 usd / eur

Norwegian furniture design of the 1940s occupies a unique position between the decorative language of Art Deco and the emerging ideals of modernism. During this period, artists struck a balance between structure and comfort, producing seating that combined clean, geometric outlines with a strong emphasis on craftsmanship. Influenced by broader European movements, Norwegian designers favoured simplified forms, restrained ornamentation, and high-quality natural materials, resulting in pieces that felt both modern and grounded in tradition.

Each chair features a solid wood frame with strong, sculptural lines. Modest in form, the structure of the seat is especially inviting, with its open arm silhouette. The design is grounded in a human-centered approach, favouring curves that follow the body’s natural shape, and the use of materials that age gracefully over time. The low winged backrests create a slight cocooning feel while still providing excellent support, the subtle button tufting introduces a hint of texture without overpowering the design. The deep brown upholstery immediately draws the eye, bringing warmth and richness that pairs beautifully with the soft curves of the frame. Altogether, the interplay between rounded shapes and linear details provides a relaxed, harmonious energy that feels both timeless and welcoming, with a rare balance between functional simplicity and expressive form.

These Åge Nilsson armchairs capture the essence of Nordic design, making them equally suited for a cosy reading corner or a lively living room. Their distinctive yet versatile character allows them to complement a range of interiors, from mid-century inspired settings to more eclectic contemporary homes.

Condition:

In good vintage condition. Wear consistent with age and use. The lounge chairs have recently been reconditioned. Some minor scratches are present on the wood. Due to the age and nature of the materials, the items may have marks and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

28.35 in W x 33.07 in D x 30.31 in H; Seat Height 18.11 in; Seat Depth 27.56 in; Arm Height 22.44 in

72 cm W x 84 cm D x 77 cm H; Seat Height 46 cm; Seat Depth 70 cm; Arm Height 57 cm

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Price category: 5,000 - 7,500 usd / eur

This “Pedro” armchair shows the curviness that defined the design of the 1950s. Hiort af Ornäs developed this model for his own furniture company, Puunveisto Oy.

The “Pedro” model has a soft, sculptural shape paired with an ergonomic construction, which is very representative of the designer’s beliefs. Hiort af Ornäs was very firm about two things regarding his chair designs: the sitting comfort and that the model must look good from every single angle. “Pedro” fulfils these principles, for as even from the bottom, it showcases the elongated, tapered back legs that are visually captivating. The body has a welcoming look, with outward curving armrests and a slightly bent backrest. In service of utmost comfort is the removable seat cushion that ensures sitting comfort, and the upholstery that is extremely soft. The colour and texture of the fabric complements the lacquered wood legs beautifully, highlighting their sculptural lines.

The craftsmanship and quality provided by Hiort af Ornäs is very visible in the “Pedro” collection that includes a sofa besides this chair. The seating designs of the architect/designer have been gradually more and more recognized world-wide, which resulted in the recent exhibition titled “Forgotten Ornäs”.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

27.55 in W x 26.96 in D x 29.72 in H; Seat height 16.92 in

70 cm W x 68.5 cm D x 75.5 cm H; Seat height 43 cm

About the designer:

Carl-Gustaf Vilhelm (nicknamed “Nalle”) Hiort of Ornäs was born on 27 February 1911 and lived most of his life in Tapiola/Espoo in Finland and in his later life moved to Spain. He is remembered as a Finnish interior architect and designer known to be uncompromising.

Before the Finnish wars (1939-1944), Hiort af Ornäs spent his time in Pori, working at Björneborgs Mekaniska Verkstad. He studied at the Helsinki University of Technology to become an architect but never graduated. He did, however, become known as an interior designer, and eventually even more known as a furniture designer.

In 1945, Hiort af Ornäs founded the furniture company Puunveisto Oy, for which he developed versatile techniques for shaping plywood. He started the furniture manufacturing shop on Lauttasaari in Helsinki (Veneentekijäntie 14) together with his brother. The wood shop, showroom and office were all located in the same building in Helsinki. Rolf Mesterton was the man in charge of producing the furniture, but there were several other carpenters at work in the woodshop. Hiort af Ornäs’s furniture was exhibited and sold by the shop Nupponen who also distributed Olavi Hänninen’s designs, while Puunveisto’s furniture were also sold by Gösta Westerbergs Möbler in Stockholm, Sweden but, in spite of a good selection of chairs, tables and shelves, did not do too well. Since production costs were high, Hiort af Ornäs faced economic troubles. The company was later sold to Nupponen after which Hiort af Ornäs’s interest in the company waned.

Hiort af Ornäs spent his retirement in Spain, and designed several buildings for Fuengirola’s Los Pacos neighbourhood, which has a large Finnish population. His house that he drew and built in Tapiola, Espoo, Finland, ‘Villa Hiort’, still stands and houses some of the designer’s original drawings. It is a beautiful example of 1950s Modernism and the talent of Hiort af Ornäs that brought him recognition that lasts to this day. ~H.