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Price category: 5,000 - 7,500 usd / eur

This peculiar mid-century easy chair features multiple distinctive characteristics, from its floating back to the curvaceous armrests. This model is, without a doubt, the work of a master cabinetmaker. The period from roughly the 1940s through the 1960s was a high point for Scandinavian furniture makers, and this chair shows why.

The elegant organic lines of the design create a striking silhouette. Its generous proportions and luxurious upholstery provide great sitting comfort. The chair’s seat and backrest are separated in a style that is typical of Swedish designer, Otto Schulz. This stylish feature highlights the beautiful oaken frame. The armrests are in a peculiar shape, wider in the middle, and along with the generous proportions and upholstery, are perfectly sculpted to accommodate the sitter. Schulz was known for his floating back designs as seen here, preventing the chair from looking heavy. As with most lounge chairs, this chair is also built in a slightly reclined position which provides ultimate comfort. Thanks to the open profile and luxurious, organic style, it is an ideal way to draw attention while complementing any space.

Swedish furniture reflected traditional Scandinavian craftsmanship and mixed it with a modern style. This is reflected in the beautiful sheepskin upholstery, which give this easy chair a soft, modern edge. The sturdy frame and armrests are all carved from solid oak and have acquired a beautiful patina over the decades.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the wood, the chair may have marks, scratches, and discolouration. The chair has been recently reupholstered in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

27.95 in W x 30.90 in D x 31.29 in H; Seat height 16.92 in

71 cm W x 78,5 cm D x 79,5 cm H; Seat height 43 cm

About the (attributed) designer:

Otto Schulz (1882-1970) was Swedish interior designer, furniture designer, publisher and founder of the furniture company BOET in Gothenburg.

Schulz was born in Germany and moved to Sweden in 1907. He mainly produced opulent upholstered furniture, as well as lavishly inlaid, decorative box furniture style-wise between functionalism and traditionalism. He has some of his own invented techniques patented, including the use of decorative nails as part of the design, called Bopoint. After establishing his own furniture company, BOET, he used it as a showroom to exhibit his designs as well.

In the 1920s he started publishing the eponymous magazine BOET, which was also a platform for his own collection. The magazine was at the time the most influential, appearing in regular editions in Sweden and often included interviews with well-known designers and architects. ~H.

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Price category: 9,000 - 12,500 usd / eur

The Italian architect, painter and furniture designer, Guglielmo Ulrich, descended from a noble family with Danish origins. He quickly became a very influential figure in modern Italian design and his models are real delicacies today.

As this pair of 1950s lounge chairs show, Ulrich’s work is elegant and rich in detail. Although his work does not quite conform with the strict norms of simplicity of the time, it fits the prevalent aesthetics of Modernism. In the case of these chairs, the fully upholstered bodies show the general mid-century modern characteristics with an ergonomic and functional design. The seats are slightly raised, and the backs tilted, creating an angle that supports the sitter and the lounging experience. The wooden arms transcending to form the back legs however, truly stand out. The sharp curvature of the armrests and front legs define the look and create an interesting effect, as if the upholstered seats and backs were connected to them without joinery. The carved, dark wood and soft upholstery make them even more pronounced. There are more, subtler features to these chairs, including the wider armrests and the curved backrests, both in service of comfortable lounging. Thanks to the quality of his furnishings, that Ulrich designed and made personally, he became the trusted architects of many upper-class Milanese families. He participates in the furnishing of the most prestigious Italian ships: Cristoforo Colombo, Raffaello, etc.

“A nobleman of yesteryear, with sudden jokes and twists, such as a pipe with an egg in his mouth and a very concrete sense of doing” is how he was often described. This pair of chairs is much like this description with a playful, elegant design completed by quality materials and craftsmanship.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.4 in W x 31.69 in D x 31.49 in H; Seat height 14.17 in; Arm height 23.42 in

62 cm W x 80.5 cm D x 80 cm H; Seat height 36 cm; Arm height 59.5 cm

About the designer:

Guglielmo Ulrich (born 1904, Milan–died 1977) was an Italian architect, furniture designer, and painter. He was born to a notable family of Danish origin. In 1924, Ulrich enrolled in the Scuola Speciale di Architettura at the Accademia di Belle Arti di Brera. He finished his studies at Politecnico di Milano in 1927 and soon became a very influential figure in modern Italian design.

In 1930, along with Scaglia and Wild, Guglielmo Ulrich founded and became head designer of home furnishing company Arca (Arredamento casa, or Home Furnishing), a company engaged in the creation of high-quality furnishing accessories characterized by craftsmanship and the use of premium materials. In the 1950s, he participated in several editions of the Triennale di Milano and concentrated on designing buildings, offices, and retail shops throughout Italy.

Most of Ulrich’s furniture designs from this era, and especially his chairs and chaise lounges, resemble simplified and streamlined design versions of late 19th century pieces and do not necessarily conform to modern designs prevalent in Northern Europe and the U.S. in the 1950s. In the 1960s, Ulrich focused his work toward industrial design and was able to create original and impactful objects. His talent was rewarded on many occasions. In 1961, he won the Fiera di Trieste award for his Trieste chair, produced by furniture maker Saffa.

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Price category: 7,500 - 10,000 usd / eur

Simplicity, functionality, and elegance - these are the basic aspects of Danish design and accordingly, of this sophisticated easy chair as well. As a representation of early modernist seating, there is a profound focus on comfort and cosiness, that invokes a pleasant homelike feeling.

The subtle decorative qualities stemming from the early 20th century art movements and the simple lines deriving from the inter-war art movements gives the chair its elegance. Even though Scandinavian design is generally democratic and meant for the masses, pieces were not stripped of all beauty in order to make them as easy to use as possible. The importance of this balance can be identified in the design and execution of these armchairs as well. This balance is achieved through the clever use of the materials and rounded edges of the upholstered body. The exposed wood outlining the armrests’ shape is the standout design element. Quality craftsmanship was evidently of optimum importance for the cabinetmaker who created this piece, especially visible in the sculpted armrests. The pairing of the bun feet in the front and the short, tapered legs in the back is a quirky Scandinavian detail that adds more visual interest to this model.

This armchair further illustrates how modernist design can be warm and cosy despite its reputation of often cold simplicity. The elegant light wool upholstery highlights the beautiful wood lines of the armrests and the legs. With a classic look, storied design and solid quality, this chair is truly soulful and timeless. 

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

32.48 in W x 37.4 in D x 32.48 in H; Seat height 16.73 in

82.5 cm W x 95 cm D x 82.5 cm H; Seat height 42.5 cm

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Price category: 2,500 - 5,000 usd / eur

This remarkable armchair was designed by German artist, Willi Ohler. The so-called “Worpsweder” either denote chairs made at the Worpsweder Kunsthütten (Worpsweder arts huts) in Germany, or a specific style of German chairs with solid wood frames, broad armrests, often from tall wood, with woven seats and backs. This piece features all of those characteristics.

Crafted during a time when movements like Modernism were reshaping design worldwide, this early 20th-century armchair reflect a transitional style rooted in both simplicity and elegance. This era emphasises clean lines, unique shapes, and high-quality craftsmanship to achieve timeless pieces like this one. The honey-toned wood highlights the warm patina that has developed over decades. The softly sculpted armrests framing the chair bring both elegance and ergonomic comfort to the overall form. Woven wicker is the main highlight of the piece. The material is used to construct the seat and tall backrest. The beautifully symmetrical pattern showcases the timeless artistry of artisanal furniture. The rectangular, slim legs create a sleek structure while not abandoning sturdiness. This chair preserves the value and beauty of master craftsmanship and exquisite materials.

Worpswede in Lower Saxony is famous nationwide for its long tradition as an artists' colony. Nowadays, about 130 artists and craftsmen and women live there permanently. The artists who created the so called "Worpsweder Kuentlerkolonie" were looking for the simple and original in art and life. The traditional reed and rush woven chairs of this region were greatly appreciated by the artists of the colony, and some of them were still produced around 1900-1920. They have become collectors’ pieces thanks to the craftsmanship that went into each chair’s creation.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials the item has minor scratches and discolouration.

Dimensions:

34.64 in W x 33.07 in D x 46.45 in H; Seat height 16.53 in; Seat depth 19.68 in; Arm height 24.80 in

88 cm W x 84 cm D x 118 cm H; Seat height 42 cm; Seat depth 50 cm; Arm height 63 cm

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Price category: 7,500 - 10,000 usd / eur

The so-called “Kurulstol” or “Kurul” chair, is an iconic model by Danish designer, Henning Kjærnulf. The Kurul chair is an ancient folding chair, originally a folding stool with straight or curved legs. Among the Romans, in addition to being an ordinary utility chair, it was symbolically linked to officials, often within the judiciary.

This pair of chairs combine the traditional kurul structure with a rounded and curved appearance, with an upholstered seat and backrest that gives the historic look a modern edge. The oak frames are carved and sculpted in an unmistakeable way, showing the skills of both the designer and the manufacturer. The bodies are composed of two slats of wood of equal length in the front and back, fastened together in a saltire formation (resembling the letter X) which are extended up at the top and back to form the armrests and the backs as well. The seats are upholstered in soft sheepskin, stretched between the front and back slats connecting the two. Kjærnulf removed the folding function of the historic design, giving his model a more stable, organic look. This impression is further enhanced by the solid oak, which is carved with great precision into straight and curving lines. The rich sheepskin melts these carved and straight lines together, contrasting to the oak’s smoothness. While the historic kurul chair was often decorated with intarsia, this model only showcases subtle decor elements, such as the charming sculpted mark in the front with a flower (or the sun) carved into the wood.

While the kurulstol is a Renaissance classic originating from ancient Rome, thanks to Kjaernulf, Scandinavian modernism remains at the core of the design. Kjærnulf’s designs are easy to spot in a crowd thanks to his originality, making his pieces like the razorblade chair and this kurulstol eternally unique. This chair was manufactured by EG Kvalitetsmobel in Denmark during the 1960s.

Condition:

In good vintage condition. Wear consistent with age and use. Some scratches and marks on the wood. The pair has been reupholstered recently in premium sheepskin. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

25.59 in W x 21.65 in D x 34.65 in H; Seat height 19.29 in; Arm height 25 in

65 cm W x 55 cm D x 88 cm H ; Seat height 49 cm; Arm height 63.5 cm

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Price category: 12,500 - 15,000 usd / eur

Rosello Paris was a French furniture house active through much of the twentieth century, starting in 1928. Their models draw on geometry and style associated with Art Deco furniture. This pair from the 1970s draws inspiration from the Art Deco period in an expressive direction, with large circular armrests becoming the central architectural element of the chairs.

The armchairs feature tall upholstered backs that rise in a gentle curve above deep, generously cushioned seats. Their off-white mohair gives the broad surface a soft, elegant appearance, with restrained piping following the outer edges and emphasising the height of the backrests. Against this pale upholstery, the dark wooden frames are particularly striking. Each armrest takes the form of a circle, sweeping upward from the front leg, around the side of the seat and back toward the rear structure. The generous diameter of these loops give the chairs their unmistakable profile, while the open centres keep the wooden elements visually light. At floor level, the circular forms continue into short curved feet and connecting members, creating arcs around the upholstered body. Seen from the side, the contrast is evident: the seat is almost enclosed by the curve of the dark wood, while the high, softly shaped back projects upward. The fabric allows the form to remain the main focus, while enduring lasting quality and beauty over generations to come.

The dramatic armrests give this pair a presence that goes well beyond conventional lounge seating. Placed together in a living room, library or conversation area, this pair can bring softness and light to the interior. With the sculptural elements, the pair is a particularly distinctive example of Rosello Paris seating from the 1970s.

Condition:

In good vintage condition. Wear consistent with age and use. The armchairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The armchairs have recently been reupholstered in premium mohair. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

23.6 in W × 29.9 in D × 39.8 in H; Seat height: 17.7 in; Seat depth: 18.9 in; Arm height: 23.6 in

60 cm W x 76 cm D x 101 cm H; Seat height 45 cm; Seat depth 48 cm; Arm height 60 cm

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Price category: 5,000 - 7,500 usd / eur

The mid-20th century was a transformative era for design throughout Europe. Around this period, furniture began blending the streamlined elegance of modernism with the inviting charm of skilled craftsmanship. This period celebrated functionality, comfort, and organic forms by creating pieces that were as practical as they were beautiful, like this armchair.

Works from this era embraced soft curves and beautiful textures, perfectly showcased by this piece. This armchair encapsulates the mid-century modern ethos, standing as a testament of the era’s focus on human-centred design and timeless versatility. The piece features harmonious, seamless curves, breaking the classic angularity of most armchairs, while evoking natural fluidity, through material and colour. The frame is quite distinctive even beyond its curved arms. The shape and construction show the signs of a master cabinetmaker as the chair has an almost sculptural look. The backrest is visually “unattached” to the seat which creates an impression of weightlessness. The piece has an overall flow to it which adds to the visual interest. The light fabric adds to the stylish look as well, as it highlights the wood’s gorgeous colour and pattern. European designers often believed that a chair should always be comfortable to sit on and beautiful to look at from all sides and angles and this piece is evidence of that.

Unlike designs from outside the continent, European furniture wasn’t flashy but designed to be well-made and to fit a warm, comfortable and welcoming home. As this armchair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship is the key to the success of modern design.

Condition:

In good vintage condition. Wear consistent with age and use. The armchair has recently been reconditioned. Due to the nature and age of the materials, the item has minor marks, scratches, dents, and discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.61 in W × 25.98 in D × 34.65 in H; Seat Height 15.75 in; Seat Depth 21.26 in; Arm Height 24.02 in

62.5 cm W x 66 D x 88 cm H; Seat height 40 cm; Seat Depth 54 cm; Arm Height 61 cm

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Price category: 7,500 - 10,000 usd / eur

Art Deco, the glamorous and influential design movement that emerged in France during the early 20th century, left an indelible mark on the world of furniture design. Characterised by its bold geometric shapes, rich materials, and luxurious aesthetics, Art Deco transformed the way we perceive interior spaces. It was a testament to the fusion of form and function, and this ethos is beautifully exemplified in this exquisite lounge chair.

This lounge chair is defined by its generous, rounded silhouette, with thickly upholstered arms that curve forward and frame the seat in a protective, almost enveloping way. The deep seat and softly padded backrest create a sense of weight and comfort, while the proportions remain carefully controlled so the form never feels heavy. The body is upholstered in a luxurious off-white mohair, which delights the eye thanks to its softness and texture, transforming the piece into a uniquely charming accent. The plush mohair also adds a tactile richness and warmth that stays true to the Art Deco commitment to durability and high-quality materials. Paired with the brown of the tapered wood that composes its legs, the lounge chair evokes a natural feel.

Perfect for those who value style and quality, this lounge chair brings a bold, timeless charm to any room. With its silhouette and rich, versatile colour, this piece combines style and comfort to infuse a space with Art Deco elegance.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The lounge chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

27.17 in W x 39.57 in D x 27.96 in H; Seat height 15.36 in; Seat depth 21.66 in; Arm height 24.02 in

69 cm W x 100.5 cm D x 71 cm H; Seat height 39 cm; Seat depth 55 cm; Arm height 61 cm

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Price category: 5,000 - 7,500 usd / eur

This armchair is a clear expression of European mid-century modern design, a period defined by softer forms, functional comfort, and a move away from the rigidity of older styles. Designers of the mid-20th century increasingly focused on how furniture was used in everyday life, prioritising ergonomics and visual warmth alongside clean, modern lines. This approach resulted in seating that feels approachable, while still maintaining a strong sense of craftsmanship.

This armchair features a curved back and arms that gently wrap around the sitter, creating an inviting and supportive profile. The seat cushion is deep and well-proportioned, designed to offer comfort. Subtle shaping in the armrests and back give the chair a cohesive, flowing appearance from every angle. The body of the chair is fully upholstered in a neutral tone, bringing in warmth and cosiness, and maintaining a soft, tactile surface. The slightly tapered and pointed wooden legs lift the piece, preventing the chair from feeling heavy despite its bold, voluptuous form. Its stance is stable and grounded, yet light enough to integrate easily into a variety of interior settings. The neutral upholstery enhances the overall softness of the design and allows the chair to adapt to both modern and more traditional spaces. Every detail, from the fabric choice to the careful balance between curves and structure, points to thoughtful construction and a clear understanding of comfort. 

This chair will work beautifully in a living room, reading corner, or bedroom setting. Comfortable, elegant, and well-crafted, this armchair is a strong example of mid-century furniture that continues to feel relevant today.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned and reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

32.48 in W x 34.05 in D x 32.48 in H; Seat height 18.89 in; Seat depth 22.04 in; Arm height 25.19 in

82.5 cm W x 86.5 cm D x 82.5 cm H; Seat height 48 cm; Seat depth 56 cm; Arm height 64 cm

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Price category: 5,000 - 7,500 usd / eur

Art Deco pieces used bold geometry to create iconic elements of interior design.  While the movement is frequently associated with angular silhouettes and decorative detailing, many Scandinavian interpretations introduced a calmer and more restrained approach and rounder forms. Danish furniture makers in particular favoured sculptural curves and high-quality upholstery to define the character of a piece rather than relying on excessive ornamentation.

This shift produced seating that retained the elegance of Art Deco while moving toward the softer sensibility that would later define Scandinavian modernism. Through its strong contours and carefully balanced proportions, this 1930s danish armchair is reflective of its era. The most distinctive feature is the oversized circular armrests, which frame the seat in a bold, sculptural manner. The curved shape creates a strong visual rhythm while softening the otherwise classic structure of the chair. The body is fully upholstered in a thick boucle fabric whose textured surface enhances the softness of the silhouette across the curves. The backrest rises slightly above the armrests and complements the roundness of the arms with its more angular look, without disrupting its appearance. Beneath the body, the chair rests on a low wooden plinth base with small feet, grounding the form and providing visual contrast to the softness above. The restrained palette further emphasises the shapes and allows the sculptural quality of the armrests to remain the focal point.

The interplay between the upholstery and the dark wooden base gives the chair a controlled sense of weight and balance. Rather than appearing delicate or overly decorative, the design feels strong while still prioritising comfort. This piece demonstrates the refined elegance that characterised Danish interpretations of Art Deco seating.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. The item has recently been reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

30.31 in W x 37.01 in D x 34.25 in H; Seat height 16.14 in; Seat depth 20.47 in; Arm height 23.62 in

77 cm W x 94 cm D x 87 cm H; Seat height 41 cm; Seat Depth 52 cm; Arm height 60 cm