High-Back Chair with Wicker Seat by Bas van Pelt, The Netherlands 1940s

High-Back Chair with Wicker Seat by Bas van Pelt, The Netherlands 1940s

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Price category: 2,500 - 5,000 usd / eur

Bas van Pelt was one of the key figures in early Dutch modernist design, active during the 1930s and 1940s through his firm “My Home.” His work is recognised for its clarity of construction, careful proportions, and thoughtful integration of natural materials. Van Pelt focused on creating furniture that balanced function and craftsmanship, often incorporating elements such as wicker, rattan, and solid wood to introduce both durability and texture.

This high-back chair by Bas van Pelt combines of strong verticality and refined material contrast. The solid wooden frame establishes a clear architectural outline, with the elongated tall back defining the silhouette. The back is composed by ladder-like horizontal slats that introduce a sense of rhythm while maintaining the openness of the design. The seat is crafted from woven wicker, a material valued for its strength and breathability, which adds a tactile, organic quality to the otherwise linear construction. This contrast between the smoothness of the frame and the texture of the woven surface is central to the chair’s character. The armrests are gently shaped, introducing a subtle curvature that softens the overall form. Below, the legs are connected by stretchers that reinforce the structure and ensure stability. The craftsmanship is evident in the precision of the joinery which contribute to the overall sense of durability and refinement.

This armchair shows why Bas van Pelt is widely regarded as a Dutch design icon. From the handcrafted frame to the beautiful woven element, the chair remains of hifh quality and ideally suited for everyday use.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Some chips and dents are present. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration.

Dimensions:

25.20 in W x 28.35 in D x 40.95 in H; Seat height 13.39 in; Seat depth 20.08 in; Arm height 23.82 in

64 cm W x 72 cm D x 104 cm H; Seat height 34 cm; Seat depth 51 cm; Arm height 60.5 cm

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Price category: 2,500 - 5,000 usd / eur

This remarkable armchair was designed by German artist, Willi Ohler. The so-called “Worpsweder” either denote chairs made at the Worpsweder Kunsthütten (Worpsweder arts huts) in Germany, or a specific style of German chairs with solid wood frames, broad armrests, often from tall wood, with woven seats and backs. This piece features all of those characteristics.

Crafted during a time when movements like Modernism were reshaping design worldwide, this early 20th-century armchair reflect a transitional style rooted in both simplicity and elegance. This era emphasises clean lines, unique shapes, and high-quality craftsmanship to achieve timeless pieces like this one. The honey-toned wood highlights the warm patina that has developed over decades. The softly sculpted armrests framing the chair bring both elegance and ergonomic comfort to the overall form. Woven wicker is the main highlight of the piece. The material is used to construct the seat and tall backrest. The beautifully symmetrical pattern showcases the timeless artistry of artisanal furniture. The rectangular, slim legs create a sleek structure while not abandoning sturdiness. This chair preserves the value and beauty of master craftsmanship and exquisite materials.

Worpswede in Lower Saxony is famous nationwide for its long tradition as an artists' colony. Nowadays, about 130 artists and craftsmen and women live there permanently. The artists who created the so called "Worpsweder Kuentlerkolonie" were looking for the simple and original in art and life. The traditional reed and rush woven chairs of this region were greatly appreciated by the artists of the colony, and some of them were still produced around 1900-1920. They have become collectors’ pieces thanks to the craftsmanship that went into each chair’s creation.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials the item has minor scratches and discolouration.

Dimensions:

34.64 in W x 33.07 in D x 46.45 in H; Seat height 16.53 in; Seat depth 19.68 in; Arm height 24.80 in

88 cm W x 84 cm D x 118 cm H; Seat height 42 cm; Seat depth 50 cm; Arm height 63 cm

Pair of Papercord Dining Chairs by Adrien Audoux and Frida Minet, France ca 1950s

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Price category: 5,000 - 7,500 usd / eur

This beautiful chair design was crafted by French duo Audoux-Minet. Adrien Audoux and Frida Minet worked together during the mid-20th century, and are known for their innovative use of natural, sustainable materials, including rope, wicker, and bamboo. Their work was heavily influenced by the Modernist movement, which sought to create functional and streamlined designs that were accessible to a wider audience.

Like in Scandinavia, there was an early emphasis on wood in most French mid-century design - it connected everyday objects to nature. These chairs are a perfect example of this sentiment, and the visual benefits of an understated, organic design. The high quality woven papercord makes the pieces an outstanding example of woven furniture. They feature a fairly traditional shape with soft edges and an airy feel. The straightforward shape highlights the understated beauty of the materials, allowing the beautiful woven pattern and the grain of the wood to stand out. The interplay of a simple structure and refined detailing evokes a sense of harmony, aligning with the era’s focus on blending beauty with utility. The organic design makes these pieces stand out with an elemental edge. The colour palette further allows easy adaptation to almost any interior, functioning to either complement a space or to stand out as an accent.

Today, Audoux and Minet's designs are highly sought after by collectors and are considered important examples of mid-century modern design. Furniture pieces like this pair of armchairs stand out through their unique textures, and their materials, as well as their classic charm.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, dents and discolouration.

Dimensions:

17.51 in W x 20.86 in D x 32.28 in H; Seat height 17.32 in; Seat depth 17.51 in

44.5 cm W x 53 cm D x 82 cm H; Seat height 44 cm; Seat depth 44.5 cm

Brutalist Oak and Rush Armchair with Upholstered Seat, Spain 1950s

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Price category: 2,500 - 5,000 usd / eur

Derived from the French "brut", meaning raw, Brutalism describes the architectural style that emerged in the mid-20th century, featuring minimalist constructions that showcase bare materials and structural elements over decorative design. It originated post–World War II, when low-cost housing and government buildings were composed of mainly raw, unrefined materials. Similarly, in furniture design, Brutalism inspired creators to follow the same look of deliberate simplicity, honesty and strength.

This armchair stands as evidence why many European architects succeeded at the craft of furniture design; the precision of the structure and the rush weaving is evident at first glance, showing great geometric order. Driven by function, the designer’s focus was evidently on practicality, structural stability, and construction in favour of these principles. The straight lines and the absence of excess decoration are very typical of the era’s designers, who saw possibilities in the aesthetics of modernist design and materials. This beautiful chair’s simplicity and honest look combined with brutalist influences enhances the exceptional craftsmanship. The woven back and upholstered seat gives the piece an organic and cosy impression, all while staying very functional. It is perfect to bring natural charm to a minimalist space. The oak has a beautiful patina due to its age, feature that enhances even more its charm.

Its bold, unapologetic aesthetic resonates with those seeking a departure from the sleek minimalism of recent years. This armchair serves as both an homage to the past and a testament to the timeless allure of Brutalism.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the wood, the item has marks, and scratches. The arms show discolouration. The seat cushion has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

25.19 in W x 27.95 in D x 26.77 in H; Seat height 15.74 in; Seat depth 20.86 in; Arm height 23.62 in

64 cm W x 71 cm D x 68 cm H; Seat height 40 cm; Seat depth 53 cm; Arm height 60 cm

Rattan "Canton" Chair by Kay Fisker for Robert Wengler, Denmark ca 1960s

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Price category: 2,500 - 5,000 usd / eur

While Kay Fisker is considered a leading exponent of Danish Functionalism, his designs show why he was also a great influence on the Danish housing culture. This model was famously brought to Denmark from China by Fisker and there manufactured by Robert Wengler.

Having trained architects and designers such as Finn Juhl, Kay Fisker designed his furniture pieces with the greatest architectural precision and quality. This “Canton” is a one-of-a-kind design, with an immediately recognisable frame and wickerwork. The masterfully woven cane gives this chair an airy look, complimented by the loose, upholstered seat cushion that adds comfort and cosiness to complement the frame. From every angle, this chair is visually arresting; from the front to the sides and back, the curves and geometric lines provide plenty of visual interest. This chair has a distinct designer edge, with clear signs of a skilled architect. The straight lines are mainly in service of the structural stability, while the lower panel in the front are the creation of an equally skilled designer. The back is especially creative, as it flows down to form the armrests and then further down to the legs, creating balance between the curved and straight lines. Fisker, like many of his Danish contemporaries was highly skilled both as an architect and as a furniture designer, and the “Canton” is perhaps the best evidence of that.

The manufacturer, Robert Wengler was a German craftsman who specialised in wicker furniture, and was appointed as a wicker maker to the Danish Crown in 1914. He was a pioneer in working with rattan in the early 20th century and became the most skillful wicker-maker in Denmark.

Condition:

In good vintage condition. Wear consistent with age and use. The armchair has recently been reconditioned. Due to the age and nature of the metal, the armchair may have minor marks and discolouration. The chair has recently been reupholstered in premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information

Dimensions:

34.25 in W x 37.40 in D x 39.17 in H; Seat height 19.68 in; Seat depth 21.65 in; Arm Height 23.42 in

87 cm W x 95 cm D x 99.5 cm H; Seat height 50 cm; Seat depth 55 cm; Arm Height 59.5 cm

Pair of Dutch Wicker High Back Armchairs by Bas van Pelt, The Netherlands 1940s

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Price category: 9,000 - 12,500 usd / eur

This elegant armchair pair by Dutch designer, Bas Van Pelt is a classically luxe model with a level of craftsmanship that’s immediately visible to any eye. The construction of this rare 1940s design is simple at its core, but thanks to the details, it is a unique representation of early Dutch modernism.

While Bas Van Pelt's creative work was primarily influenced by the 1920s straight lines dominated by The Hague School, this model is the result of his more mature design era, which was primarily dominated by natural materials and more curvature. While made of solid wood and wicker, these armchairs have an open feel thanks to the airy arrangement of the arms and legs. The curved lines of the armrests are beautifully crafted and follow the raised seat’s angle. The curves nicely contrast with the straight lines of the frame, keeping it from appearing too strict. Apart from the expert woodwork, the upholstered seats stand out as well. The fabric is tightly fitted within the frame, and the seat’s thick shape is an especially pleasing element that offers plenty of comfort both figuratively and literally. The woven wicker backs further enhance the visual interest and thus allow the chairs to stand out. The block legs blend seamlessly into the back and form a gentle angle. Thanks to the well-chosen proportions and materials, this armchair pair provides great comfort. This model can be easily used as an accent thanks to the characteristic details, but can also complement a wide variety of interior styles with its refined and elegant style.

Bas van Pelt’s progressive designs were, in many ways, ahead of his era. The Dordrecht-born designer’s furniture models are quite rare, thus a few are preserved in the Stedelijk Museum Amsterdam for modern art, contemporary art, and design.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items may have minor marks, scratches, and discolouration. The chairs have been recently reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.8 in W x 29.13 in D x 38.18 in H; Seat height 14.96 in; Seat depth 22.44 in; Arm height 22.83 in

63 cm W x 74 cm D x 97 cm H; Seat height 38 cm; Seat depth 57 cm; Arm height 58 cm