Olof Ottelin "Munk" Lounge Chair for Oy Stockmann Ab, Finland 1960s




































Olof Ottelin "Munk" Lounge Chair for Oy Stockmann Ab, Finland 1960s
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Price category: 5,000 - 7,500 usd / eur
Finnish master cabinetmakers, like Olof Ottelin, have been creating products that last for a lifetime and become heirlooms naturally. Crafted with precision from solid wood, finished with attention to detail and care, this lounge chair stands the test of time thanks to both its aesthetic quality and build.
This chair holds a soft simplicity and a uniqueness in its appearance - light, clean lines with an air of romance. It has an unmistakable shape, with a backrest that flows down to form the armrests that sit low, therefore opening the seat to create an airy, inviting look. Finnish design is a remarkable combination of concern for comfort and materiality melded with a desire for sleekness, that is evidently present in the lines of this lounge chair.
The decorative cross stitches on the backrest serve as the only form of ornamentation, therefore they stand out even more. The unique upholstery of the body and seat cushion is complemented by the tapered stained wood legs. Tilted in the back, the slim legs have a classically modern look. This armchair expresses a particular feeling of warmth and comfort with its friendly and rounded form, with an impression of simplicity also apparent in this piece. Standing at the intersection of form and function, this is a timeless piece that will never go out of style.
Condition:
In good vintage condition. Wear consistent with age and use. Small marks on the wood. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
32.28 in W x 36.22 in D x 41.14 in H; Seat height 16.93 in; Seat depth 19.29 in; Arm height 20.67 in
82 cm W x 92 cm D x 104.5 cm H; Seat height 43 cm; Seat depth 49 cm; Arm height 52.5 cm
About the designer:
Karl Olof Ottelin (Helsinki, 3 May 1917 - Helsinki, 9 February 1971) was a Finnish interior designer and furniture designer who, in the 1950s, was the director and chief designer of Stockmann's furniture department.
Ottelin began his studies at the Central School of Art and Design in 1939, but had to suspend his studies for 1941–1944 due to conscription. He graduated as an interior designer in 1946 and started at Stockmann's drawing office in 1948. He served as director of the company's furniture department from 1953 to 1954 and as artistic director of interior design from 1955 until his death in 1971.
Ottelin's best-known products are modern wooden chairs, but he also designed cabinet and shelving systems and extensive interior design for a variety of properties. In 1952, Olof Ottelin designed the furniture for the Swedish School of Economics in Helsinki together with Lisa Johansson-Pape (lamps), Yki Nummi (coloring) and Dora Jung (textiles). Ottelin also did design work for the wallpaper factory Pihlgren & Ritola and the television manufacturer Helvar.
The versatile designer was also known as a cartoonist, whose drawings were published in the interior magazine Kaunis Koti, in live TV programs on YLE, and in the Swedish-language publications' Nya Pressen, Lucifer, Astra and Nordisk Medicin. He also wrote articles for the journal Architect, among others. In January-February 1989, the Amos Anderson Art Museum organized an exhibition of Olof Ottel's furniture and drawings.
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Price category: 2,500 - 5,000 usd / eur
This lounge chair is an elegant evidence of the mastery and artistry of the European cabinetmakers who defined modern seating. This chair is of the highest quality, both in terms of visual appeal, materials, and craftsmanship. Mid-century modern is notable for its blending of classic looks with a more updated feel.
The design language of this piece is entirely dedicated to the organic-modern style of the mid-20th century. Much like in Scandinavia, the mid-century era on continental Europe gave form to furniture pieces defined by quality, functionality, and reliability. The lovely shell body has effortlessly flowing lines with an open profile. The arms curve outwards highlighting the shape. It is evident from every single angle that the body was created with the sitter in mind, offering great ergonomic design. This model is built in a permanently reclined position, which is a key feature; the slightly reclined backrest and raised seat provide ultimate comfort both for the eyes and the body. The curved seat gives this model a sculptural and striking appearance. The splayed legs made of brass are characteristic of the time, adding a modern touch to the model. The legs are quite simple, which is a great design choice that contrasts with the colour and soft texture of the upholstery, while also letting it stand out. This lounge chair can seamlessly integrate into a variety of design schemes, enhancing the overall aesthetic and imbuing the space with a touch of timeless European elegance.
From every single angle, this lounge chair offers a stunning silhouette and visual depth. European designers believed that design could certainly be used to improve people's lives. This sentiment can be traced in the exquisite materials, the impeccable craftsmanship, and in the elegantly curved and rounded edges.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature of the materials, the item may have some marks, scratches, and discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
30.31 in W x 30.70 in D x 31.88 in H; Seat height 16.53 in; Seat depth 18.11 in; Arm height 21.65 in
77 cm W x 78 cm D x 81 cm H; Seat height 42 cm; Seat depth 46 cm; Arm height 55 cm
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Price category: 7,500 - 10,000 usd / eur
Danish Modernism can be visually described by this beautiful wing-back chair: sleek, organic and timeless. These attributes are met with high quality materials and the famous craftsmanship of the country’s cabinetmakers. This chair is a testament to the quality and craftsmanship of Villy Sørensen.
From the welcoming winged body and the solid wood frame to the cosy sheepskin upholstery, this chair expresses a quality of hygge and a feeling of contentment. The distinctive shape is a result of the two “ears” that encompass the sitter. One of the most notable chair styles that embodies Scandinavian modern design is the wing-back chair. The history of this type of chair can be traced back to the 17th century when they were originally designed to provide protection from drafts in grandiose, often chilly, European homes. With high backs and "wings" on each side to shield the sitter from cold air, these chairs were originally a symbol of prestige and comfort. To balance the sculptural, upholstered body is the beautiful solid wood frame that is left exposed on the sides as it also functions as a decorative element with its geometric angles and curves. The arms and tapered legs are formed from the same piece of wood resulting in a sleek impression. The wood’s colour and smooth surface contrast brilliantly with the sheepskin’s light colour and texture. Thanks to the properties of the sheepskin, this chair provides great, soft comfort as well.
Villy Sørensen had a unique design idiom, which is clearly visible in this model: function, durability, timeless design, and perhaps above all, comfort. This traditional yet playful chair combines all of these attributes, which makes it ideal to be the stylish focal point of any space.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature of the wood, the item may have some marks, scratches, and discolouration. The chair has recently been reconditioned and has recently been reupholstered in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.92 in W x 32.28 in D x 38.98 in H; Seat height 14.96 in; Seat depth 22.83 in
76 cm W x 82 cm D x 99 cm H; Seat height 38 cm; Seat depth 58 cm
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Price category: 12,500 - 15,000 usd / eur
This rare "Roset" chair is a striking creation by the Danish designer duo Ole Gjerløv-Knudsen and Torben Lind, manufactured by Mogens Kold in Denmark in the early 1970s. Introduced in 1972, the “Roset” model stands out for its sculptural form and innovative construction, embodying the spirit of Danish modernism with a playful and organic twist.
The chair’s design is both functional and deeply expressive. Its unusual shape evokes the comfort of a nest, welcoming the sitter into a softly embracing form. The chair’s broad circular seat and gently curved split backrest encourage a relaxed lounging posture, creating an intimate and cocoon-like experience for the user. The feet, resembling fins, not only provide visual dynamism but also ensure stability, giving the piece a grounded yet airy presence. The body is constructed from three laminated plywood panels, precisely joined with visible brass screws that lend a subtle industrial touch while highlighting the craftsmanship and attention to structural detail. The model is upholstered in a premium wool and alpaca blend fabric, chosen for its softness, warmth, and luxurious texture. The light, tactile quality of the upholstery enhances the chair's inviting character and complements the warm natural tones and grain of the plywood shell.
The “Roset” model remains a rare piece that offers both sculptural impact and everyday warmth. It is an ideal statement chair capturing the balance between innovation, comfort, function, and aesthetics, that defines the best of Danish design from the period.
Condition:
Wear due to age and use. Some scratches and marks. Recently reupholstered in premium alpaca - wool blend fabric.
Dimensions:
35.63 in W x 31.50 in D x 23.43 in H; Seat Height 14.17 in
90.5 cm W x 80 cm D x 59.5 cm H; Seat Height 36 cm
About the designer:
Ole Gjerløv-Knudsen (1930-2009) was a Danish furniture architect. He studied at the School of Crafts, graduating in 1952 and then at the Academy of Fine Arts in Copenhagen until 1955. Gjerløv-Knudsen designed furniture series for both carpentry and industrial production in collaboration with fellow Danish furniture designer Torben Lind (1928-2016) from 1962.
Lind’s works showed a commitment to using the finest materials and extraordinary precision to create one-of-a-kind designs. Together, they became well-known for their light furniture in beech and plywood. The duo worked together at PP Møbler, creating furniture that became a trademark of Danish design.
During their long collaboration, Gjerløv-Knudsen and Lind designed numerous successful chair designs representing Danish mid-century modern, with special attention to outstanding comfort and ensuring long-lasting value by using quality materials. Many of their designs were produced by France & Son and Mogens Kold Møbelfabrik. The latter produced some of the most coveted furniture of the mid- 20th century. ~H.
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Price category: 7,500 - 10,000 usd / eur
This lounge chair by Swedish designer, Gösta Jonsson, exudes quality and personality from all angles, and is the designer’s most famous model. The basic Swedish design principles are all present and upholstered in soft and stylish sheepskin.
With organic forms and harmonious proportions, this model is an excellent example of great Swedish design from the era. Designed in the early phase of what we know today as mid-century modern, this lounge chair has a classic shape, paired with a modern edge. The generous seat and back are welcoming, with the latter curving in such an angle that the sitter is “hugged”. The large, curved backrest features tufted buttons and follows the curve of the equally generous seat, creating a harmonious look. The backside of this chair is quite striking, as it is created from a single piece stemming from the base. The sheepskin used for the upholstery is the ultimate material for comfort, warm in the winter and cool in the summer. It elevates the sheer size and shape of the chair, especially its back, beautifully. At the same time, the wood also remains in the focus, as it is the most important material in Swedish mid-century design. The solid, stained wood legs are tapered to lighten the look, but are thick enough at the top to provide adequate joinery strength.
The artisanal production quality shows throughout this chair and takes the Swedish idea of furniture that last for generations seriously. The harmony of craftsmanship, the materials and the design makes this lounge chair ideal for any interior and style.
Condition:
In good vintage condition. Wear consistent with age and use. Item may have some marks, scratches, and discolouration. The chair has been reupholstered recently in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
30.7 in W x 34.64 in D x 27.95 in H; Seat height 16.14 in
78 cm W x 88 cm D x 71 cm H; Seat height 41 cm
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Price category: 30,000 - 40,000 usd / eur
Swedish architect and furniture maker Axel Einar Hjorth worked as the lead designer for Sweden’s Nordiska Kompaniet department store from 1926 to 1938. During this time, Hjorth designed the “Sportstugemöbler” series, (which translates to “sports cabin furnishings”) a collection of wooden furniture designed for country homes. The various models in the sportstugemöbler series took their names from locations in the Stockholm archipelago – including Blidö, Lovö, and Utö.
The “Lovö” model, designed within the series of chalet furnishings, was initially launched by Nordiska Kompaniet in 1932. The series was a response to a new and growing demand for furnishings for leisure houses where the style was more informal. This chair is crafted from local pine wood, while the backrest features iron rivets. The juxtaposition between the pine and iron provides a rustic, sturdy and resilient feel, elevating the timeless look of the model. The chair combines a simple and honest form of the handcrafted style of traditional Nordic “allmoge” furniture, and the international 20th century Modernist movement. The result is a modest yet visually interesting design with a strong silhouette. The pine body is composed of a low, curved back that is slightly tilted in order to increase the sitter’s comfort - highlighting the functional nature of the chair. The seat features a loose, removable cushion, upholstered in a textural, striped fabric. Not only is the design of this model unique, but the colourful, cushion further increases the special character, ensuring remarkable charm. The design is completed by four square, straight legs, offering sturdiness.
The “Sportstugemöbler” series had a lasting influence on Hjorth’s contemporaries, inspiring other big names within Nordic design, such as Carl Malmsten. From an international perspective, this series is the forerunner of later pioneering designs, so it comes as no surprise that these “Lovö” chairs became part of modernist design history.
Condition:
In good vintage condition. Wear consistent with age and use. This chair comes with its original upholstery or has been reupholstered by a previous owner. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
20.86 in W x 20.07 in D x 31.49 in H; Seat height 18.50 in; Seat depth 16.92 in
53 cm W x 51 cm D x 80 cm H; Seat height 47 cm; Seat depth 43 cm
About the designer:
Axel Einar Hjorth was born in a small Swedish village named Krokek, just outside Norrköping, on March 7, 1888. At the age of 20, he moved to Stockholm to study architecture and design at the Högre Konstindustriella Skolan.
Although he never graduated, in the 1920s Hjorth started working as a furniture designer for various manufacturers, such as H. Joop & Co., Myrestedt & Stern, Jonssons, and Nordiska Kompaniet. Hjorth’s designs from this period had neoclassical features combined with Swedish Grace. This romantic national style of Sweden was elegant and refined, yet simple. The anniversary exhibition of 1923 in Gothenburg marked the breakthrough of Swedish decorative arts, and made Axel Einar Hjorth a well-respected artist. From October 1926, Hjorth became the chief designer and architect of Nordiska Kompaniet department store in Stockholm. In the 1930s, Hjorth designed a furniture collection out of pine meant for serial production known as Sportstugemöbler (furniture for holiday houses).
Hjorth’s designs, from the luxury of neoclassicism to the severity of functionalism, are sharply distinctive in style, materials, and character. Unlike many of his contemporaries, Hjorth did not conform to the socially oriented ideas produced by Svensk Form (the Swedish Society of Crafts and Design). He played a significant role in the development of Swedish society as a whole, and particularly in Swedish industrial art.
Today Hjorth is often viewed as a precursor to the modern designs popularised by Charlotte Perriand, Jean Royére, Pierre Chapo, or Josef Frank. Recently, there has been a revival of appreciation for his work, showing his genius in a new light.
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Price category: 7,500 - 10,000 usd / eur
In Sweden, “svensk design” in particular operates as a set of relations linking objects, spaces, people to the cultural ideologies that motivate the persistence of a social democratically infused “way of life.” Thanks to this sentiment, the cabinetmaker of this chair put an emphasis on soft elegance and functionality, making it timeless in every sense of the word.
The Swedish design movement has exercised a wide influence on modern architecture and interior furnishings internationally since the early twentieth century. As this beautiful high-back lounge chair shows, early mid-century modern designers and cabinetmakers not only prioritised outstanding craftsmanship, but also an aesthetic quality that honours the materials and their users alike. Swedish proponents of modern design ideals were able to cultivate their principles in a climate of relative calm with the long-term persistence of crafts traditions being especially formative. This craftsmanship is apparent in this lounge chair with a sinuous body that is as artistic as it is functional. The main principles of Swedish Modernism centre around minimalism, simplicity, and functionalism. This chair achieves to follow these principles while offering plenty of visually arresting qualities, including the high, curved back and exposed, sculptural arms that claw into the upholstery. The rich texture of the bouclé fabric accentuates the expressive shape of the frame that praises the maker’s sense of proportions. The short wood legs don’t take away from the robust, cosy appearance, instead they keep the design grounded and perfectly stable while also providing contrast with the beautiful colour. The expert Swedish craftsmanship is clearly visible throughout this piece, with impeccable woodworking and construction.
This beautiful, inviting lounge chair lives up to its Swedish heritage both in terms of visual and material quality. While its aesthetic is clean and functional, it has an eye-catching look with luxurious upholstery and cross stitches that make it an ideal accent piece as well.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some mark, scratches, and discolouration. The chair has been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.13 in W x 37.79 in D x 39.96 in H; Seat height 14.76 in; Arm height 24.21 in
74 cm W x 96 cm D x 101.5 cm H; Seat height 37.5 cm; Arm height 61.5 cm
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Price category: 5,000 - 7,500 usd / eur
Ole Wanscher was one of the leading figures of 20th century Danish design. Trained as an architect and later a professor at the Royal Danish Academy of Fine Arts, Wanscher’s work is characterised by restraint, clarity, and a deep respect for craftsmanship. Makers like him believed that good furniture should feel appropriate in its proportions, neither excessive nor incomplete, and that belief is evident throughout his designs.
Model “1755” exemplifies this disciplined yet elegant approach. The chair’s back is composed of three gently undulating horizontal slats that introduce movement without disrupting the overall symmetry of the frame. These shaped rails provide ergonomic support while creating a subtle decorative rhythm across the backrest. The uprights are slightly tapered, lending lightness to the silhouette and preventing the form from feeling heavy. The arms extend from the back, curving forward in a subtle arc that supports the sitter while maintaining visual continuity with the backrest. Transitions and joinery are seamless and organic, demonstrating careful attention to structural flow. The legs are slender and proportioned with precision, connected by thin stretchers that reinforce stability without drawing attention away from the main lines. Every element feels considered, from the thickness of the rails to the spacing between slats, resulting in a chair that is visually calm yet structurally assured. The upholstered seat introduces a measured softness that balances the architectural clarity of the wooden frame. Its tailored form provides comfort while maintaining the light, refined character of the design.
Suitable for use at a dining table, desk, or as an occasional armchair, model “1755” reflects Wanscher’s enduring commitment to proportion, craftsmanship, and the thoughtful reinterpretation of historical furniture making within a modern context.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the wood, the chair may have some marks, scratches, and discolouration. The seat cushion was newly produced and upholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.60 in W x 26.37 in D x 33.85 in H; Seat height 17.12 in; Seat depth 19.68 in; Arm height 25.19 in
62.5 cm W x 67 cm D x 86 cm H; Seat height 43.5 cm; Seat depth 50 cm; Arm height 64 cm
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Price category: 12,500 - 15,000 usd / eur
This armchair and footstool exudes quality and personality from all angles. The basic Danish design principles are all present - the pair is functional, simple at its core, well-crafted, and free of unnecessary ornamentation. During the 1950s, Danish makers led the way in furniture design, with seating pieces to this day being some of the most iconic of their time, and this model is no exception.
The generous seat and back of the armchair are welcoming, with the latter curving in such an angle that the sitter is gently “hugged”. This type of backrest style is called a wingback, originally, it was created as a way to help shield a person from drafts of cold air, and to trap the heat from a fireplace. That is why wingback chairs are sometimes called fireside chairs, as it was a popular style of chair to have pulled up in front of or flanking a fireplace. The embracing back and the curved arms create a welcoming impression, while the back’s elongated corners create visual interest. The generous padded armrests add another layer of relaxation for the sitter, and the luxurious, soft sheepskin upholstery provides great comfort in the name of functionality, while also transforming the chair into a beautiful addition to any interior space. Sheepskin is the ultimate material for comfort, warm in the winter and cool in the summer. The production quality is evident throughout this pair and takes the mid-century idea of “furniture that last for generations” seriously.
The design of this armchair and footstool promotes relaxation and contentment, inviting one to sit back and enjoy a moment of peace. The understated elegance and natural tones create an alluring atmosphere, making it perfect for the purpose of evoking a hyggelig (cosy) environment in any home.
Condition:
In good vintage condition. Wear consistent with age and use. The items have recently been reconditioned. The chair has been reupholstered recently in a premium sheepskin; the footstool is a later addition, upholstered in the same fabric as the chair. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
Chair:
34.64 in W x 35.03 in D x 38.77 in H
88 cm W x 89 cm D x 98.5 cm H
Footstool:
24.40 in W x 21.26 in D x 15.16 in H
62 cm W x 54 cm D x 38.5 cm H
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Price category: 9,000 - 12,500 usd / eur
The mid-20th century saw brilliant designers working to create furniture of the highest quality that explored modern shapes and forms. These artists experimented with new materials and construction methods. This stunning chaise longue revolves around the use of high-quality materials, comfort, and craftsmanship. It’s clean lines and angular shape is reminiscent of works by Danish designer, Arne Vodder.
This chaise blends three main elements: craftsmanship, the clean lines of Modernism and the clear-eyed practicality of Functionalism. These elements combined with the use of exquisite materials creates a piece that is both historical and modern visually. The chaise is defined by its woven seat and the patinated leather. The seat is composed of leather straps woven in a so-called basket weave pattern and stretched over the solid wood frame. Thanks to the material’s qualities, the seat is very ergonomic, adapting to the sitter’s shape. This piece combines the beauty and innovation of its era’s design movement with the classic qualities of a chaise longue. With its rhythmic motion, it invites contemplation and relaxation. This piece has the power to transform a seat into a safe haven, a place to unwind and reflect.
This chaise longue is a prime example of mid-century modern’s design ideology. The maker of this model effortlessly transformed a historical archetype into a modern, yet timeless chair. It’s sophisticated, lightweight look is defined by its signature craftsmanship, well-conceived proportions, and remarkable material choices.
Condition:
In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration.
Dimensions:
52.55 in W x 23.22 in D x 37.40 in H; Seat height 16.92 in; Seat depth 34.64 in
133.5 cm W x 59 cm D x 95 cm H; Seat height 43 cm; Seat depth 88 cm
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Price category: 2,500 - 5,000 usd / eur
This mid-century French armchair combines a visually stunning structural body with expert caning technique and high-quality materials. From all sides, this chair’s angles are visually arresting, revoking the chairs created by the Swiss architect, Pierre Jeanneret for Chandigarh in India.
As with the UK and much of Europe, there was something of a design renaissance in France in the 1950s, due to developments in materials and technology after the war. In France, designers were often also architects, whose focus on functionality and quality resulted in sculptural models, such as this armchair. This model is all about the gorgeous teak structure and the cane panels. Pure, sleek forms, free from artifice or decoration characterise the aesthetic; a style that is commonly referred to as reconstructivism. A reconstructivist design builds upon prior, deconstructionist models and techniques, but adapts them to classic themes and structures, with the goal of creating works of genuine emotion and significance.
The body features octagonal mesh cane webbing, which is an elegant material that enhances quality and complements the teak wood. Cane webbing is strong enough to support the weight of a sitting person and flexible enough to bend around the sharp corners of wooden frames. Production of cane webbing requires a lot of labour, attention and craftsmanship and every production step involves repetitive careful hand selection. The cane panels are original and in great condition, testifying to the outstanding quality of this armchair and the skill of its maker.
Condition:
In good vintage condition. Wear consistent with age and use. Original cane panels. The wood has beautiful patina.
Dimensions:
25.59 in W x 34.64 in D x 31.88 in H; Seat height 11.81 in
65 cm w x 88 cm D x 81 cm H; Seat height 30 cm
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Price category: 5,000 - 7,500 usd / eur
The 1950s saw brilliant Italian designers working to create furniture of the highest quality that explored truly modern shapes and innovative techniques. Designers experimented with new materials and construction methods but, crucially, they kept the elegance inherent in Italian design. This sculptural wingback lounge chair is a prime example of form’s marriage to function.
With a clear preoccupation with geometry, this chair’s outstanding architectural frame speaks of the mastery of the designer and of the producer. Still, all the decorative elements are in service of functionality, including the “wings”, the appealing angles of the seat, and the thick seat and back cushions. Furthermore, the back’s inclination is adjustable in three stages, making this model a perfect chair for the ultimate lounging experience. The clearly lined wood frame contrasts beautifully with the upholstery. The padded velvet fabric highlights the shapes and angles, such as the pointed “wings” at the top that add a lot of character. The dark stained wooden frame’s most dominant feature are the ‘V’ shaped legs joined with visible screws. The refined linearity defines the overall aesthetic, with crisp and elegant lines. On the decoration front, the chair isn’t in need of much thanks to the brilliance of the design itself, therefore the sole decorative element remains the design itself.
The design was created in the golden days of Italian mid-century modernism, when Italian design giants like Gio Ponti and Paolo Buffa worked as well. With an outstanding design, quality materials and Italian design elements, this lounge chair is sure to provide comfort and style in any interior.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium velour fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.55 in W x 40.94 in D x 35.43 in H; Seat height 15.35 in; Arm height 23.22 in
70 cm W x 104 cm D x 90 cm H; Seat height 39 cm; Arm height 59 cm
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Price category: 12,500 - 15,000 usd / eur
Generally, Czech mid-century modern designs tend to be more sober than their French, German, American, and even Scandinavian counterparts. However, works by Pavel Novak are an exception - as evidenced by chair. The Czech designer’s repertoire is finally starting to surface, and as this chair shows, we are lucky to witness it.
Novak often worked with a gouge, that originally never had any other vocation than to furnish his farm. This piece is made of hand gouged oak, which is in itself a time-consuming and rare woodcarving technique. While most woodworkers offer help with fixing gouges in wood, Novak used the technique to create this rustic looking body that can be considered to be a functional sculpture. Thanks to the unique, hand-carved texture, the lounge chair is one of a kind, with a unique pattern. The leather seat is suspended between the three legs, one of which is elongated to serve as a backrest. The joinery technique is seamless and shows the outstanding craftsmanship and vision of Novak. The leather straps are inset into the legs in a rough, yet sophisticated way.
In fact, rough yet sophisticated are the adjectives that best define the overall aesthetic of this chair, reflected in the pairing of the materials as well. The patinated leather’s smooth surface contrasts beautifully with the gouged, coarse look of the oak. With its straightforward design, this oiece is a seminal work of Pavel Novak.
Condition:
In good vintage condition. Wear consistent with age and use. Some minor cracks. Due to the nature and age of the materials, the chair may have some marks, scratches, and discolouration.
Dimensions:
40.94 in W x 30.71 in D x 48.82 in H; Seat depth 20.08 in
104 cm W x 78 cm D x 124 cm H; Seat height 51 cm