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Price category: 7,500 - 10,000 usd / eur

This rare sofa model was designed by Ingvar Stockum in 1965 for Futura Möbler, but was only in production for two years before it was discontinued as a result of high production costs. The design embodies the clean lines and minimalist aesthetic characteristic of the mid-century era, while also incorporating elements that ensure both comfort and style. Its silhouette is sleek and sophisticated, with a low profile that exudes a contemporary feel.

The designer’s fine sense of proportion, line tension and balance between the surfaces, and how skillfully he incorporated the heritage of traditional design, is evident in this sofa. The frame is constructed from wood, which offers durability and stability, while the generous cushioning ensures a comfortable seating experience. Throughout the 20th century, solid wood had been the most important furniture material in Europe. This is especially true for the mid-century, during which natural wood was a staple material to enhance both the structural and visual aspect of furniture, as is the case with this three-seater sofa. The striped upholstery complements the minimalist design and allows the sofa to blend seamlessly into various interior settings. The attention to detail in Stockum's design is evident in the well-proportioned structure and thoughtful use of materials. This piece not only reflects the craftsmanship and design ethos of the 1960s Scandinavian movement, but also serves as a timeless addition to any modern living space, combining form and function with enduring style.

Design-wise, this sofa is in the vein of Scandinavian modernism, with simplicity and functionality, while also showcasing the subtle details and quality mid-century design is known and appreciated for.

Condition:

In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

78.74 in W x 31.30 in D x 29.13 in H; Seat height 16.14 cm; Seat depth 25.20 in; Arm height 23.23 in

200 cm W x 79.5 cm D x 74 cm H; Seat height 41 cm; Seat depth 64 cm; Arm height 59 cm

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Price category: 12,500 - 15,000 usd / eur

As new materials like plastic, foam, and fibreglass revolutionised the production process in the postwar period, Scandinavian designers still valued craft over industrialisation. This sculptural sofa is a beautiful evidence of this heritage and the mastery of Danish cabinetmakers.

Many of the most renowned Danish designers were trained architects as well. This knowledge and training can be clearly traced in the structure of this stunning sofa. Many elements emblematic of mid-century design are also apparent: sleek lines, simple geometries, an open layout, and the impeccable quality of the materials and craftsmanship. The design is defined by its angles, starting with the tilted back and the raised seat towards the front. The sculptural wooden arms and legs follow these lines, creating visual balance. The mostly rounded edges are broken by the pair of straight stretchers set between the front and the back legs. The button tufting on the backrest rhymes greatly with the long horizontal lines, and is a stylish feature in itself as well. Though mid-century Danish manufacturers may not have the name recognition as designers do in the mass market, they were evidently just as integral in developing a modern aesthetic in Europe. The sleek and stylish look of this sofa, from the unique wooden frame to the upholstered body and the visible joinery, embodies this aesthetic.

The designer of this model clearly prized the marriage of form and function. To this day, young Scandinavian designers still look to the mid-century masters for inspiration, which should come as no surprise looking at this sofa.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The sofa has been reupholstered recently in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

72.44 in W x 33.85 in D x 29.92 in H; Seat height 13,77 in

184 cm W x 86 cm D x 76 cm H; Seat height 35 cm

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Price category: 12,500 - 15,000 usd / eur

This beautiful Danish three-seater sofa features the recognizable touch of Danish Modernism: exquisite materials, craftsmanship, and an elegantly curved shape, because of which this type of sofa is often referred to as the “banana” or “boomerang” style.

The visual appearance of this sofa echoes Danish design and directs the eyes to the voluptuous body, that is the result of the exquisite craftsmanship. Many of the well-known Danish architects of the era felt the urge to try their hand at three-seater sofas, adhering to the period’s streamlined modernism. In combination with the unadorned styles of mid-century design, this sofa brings together the best attributes of the era. The rounded conical wood legs add an organic feel, while also matching the rounded profile of the sofa. The back legs differ from the front ones as they are tapered to reinforce the sofa’s stability. The masterful sense of proportions, the curved back and the soft upholstery guarantee functionality and comfort. While most curved sofas of the era feature tufting and other forms of decoration, this model is free from unnecessary ornamentation, resulting in a sleek, elegant and modern look. This sofa has been reupholstered in a premium light bouclé fabric, accentuating the stained wooden legs and the luxurious feel and look.

Derived from the French word meaning “curled” or “ringed,” bouclé provides a unique range of benefits; it is abundant in texture yet breathable. This durable fabric makes for an easy way to add instant texture and interest to any modern space, and despite its resurgence around 2020, is a timeless trend with longevity that will stand the test of time. Bouclé pairs incredibly well with curvilinear shapes as demonstrated by this sofa.‎

Condition:

In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

78.14 in W x 43.50 in D x 29.13 in H

200 cm W x 110,5 cm D x 74 cm H

About the Designer:

This Danish-made sofa reflects the core traditions and ideals of Danish design, while recalling the shapes of the Art Deco movement. What both movements valued highly is the highest level of craftsmanship and attention to details.

Mid-century pieces such as this early sofa were of great design, using fantastic wood like teak or beech. The mid-century was the heyday of the production by master craftsmen. Mid-century Danish design is world-famous for the partnership between designer and manufacturer, resulting in ground-breaking creations. The Danish design idiom was centred on warm woods, quality fabrics and gentle yet robust support for the spine - qualities that engender contentment and well-being, a defining characteristic of Danish culture. The “Great Danes” believed furniture should be shorn of aesthetic detail and be an amalgam of form and function.

A master cabinet-maker is not a carpenter, as this was a rare breed of craftsman who had to be recognized by the Danish government after several years of toiling at his craft, as well as having to ace gruelling design competitions before becoming a master cabinet-maker. Since Denmark was a special instance of tempered industrialization, it managed to preserve sound traditions and continue to safeguard values of craftsmanship, materiality and usability.

Today, Danish furniture is sought after by collectors for classic looks, storied designs and solid quality, works that are truly soulful and timeless. ~H.

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Price category: 9,000 - 12,500 usd / eur‎

Though the advent of new materials like plastic, foam, and fibreglass revolutionized the production process, Scandinavian designers still valued craft over industrialization. This sculptural sofa is a beautiful evidence of this heritage and the mastery of Danish cabinetmakers.

Many of the most renowned Danish designers were trained architects as well. This knowledge and training can be clearly traced in the structure of this stunning sofa. Many elements emblematic of mid-century design are also apparent: sleek lines, simple geometries, an open layout, and the impeccable quality of the materials and craftsmanship. The design is defined by its angles, starting with the tilted back and the raised seat towards the front. The sculptural wooden arms and legs follow these lines, creating visual balance. The mostly rounded edges are broken by the pair of straight stretchers set between the front and the back legs. The button tufting on the backrest rhymes greatly with the long horizontal lines, and is a stylish feature in itself as well. Though mid-century Danish manufacturers may not have the name recognition as designers do in the mass market, they were evidently just as integral in developing a modern aesthetic in Europe. The sleek and stylish look of this sofa, from the unique wooden frame to the upholstered body and the visible joinery, embodies this aesthetic.

The designer of this model clearly prized the marriage of form and function. Young Scandinavian designers still look to the mid-century masters for inspiration, which should come as no surprise looking at this sofa.

Condition:

In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium fabric.

Dimensions:

72.44 in W x 33.85 in D x 29.92 in H; Seat height 13,77 in

184 cm W x 86 cm D x 76 cm H; Seat height 35 cm

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Price category: 12,500 - 15,000 usd / eur

Edward Wormley took the best elements from classical, historical Scandinavian and other European furniture design and translated them into a Modern vernacular. The result was furniture like this exceptional “New York” sofa - sophisticated, stylish, understated and exceptionally well-made.

Officially known as model “5316”, this sofa was originally designed for the American furniture company, Dunbar in the 1950s. This sofa version of “5316”, was made on license in Sweden by Ljungs Industrier/ DUX. Wormley's USA-based company, Dunbar, collaborated with the Swedish furniture manufacturer DUX, who presented a series of what they called "Bra Bohag", where this version was marketed as "New York" in the most expensive price category. The design stands as a timeless example of the enduring appeal of modernist aesthetics in the world of furniture design. This iconic model epitomizes the clean lines, functionality, and understated elegance that define the modernist movement. The solid wood frame holds the upholstered body effortlessly with an airy arrangement that lets the individual parts all stand out. This is mostly the result of the straight lines with rounded edges, a harmonious blend of form and function. While the design is shorn of decorative elements, the screws, the upholstery and the tufted buttons all serve as ornamentation as well. It is specifically this ability that Wormley's genius lies in: to seamlessly marry the practical with the aesthetically pleasing. The frame's precise angles and proportions give the sofa a sense of balance and proportion that is both pleasing to the eye and comfortable to the body.

The sofa's clean, straight lines and unadorned surfaces exemplify the modernist principle of minimalism, stripping away unnecessary ornamentation in favour of pure, functional design. This “New York” sofa is truly a masterpiece of modernist design, a real statement piece.

Condition:

In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium linen fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

90.15 in W x 31.49 in D x 30.51 in H; Seat height 18.05 in; Arm height 25.19 in

229 cm W x 80 cm D x 77.5 cm H; Seat height 47 cm; Arm height 64 cm

Literature:

Henschen & Blomberg (ed), "Svenskt Möbellexikon", Förlagshuset Nordens Malmö 1961, II, p 747.
Berglund & Engdahl, "Möbelråd", Uppsala, 1961, p 71 (wrongly attributed to Alf Svensson)

About the designer:

Edward J Wormley (December 31, 1907 – November 3, 1995) was an American designer of modern furniture. In 1926, he briefly studied at the Art Institute of Chicago. Due to financial restrictions, he began work as an interior designer for Marshall Fields & Company department store. During the Depression, Wormley was introduced to the president of Dunbar Furniture Company of Berne, Indiana, who hired him to upgrade their product line.

Dunbar made a good choice, as he met immediate success with Wormley's work. In 1944 the company decided to focus strictly on Modern lines, and Edward Wormley rose to the task, incorporating European and Scandinavian innovations.

His eye for quality and the exacting craftsmanship at Dunbar made for furniture that was elegant, understated and exceptionally well-made. Wormley was never really at the forefront of Modern design. Instead, he took the best elements from classical, historical design and translated them into Modern vernacular. The result was furniture that was sophisticated, yet mainstream and very successful.

Wormley's inclusion in the Good Design Exhibitions staged by the Museum of Modern Art and the Merchandise Mart between 1950 and 1955 elevated him to a respected place alongside more cutting edge designers like Bertoia, Nelson and Eames. In 1938 MoMA launched an exhibit they called Useful Objects, in which they showcased “design intended for present-day life, in regard to usefulness, to production methods and materials and to the progressive taste of the day.”

In the wake of America’s postwar prosperity, the exhibit was later renamed Good Design and largely focused on modern furnishings. The exhibit reopened in 1950 under the name Good Design with three of Edward Wormley’s works on display: an adjustable upholstered wood armchair, a “Short John” coffee table with laminated wood legs, and a “Repartee” gray carpet.

Wormley’s inclusion in the exhibit proved that traditional forms still had a place in the modern design movement. During the exhibit’s run thirty Wormley pieces were awarded Good Design designation, cementing him as a peer among other high-profile designers of the era. Wormley understood the essential elements of Modernism but never limited himself to one ideology. His furniture represented a convergence of historical design and 20th century innovation that greatly appeals to today's collectors.

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Price category: 12,500 - 15,000 usd / eur

In the years after the Second World War, Danish designers quietly transformed the language of modern furniture. Moving away from the austerity of early functionalism, they explored a softer, more organic approach to furniture making, balancing clean geometry with inviting tactility. Designers experimented with sculptural silhouettes that felt approachable yet sophisticated, often pairing fine craftsmanship with innovative upholstery techniques to achieve furniture that was elegant but deeply comfortable.

This three-seater sofa from the 1950s beautifully embodies that ethos. Its gently flared arms and subtly tilted backrest give the piece a graceful, almost embracing profile, while the deep seat promises true comfort. The upholstery, a textured, off-white fabric, adds warmth and tactile richness, complementing the restrained lines of the frame. Tufted button detailing across the backrest introduces a sense of rhythm and craftsmanship, elevating the sofa from purely functional seating to a thoughtfully composed piece. The proportions are carefully judged: generous enough for lounging yet visually light, with raised wooden legs that lift the form and prevent it from feeling heavy. It is a design that invites long hours of conversation or quiet rest without sacrificing visual elegance.

Timeless yet unmistakably mid-century, this Danish sofa carries a quiet sophistication that transcends trends. Both practical and poetic, it stands as a reminder that modernism at its best is deeply attuned to the rhythms of everyday living. Danish makers became masters at this balance, producing pieces that could be both understated and richly expressive.

Condition:

In good vintage condition. Wear consistent with age and use. Item may have some marks, scratches, and discolouration. The sofa has recently been reupholstered in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

75.59 in W x 37.79 in D x 37 in H; Seat height 20.86 in; Seat depth 22.44 in; Arm height 25.19 in

192 cm W x 96 cm D x 94 cm H; Seat height 53 cm; Seat depth 57 cm; Arm height 64 cm

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Price category: 9,000 - 12,500 usd / eur

Though their country has a long tradition of craftsmanship, for numerous reasons mid-century Norwegian designers never gained the same international renown as their peers in neighbouring nations, such as Denmark’s Finn Juhl. But as this sofa exemplifies, when modernism reached the country, exceptional pieces were created.

The form of this sofa is its standout feature, it combines straight and flowing lines masterfully, while staying true to Scandinavian modernism. While the edges are crisp, the rest of the body has a gentle curvature that maintains the overall cosy look. This piece is reminiscent of Finn Juhl’s “Poet” sofa model, linking furniture with sculpture. The arms feature a peculiar upward sloping angle thanks to which the sofa appears to be welcoming the sitter with open arms. These curves are balanced by the straight lower structure; the tapered wooden legs that are splayed. These tapered legs support the body impeccably, with the solid wood providing stability and support to the design. In the absence of ornamentation, the lines of tufted buttons on the backrest stand out, creating depth as they sink into the soft earthy-brown fabric. A functional anchor piece is all that is needed to introduce mid-century modern furniture to any interior, and this two-seater sofa is perfect to fill that role.

There’s something inherently more playful and inviting about curved and rounded shapes. Embodying an organic and fluid design, this curved sofa creates a comfortable seat for two, perfect to bring stylish cosiness into a space. Juhl once said "One cannot create happiness with beautiful objects, but one can spoil quite a lot of happiness with bad ones", and this sofa will most definitely not spoil any happiness in the interior where it’s placed.

Condition:

In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

55.12 in W x 31.10 in D x 32.28 in H; Seat height 16.14 in; Seat depth 20.87 in; Arm height 23.23 in

140 cm W x 79 cm D x 82 cm H; Seat height 41 cm; Seat depth 53 cm; Arm height 59 cm

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Price category: 9,000 - 12,500 usd / eur

‎

Italian furniture from the mid-century era is defined by an elegant design aesthetic, perfect execution, and exclusivity. The era’s seating models - including this sofa - were created to highlight the spirit of rebirth of post-war furniture characterised by clean lines and a free spirit.

This delightfully eccentric model is quite simplistic in its form. The design is focused on the aesthetics of modernism whilst employing the exquisite technique and material familiarity of the highly skilled craftsmen. The flamboyant look is the result of the brilliant pairing of materials. The smooth wooden armrests stand out against the textural, sheepskin while also accentuating the individuality of the upholstery. The soft fibres of the lightweight, feathery sheepskin drape beautifully over the sofa, while the warm brown colour adds depth. The warm coloured wood and the organic, sinuous curves of the arms recall the bending of the human body. The welcoming, rounded shape of the arm- and backrest and the sculptural form flows effortlessly and highlights the expert design. The back legs are tapered and splayed for support.

The outstanding visual characteristic of this sofa is both traditional and modern, which is simply timeless. This is precisely the charm of Italian mid-century pieces, the effortless style paired with the highest quality of materials and craftsmanship.

‎Condition:

In good vintage condition. Wear consistent with age and use. The sofa has been newly upholstered in a premium longhair. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

53.14 in W x 36.61 in D x 31.49 in H; Seat height 16.92 in; Seat depth 17.71 in; Arm height 22.83 in

135 cm W x 93 cm D x 80 cm H; Seat height 43 cm; Seat depth 45 cm; Arm height 58 cm

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Price category: 15,000 - 20,000 usd / eur

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This free-standing sofa, better known as “Model V11” is considered among the masterpiece designs of Illum Wikkelsø. The Danish designer created the “V11” series in 1965 whilst working with master cabinetmaker Holger Christiansen in Aarhus.

Wikkelsø’s three-seater sofa combines a rectangular shape and long lines with rounded out edges. The low back and deep seat give the sofa a modern and elegant look. The Brazilian rosewood legs are cone-shaped, a stand-out design element of the sofa. Three loose seat cushions contrast well with the tight edges of the frame, while also guaranteeing sitting comfort. Along with the cushions, the sides, back- and armrests are upholstered in a brown-green leather with beautiful patina.

The sofa was manufactured by Danish manufacturer Holger Christiansen Møbelfabrik in Aarhus in the 1960s. The leather is in a desirable vintage condition. This model has a good sense of balance and a classic look, which makes it a timeless design.

Condition:

In good vintage condition. The legs show minor wear. The leather has some marks and scratches and a beautiful patina. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

91.33 in W x 32.87 in D x 27.55 in H; Seat height 17.32 in

232 cm W x 83.5 cm D x 70 cm H; Seat height 44 cm

Literature:

300 Danske Designmøbler By Per H. Hansen and Klaus Petersen. 2015. Unpaginated.

About the designer:

Kristian Illum Wikkelsø (1919-1999), by his full name, is best known for his seating designs. Like most Danish designers at the time, Wikkelsø trained as a carpenter until 1938 and then followed in the footsteps of many of his later colleagues and continued his studies at the Copenhagen School of Arts and Crafts, graduating on 1941.

In 1944, Wikkelsø moved to Århus to work as an interior designer He was then employed at the carpentry master and architect Jacob Kjær's drawing room and then at Peter Hvidt & Orla Mølgaard Nielsen’s architectural firm, where he worked until 1954. The same year, Illum Wikkelsø began designing his own furniture and a few years later, he established his own workshop. A number of Danish manufacturers produced Wikkelsø’s designs, such as C.F. Christensen, Holger Christiansen and Søren Willadsen.

Like many of his Danish contemporaries, including Arne Jacobsen, Finn Juhl, and Hans Wegner, Wikkelsø’s designs emphasize formal simplicity and biomorphic silhouettes. Wikkelsø’s background in cabinetry engendered in him a profound understanding of materials and an excellent attention to detail. Working with teak and rosewood, he captured delicately sculptural forms. Wikkelsø believed that furniture should be built to last while cradling the body and pleasing the eye.

Though little biographical information survives, the quality of Illum Wikkelsø’s designs affirms his status as an active proponent of Scandinavian modernism in the post-war era. ~H.

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Price category: 7,500 - 10,000 usd / eur

Carl Malmsten devoted his life to the renewal of Swedish craftsmanship, inspired to create furniture endowed with a creative simplicity, with functionality in mind and a high technical quality. His talent to innovate and produce unique pieces is showcased in his design of the “Hemmakväll” sofa.

From 1956 onward, O.H. Sjögren's Upholstery Workshop in Tranås became one of Carl Malmsten’s key production hubs that met all of the quality standards required. Their collaboration was followed by his exhibition at the Röhsska Museum of Design and Craft in Gothenburg where he showcased, for the first time, furniture designed for serial production. One of these series was dedicated to the family home, and included the “Hemmakväll” sofa (other items in the same series are also recognisable Malmsten pieces, such as “Farmor” and “Lillasyter”). This series inspired by familiar comforts evokes a special feeling or mood, which is also reflected in how he named his designs. “Hemmakväll” translates to “Home Evening”, evoking cosiness, joy and expressing the act of a family gathering. The design of this sofa aims to maximise comfort and function, while simultaneously putting an emphasis on elegance and refinement. This is most visible in the round, welcoming body and the eye-catching parallel lines of tufted buttons, all enhanced by the luxurious fabric of the sofa. The complementary geometrical pillows are accent pieces that add visual interest through a variation of textures, colours, and shapes. The sofa’s short, pine wood legs add a modern and organic feel, balancing out the voluptuous profile of the piece.

Carl Malmsten was - and still is - one of the most famous furniture designers in Sweden, who was also active in the cultural and political sphere of the country. He had a lasting influence on Swedish and contemporary furniture design, and was known for his devotion to ‘slöjd’ (traditional Swedish craftsmanship), which is visible in every one of his models. With this sofa, the ‘slöjd’ is combined with modern elements and luxurious upholstery to create stylish pieces with longevity for generations to come.

Condition:

In good vintage condition. Wear consistent with age and use. The pillows are newly produced. The sofa has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

80.3 in W x 33.1 in D x 33.3 in H; Seat height 16.1 in; Seat depth 20.9 in; Arm height 24.4 in

204 cm W x 84 cm D x 84.5 cm H; Seat height 41 cm; Seat depth 53 cm; Arm height 62 cm

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Price category: 12,500 - 15,000 usd / eur

The term “Swedish Modern” was quickly established as a reinterpretation of the Modern style during the 1940s, where functionalism was replaced by a freer and more artistic ideal. Swedish Modern furniture is popular because it speaks to both our inclination towards uncluttered, tidy spaces and our desire to reside in inviting and comfortable settings.

There is a great balance in the execution of this sofa, which is achieved through the clever use of the undulating rounded edges of the upholstered body and the detail of the divot design on the front legs. The curving back and armrests are welcoming, and unmistakable of the era’s design inclinations, particularly in Sweden. The rich texture of the cozy upholstery gives the sofa a modern edge while also enhancing the generous size of the seat and back, creating a luxurious look and feel..

The short, decorated wooden legs add a modern and attractive touch, balancing out the voluptuous profile of the sofa. The masterful sense of proportions, the curved back and the soft seat cushion guarantee comfort and functionality.

Condition:

In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

74.80 in W x 37.79 in D x 31.88 in H; Seat height 16.14 in; Arm height 23.62 in

190 cm W x 96 cm D x 81 cm H; Seat height 41 cm; Arm height 60 cm

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Price category: 9,000 - 12,500 usd / eur

The mid-20th century marked a transformative period in interior design and architecture, with the rise of movements such as Scandinavian modernism forever influencing design history. This movement, rooted in minimalism and functionality, focused on creating designs that were both beautiful and practical. Influenced by a desire to merge art with everyday life, Scandinavian designers embraced clean lines, organic forms, and a deep respect for craftsmanship.

One prime example of this ethos is this 1940s sofa, which captures the essence of Swedish modernism with its graceful, curving form and understated elegance. The gently sloped backrest and arms create an inviting, soft silhouette, emphasizing comfort without compromising on style. The upholstery, in a neutral white tone, not only adds a sense of lightness to the design but also highlights the clean, minimalist lines of the piece. The soft texture of the fabric contributes to the comfort of the sofa, making it as functional as it is visually appealing. Defining the piece is the stained oak frame, which introduces warmth and a natural quality to the look. The oak’s rich finish contrasts beautifully with the light upholstery, adding depth and sophistication. The oak overlays flow along the armrests, creating a striking visual element that sets the sofa apart. The tapered legs further enhance the sofa’s elegant form, giving it a lightweight appearance that is balanced by the sturdy body.

The combination of natural materials, clean lines, and functional beauty exemplified by this piece is a testament to the lasting appeal of Scandinavian modernism. The fusion of beauty and practicality ensures that this piece remains relevant for modern living, offering both style and comfort in equal measure.

Condition:

In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

64.56 in W x 35.82 in D x 32.28 in H; Seat height 17.32 in; Seat depth 18.89 cm; Arm height 25.19 in

164 cm W x 91 cm D x 82 cm H; Seat height 44 cm; Seat depth 48 cm; Arm height 64 cm