Theo Ruth Daybed for Artifort, The Netherlands 1950s


























Theo Ruth Daybed for Artifort, The Netherlands 1950s
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Price category: 15,000 - 20,000 usd / eur
This eye-catching daybed was designed by Theo Ruth in 1947 and manufactured in a limited series. The keywords around this model are quality, comfort and understated elegance.
The slender, slightly conical wooden legs are made from patinated beech. The legs balance out the body well, creating a light look. The elegant shape is formed by the raised back and the round, soft edges. This daybed is an exceptional piece of Dutch design that was exclusively produced by Eugen Schmidt Soloform (later Eugen Schmidt GmbH in Darmstadt) and Artifort. While many daybeds have been “inspired” by Ruth’s present design, this original model remains very limited in numbers.
This daybed has been reupholstered in a premium alpaca-wool blend fabric, which guarantees outstanding comfort and softness. The light colour of the upholstery brings out the beautiful shade and grain of the beech legs.
Condition:
In good vintage condition. Wear consistent with age and use. Item has recently been reupholstered in a premium alpaca wool blend fabric.
Dimensions:
32.67 in W x 77.16 in D x 24.80 in H; Seat height 14.56 in
83 cm W x 196 cm D x 63 cm H; Seat height 37 cm
About the Designer:
Dutch designer Theo Ruth was born in 1915 in Maastricht. He trained as a furniture designer and interior designer at the Middelbare Kunstnijverheidsschool in Maastricht (which later became the Maastricht Academy of Arts). In 1936, he joined Artifort in Maastricht, where he specialized in designing living room furniture. Just three years later, in 1939, he became head of design and development, a position he maintained until his death in 1971.
Ruth was Artifort’s first permanent designer, and had a major impact on its design legacy. His most famous pieces include the 1952 Congo Chair and the 1953 Penguin Chair, both of which were constructed from two interlocking pieces that fit together without locks or screws (the latter’s original version featured a black back and a white cushion to mimic its namesake). Theo Ruth’s designs are famous around the world as highlights of Dutch design. ~H.
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Price category: 12,500 - 15,000 usd / eur
During its heyday, Art Deco represented luxury, glamour, exuberance and faith in social and technological progress. The movement peaked in popularity around the 1930s, spreading across Europe and the United States up to the start of World War II. Art Deco designs featured rare, expensive, innovative materials and exquisite craftsmanship.
In line with the Art Deco movement during which they were created, these chairs illustrate the bold, rich and luxurious aesthetic of the era. Before giving way to mid-century modernism and its focus on function over form, Art Deco pieces coupled geometry and craftsmanship to arrive at elegantly impressive additions to interiors. This pair of armchairs live up to their rich history through their strikingly geometric form. Both the backs and the armrests introduce clear angles and wooden elements with multiple edges. The chairs feature back and seat cushions, upholstered in a soft deep green fabric that draws in the eye, bringing a warmth and an earthy richness that pairs beautifully with the beech frames. The armrests are stripped down to their wooden structure, with a tapering element further highlighting the sculptural quality of the model. The short legs, with their carved ridges, balance out the voluptuous bodies, while flowing effortlessly as a continuation of the armrests to ensure the stability of the armchairs.
Created during an age of innovation - from materials, to shapes and techniques - these chairs showcase that the European furniture designers’ artistic approach was anchored in the Art Deco movement. Through their form and quality craftsmanship, this pair of armchairs makes for the perfect stylish touch of warmth and charm.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items may have minor marks, scratches, and discolouration. The chairs have been recently reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.8 in W x 31.88 in D x 31.29 in H; Seat height 14.56 in; Seat depth 21.45 in; Arm height 22.83 in
63 cm W x 81 cm D x 79.5 cm H; Seat height 37 cm; Seat depth 54.5 cm; Arm height 58 cm
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Price category: 5,000 - 7,500 usd / eur
Many associate the design duo, Robert Guillerme and Jacques Chambron, with some of the most recognisable and enduring French furniture of the second half of the 20th century. Working for their workshop Votre Maison, founded in the 1950s, the pair developed a design language that merged modernist ideals with a rustic sensibility and deep respect for craftsmanship. Known especially for their use of solid oak, expressive lines, and thoughtful detailing, Guillerme et Chambron created pieces that feel as relevant today as they did during the mid-century.
This set of four dining chairs displays the qualities that make Guillerme et Chambron’s work so iconic. Constructed in solid oak, the frames are characterised by gently tapered legs, finely proportioned stretchers, and a subtle refinement that never compromises their structural integrity. The backrests provide the defining visual feature: two angled frames supporting a carved horizontal element showcasing a delicate cut-out, which introduces a sculptural detail that immediately distinguishes the design. Though understated, this feature echoes the handcrafted quality found throughout Guillerme and Chambron's work. The contrast between the generous soft textile and the golden oak creates a harmony that feels thoughtful and balanced. Viewed together, the repeated silhouettes establish a strong rhythm around the dining table, their balanced proportions allowing the set to feel elegant without appearing rigid
This set has the power to shape the atmosphere of a room with quiet confidence, bringing warmth, craft, and intention into daily life. The set represent Votre Maison’s philosophy, and stands as an enduring example of French mid-century design at its best.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the material, the items may have some marks, scratches, and discolouration. The set has recently been reupholstered. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
18.7 in W x 21.45 in D x 34.44 in H; Seat height 20.07 in; Seat depth 17.32 in
47.5 cm W x 54.5 cm D x 87.5 cm H; Seat height 51 cm; Seat depth 44 cm
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Price category: 7,500 - 10,000 usd / eur
Renowned for their innovative, high-quality furniture, Robert Guillerme and Jacques Chambron combined elegant form with straightforward functionality to create their timeless designs. The “Juliette" is one of their most notable series, designed for their company, Votre Maison. This sofa deserves its title of iconic, both in terms of quality and design.
This sofa features a solid oak frame characterised by its sculptural construction. This material is associated with the duo’s most famous models, as oak is both extremely durable and beautiful, displaying a lovely grain throughout. The backrest is composed of eleven curved spindles, which create a round and inviting silhouette that is a hallmark of Guillerme and Chambron’s style. The armrests, also featuring a curved structure, extend seamlessly into the legs, giving the piece a cohesive and organic look. To ensure functionality and comfort, as expected of mid-century modern furniture, the generous seat and back cushions are plus and upholstered in an elegant off-white fabric. The back is adorned with tufted buttons that add depth to the fabric upholstery. The cushions are held securely in place by fabric loops to ensure they remain properly positioned even after prolonged periods of use. The woodworking truly shows the overall quality of this sofa: the frame is refined and the attention to the smallest detail shows the design and manufacturing skills of Guillerme et Chambron.
This two-seater sofa truly exemplifies the thoughtful design and classic appeal of Guillerme et Chambron’s work, blending natural materials with mid-century modern aesthetics. Whether used to define a space or to provide additional seating, the “Juliette” sofa remains a sought-after piece for collectors and design enthusiasts alike.
Condition:
In good vintage condition. Wear consistent with age and use. The sofa has recently been reconditioned and reupholstered. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
64.57 in W x 36.42 in D x 37.20 in H; Seat height 16.34 in; Seat depth 23.23 in; Arm height 21.65 in
164 cm W x 92.5 cm D x 94.5 cm H; Seat height 41.5 cm; Seat depth 59 cm; Arm height 55 cm
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Price category: 5,000 - 7,500 usd / eur
The company Votre Maison is one that has left an indelible mark on the history of French design. The 'José' armchair, designed by Robert Guillerme along with his sales partner Jacques Chambron, and manufactured in Emile Dariosecq’s workshop, was created at Votre Maison during the 1970s.
Made of high-quality oak with a beautiful sandy fabric, this ‘José’ armchair is truly eye catching. The carefully carved geometrical patterns on the backrest are symmetrically arranged, with a shape reminiscent of four leaf clovers, making the chair an interesting and aesthetically pleasing sight from the back as well. The light fabric works beautifully with the warm brown wooden structure of the chair. The edges of the frame and legs are softly rounded, giving a gentle feel. The arms are carved in an open and angular construction, bringing elegance to the piece.
Thanks to the appealing combination of materials, design and craftsmanship, the ‘José’ chair is immediately recognisable. Guillerme et Chambron’s pieces were manufactured in small series, therefore they are highly collectible.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
28.94 in W x 29.13 in D x 32.68 in H; Seat Height 15.55 in
73.5 cm W x 74 cm D x 83 cm H; Seat Height 39.5 cm
About the designer:
Robert Guillerme graduated in 1934 from the École Boule where he excelled in architecture and furniture design. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops.
In 1948, Guillerme was joined by his long-time friend, decorator Jacques Chambron in Lille. The following year Guillerme and Chambron met master cabinet maker Émile Dariosecq, owner of a woodworking shop and the company Votre Maison was born. Together, they defined and imposed a new furniture concept. Thanks to their distinctive creativity, originality, and quality, the Votre Maison quickly became well-known.
The Votre Maison marked the history of French design. Guillerme drew the furniture designs while Chambron played the part of salesman, welcoming and advising clients. The power duo was complemented by Dariosecq, whose workshop took charge of the manufacturing. Together, they defined new furnishings concepts. Well-crafted chair back, polished wood and thick cushions make the reputation of their armchairs and sofas. Votre Maison continued to produce furniture right into the Twentieth Century, with Jacques’ son Hervé Chambron, a designer and graduate of the Ecole Boulle, having taken the reins in 1983.
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Price category: 2,500 - 5,000 usd / eur
This remarkable armchair was designed by German artist, Willi Ohler. The so-called “Worpsweder” either denote chairs made at the Worpsweder Kunsthütten (Worpsweder arts huts) in Germany, or a specific style of German chairs with solid wood frames, broad armrests, often from tall wood, with woven seats and backs. This piece features all of those characteristics.
Crafted during a time when movements like Modernism were reshaping design worldwide, this early 20th-century armchair reflect a transitional style rooted in both simplicity and elegance. This era emphasises clean lines, unique shapes, and high-quality craftsmanship to achieve timeless pieces like this one. The honey-toned wood highlights the warm patina that has developed over decades. The softly sculpted armrests framing the chair bring both elegance and ergonomic comfort to the overall form. Woven wicker is the main highlight of the piece. The material is used to construct the seat and tall backrest. The beautifully symmetrical pattern showcases the timeless artistry of artisanal furniture. The rectangular, slim legs create a sleek structure while not abandoning sturdiness. This chair preserves the value and beauty of master craftsmanship and exquisite materials.
Worpswede in Lower Saxony is famous nationwide for its long tradition as an artists' colony. Nowadays, about 130 artists and craftsmen and women live there permanently. The artists who created the so called "Worpsweder Kuentlerkolonie" were looking for the simple and original in art and life. The traditional reed and rush woven chairs of this region were greatly appreciated by the artists of the colony, and some of them were still produced around 1900-1920. They have become collectors’ pieces thanks to the craftsmanship that went into each chair’s creation.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials the item has minor scratches and discolouration.
Dimensions:
34.64 in W x 33.07 in D x 46.45 in H; Seat height 16.53 in; Seat depth 19.68 in; Arm height 24.80 in
88 cm W x 84 cm D x 118 cm H; Seat height 42 cm; Seat depth 50 cm; Arm height 63 cm
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Price category: 2,500 - 5,000 usd / eur
This dining chair, designed by the Amsterdam-based company N.V. Jac Levee, is a beautiful piece of furniture design that embodies the essence of the Amsterdam School style. This movement, which emerged in the Netherlands during the early twentieth century, sought to unite expressive craftsmanship with modern design, resulting in furniture that was both functional and visually distinctive. Its influence extended from architecture to interiors and furnishings, where rich materials and carefully considered decorative details became defining characteristics.
Crafted from high-quality wood, the frame of the chair exudes a sense of strength and durability, while the wicker seating offers a comfortable and tactile sitting experience. The eight stretchers that make up the lower part of the frame provide a sense of balance and stability to the overall structure, while also creating a pleasing geometric rhythm when viewed from different angles. One of the most striking features of this chair is the use of black circular accents positioned along the legs and back. These details not only introduce a subtle graphic contrast against the warm tone of the wood but also reinforce the construction and highlight the chair's architectural character. The restrained ladder-back design further complements the overall composition, balancing the solidity of the frame with an open and elegant silhouette.
Over time, the chair has acquired a beautiful patina that adds to its charm and character. The tone of the wood and the gently aged wicker speak to decades of history, enhancing the authenticity of the piece without diminishing its functionality. More than simply a dining chair, it reflects the enduring quality of Dutch craftsmanship, combining honest materials, thoughtful construction, and understated decorative refinement.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Some marks, scratches and discolouration are present.
Dimensions:
19.29 in W x 15.74 in D x 34.84 in H; Seat height 18.11 in; Seat depth 15.15 in
49 cm W x 40 cm D x 88.5 cm H; Seat height 46 cm; Seat depth 38.5 cm
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Price category: 1,000 - 2,500 usd / eur
Born in 1890 in France, René Gabriel was one of the leading figures of the modernist movement in Paris. From 1923 to 1950, he presented an innovative body of work, offering innovative vision on the way people would live in the new century. He became widely recognised for developing practical, well-made furniture intended for the reconstruction period following the Second World War. Appointed president of the Société des Artistes Décorateurs (SAD) at the Liberation, he steered French decoration towards more economical productions, with sharp lines, efficient joinery, and a preference for the authenticity of local woods over imported species.
Gabriel distinguished himself through the extreme simplicity and sturdiness of his designs, where a Cartesian aesthetic streamlined production. His work rejected unnecessary ornament in favour of robust construction, honest materials, and economical forms that could be produced efficiently without compromising quality. The design of this pair of chairs are ingeniously functional and have a well-thought-out structure, crafted from oak. The chairs are built from a series of straightforward elements that work together with remarkable precision. The horizontal back slats create an open, lightweight appearance while providing comfortable support, and the slightly curved sides soften the otherwise rectilinear composition. The slatted wooden seats continues this emphasis on practicality, allowing the grain of the oak to remain fully visible while introducing subtle texture. The legs are gently tapered and connected by unobtrusive stretchers, giving the chairs excellent stability without adding unnecessary visual weight. Every joint is clearly expressed, making the construction itself part of the design rather than something to be concealed.
Model “103” belongs to René Gabriel’s body of work reflecting his enduring belief that good design should remain elegant through clarity of purpose, thoughtful craftsmanship, and an unwavering focus on function. Wood has never gone out of style, and pieces with an emphasis on a natural look are only gaining popularity today. These oak chairs are equally striking standing alone, or as part of an interior with a medley of styles.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the oak, the chairs have minor marks, scratches, and discoloration.
Dimensions:
16.93 in W x 16.53 in D x 31.49 in H; Seat Height 17.72 in; Seat Depth 15.55 in
43 cm W x 42 cm D x 80 cm H; Seat height 45 cm; Seat depth 39.5 cm
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Price category: 5,000 - 7,500 usd / eur
France occupied a unique position in the development of post-war furniture design. Many designers embraced the possibilities offered by industrial materials - retaining a sensitivity to proportion and decoration that distinguished French work from the stricter functionalism found elsewhere in Europe. Dining chairs became an ideal canvas for this approach, combining lightweight construction with elegant silhouettes that could bring rhythm and refinement to an interior.
The backrests are what immediately capture the eye - formed from a series of slender vertical rods, they rise in a gentle, fan-like construction that gives each chair a remarkable sense of lightness. The open frame allows the surrounding space to remain visible through the chairs, preventing the set from visually overwhelming a room even when placed together around a table. The black lacquered metal provides a crisp graphic outline, while the upholstered seats introduce warmth and tactility. Together, these elements create a striking contrast between line and volume, precision and softness. Arranged as a group, the repeated bars generate a rhythmic pattern that feels almost architectural, recalling the delicate ironwork found throughout mid-century French design.
The success of the set lies in its ability to be both decorative and discreet. The chairs possess a strong identity, yet their form allows them to integrate in a space. Elegant from every angle and highly versatile, they demonstrate how thoughtful use of materials and proportion can transform a functional object.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items have some marks, scratches, and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
18.89 in W x 18.11 in D x 36.41 in H; Seat height 18.70 in; Seat depth 16.14 in
48 cm W x 46 cm D x 92.5 cm H; Seat height 47.5 cm; Seat depth 41 cm
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Price category: 15,000 - 20,000 usd / eur
This beautiful set of six stools are crafted in the manner of French design duo Audoux-Minet. Adrien Audoux and Frida Minet worked together during the mid-20th century. The duo are known for their innovative use of natural, sustainable materials, including rope, wicker, and bamboo. Their work was heavily influenced by the Modernist movement, which sought to create functional and streamlined designs that were accessible to a wider audience.
Like in Scandinavia, there was an early emphasis on wood in most European mid-century design as it connected everyday objects to nature. This set of six is a perfect example of this sentiment, and the visual benefits of an understated, organic design. The high quality wicker makes these pieces outstanding examples of woven furniture. They feature a fairly traditional shape with rounded edges and an airy feel. The straightforward shape highlights the understated beauty of the materials, allowing the beautiful woven pattern and the grain of the wood to stand out. The seats are set on three splayed club feet, stained in a rich colour lending a more dramatic presence to the set. The tripod base is ideal for ensuring the sturdiness needed for a classic piece of furniture, even more so when paired with the T stretcher placed between the legs. Being functional as well as aesthetically pleasing, these stools are a great addition to set the tone of a space. The design is strong but subtle, with expert wickerwork thanks to which it can add depth as well as functionality to a space.
The interplay of a simple structure and refined detailing evokes a sense of harmony, aligning with the era’s focus on blending beauty with utility. The organic design makes this set stand out with an elemental edge. The colour palette further allows them to easily adapt to almost any interior to either complement a space, or to pop as accent pieces.
Condition:
In good vintage condition. Wear consistent with age and use. The stools have recently been reconditioned. Due to the age and nature of the materials, the items have minor scratches and dents, and may have additional marks or discolouration.
Dimensions:
15.35 in W × 13.39 in D × 17.72 in H
39 cm W x 34 cm D x 45 cm H
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Price category: 5,000 - 7,500 usd / eur
Wim den Boon was a Dutch designer and architect associated with the post-war modernist movement in the Netherlands. After studying interior design at the Academy of Fine Arts in The Hague, he worked alongside artists like Hein Stolle and Pierre Kleykamp to contribute to a number of important post-war interiors, including projects for Schiphol Airport. Den Boon later established himself independently in The Hague, where he designed furniture characterised by restrained compositions, careful spatial treatment, and a preference for unadorned everyday materials.
Influences from De Stijl and Scandinavian modernism remained visible throughout his work, particularly in the balance between strict structure and warmth. This lounge chair reflects that sensibility through its reduced oak construction and tactile ponyskin upholstery. The frame is composed of cylindrical supports and straight horizontal rails, creating a clear geometric outline around the upholstered body. The proportions are low and generous, giving the piece a relaxed, grounded posture. The seat and backrest form a wide lounging space upholstered entirely in champagne-coloured ponyskin. The material introduces a textured surface, giving the otherwise minimal form a sense of movement and depth. Still, the oak remains visible throughout the design, outlining the silhouette and through its slim slats it prevents the chair from appearing overly heavy. The tilt of the backrest softens the strict geometry and contributes to the lounge-like comfort of the piece.
Den Boon was part of the generation of Dutch designers who helped shape post-war modernism in the Netherlands through a restrained and architectural approach to furniture. This chair is proof of his talent. It feels architectural in structure, yet tactile and warm in appearance, reflecting the balance that made Dutch modernist furniture so distinctive during the period.
Condition:
In good vintage condition. Wear consistent with age and use. The lounge chair has recently been reconditioned. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration. The piece has recently been reupholstered in premium ponyskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
25.79 in W x 34.26 in D x 27.56 in H; Seat height 14.97 in; Seat depth 20.67 in
65.5 cm W x 87 cm D x 70 cm H; Seat height 38 cm; Seat depth 52.5 cm
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Price category: 7,500 - 10,000 usd / eur
Art Deco, the glamorous and influential design movement that emerged in France during the early 20th century, left an indelible mark on the world of furniture design. Characterised by its bold geometric shapes, rich materials, and luxurious aesthetics, Art Deco transformed the way we perceive interior spaces. It was a testament to the fusion of form and function, and this ethos is beautifully exemplified in this exquisite lounge chair.
This lounge chair is defined by its generous, rounded silhouette, with thickly upholstered arms that curve forward and frame the seat in a protective, almost enveloping way. The deep seat and softly padded backrest create a sense of weight and comfort, while the proportions remain carefully controlled so the form never feels heavy. The body is upholstered in a luxurious off-white mohair, which delights the eye thanks to its softness and texture, transforming the piece into a uniquely charming accent. The plush mohair also adds a tactile richness and warmth that stays true to the Art Deco commitment to durability and high-quality materials. Paired with the brown of the tapered wood that composes its legs, the lounge chair evokes a natural feel.
Perfect for those who value style and quality, this lounge chair brings a bold, timeless charm to any room. With its silhouette and rich, versatile colour, this piece combines style and comfort to infuse a space with Art Deco elegance.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The lounge chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.17 in W x 39.57 in D x 27.96 in H; Seat height 15.36 in; Seat depth 21.66 in; Arm height 24.02 in
69 cm W x 100.5 cm D x 71 cm H; Seat height 39 cm; Seat depth 55 cm; Arm height 61 cm
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Price category: 7,500 - 10,000 usd / eur
Born in 1890 in France, René Gabriel was one of the leading figures of the modernist movement in Paris. From 1923 to 1950, he presented a body of work, offering an innovative vision on the way people would live in the new century. He became widely recognised for developing practical, well-made furniture intended for the reconstruction period following the Second World War. Appointed president of the Société des Artistes Décorateurs (SAD) at the Liberation, he steered French decoration towards more economical productions, with sharp lines, efficient joinery, and a preference for the authenticity of local woods over imported species.
The daybed features a dark-stained wooden frame with clean, crisp lines that bring structure to its gentle form. Since the aesthetic is dominated by straight lines, the luxurious upholstery stays in focus, utilising the fabric’s softness to break the straight lines visually. Paired with the dark wood structure, the result is elegant and timeless, an aesthetic that can easily complement any style. In the absence of any other form of ornamentation, the materials stay in focus. The marriage of the wood and the fabric encapsulates the essence of modern French design. Every element appears carefully proportioned, with the silhouette remaining minimal yet bold and charming. Overall, this piece allows the craftsmanship and material quality to speak without unnecessary ornamentation.
Combining French craftsmanship, functional innovation, and a warm natural presence, it stands as a strong testament of French design from the 20th century that remains relevant and appreciated today.
Condition:
In vintage condition. Wear consistent with age and use. The daybed has recently been reconditioned. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The daybed has recently been reupholstered in premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
70.86 in W x 32.67 in D x 26.37 in H
180 cm W x 83 cm D x 67 cm H