Rare "Eared" Lounge Chair by Bengt Ruda for Artifort, The Netherlands 1960s
Rare "Eared" Lounge Chair by Bengt Ruda for Artifort, The Netherlands 1960s
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Price category: 5,000 - 7,500 usd / eur
This cosy mid-century lounge chair by Bengt Ruda is an exceptional find, as this “eared” version is one of the designer’s rarest designs. The combination of the Swedish designer’s idea and the Dutch manufactory’s execution makes this model an iconic piece of 1960s seating.
Mid-Century Modern is a term that accommodates both the functional craftsmanship of the golden age of the movement, as well as the present-day appreciation of cosy, individual design. While without a doubt a difficult task, this lounge chair model manages to encapsulate both ideals. From the welcoming, open frame with the playful ear flaps to the cosy upholstery, Ruda’s design expresses a quality of cosiness and comfortable conviviality that engenders a feeling of contentment. The distinctive shape is composed of curved shell seat with a great ergonomic design that supports the human body. The armrests are aligned with the “ears” and similarly curved outwards. This results in a dynamic, flowing look that is further enhanced by the upholstery. The soft velour highlights the cosy shapes and forms and allows the wooden lower structure to stand out against it. This is most apparent from the sides and the back, where the wooden legs tightly grip the fabric. The dark wood is an elegant pairing with the fully upholstered body, while the side stretchers and tapered construction assures structural firmness. Like Bengt Ruda, Artifort had a clear emphasis on functionality, comfort, and quality combined with aesthetically pleasing design and an innovative use of materials. Derived from the Latin word ‘ars’ meaning art or knowledge, and ‘fortis’ meaning strong or powerful, the word ‘comfort’ is also reflected in the brand’s name.
Artifort has been known for their “indestructible technique” applied to chair stringing, ensuring great quality and comfort. From how the frame engages with the body in a visually interesting way, without any visible joinery, to the playful ear flaps, this lounge chair is a piece of design history.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been recently reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.52 in W x 35.43 in D x 39.37 in H; Seat height 16.53 in
75 cm W x 90 cm D x 100 cm H; Seat height 42 cm
About the designer:
Bengt Ruda (1918-1999) was a Swedish architect and furniture designer. He worked for Nordiska Kompaniet (NK) during the early 1950s and gained a name for himself thanks to his innovative modern furniture designs.
In 1956, he was approached by none other than IKEA founder Ingvar Kamprad, and accepted a position with the up-and-coming new company. The Swedish designer was the first properly qualified designer to join the company. Ruda was highly influenced by Italian designers, which is demonstrated by one of his first designs for IKEA. His easy chair, by the name “Cavelli” was designed in 1959 and was presented in the IKEA catalogues that year as a "modern aristocrat." Nowadays, it might be surprising to many that these early IKEA designs are valuable collectables.
Bengt Ruda remains well-known for his various chair designs for the manufacturing companies Nordiska Kompaniet and the Dutch Artifort. ~H.
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Price category: 30,000 - 40,000 usd / eur
Swedish architect and furniture maker Axel Einar Hjorth worked as the lead designer for Sweden’s Nordiska Kompaniet department store from 1926 to 1938. During this time, Hjorth designed the “Sportstugemöbler” series, (which translates to “sports cabin furnishings”) a collection of wooden furniture designed for country homes. The various models in the sportstugemöbler series took their names from locations in the Stockholm archipelago – including Blidö, Lovö, and Utö.
The “Lovö” model, designed within the series of chalet furnishings, was initially launched by Nordiska Kompaniet in 1932. The series was a response to a new and growing demand for furnishings for leisure houses where the style was more informal. This chair is crafted from local pine wood, while the backrest features iron rivets. The juxtaposition between the pine and iron provides a rustic, sturdy and resilient feel, elevating the timeless look of the model. The chair combines a simple and honest form of the handcrafted style of traditional Nordic “allmoge” furniture, and the international 20th century Modernist movement. The result is a modest yet visually interesting design with a strong silhouette. The pine body is composed of a low, curved back that is slightly tilted in order to increase the sitter’s comfort - highlighting the functional nature of the chair. The seat features a loose, removable cushion, upholstered in a textural, striped fabric. Not only is the design of this model unique, but the colourful, cushion further increases the special character, ensuring remarkable charm. The design is completed by four square, straight legs, offering sturdiness.
The “Sportstugemöbler” series had a lasting influence on Hjorth’s contemporaries, inspiring other big names within Nordic design, such as Carl Malmsten. From an international perspective, this series is the forerunner of later pioneering designs, so it comes as no surprise that these “Lovö” chairs became part of modernist design history.
Condition:
In good vintage condition. Wear consistent with age and use. This chair comes with its original upholstery or has been reupholstered by a previous owner. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
20.86 in W x 20.07 in D x 31.49 in H; Seat height 18.50 in; Seat depth 16.92 in
53 cm W x 51 cm D x 80 cm H; Seat height 47 cm; Seat depth 43 cm
About the designer:
Axel Einar Hjorth was born in a small Swedish village named Krokek, just outside Norrköping, on March 7, 1888. At the age of 20, he moved to Stockholm to study architecture and design at the Högre Konstindustriella Skolan.
Although he never graduated, in the 1920s Hjorth started working as a furniture designer for various manufacturers, such as H. Joop & Co., Myrestedt & Stern, Jonssons, and Nordiska Kompaniet. Hjorth’s designs from this period had neoclassical features combined with Swedish Grace. This romantic national style of Sweden was elegant and refined, yet simple. The anniversary exhibition of 1923 in Gothenburg marked the breakthrough of Swedish decorative arts, and made Axel Einar Hjorth a well-respected artist. From October 1926, Hjorth became the chief designer and architect of Nordiska Kompaniet department store in Stockholm. In the 1930s, Hjorth designed a furniture collection out of pine meant for serial production known as Sportstugemöbler (furniture for holiday houses).
Hjorth’s designs, from the luxury of neoclassicism to the severity of functionalism, are sharply distinctive in style, materials, and character. Unlike many of his contemporaries, Hjorth did not conform to the socially oriented ideas produced by Svensk Form (the Swedish Society of Crafts and Design). He played a significant role in the development of Swedish society as a whole, and particularly in Swedish industrial art.
Today Hjorth is often viewed as a precursor to the modern designs popularised by Charlotte Perriand, Jean Royére, Pierre Chapo, or Josef Frank. Recently, there has been a revival of appreciation for his work, showing his genius in a new light.
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Price category: 7,500 - 10,000 usd / eur
In Sweden, “svensk design” in particular operates as a set of relations linking objects, spaces, people to the cultural ideologies that motivate the persistence of a social democratically infused “way of life.” Thanks to this sentiment, the cabinetmaker of this chair put an emphasis on soft elegance and functionality, making it timeless in every sense of the word.
The Swedish design movement has exercised a wide influence on modern architecture and interior furnishings internationally since the early twentieth century. As this beautiful high-back lounge chair shows, early mid-century modern designers and cabinetmakers not only prioritised outstanding craftsmanship, but also an aesthetic quality that honours the materials and their users alike. Swedish proponents of modern design ideals were able to cultivate their principles in a climate of relative calm with the long-term persistence of crafts traditions being especially formative. This craftsmanship is apparent in this lounge chair with a sinuous body that is as artistic as it is functional. The main principles of Swedish Modernism centre around minimalism, simplicity, and functionalism. This chair achieves to follow these principles while offering plenty of visually arresting qualities, including the high, curved back and exposed, sculptural arms that claw into the upholstery. The rich texture of the bouclé fabric accentuates the expressive shape of the frame that praises the maker’s sense of proportions. The short wood legs don’t take away from the robust, cosy appearance, instead they keep the design grounded and perfectly stable while also providing contrast with the beautiful colour. The expert Swedish craftsmanship is clearly visible throughout this piece, with impeccable woodworking and construction.
This beautiful, inviting lounge chair lives up to its Swedish heritage both in terms of visual and material quality. While its aesthetic is clean and functional, it has an eye-catching look with luxurious upholstery and cross stitches that make it an ideal accent piece as well.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some mark, scratches, and discolouration. The chair has been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.13 in W x 37.79 in D x 39.96 in H; Seat height 14.76 in; Arm height 24.21 in
74 cm W x 96 cm D x 101.5 cm H; Seat height 37.5 cm; Arm height 61.5 cm
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Price category: 2,500 - 5,000 usd / eur
In the decades after World War II, furniture across Europe pursued a careful balance between simplicity and craftsmanship. In the Netherlands as well as in Scandinavia, there was a rejection of heavy ornament and instead the focus fell on materials like solid wood and textiles while keeping the overall form simple and purposeful. Chairs from this period often reflect a belief that good design should be both visually pleasant and functionally comfortable.
This modernist armchair, in the manner of Jan den Drijver, illustrates these principles through a straightforward yet thoughtful construction. The frame is built from solid wood, finished to reveal a warm, natural grain that highlights its organic beauty. The backrest rises with a gentle backward slope, providing ergonomic support without excess bulk, and the wide, flat armrests extend forward in a smooth and sleek line that aligns with the sitter’s posture. The seat and backrest surround the upholstery, a textured fabric that contrasts softly with the wood while maintaining a neutral palette. The cushions are padded to increase comfort. The legs are sturdy and substantial, ensuring support while not taking away from the rest of the design. This unadorned construction allows the quality of the piece to remain the focus - the clear form, the seamless joinery, and the dialogue between materials allows for the chair to feel timeless and considered rather than fleeting or overtly stylised.
Functionally and visually, this armchair demonstrates how mid-20th century European design could bridge tradition and modernity without sacrificing comfort or structural clarity. It is well suited to domestic living rooms, libraries, or quiet seating nooks while its understated modernism makes it versatile alongside both mid-century and contemporary interiors.
Condition:
In good vintage condition. Wear consistent with age and use. Minor scratches and discolouration. Due to the nature of the material, the item may have some additional marks. The chair has recently been reconditioned and reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.36 in W x 31.49 in D x 30.31 in H ; Seat height 16.33 in; Seat depth 21.85 in; Arm height 22.04 in
69.5 cm W x 80 cm D x 77 cm H ; Seat height 41.5 cm; Seat depth 55.5 cm; Arm height 56 cm
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Price category: 9,000 - 12,500 usd / eur
Designed in the early phase of what we know today as mid-century modern, this charming armchair is unique evidence of how traditional Swedish craftsmanship was brought into modernism. Berga Möbler, later called Berga Form, began manufacturing furniture of the highest quality in 1896.
This armchair holds all the characteristics that define the manufacturer's style: soft, organic, playful, and sophisticated. The model is slightly tilted backwards allowing for a pleasant sitting experience. The tapered wooden legs add a touch of mid-century modern flair apart from being structurally integral, while the two front legs have a precise curvature towards the end; a feature which has become a distinctive feature of Berga Möbler's designs. The rounded backrest and armrests are just some of the elements that define the elegance of the chair. Slightly inclined towards the backrest, the armrests enhance the excellent seating experience, making this piece a great choice for any contemporary living space. The back is tufted with two large buttons that allow for a friendly and welcoming appearance. The cushioning is firm yet plush, perfectly balancing comfort and support. This attention to detail ensures that the armchair is beautiful and practical for everyday use.
Crafted with precision and finished with attention to detail and care for the aesthetic dimension, this armchair stands the test of time thanks to both their visual and material quality.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.52 in W x 33.46 in D x 33.07 in H; Seat height 17.71 in; Seat depth 20.86 in; Arm height 23.62 in
75 cm W x 85 cm D x 84 cm H; Seat height 45cm; Seat depth 53 cm; Arm height 60 cm
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Price category: 5,000 - 7,500 usd / eur
This chair is a striking example of mid-century Scandinavian design, blending natural materials with industrial elements. The chair features a robust frame constructed from solid pine, which is known for its durability and warm, organic tones. The wood's natural grain is accentuated through a light finish, showcasing the Scandinavian aesthetics' emphasis on simplicity and connection to nature. The combination of pine and iron not only reflects the practical and resourceful design ethos of the 1940s but also demonstrates a harmonious blend of organic and industrial materials, characteristic of Swedish furniture design during this period.
The chair’s shape and construction show the signs of a master cabinetmaker. The beautiful light upholstery, the wooden frame, and the traditional craft of woodworking translate the primordial beauty of nature into this modern piece. The design aims to maximize comfort while putting an emphasis on elegance and function. This is most visible in the round, welcoming body, enhanced by the light fabric of the chair's cushions. The pine slats form a curved backrest, providing ergonomic support and comfort, while the iron components add structural integrity. The armrests feature a beautiful and unique wood grain, further enhancing the natural beauty of the material.
This armchair by Åby Möbelfabrik encapsulates the timeless appeal of Scandinavian design, where form meets function in a way that feels both natural and modern. Its enduring materials and clean lines make it a versatile piece that could easily complement various interiors, from rustic to contemporary. The armchair stands as a testament to the craftsmanship and innovative design principles that defined Swedish furniture making in the mid-20th century.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
28.34 in W x 29.13 in D x 30.31 in H; Seat height 16.53 in
72 cm W x 74 cm D x 77 cm H; Seat height 42 cm
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Price category: 5,000 - 7,500 usd / eur
Artifort was founded in 1890, when Jules Wagemans started a business as an upholsterer in Maastricht. A great deal changed with the arrival of the interior and furniture designer Kho Liang Ie, and in 1959 he recruited the French designer Pierre Paulin, beginning a long and fruitful collaboration between Paulin and the Dutch manufacturer. Pierre Paulin’s model “577” lounge chair, also known as the “Tongue Chair” or “Langue” in French, represents a bold and fluid design language that emerged in the mid-20th century.
Designed in 1967, and produced by Artifort, the chair is a hallmark of Paulin’s sculptural approach to furniture. He believed that “a chair should be more than simply functional”. This "577" lounge chair model features a seamless, flowing form that echoes the curve of a human tongue. The lounge chair offers a fresh departure from traditional seating, embodying the futuristic and organic sensibilities of the 1960s. Constructed with a metal frame covered in foam and upholstered in a beautiful off-white textured fabric, the design prioritises both form and comfort. The low armless profile encourages a relaxed posture and makes it visually striking from all angles. Paulin’s innovative use of materials and emphasis on ergonomic design allowed this chair model to become a functional piece and a statement - ideal for modernist interiors that value design and experimentation.
Today, the “577”/ “Langue” chair stands as a timeless icon of modern design, revered for its originality and enduring appeal. Through this design, Pierre Paulin and Artifort captured a unique moment when comfort, form, and avant-garde aesthetics come together beautifully.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
31.88 in W x 38.18 in D x 24.80 in H; Seat height 14.56 in; Seat depth 22.83 in
81 cm W x 97 cm D x 63 cm H; Seat height 37 cm; Seat depth 58 cm
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Price category: 5,000 - 7,500 usd / eur
This upholstered armchair reflects the quiet confidence of Scandinavian design from the 1930s, a period when modern ideas were being absorbed into more traditional forms. Swedish furniture of this era often balanced restraint with comfort, favouring clear silhouettes and honest materials over ornament. Rather than chasing novelty, designers focused on proportion, usability, and longevity, creating pieces that felt modern yet familiar.
This chair sits comfortably within that moment, bridging early modernist thinking with the warmth expected in domestic interiors. The armchair is defined by its solid wooden frame, which gives structure and presence without overpowering the soft upholstery. The straight, architectural arms frame the seat and back in a way that feels deliberate and grounded, while the slightly reclined backrest invites relaxed sitting. Upholstered in a dusty pink fabric, the chair gains a subtle softness that tempers the firmness of the wood. The fabric adds depth and tactility, catching light gently and emphasizing the slightly rounded edges. The proportions are compact but generous, making the chair feel supportive without appearing heavy. Every element, from the thickness of the cushions to the clean transitions between wood and fabric, suggests careful craftsmanship and an understanding of everyday comfort.
As both a functional seating piece and a design object, this armchair works easily in a range of interiors. Its calm colour palette and balanced form make it timeless, appealing to those who value character, quality, and subtle design. This is a chair meant to be lived with, offering comfort first while quietly carrying the design language of its time into the present.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature of the wood, the item may have some marks, scratches, or discolouration. The chair has recently been reconditioned and reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
26.18 in W x 33.66 in D x 32.48 in H; Seat height 15.74 in; Seat depth 20.27 in; Arm height 23.62 in
66.5 cm W x 85.5 cm D x 82.5 cm H; Seat height 40 cm; Seat depth 51.5 cm; Arm height 60 cm
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Price category: 5,000 - 7,500 usd/eur
Carl Malmsten’s life's work spans nearly sixty intense years and his legacy is considered a national treasure in Sweden. He created a number of furniture classics including this rare “Elder man” armchair.
His entire work is characterized by a close-to-nature philosophy which is deeply rooted in Swedish nature and commoner culture. A deeper knowledge of Carl Malmsten as a person means that his furniture can be seen not only as utilitarian objects, but also as artistic works with the ability to express a feeling or mood. This winged armchair carries with it that certain “Malmstenesque” that is characterized by gentle curves, a cosy appearance and of course, the highest quality craftsmanship. This is especially visible in the flowing armrests that descend from the top, curling outwards to create a welcoming look. The slightly bent backrest is tufted with dark brown leather stitches that contrast with the light bouclé upholstery both in colour and texture to create a stylish, visually interesting look. As it can be expected from the “Master of Wood”, the frame is expertly designed, with ergonomic and aesthetic principles at its core. To complete the mid-century look, the structure is supported by tapered, solid wood legs that add an organic touch to the design.
In the 50s, Carl Malmsten’s furniture were produced in small series in smaller workshops, which meant that the furniture became very expensive and thus inaccessible to most people. He then decided to select a number of producers who could produce his furniture in larger volumes without sacrificing quality, beauty, and practicality. In Tranås he came into contact with O.H. Sjögren which he considered fulfilled all the high demands he placed on the production of upholstered furniture.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
28.74 in W x 34.65 in D x 41.34 in H; Seat height 16.14 in; Arm height 21.65 in
73 cm W x 88 cm D x 105 cm H; Seat height 41 cm; Arm height 55 cm
About the Designer:
Carl Malmsten (December 7, 1888 – August 13, 1972) was a Swedish furniture designer, architect, and educator. Malmsten was born in Stockholm, Sweden. Malmsten's career took off when he won a competition in 1916 to design furniture for the Stockholm City Hall and shortly after in 1917, he exhibited alongside well-known Swedish architects such as Gunnar Asplund and Uno Åhrén.
In the 1920s he was invited to furnish a room for the crown prince, Gustaf VI Adolf, and his wife Louise in Ulriksdal Palace. He was honoured with an inaugural Prince Eugen Medal for design in 1945. Already as a young designer in the early 20th century, Carl Malmsten advocated an artisanal furniture design based on local ingredients and traditions, available to a wide audience at a reasonable price.
Nature was Carl Malmsten's foremost teacher and source of inspiration. He conveyed his love of craftsmanship as a teacher in his own schools, at Olofskolan in Stockholm, Capellagården on Öland and the Carl Malmsten school on Lidingö, today a branch of Linköping University and one of the country's leading design colleges. As a debater, Malmsten stormed against functionalism, but in retrospect it can be seen that his ideas often coincided with the rational and frugal style ideals of function.
Malmsten has had a lasting influence on Swedish furniture design through the two schools he founded—the Carl Malmsten Furniture Studies (Carl Malmstensskolan), which has been a part of Linköping University since 2000, is situated on the island of Lidingö on the outskirts of Stockholm. Carl Malmsten spoke about the importance of tradition, craftsmanship, and the nation. His furniture was in many ways a product of the thoughts and ideals of the time, they have a timeless quality that makes them just as relevant and loved today. ~H.
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Price category: 5,000 - 7,500 usd / eur
The “Stora Eva” chair model is from the timeless and iconic Paradiset Collection from the Triva Series, which was created in the 1950s by Kerstin Hörlin-Holmquist during her time at Nordiska Kompaniet. Hörlin-Holmquist had a unique and humanistic design vision, and because of her uncompromising attitude, she became one of Sweden’s most renowned mid-century furniture designers.
Hörlin-Holmquist once remarked "I think both furniture and textiles, wherever they end up, must be kind, gentle, and courteous, but without losing their character. They should have human qualities, not be pompous and only stand alone, but be able to adapt to the environment they end up in” and this armchair is an elegant example of that sentiment. Characterised by the best qualities of mid-century design, this chair can be incorporated into contemporary and traditional interiors, lending itself to a timeless, universal appeal. The elegant lines and shape of the backrest create a striking silhouette. The tufted buttons on the backrest serve as the only form of ornamentation, and add to the visual richness of the model. The soft white upholstery is complemented by the tapered stained wood legs. Tilted in the back, the slim legs have a classically modern look. This armchair model expresses a particular feeling of warmth and comfort with its friendly and rounded form. Standing at the intersection of form and function, this is a timeless model that will never go out of style.
The craftsmanship displayed in this armchair is a testament to the high standards of Swedish design in the mid 20th century, reflecting the technical skill and artistic vision of both Kerstin Hörlin-Holmquist and Nordiska Kompaniet.
Condition:
In good vintage condition. Wear consistent with age and use. Minor scratches on the wood. The chair has been recently reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
28.34 in W x 32.67 in D x 38.38 in H; Seat height 16.14 in; Seat depth 18.70 in; Arm height 22.44 in
72 cm W x 83 cm D x 97.5 cm H; Seat height 41 cm; Seat depth 47.5 cm; Arm height 57 cm
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Price category: 2,500 - 5,000 usd / eur
This armchair, recalling the Bauhaus, is made of wood and woven rope, and brings to mind iconic designs of the early 20th century. Erich Dieckmann’s furniture models are often characterized by quality hardwoods, cane matting and geometric frames that link the armrests and legs, creating a unique runner construction. This model is visually reminiscent of Dieckmann’s work thanks to the curved armrests and quality materials.
The wooden structure of this chair was a technical innovation in its time as it was created by steam bending the wood. During the process, the wood is exposed to steam to make it pliable. The steam bending is most apparent in the armrests, where the curvature flows down to form the front legs, and in the stretchers where there is a wavy look - these elements allow the otherwise simple design to stand out and become a work of art in its own right. The frame is complemented by the elegant rope seat and backrest woven tightly around the wood, with the woven seating giving it a warm and cosy feel all while staying very functional. The chair’s simplicity and honest elegance makes it an exceptional piece of furniture. This chair is defined by it’s materials, steam bent wood and woven rope. Both techniques require expert skill, which the craftsman and the manufacturer evidently both possessed.
Unlike designs from outside the continent, European designers’ products weren’t flashy but instead focused on being well-made and to fit a warm, comfortable and welcoming home. As this chair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship is the key to the success of this design period.
Condition:
In vintage condition. Wear consistent with age and use.
Dimensions:
23.23 in W x 26.38 in D x 31.5 in H; Seat height 16.53 in; Seat depth 16.92 in; Arm height 24.8 in
59 cm W x 67 cm D x 80 H; Seat height 42 cm; Seat depth 43 cm; Arm height 63 cm
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Price category: 2,500 - 5,000 usd / eur
This spectacular “Pallas” chair by Swedish designer, Svante Skogh dates to 1954 and is a rather rare example of the interior and furniture designer’s repertoire. With a creative and masterfully crafted wooden structure, this lounge chair praises both Skogh and Asko.
The design combines function and aesthetic masterfully, keeping the form in service of the user while maintaining an elegant and modern look. The union of the shell-shaped, upholstered body and the sculpted wooden structure define this chair. The body “sits” on the black painted frame, as if the wood was constructed over the shell. This shows the Swedish design’s and the Finnish manufacturing’s quality. The chair is slightly raised towards the front, which is further accentuated by the armrests. Together with the seat cushion, this angle assures great sitting comfort, a feature that Scandinavian designers were particularly concerned with. The legs not only support the body, but also rise to form the support for the armrests. The clean lines of the black painted birchwood contrast beautifully with the body that is upholstered in a grey wool blend fabric. The pairing of colours and materials creates an open and very photographic appearance. Due to the well-chosen proportions, colour scheme and angled profiles, this lounge chair is uniquely elegant.
Asko - Finland’s market leading furniture manufactory from the 1930s - worked with many renowned Scandinavian designers during the mid-century era, among them Swedish master, Svante Skogh. This “Pallas” lounge chair was manufactured together with a sofa during the 1950s, and remain quite rare.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium wool blend fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.55 in W x 29.92 in D x 30.9 in H; Seat height 17.32 in; Arm height 23.22 in
70 cm W x 76 cm D x 78.5 cm H; Seat height 44 cm; Arm height 59 cm
About the designer:
Swedish furniture designer Svante Skogh is best known for his mid-century designs produced by many of the most renowned Scandinavian manufacturers, among them Asko Finland, Seffle (sometimes written as Säffle) Möbelfabrik, and Klings Alingsås. Throughout his career in the 1950s and 1960s, he worked with a number of furniture producers.
Despite his famous designs, not a lot is known about the designer. His designs ranged from coffee tables to seating, such as his famous Bodö Series from 1957. Many of Skogh’s designs have survived and are highly sought after on the vintage market today. ~H.
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Price category: 7,500 - 10,000 usd / eur
This lounge chair by Swedish designer, Gösta Jonsson, exudes quality and personality from all angles, and is the designer’s most famous model. The basic Swedish design principles are all present and upholstered in soft and stylish sheepskin.
With organic forms and harmonious proportions, this model is an excellent example of great Swedish design from the era. Designed in the early phase of what we know today as mid-century modern, this lounge chair has a classic shape, paired with a modern edge. The generous seat and back are welcoming, with the latter curving in such an angle that the sitter is “hugged”. The large, curved backrest features tufted buttons and follows the curve of the equally generous seat, creating a harmonious look. The backside of this chair is quite striking, as it is created from a single piece stemming from the base. The sheepskin used for the upholstery is the ultimate material for comfort, warm in the winter and cool in the summer. It elevates the sheer size and shape of the chair, especially its back, beautifully. At the same time, the wood also remains in the focus, as it is the most important material in Swedish mid-century design. The solid, stained wood legs are tapered to lighten the look, but are thick enough at the top to provide adequate joinery strength.
The artisanal production quality shows throughout this chair and takes the Swedish idea of furniture that last for generations seriously. The harmony of craftsmanship, the materials and the design makes this lounge chair ideal for any interior and style.
Condition:
In good vintage condition. Wear consistent with age and use. Item may have some marks, scratches, and discolouration. The chair has been reupholstered recently in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
30.7 in W x 34.64 in D x 27.95 in H; Seat height 16.14 in
78 cm W x 88 cm D x 71 cm H; Seat height 41 cm