REQUEST PRICE HERE

Price category: 5,000 - 7,500 usd / eur

This beautiful chair design was crafted by French duo Audoux-Minet. Adrien Audoux and Frida Minet worked together during the mid-20th century, and are known for their innovative use of natural, sustainable materials, including rope, wicker, and bamboo. Their work was heavily influenced by the Modernist movement, which sought to create functional and streamlined designs that were accessible to a wider audience.

Like in Scandinavia, there was an early emphasis on wood in most French mid-century design - it connected everyday objects to nature. These chairs are a perfect example of this sentiment, and the visual benefits of an understated, organic design. The high quality woven papercord makes the pieces an outstanding example of woven furniture. They feature a fairly traditional shape with soft edges and an airy feel. The straightforward shape highlights the understated beauty of the materials, allowing the beautiful woven pattern and the grain of the wood to stand out. The interplay of a simple structure and refined detailing evokes a sense of harmony, aligning with the era’s focus on blending beauty with utility. The organic design makes these pieces stand out with an elemental edge. The colour palette further allows easy adaptation to almost any interior, functioning to either complement a space or to stand out as an accent.

Today, Audoux and Minet's designs are highly sought after by collectors and are considered important examples of mid-century modern design. Furniture pieces like this pair of armchairs stand out through their unique textures, and their materials, as well as their classic charm.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, dents and discolouration.

Dimensions:

17.51 in W x 20.86 in D x 32.28 in H; Seat height 17.32 in; Seat depth 17.51 in

44.5 cm W x 53 cm D x 82 cm H; Seat height 44 cm; Seat depth 44.5 cm

REQUEST PRICE HERE

Price category: 2,500 - 5,000 usd / eur

French seating design from the 1940s often sits at the intersection between late Art Deco and the early stages of modernism. While earlier decades favoured more elaborate ornamentation, this period saw a gradual simplification of form, with designers focusing more on proportion, silhouette, and comfort. Upholstered side chairs became increasingly common in domestic interiors, offering a more relaxed alternative to rigid dining or occasional seating.

This side chair follows that direction through its restrained yet carefully shaped form. From the rounded back, to the tapered wooden legs, its elements that reflect both the elegance of Art Deco and a move toward more practical, everyday use. The structure is defined by a softly curved backrest that sits slightly detached from the seat, creating a light, open transition between the two elements. The upholstery, in a warm burnt tone, gives the chair its visual identity, introducing both colour and a soft texture that contrasts with the sleek and slender wooden legs below. These legs taper subtly toward the floor, offering sturdiness and support while keeping the overall composition visually light. The seat itself is compact and gently rounded at the edges, echoing the curvature of the backrest and contributing to a cohesive silhouette. There is a clear sense of balance between the upholstered volumes and the exposed wooden structure, with both elements working together. The proportions are modest but deliberate, allowing the chair to function comfortably without appearing heavy or overly decorative.

This piece is not designed to command attention and overpower a space, but rather to work as an accent within a living space. The warmth of the upholstery and the simplicity of the frame make it easy to integrate, while the subtle shaping ensures it retains character.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

18.51 in W x 21.66 in D x 32.68 in H; Seat height 20.28 in; Seat depth 17.72 in

47 cm W x 55 cm D x 83 cm H; Seat height 51.5 cm; Seat depth 45 cm

REQUEST PRICE HERE

Price category: 15,000 - 20,000 usd / eur‎

Swedish architect and furniture designer Axel Einar Hjorth served as the lead designer for Sweden’s Nordiska Kompaniet department store from 1926 to 1938. During this time, Hjorth designed the “Sportstugemöbler” series, (which translates to “sports cabin furnishings”) a collection of wooden furniture designed for country homes. The various models in the sportstugemöbler series took their names from the Stockholm archipelago – including Blidö, Lovö, and famously, Utö.

These Utö chairs were designed in 1932 as part of the collection. Unlike the department store's interiors for floors and villas in the cities, the Utö designs had a simple character with robust and basic shapes in solid pine. Accordingly, the design of these chairs focuses on simple lines and the material itself. Made of pine wood, these chairs are strong, reflecting Hjorth’s principles in which he mixed the ideals of the modernist movement with provincial Swedish traditions. As a result, the design of this set is completely timeless. Each chair demonstrates a conscious construction, where the joinery and fittings related to traditional craftsmanship are emphasized. Dominated by rounded, straight lines, the chairs have spindle backrests and ergonomically carved seats. The form alludes harmony and stability, fitting the summer cabin concept perfectly.

In an international perspective, Hjorth's “sportstugemöbler” series was the forerunner of later pioneering designers such as Charlotte Perriand. It is therefore no surprise that these Utö chairs became part of Swedish and international modernist design history. In their time, the Utö collection may have appeared as pioneering and radical, but today they are viewed as status symbols in interiors of international character.‎

Condition:

In good vintage condition. Wear consistent with age and use. Some marks and stains on the wood. Due to the nature and age of the wood, the items may have scratches and discolouration.

Dimensions:

18.89 in W x 18.3 in D x 31.49 in H; Seat height 16.92 in

48 cm W x 46.5 cm D x 80 cm H; Seat height 43 cm

Literature:

Christian Bjork, Thomas Ekstrom and Eric Ericson, 'Axel Einar Hjorth: Mobelarkitekt', Stockholm, 2009, p.130

About the designer:

Axel Einar Hjorth was born in a small Swedish village named Krokek, just outside Norrköping, on March 7, 1888. At the age of 20, he moved to Stockholm to study architecture and design at the Högre Konstindustriella Skolan.

Although he never graduated, in the 1920s Hjorth started working as a furniture designer for various manufacturers, such as H. Joop & Co., Myrestedt & Stern, Jonssons, and Nordiska Kompaniet. Hjorth’s designs from this period had neoclassical features combined with Swedish Grace. This romantic national style of Sweden was elegant and refined, yet simple. The anniversary exhibition of 1923 in Gothenburg marked the breakthrough of Swedish decorative arts, and made Axel Einar Hjorth a well-respected artist. From October 1926, Hjorth became the chief designer and architect of Nordiska Kompaniet department store in Stockholm. In the 1930s, Hjorth designed a furniture collection out of pine meant for serial production known as Sportstugemöbler (furniture for holiday houses).

Hjorth’s designs, from the luxury of neoclassicism to the severity of functionalism, are sharply distinctive in style, materials, and character. Unlike many of his contemporaries, Hjorth did not conform to the socially oriented ideas produced by Svensk Form (the Swedish Society of Crafts and Design). He played a significant role in the development of Swedish society as a whole, and particularly in Swedish industrial art

Today Hjorth is often viewed as a precursor to the modern designs popularized by Charlotte Perriand, Jean Royére, Pierre Chapo, or Josef Frank. Recently, there has been a revival of appreciation for his work, showing his genius in a new light. ~H.

REQUEST PRICE HERE

Price category: 5,000 - 7,500 usd / eur

Many associate the design duo, Robert Guillerme and Jacques Chambron, with some of the most recognisable and enduring French furniture of the second half of the 20th century. Working for their workshop Votre Maison, founded in the 1950s, the pair developed a design language that merged modernist ideals with a rustic sensibility and deep respect for craftsmanship. Known especially for their use of solid oak, expressive lines, and thoughtful detailing, Guillerme et Chambron created pieces that feel as relevant today as they did during the mid-century.

This set of dining chairs displays the qualities that make Guillerme et Chambron’s work so iconic. Constructed in solid oak, the frames are characterised by gently tapered legs, finely proportioned stretchers, and a subtle refinement that never compromises their structural integrity. The backrests provide the defining visual feature: two angled frames supporting a carved horizontal element showcasing a delicate cut-out, which introduces a sculptural detail that immediately distinguishes the design. Though understated, this feature echoes the handcrafted quality found throughout Guillerme and Chambron's work. The contrast between the generous soft textile and the golden oak creates a harmony that feels thoughtful and balanced. Viewed together, the repeated silhouettes establish a strong rhythm around the dining table, their balanced proportions allowing the set to feel elegant without appearing rigid

This set has the power to shape the atmosphere of a room with quiet confidence, bringing warmth, craft, and intention into daily life. The set represent Votre Maison’s philosophy, and stands as an enduring example of French mid-century design at its best.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the material, the items may have some marks, scratches, and discolouration. The set has recently been reupholstered. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

18.7 in W x 21.45 in D x 34.44 in H; Seat height 20.07 in; Seat depth 17.32 in

47.5 cm W x 54.5 cm D x 87.5 cm H; Seat height 51 cm; Seat depth 44 cm

REQUEST PRICE HERE

Price category: 5,000 - 7,500 usd / eur

France occupied a unique position in the development of post-war furniture design. Many designers embraced the possibilities offered by industrial materials - retaining a sensitivity to proportion and decoration that distinguished French work from the stricter functionalism found elsewhere in Europe. Dining chairs became an ideal canvas for this approach, combining lightweight construction with elegant silhouettes that could bring rhythm and refinement to an interior.

The backrests are what immediately capture the eye - formed from a series of slender vertical rods, they rise in a gentle, fan-like construction that gives each chair a remarkable sense of lightness. The open frame allows the surrounding space to remain visible through the chairs, preventing the set from visually overwhelming a room even when placed together around a table. The black lacquered metal provides a crisp graphic outline, while the upholstered seats introduce warmth and tactility. Together, these elements create a striking contrast between line and volume, precision and softness. Arranged as a group, the repeated bars generate a rhythmic pattern that feels almost architectural, recalling the delicate ironwork found throughout mid-century French design.

The success of the set lies in its ability to be both decorative and discreet. The chairs possess a strong identity, yet their form allows them to integrate in a space. Elegant from every angle and highly versatile, they demonstrate how thoughtful use of materials and proportion can transform a functional object.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items have some marks, scratches, and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

18.89 in W x 18.11 in D x 36.41 in H; Seat height 18.70 in; Seat depth 16.14 in

48 cm W x 46 cm D x 92.5 cm H; Seat height 47.5 cm; Seat depth 41 cm

REQUEST PRICE HERE

Price category: 7,500 - 10,000 usd / eur

Etienne Kohlmann was a French interior decorator and designer during the early to mid-20th century. This set of dining chairs was crafted in the 1930s, and its design and execution show how the aesthetic and functional dimensions were of equal importance for Kohlmann.

This set is all about the gorgeous wooden structure. The discreet joinery and seamless construction reflect the French emphasis on detail and quality, elevating the chairs beyond just function to objects of aesthetic value. The carved backrests of this set immediately stand out. The dark-stained oak reveals a rich grain and depth, enhancing the organic beauty of the carved surface. Since the wood has a deep, rich tone, it pairs beautifully with the burnt-orange mohair upholstery, offering a restrained yet sophisticated material contrast. Overall, the construction is solid and balanced, yet it does not shy from a dynamic interplay of shapes: the bold geometry of the backrests contrasts with the smooth linearity of the base. This sense of proportion reflects the maker’s background in both cabinetmaking and art, speaking to his interest in giving weight and presence to utilitarian forms.

This set is a timeless addition to any dining room, blending sculptural presence with everyday functionality. As with much of Etienne Kohlmann’s work, these chairs stand as enduring examples of French mid-century design at its finest; warm, distinctive, and thoughtfully made.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned and reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Due to the nature and age of the wood, the chairs may have some marks, scratches, and discolouration. Please reach out for more information.

Dimensions:

19.48 in W x 20.07 in D x 35.82 in H; Seat height 20.07 in; Seat depth 16.92 in

49.5 cm W x 51 cm D x 91 cm H; Seat height 51 cm; Seat depth 43 cm

REQUEST PRICE HERE

Price category: 7,500 - 10,000 usd / eur

René Prou was one of the leading figures of French decorative arts during the first half of the twentieth century. He began his career as artistic director for the house of Gouffé, where he developed a reputation for refined interiors and exceptional craftsmanship. Over the following decades, Prou received prestigious commissions ranging from luxury ocean liner cabins to the council chamber of the Comptoir d’Escompte de Paris, while also serving as director and professor at the École Nationale Supérieure des Arts Décoratifs.

Prou’s work became known for its elegant curved forms, decorative restraint, and innovative treatment of metal, particularly through his “zinzin maison” technique, which gave metal a flexibility and visual softness similar to rattan. This set of three armchairs attributed to René Prou reflects these qualities associated with his work. The chairs are built around slender blackened metal frames that curve fluidly to form the legs, arm supports, and decorative details beneath the seats. Rather than concealing the structure beneath upholstery, the metalwork remains fully visible and becomes central to the composition. The flowing lines introduce rhythm and movement throughout the design. In contrast, the upholstered seat and back cushions are restrained, covered in a neutral fabric that balances the delicacy of the frame with a greater sense of solidity and comfort. The cylindrical arm cushions further soften the composition while reinforcing the linear direction of the armrests.

Despite the decorative quality of the metalwork, the chairs retain a remarkable sense of openness due to the thinness of the structure and the spacing between elements. These armchairs carry a light, and almost architectural presence, where the curves of the metal frame create visual movement without overwhelming the composition. The result is a set that functions equally well as practical seating and as sculptural interior pieces.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The armchairs have recently been reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

21.65 in W x 27.36 in D x 38.19 in H; Seat height 15.75 in; Seat depth 18.90 in; Arm height 24.81 in

55 cm W x 69.5 cm D x 97 cm H; Seat height 40 cm; Seat depth 48 cm; Arm height 63 cm

REQUEST PRICE HERE

Price category: 5,000 - 7,500 usd / eur

Guillerme et Chambron held a central place in mid-century French design, as their work bridged the gap between form and function. With their studio, Votre Maison, the duo developed a design language rooted in expressive silhouettes and a commitment to organic materials, using oak in their most iconic pieces. Their works reflects a deep respect for the art of furniture making and for the people who use their pieces, which is why their designs remain so popular today.

This set of four dining chairs displays the qualities that make Guillerme et Chambron’s work so instantly recognisable. The carved oak frames are shaped in a clean and expressive way. The sabre legs lift the chairs lightly, giving them stability and sturdiness. The backrests showcase a geometric shape, with a round opening carved into the triangular form. This represents the type of small but meaningful detail that defined mid-20th century furniture. A cross structure supports each seat, reinforcing the model while also showcasing expert craftsmanship. Upholstered in a textured bouclé fabric, the seats add warmth to the wood. The contrast between the soft textile and the golden oak creates a harmony that feels thoughtful and balanced. Viewed together, the four chairs create an elegant composition. The individuality of each backrest, the subtle tapering of the legs, and the visible grain of the oak make the set feel both timeless and unique.

Placed around a table, this set shapes the atmosphere of a room with quiet confidence, bringing warmth, craft, and intention into daily life. They represent Votre Maison’s philosophy and remain a reminder of how design can elevate a space. This set stands as an enduring example of French mid-century design at its best.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the wood, the chairs may have some marks, scratches, and discolouration. The seats have recently been reupholstered in premium bouclé fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

18.11 in W x 19.29 in D x 35.03 in H; Seat height 19.88 in

46 cm W x 49 cm D x 89 cm; Seat height 50.5 cm

About the designer:

Robert Guillerme graduated in 1934 from the École Boulle where he excelled in architecture and furniture design. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops.

In 1948, Guillerme was joined by his long-time friend, decorator Jacques Chambron in Lille. The following year Guillerme and Chambron met master cabinetmaker Émile Dariosecq, owner of a woodworking shop and the company Votre Maison was born. Together, they defined and imposed a new furniture concept. Thanks to their distinctive creativity, originality, and quality, the Votre Maison quickly became well-known.

The Votre Maison marked the history of French design. Guillerme drew the furniture designs while Chambron played the part of salesman, welcoming and advising clients. The power duo was complemented by Dariosecq, whose workshop took charge of the manufacturing. Together, they defined new furnishings concepts. Well-crafted chair back, polished wood and thick cushions make the reputation of their armchairs and sofas. Votre Maison continued to produce furniture right into the 20th century, with Jacques’ son Hervé Chambron, a designer and graduate of the École Boulle, having taken the reins in 1983.

REQUEST PRICE HERE

Price category: 1,000 - 2,500 usd / eur

Born in 1890 in France, René Gabriel was one of the leading figures of the modernist movement in Paris. From 1923 to 1950, he presented an innovative body of work, offering innovative vision on the way people would live in the new century. He became widely recognised for developing practical, well-made furniture intended for the reconstruction period following the Second World War. Appointed president of the Société des Artistes Décorateurs (SAD) at the Liberation, he steered French decoration towards more economical productions, with sharp lines, efficient joinery, and a preference for the authenticity of local woods over imported species.

Gabriel distinguished himself through the extreme simplicity and sturdiness of his designs, where a Cartesian aesthetic streamlined production. His work rejected unnecessary ornament in favour of robust construction, honest materials, and economical forms that could be produced efficiently without compromising quality. The design of this pair of chairs are ingeniously functional and have a well-thought-out structure, crafted from oak. The chairs are built from a series of straightforward elements that work together with remarkable precision. The horizontal back slats create an open, lightweight appearance while providing comfortable support, and the slightly curved sides soften the otherwise rectilinear composition. The slatted wooden seats continues this emphasis on practicality, allowing the grain of the oak to remain fully visible while introducing subtle texture. The legs are gently tapered and connected by unobtrusive stretchers, giving the chairs excellent stability without adding unnecessary visual weight. Every joint is clearly expressed, making the construction itself part of the design rather than something to be concealed.

Model “103” belongs to René Gabriel’s body of work reflecting his enduring belief that good design should remain elegant through clarity of purpose, thoughtful craftsmanship, and an unwavering focus on function. Wood has never gone out of style, and pieces with an emphasis on a natural look are only gaining popularity today. These oak chairs are equally striking standing alone, or as part of an interior with a medley of styles.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the oak, the chairs have minor marks, scratches, and discoloration.

Dimensions:

16.93 in W x 16.53 in D x 31.49 in H; Seat Height 17.72 in; Seat Depth 15.55 in

43 cm W x 42 cm D x 80 cm H; Seat height 45 cm; Seat depth 39.5 cm

REQUEST PRICE HERE

Price category: 5,000 - 7,500 usd / eur

This set of dining chairs, crafted in France in the first half of the 20th century, was designed in the manner of Charles Dudouyt, one of the most distinctive figures in French decorative arts of the interwar period. Dudouyt’s work is often celebrated for its rustic charm, and masterful handling of wood, bridging tradition with the evolving aesthetics of Art Deco and modern design.

This set embodies 20th century design qualities through its grounded presence and confident use of materials. This design is all about the wooden structures. The discreet joinery and seamless construction reflect the French emphasis on detail and quality, elevating the chairs beyond just function to objects of aesthetic value. The chairs are made from solid wood in a rich, dark stain that accentuates the natural grain to create subtle warmth and depth. Furthermore, the woven straw seats of the chairs feature a decorative pattern, seamlessly blending function with aesthetics. The choice of the textured seats complements the wood frames, creating a harmonious visual appeal. The silhouettes of these chairs are reduced to the essentials, with upright backrests and square seats supported by slender legs.

This set of chairs is ideal for a space that embraces authenticity and values materials in their natural form. Their clean look and rustic sensibility make them stand out without the need for embellishment, offering a quiet but impactful addition to an interior.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the wood, the items may have some marks, scratches, and discolouration.

Dimensions:

17.33 in W x 18.12 in D x 38.78 in H; Seat height 18.12 in; Seat depth 16.34 in

44 cm W x 46 cm D x 98.5 cm H; Seat height 46 cm; Seat depth 41.5 cm

REQUEST PRICE HERE

Price category: 5,000 - 7,500 usd / eur

‎The postwar decades in France marked a flourishing period for modernist design, showcasing the artistry of functional forms and skilled craftsmanship. Furniture from this era embraced clean lines, minimal ornamentation, and leaned on the honesty of materials to reflect the post-war ethos of practicality and renewal.

This set stands as a timeless testament to the exceptional craftsmanship and distinctive style of french creators, forever influencing worldwide design. Each chair is meticulously crafted from rich, warm wood, showcasing the natural beauty of the grain while emphasizing a balance of sturdy yet graceful proportions. The seats are made from woven rush, offering comfort without sacrificing the chair's sculptural integrity. To complete the look, the chairs feature stretchers between the legs, on one hand adding to the strong, angular look, while on the other hand ensuring durability for decades to come. Their proportions and carefully balanced lines speak to the French rural aesthetic, where practicality met understated artistry, combining comfort and rustic charm in an iconic 1960s manner.

With their clean edges, dark colour and straight-forward look, the design of these dining chairs is understated, yet undeniably bold, making them a timeless addition to a room. From bringing a touch of elegance to commanding visual attention, this set adds the character needed in a space.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the wood, the items have some marks, scratches, and discolouration.

Dimensions:

18.1 in W × 17.7 in D × 36.4 in H; Seat height 19.3 in; Seat depth 16.7 in

46 cm W x 45 cm D x 92.5 cm H; Seat height 49 cm; Seat depth 42.5 cm

REQUEST PRICE HERE

Price category: 7,500 - 10,000 usd / eu

‎

Dining room chair “S34” has the playful and majestic characteristics typical of Pierre Chapo's emblematic creations. Asymmetrical, yet perfectly balanced, this model belongs with the designer’s famous “Sfax” table.

The cross-legged base corresponds to the design of the backrest, which is slightly offset from the middle. Made from Chapo's favourite wood, elm, this chair has a rustic style with architectural precision, which comes as no surprise, as Pierre Chapo trained as an architect in Paris. The slightly more rounded edges show that this chair is an older, authentic version of the “S34” model. The cross-legged base matches the back that is slightly placed out of the middle, enhancing the masterful asymmetry that defines the design. The overall look is very sleek, and combined with details like the visible joinery and the solid wooden structure, this chair’s perfectly imperfect, which is a conscious, Chapo-esque ideal.

Chapo's work originated by means of special commissions that could later be adapted to universal needs. Chapo was inspired by Frank Lloyd Wright's balanced lines, Corbusier's research on proportions and Bauhaus. The three principles that motivated Pierre Chapo were material, form, and function. He measured his furniture by means of golden ratio and used elm wood as his preferred material. This chair is a beautiful example of his ideals in a material form.

Condition:

In good vintage condition. Wear consistent with age and use. Small scratches on the wood.

Dimensions:

15.74 in W x 21.25 in D x 29.13 in H; Seat height 16.73 in

40 cm W x 54 cm D x 74 cm H; Seat height 42.5 cm

About the designer:

Pierre Chapo, born in Paris in July 1927, was initially interested in becoming a professional painter. However, after a chance meeting with a shipbuilder who introduced him to wood and wood crafts, Chapo changed his focus and decided to study architectural studies at the prestigious École Nationale Supérieure des Beaux-Arts in Paris.

After graduation, Chapo and his wife, the sculptor and painter Nicole Lormier, started to travel extensively through Scandinavia and Central America. Among the many places the couple visited was the home and studio of Frank Lloyd Wright in Taliesin West. A visit that had a lasting influence on Chapo’s future work and designs. Read more about Pierre Chapo. ~H.