The “Camaleonda” (Italian word play combining the words for ‘chameleon’ and ‘wave’) sofa is Mario Bellini’s contemporary classic. The playful, modular design offers endless options for the user, which also inspired the model’s name. Camaleonda has passed through five decades of design history as a true icon.

The elements that have made this sofa a contemporary classic are the individual modules, their original cutting patterns and the polyurethane padding that forms the characteristic capitonné (a style of upholstery in which the material is drawn in at intervals) design. The four separate segments of this “Camaleonda” were manufactured with the innovative system of cables, hooks, and rings created by Bellini in 1970, which defines the characteristic look and modularity. The fundamental characteristic of Camaleonda is specifically this unlimited modularity, a geometric pattern that allows each element to become an enormous pixel through which to define your home environment. The four modules’ versatility and the attached tie-rods and rings make it possible to create custom forms. Furthermore, the modules can be unhooked and recombined at will, allowing the sofa to adapt to an evolving taste and needs. A concept which is dear to Mario Bellini: “Of all the objects I have designed, Camaleonda is perhaps the best in terms of its sense of freedom. There are infinite numbers of possible configurations.”

The modules of this sofa defined the aesthetics of an entire era of interior design, and are constantly featured in most international design. Looking at the inherently modern and innovative design, this comes as no surprise.

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SOLD

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Condition:

In good vintage condition. Wear consistent with age and use. The four modules are upholstered in a green velour fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

Large segments:

36.61 in W x 36.61 in D x 26.77 in H; Seat height 14.56 in; Arm height 21.25 in

93 cm W x 93 cm D x 68 cm H; Seat height 37 cm; Arm height 54 cm

Smaller segment:

36.61 in W x 36.61in D x 14.56 H

93 cm W x 93 cm D x 37 cm H

Literature:

Domus n. 523, giugno 1973, pubblicità; G. Gramigna, Repertorio del design italiano 1950 - 1980, Milano 1985, p. 341.

About the designer:

Mario Bellini (born February 1, 1935, Milan) is an internationally renowned Italian architect and designer. He received the Golden Compass Award eight times and the Medaglia d’Oro, that was conferred on him by the President of the Italian Republic. The MoMA in New York already dedicated a personal retrospective exhibition to him in 1987. At the time the museum already included 25 of his works in its permanent collection, including a remarkable set of Olivetti machines as well as the furniture for B&B and Cassina.

He graduated from the Milan Polytechnic - Faculty of Architecture in 1959 and began working as an architect himself in the early 1960s. Like many other Italian architects, his activities range from architecture and urban planning to product and furniture design.

His career as a product and furniture designer began in 1963, and from 1963 to 1991 he was chief design consultant for Olivetti. For many years he designed furnishing products and systems for B&B Italia and Cassina, TV sets for Brionvega, and hi-fi systems, headphones and electric organs for Yamaha. Bellini was also the editor of Domus magazine between 1985 and 1991.

Since the 1980s, Bellini has been dedicating himself to architecture almost exclusively, designing a wide range of buildings all around the world, including the Portello Trade Fair district in Milan, the Tokyo Design Centre in Japan, the National Gallery of Victoria in Melbourne, the Deutsche Bank Headquarters in Frankfurt, and the Department of Islamic Art at the Louvre in Paris to just name a few. In 2015 the Milan Triennale awarded him the Gold Medal for his career in architecture and in 2017 dedicated a retrospective exhibition to him. Contemporary Italian design has been synonymous with Mario Bellini’s name ever since the 1960s. ~H.