Afra and Tobia Scarpa "Soriana" Two-Seater Sofa in Velour, Italy 1969 (sold)
Afra and Tobia Scarpa "Soriana" Two-Seater Sofa in Velour, Italy 1969 (sold)
The iconic “Soriana” sofa was designed by the Italian designer duo, Afra and Tobia Scarpa in 1969. Besides its innovative manufacturing, visually, Soriana brings sophisticated and leisurely comfort to any home.
This post-modern two-seater sofa was manufactured by Cassina as part of the eponymous line that reached the coveted ‘iconic’ title soon after its launch. The award-winning design features two front metal clamps by which all soft curves and loose leather upholstery are held together, a particularly original detail that creates a sense of barely contained softness. The Soriana collection was meant to express beauty and comfort by using a whole bundle of fabric held by chrome-plated steel clamps. The defining upholstered body features tufted buttons all over it, which visually sections the sofa, while also adding depth to accentuate the softness. The interesting pairing of the metal clamps with the luxurious velour upholstery creates the nowadays especially coveted post-modern look. For all its casual overtures, this sofa model remains a statement piece — an icon of contemporary design
The “Soriana Chair” was the first piece designed in the collection, and for its design in 1970, it won the Compasso d'Oro, one of the most important design awards of that time. The design has been reissued by Cassina recently, with the aim of recovering and safeguarding the works of Afra and Tobia Scarpa.
SOLD
Condition:
In very good condition. The sofa has been newly upholstered in a premium velour fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
66.14 in W x 39.37 in D x 26.37 in H; Seat Height 14.56 in
168 cm W x 100 cm x D x 67 cm H; Seat height 37 cm
Literature:
G. Gramigna, Repertorio del Design Italiano 1950-2000 per l’Arredamento Domestico. Turin: Allemandi 2003, p. 318
G. Bosoni, Made in Cassina. Milan: Skira, 2008, pp. 200-201.
About the designers:
Afra and Tobia Scarpa graduated at the Istituto Universitario di Architettura in Venice and formed one of the most successful and known professional associations. Their works can be found in museums across the USA and Europe such as the MoMA and the Louvre. Their designs like the Soriana sofa exhibit a decidedly modernist aesthetic, prioritizing pared-back elegance and comfort. At the same time, the Scarpas are admired for the ease with which their designs complement both classical and cutting-edge interiors.
The Soriana was created for the Italian manufacturing company Cassina, which is often credited with introducing industrial design to Italy and has built an international reputation for collaborating with some of the world’s most respected designers, including Afra and Tobia Scarpa.
The husband-and-wife duo’s products played an important role in the history of Italian Design and are thriving in the Mid-Century market. The Soriana sofa is a collectors’ piece and part of the history of Italian design destined to increase in value with the time. A piece of true Italian Modernism. ~H.
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Price category: 9,000 - 12,500 usd / eur
The Italian architect, painter and furniture designer, Guglielmo Ulrich, descended from a noble family with Danish origins. He quickly became a very influential figure in modern Italian design and his models are real delicacies today.
As this pair of 1950s lounge chairs show, Ulrich’s work is elegant and rich in detail. Although his work does not quite conform with the strict norms of simplicity of the time, it fits the prevalent aesthetics of Modernism. In the case of these chairs, the fully upholstered bodies show the general mid-century modern characteristics with an ergonomic and functional design. The seats are slightly raised, and the backs tilted, creating an angle that supports the sitter and the lounging experience. The wooden arms transcending to form the back legs however, truly stand out. The sharp curvature of the armrests and front legs define the look and create an interesting effect, as if the upholstered seats and backs were connected to them without joinery. The carved, dark wood and soft upholstery make them even more pronounced. There are more, subtler features to these chairs, including the wider armrests and the curved backrests, both in service of comfortable lounging. Thanks to the quality of his furnishings, that Ulrich designed and made personally, he became the trusted architects of many upper-class Milanese families. He participates in the furnishing of the most prestigious Italian ships: Cristoforo Colombo, Raffaello, etc.
“A nobleman of yesteryear, with sudden jokes and twists, such as a pipe with an egg in his mouth and a very concrete sense of doing” is how he was often described. This pair of chairs is much like this description with a playful, elegant design completed by quality materials and craftsmanship.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.4 in W x 31.69 in D x 31.49 in H; Seat height 14.17 in; Arm height 23.42 in
62 cm W x 80.5 cm D x 80 cm H; Seat height 36 cm; Arm height 59.5 cm
About the designer:
Guglielmo Ulrich (born 1904, Milan–died 1977) was an Italian architect, furniture designer, and painter. He was born to a notable family of Danish origin. In 1924, Ulrich enrolled in the Scuola Speciale di Architettura at the Accademia di Belle Arti di Brera. He finished his studies at Politecnico di Milano in 1927 and soon became a very influential figure in modern Italian design.
In 1930, along with Scaglia and Wild, Guglielmo Ulrich founded and became head designer of home furnishing company Arca (Arredamento casa, or Home Furnishing), a company engaged in the creation of high-quality furnishing accessories characterized by craftsmanship and the use of premium materials. In the 1950s, he participated in several editions of the Triennale di Milano and concentrated on designing buildings, offices, and retail shops throughout Italy.
Most of Ulrich’s furniture designs from this era, and especially his chairs and chaise lounges, resemble simplified and streamlined design versions of late 19th century pieces and do not necessarily conform to modern designs prevalent in Northern Europe and the U.S. in the 1950s. In the 1960s, Ulrich focused his work toward industrial design and was able to create original and impactful objects. His talent was rewarded on many occasions. In 1961, he won the Fiera di Trieste award for his Trieste chair, produced by furniture maker Saffa.