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Price category: 5,000 - 7,500 usd / eur

In European mid-century furniture design, there was an early emphasis on wood because it connected everyday objects to nature. This solid oak coffee table is a perfect example of this sentiment, and features the visual qualities of an understated, organic design.

Within the thriving Dutch design landscape of 1970s, Brutalist furniture left an indelible mark and this coffee table shows why as it epitomises the era's aesthetic medley. Crafted from solid oak, the wood’s hues exude warmth amidst the starkness that defines the Brutalist design. This piece has a strong elemental feel to it, which is a result of its thick round tabletop and sturdy yet sleek legs. The Netherlands embraced Brutalism as a rejection of ornate embellishments, opting for raw, utilitarian forms. Oak became the material of choice for many pieces during this time due to its durability and malleability, enabling intricate yet robust constructions. This coffee table exemplifies this, with its neat woodworking and sharp angles connecting the legs with the round top. The table top is layered, with its edge showing the beauty or organically carved wood. The contrast of sleek lines against the natural grain of oak echoes the broader Brutalist ethos: blending the industrial with the natural in a bold, unapologetic way.

The craftsman’s handiwork is visible throughout the table, adding to its character. The piece, with its natural finish, exemplifies the enduring charm that 20th century design continues to bring to contemporary interiors, underscoring the timeless appeal of this iconic design era.

Condition:

In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Minor scratches and dents are present. Due to the nature and age of the material, the item may have some marks and discolouration.

Dimensions:

47.63 in ø x 19.88 in H

121 cm ø x 50.5 cm H

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‎Price category: 40,000 - 50,000 usd / eur

This peculiar “T22” table model is also referred to as the “Eye”. While the name needs no further explanation, the ingenious design certainly does. Pierre Chapo always paired his creative and elegant designs with impeccable craftsmanship that gained him worldwide fame and love.

The “T22” is formed by two arcs, each resting on three cylindrical leg and a central oval module attached to one of the arcs by a sliding system. Placed together, the design forms an “eye”. Not a lot of designs receive a nickname by which they are immediately recognised, but this table is one of those. With its distinctive structure, it epitomises Chapo's research for new systems of joinery, in which the material and the design would be the lead factors in achieving stability, durability, and of course, an aesthetically pleasing outcome. Here, the smaller middle module can be adjusted or removed freely, allowing the table’s modules to be arranged in a variety of ways, for example, it can also be arranged to form a long undulating console. The immense functionality is accompanied by Chapo’s precise joinery techniques and woodworking. Pierre Chapo worked largely in elm wood and has a couple of signature design elements like the visible spline joint and the cylindrical legs as seen here as well. The solid elm has a stunning grain and various patterns that especially stand out on the curvatures of the table.

Chapo’s organic approach to arts and crafts and both designers resisted the stark industrial look that was dominant in the post-war period under the influence of socialism. This coffee table is undoubtedly an emblematic model of post-war French decorative arts and design.‎

‎Condition:

In good vintage condition. Wear consistent with age and use. Some small marks. The elm wood has a beautiful patina. Due to the nature and age of the material, the item may have some additional scratches, and discolouration.

Dimensions:

69.48 in W x 51.18 in D x 12.99 in H

176.5 cm W x 130 cm D x 33 cm H

About the designer:

Pierre Chapo, born in Paris in July 1927, was initially interested in becoming a professional painter. However, after a chance meeting with a shipbuilder who introduced him to wood and wood crafts, Chapo changed his focus and decided to study architectural studies at the prestigious École Nationale Supérieure des Beaux-Arts in Paris.

After graduation, Chapo and his wife, the sculptor, and painter Nicole Lormier, started to travel extensively through Scandinavia and Central America. Among the many places the couple visited was the home and studio of Frank Lloyd Wright in Taliesin West. A visit that had a lasting influence on Chapo’s future work and designs. Read more about Pierre Chapo. ~H.

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Price category: 1,000 - 2,500 usd / eur

Brutalist furniture emerged in the post-war decades as a direct response to both architectural developments and shifting social ideals. Rooted in the principles of Brutalist architecture, this coffee table emphasizes raw materials, structural honesty, and an absence of ornamentation.

Many Dutch Brutalist furniture pieces function not only as practical objects but also as sculptural elements within a space. This coffee table is exemplary of this thanks to its solid oak construction and striking form. The design is composed of a thick, rectangular top supported by two block legs, creating a low, elongated silhouette that emphasizes weight. The proportions are deliberately heavy, reinforcing a sense of stability and permanence which defines Brutalist design. Oak was a preferred material, valued for its strength and expressive grain, allowing makers to highlight the natural character of the wood rather than conceal it. The surface of the wood is left largely untreated to showcase the material’s inherent texture and tonal variation. Rather than relying on decorative features, the table derives its character from this raw materiality and its geometry. Despite its apparent simplicity, the table carries a strong visual presence and sense of intention.

The emphasis on material and form allows this table to age gracefully, developing character over time, while anchoring every space it finds itself in. The piece reflects the enduring appeal of Brutalist furniture: objects that prioritise substance over decoration, offering both functional utility and a lasting architectural presence.

Condition:

In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature and age of the wood, the item has some marks, scratches, and discolouration.

Dimensions:

35.24 in W x 9.45 in D x 11.23 in H

89.5 cm W x 24 cm D x 28.5 cm H

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Price category: 2,500 - 5,000 usd / eur

This wooden coffee table, crafted in France in the first half of the 20th century, is designed in the manner of Charles Dudouyt, one of the most distinctive figures in French decorative arts of the interwar period. Dudouyt’s work is often celebrated for its rustic charm, and masterful handling of wood, bridging tradition with the evolving aesthetics of Art Deco and modern design.

This table embodies those qualities through its sculptural presence and confident use of material. The piece is defined by its sturdy rectangular top and striking turned legs, which taper outward with bold, geometric proportions. Each leg features carved and rounded detailing, lending rhythm and visual weight to the structure. This play between solidity and ornamentation is characteristic of French designs of the era, where pieces were not only functional but also a statement of craftsmanship and artistic individuality. The warm stain of the wood enhances the visual richness of the table, highlighting its grain and natural imperfections. Its compact scale makes it ideal for daily use, while not overpowering a room. At the same time, the architectural quality of the legs gives it a charmingly unique character that anchors a space.

The essence of early 20th century French design is beautifully captured by this table. Functional yet sculptural, rustic yet refined, this piece stands as an enduring testament of the striking balance only master woodworkers are able to create.

Condition:

In good vintage condition. Wear consistent with age and use. The surface of the wood has been refurbished. Item may have some marks, scratches, and discolouration.

Dimensions:

31.29 in W x 21.45 in D x 17.71 in H

79.5 cm W x 54.5 cm D x 45 cm H

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Price category: 2,500 - 5,000 usd / eur

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Swedish architect David Rosén worked alongside renowned designers such as Axel Einar Hjorth and Josef Frank at Nordiska Kompaniet, one of Sweden’s most respected design houses. Rosén crafted this beautiful table for NK with enamel artist, Algot Törneman in the 1960s.

This table is part of the "Triva Dura" series by Rosén and Törneman. The design equally emphasizes function and visual interest, creating an instantly recognisable and arresting aesthetic. Crafted from solid wood, this table exudes a lovely charm and robust aesthetic that is characteristic of the era. In mid-century modern design, the use of wood held a special significance; it was not merely a material choice, but a philosophy that emphasized the natural and organic over the ornate and extravagant. The wood’s dark tone creates a sense of elegance and sophistication, while the modern top is smooth to the touch, adding a sense of solidity and durability to the overall design. The table is dominated by the expertly crafted blue and black tile tabletop showcasing a beautiful decorative pattern. These decorative tiles are the most recognisable characteristic of the “Triva Dura” series which sets it apart from the designers’ portfolio. From the use of wood to the unique table top, the piece shows intention and proves experienced decision making. 

Swedish designers of this era aimed to create furniture and home decor that was both aesthetically pleasing and practical, with a strong emphasis on the user experience. This style has become synonymous with Scandinavian design and is still sought after today for its timeless appeal and quality.

Condition:

In good vintage condition. Wear consistent with age and use. Minor marks and scratches.

Dimensions:

35.43 in W x 35.43 in D x 20.67 H

90 cm W x 90 cm D x 52.5 cm H

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Price category: 1,000 - 2,500 usd / eur

“All edges must be thoroughly broken”, Carl Malmsten often wrote in his drawings. It was nature that was his great source of inspiration, and in nature there are hardly any sharp edges or corners. This “Alltid Redo” coffee table is a perfect example of this sentiment.

Neither the light, the eye nor the person likes to turn against sharp corners, Malmsten explained once. Therefore, edges should be rounded so that they become friendlier to touch and look at. Carl Malmsten was not only one of Sweden's most famous furniture designers, he was also one of the last century's great cultural personalities with a strong influence on the home environment, public environment and the contemporary public debate. His personality shines through the design of this soft-edged table as well.

The design is dominated by the rounded-square tabletop showing the beautiful yet subtle wood grain. To support the top are four straight legs with impeccable joinery that is visible under the tabletop. Since this table was made in the heyday of the mid-century, the legs - and the design as a whole - lacks heavy ornamentation, and instead focuses on the natural beauty of the wood and the rounded edges.

Condition:

In good vintage condition. Wear consistent with age and use. Some small marks and scratches on the wood.

Dimensions:

31.49 in W x 31.49 in D x 23.03 in H

80 cm W x 80 cm D x 58.5 cm H

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Price category: 2,500 - 5,000 usd / eur

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Swedish mid-century modern design remains popular today due to its clean lines, functionalism, and timeless aesthetic. Ultimately, Swedish mid-century modern design offers a combination of beauty and practicality that remains highly sought after even in contemporary design.

With its distinctive structure, this table epitomizes the research for new systems of joinery during the mid-century era, when the material and the design would become the lead factors in achieving stability, durability, and of course, an aesthetically pleasing outcome. Therefore, the proportions of this table are finely tuned to successfully combine a perfect angle of inclination between the legs and the top. Lodged in the heart of the oblique legs, a hexagonal piece of wood maintains the structure with brass fittings. The use of the sizeable pieces of wood gives this table an elemental feeling, showing off its beautiful grain and colour variety. Furthermore, the combination of the materials - wood and stone - creates a stunning contrast that makes this piece stand out. The wood’s warm tone creates a sense of elegance and sophistication, while the modern stone top is smooth to the touch, adding a sense of solidity and durability to the overall design. Still, the most striking feature of this table is its oblique legs. They dominate the overall impression of the piece as they are angled to create a sense of movement and dynamism, while also providing excellent stability and support for the tabletop.

Swedish designers of this era aimed to create furniture and home decor that was both aesthetically pleasing and practical, with a strong emphasis on the user experience. This style has become synonymous with Scandinavian design and is still sought after today for its timeless appeal and quality.

Condition:

In good vintage condition. Wear consistent with age and use. The tabletop is a later addition to the base.

Dimensions:

39.37 in W x 24.6 in D x 25.19 in H

100 cm W x 62.5 cm D x 64 cm H

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Price category: 5,000 - 7,500 usd / eur

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Designed by Roland Wilhelmsson, this “Kvadrat” table is from the era when Swedish design and culture started attracting design-conscious international buyers on a large scale. The model’s design is dated to 1972, and this particular table was manufactured in Huskvarna, where the manufactory still operates, for more than four generations now.

Swedish furniture and interior design culture went through dramatic changes during the 1970s. The effects of the late 1960s’ rebellious view of design, production and consumption had an impact in the form of freer furnishings and resource-efficient furniture in simpler materials. In the mid-1970s, rustic pine furniture often in oversized dimensions - such as this table - suddenly became the highest fashion. Therefore, the local and resource-efficient craft received a renaissance. This “Kvadrat” coffee table has a look that is rustic, crisp, and geometric at the same time, which is a rare feat to behold. Essentially made of five rectangular solid pine parts, the structure is very minimalistic at first sight. It is so paired down and minimal, that it is as close to perfection as any piece of furniture can be. With minimalism comes timelessness, a guarantee that this coffee table will never go out of style. Organic and natural materials often take pride of place in Scandinavian design, reflecting the Scandinavian and Nordic countries’ relationship to nature. The solid pine wood of this table is not overworked, its natural grain stands out and serves as ornamentation in itself.

Karl Andersson & Söner has been manufacturing quality, designer furniture since 1898. Karl Andersson was known for his creativity, boundless enthusiasm and dynamism, and solemnly undertook to manufacture nothing but "well-made furniture, durable and sustainable". Combining a stark and precise minimalism with a high degree of functionality, this Kvadrat coffee table can be introduced into any environment, either by blending in amongst an overall minimalist interior or standing out as an interesting contrast to something more maximalist or periodic.

Condition:

In good vintage condition. Some minor scratches and marks on the wood. Wear consistent with age and use.

Dimensions:

38.77 in W x 38.77 in D x 17.32 in H

98.5 cm W 98.5 cm D 44 cm H

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Price category: 2,500 - 5,000 usd / eur

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Swedish designer, Fredrik Schriever-Abeln’s designs have become quite sought after only in the past years. This is in part due to the beloved design of this “Condor” table being misattributed to Illum Wikkelsø until recently.

The distinctive “X” shaped teak base defines this coffee table holding a glass top. The solid wood base is sculpted to perfection, the level of woodwork and precise joinery technique greatly shows off the skills of the craftsman. The structure is made with minimal joinery, the glass top is held solely by the carved “arms”, while the stretcher is joined to the legs with mortise and tenon joints. The balance of the size of the glass top and wooden parts praise the designer’s vision. The modern aesthetic shows that this table - like the Condor chairs - are from the more mature, later part of the mid-century modern era. At the same time, with a clear statement of simplicity, quality and respect for materials, this table is a great example of the Swedish Modern design era as well. The wood’s surface is perfectly smooth, and the edges rounded mimicking the glass. The result is a flowing, sculpted look that makes a clear statement.

This model also exists with a smoked glass top, however this version with clear glass shows off the elaborate teak base more, allowing the structure to remain visible from every angle. Being Fredrik Schriever Abeln’s most famous design, this coffee table is guaranteed to stand out in any space.

‎Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

59.05 in W x 37.4 in D x 20.66 in H

150 cm W x 95 cm D x 52.5 cm H