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Price category: 30,000 - 40,000 usd / eur

Swedish architect and furniture designer Axel Einar Hjorth served as the lead designer for Nordiska Kompaniet from 1926 to 1938. During this time, Hjorth designed the “Skoga” series in the early 1930s.

The “Skoga” series was crafted as part of a broader collection of summer-house furniture, intended to be both practical and aesthetically harmonious with the rugged beauty of the Swedish landscape. Despite its utilitarian roots, the series, as well as this table, exudes quiet sophistication and a timeless appeal focusing on simple lines and the material itself. Made of pine wood, this table is strong, reflecting Hjorth’s principles according to which he mixed the ideals of the modernist movement with provincial Swedish traditions, producing a unique and primitive modernism. It is quite robust without being intrusive, naturally standing to be the centre of the room. The legs and stretch-bar base emphasize structural clarity and durability, while the rounded corners and visible joinery express a handcrafted, almost sculptural quality. The rectangular tabletop is comprised of three planks of wood, yet it has a light impression. The large surface shows off the pattern of the wood and colour variation. The absence of heavy ornamentation is also in service of enhancing the organic, simple look that defined Swedish design of the era. Each element, joint and line is well crafted and solid, the attention given to every construction and finishing detail is obvious.

This table doesn’t depend on its details, rather, it is just as arresting from afar as from a proximity. The joinery and woodworking reveal the quality craftsmanship of the experts at Nordiska Kompaniet. The most charming thing about this table however, is that it showcases classic elements and so much history, but it lends itself easily to a modern interior.

Condition:

In good vintage condition. Wear consistent with age and use. Some marks and scratches on the wood.

Dimensions:

70.86 in W x 23.62 in D x 27.55 in H

180 cm W x 60 cm D x 70 cm H

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Price category: 2,500 - 5,000 usd / eur

This coffee table is a stunning example of Modernism in design: clear forms without exaggeration with the high-quality work of a Danish cabinetmaker. Humble in its material and size, this table still draws attention thanks to its distinctive look and personality.

Early on, many of the Danish cabinetmakers’ workshops had been producing historical furniture; master cabinetmakers had been renowned for their solid wooden furniture rendered in various styles of the past. This coffee table, while not specifically historical in style, shows some restrained decorative elements that are generally rather sparse in Scandinavian mid-century furniture. However, accordingly to the design ideals of Danish designers, the scalloping pattern is not overwhelming the table, nor does it demand attention, rather, it is an understated but clever addition to the design. The scalloped patterns on the tabletop and legs differ slightly; the scallops on the legs are more pronounced with straight lines between each scallop, while under the tabletop, it is in a more traditional, round shape.

The wavy effect is even more pronounced thanks to the beautiful grain and colour of the solid oak that is most apparent on the wide, circular top. As it can be expected from Danish design and craftsmanship, visually appealing elements usually serve a functional role as well. In this case, the wooden elements under the table reinforce the stability of the structure in this ingenious manner.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the material, the item may have some marks, scratches, and discolouration.

Dimensions:

35.03 in W x 35.03 in D x 22.04 in H

89 cm W x 89 cm D x 56 cm H

About the Designer:

The practical and comfortable designs of Danish cabinetmakers defined mid-20th century modern seating. The Danish Cabinetmakers focused on minimalist design executed by expertly skilled craftsmen.

Works from the Danish Cabinetmakers' Guild is a concept of its own in collectible design. The Cabinet-Makers' Guild began annual exhibitions in 1927 in Copenhagen. The group formed an exhibit showing each year in October the quality furniture made to drawings by gifted architects. The exhibition took place each year, without interruption, for forty years. A number of successful Danish Design collaborations were formed during this time between cabinetmakers and architects.

Danish Modernism has influenced Scandinavian furniture to a great degree, defined by minimalism, simplicity, and functionality. The muted colours and gentle designs make Danish mid-century furniture an ideal addition to contemporary living spaces. Additionally, master cabinetmakers were highly aware of body proportions, prioritizing comfort just as much as the visual qualities.

The works of master cabinetmakers – such as this chair – are of the highest quality, both in terms of materials and craftsmanship. Cabinetmakers take the art of working with wood one step further, and focus on the finer details of what can be created with the material. Therefore, it comes as no surprise that numerous master cabinetmakers are part of the renowned Danish Culture Canon (Danish: Kulturkanonen). The canon contains no more than 108 works of cultural excellence, based on works with a useful function and that are still recognisable today. These lounge chairs are the perfect illustrations of Danish design, and the work of a true cabinetmaker. ~H.

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Price category: 2,500 - 5,000 usd / eur

The 1940s in Sweden were defined by a quiet but deliberate design philosophy rooted in function, clarity, and craftsmanship. As the country transitioned through wartime austerity into postwar renewal, designers and cabinetmakers turned toward a more humanist modernism that emphasized warmth over severity. This approach is exemplified by Swedish Modern design movement, which focused on creating durable, accessible, and elegant furniture for the masses.

This birch side table showcases sensibility through its simple yet perfectly balanced construction. Furniture of this period often showcased the natural qualities of woods. Birch, with its golden hue and intricate grain, became a central material in this movement, prized for its ability to bring light and texture into the Scandinavian home. This table’s top features softly rounded corners and edges. The turned legs are slightly splayed to provide stability, connected by stretchers that form a low geometric rhythm beneath the tabletop. The craftsmanship is evident in the way each joint is fitted cleanly, while the organic character of the wood is emphasized. The table reflects the Swedish preference for comfort and approachability. The warm, honeyed tone of the wood further enhances its sculptural simplicity, capturing the sense of connection to nature that defined Scandinavian design of the 20th century.

Beyond its function, the table represents the enduring values of Swedish Modernism, where honesty of material and attention to human use were paramount. In its restraint and balance, this table embodies the essence of that philosophy, an object both utilitarian and timeless, made to age gracefully within everyday life.

Condition:

In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature and age of the wood, the table may have some marks, scratches, and discolouration.

Dimensions:

33.46 in W x 20.87 in D x 22.83 in H

85 cm W x 53 cm D x 58 cm H

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Price category: 5,000 - 7,500 usd / eur

Designed by Henning Kjærnulf, this cabinet features a strong angular structure that gives a feeling of strength and durability. The wood construction is carved and sculpted in an unmistakable way, showing the skills of both the designer and the manufacturer. If there is a single common denominator for Danish Modern design, it is the quality of the woodwork and this piece is evidence of that.

Many associate Danish furniture with the country's golden age, the mid-20th century. This model shows why: its design follows in the vein of Scandinavian functionality, timelessness and quality. Combining tradition and modernity, Kjærnulf created his pieces with a great consideration for functionality while not shying away from decorative flair. His wood of choice was oak, a durable long-lasting material that is the perfect canvas for the intricate carved shapes and details to take form. The functional and decorative elements of this design are treated equally, resulting in a stunning but balanced look. The cabinet features a versatile shelving and storage system; three small drawers on the right side, with green fabric lining. The middle compartment is the largest, with two levels divided by one shelf. Finally, at the bottom there are three more larger drawers. The bottom drawers also feature metal ring pulls. These small functional elements also serve an aesthetic function alongside the carved front. The mixture of round and straight shapes is used masterfully, giving depth to the oak. The only thing that is hard to decide in the case of this piece is where to look first, as there is no doubt about its aesthetic or material quality.

This well-constructed piece is truly a beautiful example of Danish modernism, complete with a form that still retains some influence from previous art and design movements. It is sure to stand out as an accent piece, or complement its surroundings thanks to its natural colour and warm tones.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

74.80 in W x 19.88 in D x 47.24 in H

190 cm W x 50.5 cm D x 120 cm H

About the designer:

Danish mid-century designer and architect, Henning Kjærnulf is somewhat of a mystery. A lot more is known about his designs than Kjærnulf himself. His wooden designs, crafted to perfection, speak for themselves. Kjærnulf mainly designed for the Danish manufacturers EG Kvalitetsmobel, Nyrup Møbelfabrik, and Vejle Stole Møbelfabrik. The latter produced the designer’s well-known teak extending dining table model. The historic archives of the Danish municipality, Stenlille, reveal the history of Nyrup Møbelfabrik, mentioning Kjærnulf’s architectural designs for the company’s factory, referring to him as an architect based in Odense, Denmark.

Kjærnulf’s works reveal quality craftsmanship throughout, featuring clean Danish modern era lines with sculpted edges and shapes. The unique shapes, like his razorblade chair backrests, distinguish him from other Danish mid-century designers.

In light of how sought after his dining sets and lounge chairs are, it remains a mystery why so little is known about the designer. The curious background of Kjærnulf if anything, adds more charm to his pieces.

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Price category: 2,500 - 5,000 usd / eur

Founded in Stockholm in 1902, Nordiska Kompaniet manufactured many of 20th century’s now iconic Swedish works. One of NK’s designers was David Rosén who was known for balancing tradition and innovation. Rosén designed items that suited the tastes of refined city elites, as well as everyday homes of the expanding middle class. He attended the University College of Arts, Crafts and Design in Stockholm where he mastered the craftsmanship of Scandinavian design, putting a strong emphasis on organic materials and minimalistic, quiet statement pieces like this shelf.

This model “4205881” magazine shelf consists of five horizontal ledges as well as a separating panel in the middle, which showcases the veneered wood’s rich grain beautifully. The interplay of the reddish-brown tones create a warm harmony, lends the surface a sense of depth and refined elegance, aligning perfectly with the gentle softness of the finely curved corners. The open structure of the front and the sides create an airy feel, making it perfect to display magazines and newspapers in a structured manner, or to showcase impressive collections of booklets. The shelves are deep and narrow, providing more than a sufficient amount of storage space. The slender slots with their accessible sides create an honest and functional design element that is elegant. This shelf stands sturdily on the tapered wooden legs, creating a balanced base.

With its elegant shape and careful design, this piece rises above the endless passing of trends, establishing itself as a modern classic in the realm of interior design. A perfect choice that brings a sense of refinement to any setting, whether in the clarity of a professional office or the comfort of a living room. Using clean forms and high-quality materials David Rosén’s timeless works are created to be enjoyed and fully utilised by generations to come.

Condition:

In good vintage condition. Wear consistent with age and use. The back has minor scratches and veneer damage.

Dimensions:

22.83 in W x 13.58 in D x 25.19 in H

58 cm W x 34.5 cm D x 64 cm H

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Price category: 7,500 - 10,000 usd / eur

Swedish architect David Rosén worked alongside renowned designers such as Axel Einar Hjorth and Josef Frank at Nordiska Kompaniet (NK), one of Sweden’s most respected design houses. Rosén crafted this beautiful table for NK in 1938.

Made from pine, this table exudes a lovely charm and robust aesthetic that is characteristic of the era. In early 20th century design, the use of wood held a special significance; it was not merely a material choice, but a philosophy that emphasized the natural and organic over the ornate and extravagant. Moreover, in a rather distinctive way, softness and tradition merge in this coffee table. While it is elemental thanks to the solid pine and interesting construction, the roundness of its top and its elegantly sculpted base still provide a sense of gentleness. It is this well measured tension between the shapes that make the design eye-catching and infinitely interesting. Organic and natural materials often take pride of place in Swedish design, reflecting the Scandinavian and Nordic countries’ relationship to nature. The solid pine wood of this table is not overworked, its natural grain stands out and serves as ornamentation in itself. With minimalism comes timelessness, a guarantee that this coffee table will never go out of style.

With its strong and distinctive details, this table model is a perfect accent table, while also being capable to complement its surroundings. This piece could fit well in a modern interior, as well as in a minimalist or rustic space.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

28.74 in W x 21.65 in D x 23.62 in H

73 cm W x 55 cm D x 60 cm H

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Price category: 7,500 - 10,000 usd / eur

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This rare “AT-309” dining table was designed by Hans Wegner in 1955 and its title of ‘iconic’ is well deserved. As it is no longer produced, this model has become a collector’s item created by a designer who is credited as one of the main driving forces of the mid-century Danish modern movement.

The “AT-309” model is also commonly referred to as the “saw-horse” for its trestle base. In woodworking, a saw-horse is a trestle structure used to support a board similarly to this model’s case. While Hans J. Wegner became world-renowned for his chairs, he also designed a broad range of tables, where he was just as thorough and artistic about the proportions, construction, function, and style. With a clear statement of simplicity, quality and respect for materials, this table is a great example of Danish Modern design. The massive teak tabletop with drop-leafs is stunning on its own, showcasing the wood’s grain and offering plenty of space with the extendable solution. However, to Wegner, the most important part of his tables was not the top, but rather what was underneath. For the supporting structure he used the distinctive saw-horse look with crossed legs and brass braces. The diagonal brass reinforcement is not only a significant structural feature, it is also a visually appealing detail that gives character to this dining table. Looking beneath the top, the elaborate oak structure becomes visible, showing both Wegner’s and the manufacturer’s expert skill and knowledge.

Over the course of his career, the designer collaborated with several renowned manufacturers, including Andreas Tuck. The company was one of the greatest Danish furniture design companies of the mid-20th century, producing pieces that epitomize classic Danish craftsmanship. Wegner worked with the company for many years, creating iconic designs such as this “AT-309” table.

Condition:

In good vintage condition. Wear consistent with age and use. The tabletop has been refinished.

Dimensions:

51.96 in W (89.76 in when extended) x 33.66 in D x 28.14 in H

132 cm W (228 cm when extended) x 85.5 cm D x 71.5 cm H

About the designer:

Hans Wegner (1914–2007) is considered as one of the most influential designers of Scandinavian design. Danish-born Wegner became a national and international design idol for shaping the history of design in the 1950s and ‘60s.

In his designs, the sharp edges defining Modernism were smoothened, creating his iconic chairs. As a pioneer of the modernist style, often described as “organic functionality”, Wegner described his method as “stripping the old chairs of their outer style and letting them appear in their pure construction.”.

At 14 years old, he began his apprenticeship with Danish master cabinetmaker H. F. Stahlberg. After serving in the military he moved to Copenhagen, and attended the School of Arts and Crafts, before setting out as a furniture designer. In 1943, he established his own studio, producing designs for manufacturers like AP Stolen, Fredericia Stolefabrik, and in later years, PP Møbler.

Wegner designed more than 500 chairs in his lifetime, refining an approach that combined a variety of natural materials and pushed traditional joinery techniques to extreme tolerances and distillations. Wegner’s background as a cabinetmaker gave him a deep understanding of how to integrate exacting joinery techniques with exquisite form, realizing the perfect combination with form and purpose.

The core of Wegner’s legacy remains his focus on showing the inner soul of furniture pieces through a simple and functional exterior. ~H.

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Price category: 2,500 - 5,000 usd / eur

Danish design is known for its meticulous balance of classic and timeless appearance. This coffee table showcases exactly that - the top with a beautiful design reflecting an enduring appeal, together with the combination of the traditional arrangement of the legs. The work of Søren Jean Larsen displays excellent craftsmanship, with his ability to balance out heavy materials that in the end display a serene and light vision.

Hemmed around by a beautiful oak border, at the heart of the piece lies its true charismatic point: a circular stoneware inlay, composed of glazed ceramic tiles. Contributing to its organic look, the unique tabletop features abstract forms shimmering in earthy tones of deep olive green, amber, and hazelnut colours, all adding to the warm, autumnal atmosphere of the table. The asymmetry of the forms becomes apparent in the varying shades and textures of the inlay, the contrast of materials creating visual interest and a striking, unique character. While somewhat abstract, the conscious placement of the ceramic pieces is palpable in the composition of the colours and forms. The swirls of the glazed ceramic are especially visible with the amber colours emerging from the centre outwards. Underneath the top, the weight of the table is balanced out in four, slightly inward-tilted legs that end in a stable and distinctive X-shape. The construction of the frame, made of solid oak, demonstrates a lovely grain within the wood that has aged beautifully.

This table by Søren Jean Larsen is a distinguished example of Scandinavian design, perfect for both modern and eclectic interiors with a strong emphasis on practicality as well as exceptional craftsmanship. Its durable stoneware top ensures longevity as does its solid wood structure, making sure to lighten spaces and cater to heartwarming times over coffee and tea in the early afternoons for years to come.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

50.98 in ⌀ x 20.27 in H

129.5 cm ⌀ x 51.5 cm H

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Price category: 2,500 - 5,000 usd / eu‎

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Erling Torvits is one of those Danish mid-century designers of whom not much is known except for the material and aesthetic quality of his works. His best known designs are from the mid 1950s to the mid 1960s, including this beautiful, understated bookcase.

Elegant in its simplicity, this bookcase puts the emphasis on showcasing the material through a simple, uncluttered design. As is the case with its Danish contemporaries, this model also deserts any unnecessary ornamentation in favour of the traditional mid-century design philosophy, which centres around craftsmanship and functionality. A “bogkasse”, or bookcase is an essential and timeless piece of furniture in Scandinavian homes, where it serves a role that surpasses pure functionality. This model features exposed shelves, which is an honest and functional design element. The six individual compartments can be arranged freely thanks to the small carved holes and pegs. The open design makes this model perfect to display anything, from books to design objects as there is generous storage space. Thanks to the airy arrangement of the shelves and the large surfaces, the design showcases the veneered exotic wood’s varied colour and rich grain beautifully. The pattern is so arresting that it can serve as a decorative element in a space on its own.

The Danish company, Klim Møbelfabrik, manufactured many of Torvits’s designs with a focus on Danish craft traditions. The Klim-based company has roots all the way back to 1930, and since its foundation, it has left an innovative mark on the Danish furniture industry.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

59.05 in W x 10.03 in D x 41.53 in H

150 cm W x 25.5 cm D x 105.5 cm H

About the designer:

Erling Torvits was born in Brande Denmark in 1925 and graduated as a cabinetmaker in 1944. From there he went to Copenhagen and worked at the A.J. Iversen workshop before moving to Herning in Jutland where he set up a small design studio. There he was very active and worked together with many smaller furniture manufacturers all around the country - mainly focusing on cabinets and chairs.

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Price category: 2,500 - 5,000 usd / eur‎

Firm believers in Functionalism, Danish designers and cabinetmakers avoided short-lived aesthetic trends alike, concentrating on crafting with quality materials instead. This desk is characterized by its functionalist design combined with a modern expression – the epitome of Danish mid-century modern design philosophy.

Danish cabinetmakers were just as thorough and artistic about the proportions, the construction, the function, and about the style. With a clear statement of simplicity, quality and respect for materials, this table is a great example of Danish Modern design. The structure is composed of oak with a gorgeous grain and colour. The tabletop offers plenty of functional space with tapering sides and two drawers with two compartments that can be opened from both sides. This feature of the drawers’ evidences the functionalist mindset that can be traced in almost every element of the lower structure. The slanted support braces are attached to the top and to the side stretchers that are placed at the middle of the legs. As a result, the sleek tapered legs stand out, creating a stylish, light look. Cabinetmakers were masters of creating light looking designs from solid wood, showcasing their mastery.

The functional elements aiding stability and utilitarian use also serve an aesthetic role, adding to the clean, architectural precision of this desk. From the teak top to the oak lower structure, each element shows the manufacturer’s expert skill and knowledge in woodworking.‎

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

62.99 in W x 31.49 in D x 28.54 in H

160 cm W x 80 cm D x 72.5 cm H

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Price category: 2,500 - 5,000 usd / eur

Danish sculptor and industrial designer Jens Quistgaard (1919–2008) had a distinguished career in Denmark and the United States, and was especially active during the 1950s and '60s. Initially trained as a sculptor by his father, Jens Quistgaard expanded his skills by learning from carpenters and metal smiths, all contributing to his versatility as a master craftsman with the expertise to combine materials and techniques in novel ways. Quistgaard quickly became known for his fluid lines and for using unusual materials, often in combination. His most renowned and commercially successful works were created for the American company Dansk Designs. The company introduced Quistgaard and his minimalist Nordic design aesthetic to the United States, significantly contributing to the American appreciation of Danish Modern design. By the late 1950s, Quistgaard's work was synonymous with modern living. This teak side table is a clear example of his philosophy and clear aesthetic choices.

Intriguing and fantastical, the variety of forms Jens Quistgaard created expanded the vocabulary of functional design, calling on an array of familiar references, including natural shapes. This side table has precise forms without ornamentation, showcasing Jens Quistgaard's high-quality craftsmanship skills. Humble in its material and size, this table draws attention thanks to its distinctive look and personality. It has a round reversible top, which is characterised by the wood's grain and warm colours. The circular pattern has a constant rhythm and visually creates a beautiful alternation between darker and lighter tones. The pattern does not overwhelm the table - instead, it is an understated but clever addition to the design. The four legs are joined together by cross stretchers, which also serve the purpose of holding the top in place, gently letting it rest with no need for additional joinery or screws. This manner of combining the two separate parts is a detail that certainly derives from Quistgaard's sculptural training. The legs are slightly larger at the bottom, providing stability and visual interest. As can be expected from Danish design and craftsmanship, visually appealing elements usually also serve a functional role. In this case, the wooden elements under the table reinforce the stability of the structure in this ingenious manner, with the table top being supported gently by the legs.

Throughout his career, Quistgaard received numerous awards, including the Lunning Prize in 1954, the Neiman Marcus Award for Distinguished Service in the Field of Fashion in 1958, and Munch's Der Goldene Löffel in 1962. His work has been exhibited in museums worldwide, such as the Danish Museum of Art and Design in Copenhagen, the Victoria & Albert Museum in London, and the National Museum in Stockholm. This teak side table showcases Quistgaard's skills and adds an elegant touch to any living space.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

22.24 in ⌀ x 17.12 in H

56.5 cm ⌀ x 43.5 cm H

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Price category: 30,000 - 40,000 usd / eur

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Ib Kofod-Larsen was one of the pioneers of the Danish modern in the 1950s. Rather than a regional phenomenon, Kofod-Larsen saw Scandinavian design as part of international modernism, and he became one of the best-selling Danish architects in the United States in the 1950s. This rare palisander sideboard was produced by Swedish manufacturer Säffle Möbelfabrik in cooperation with the Danish designer in 1958.

This very sought after model features distinctive V-shaped legs that complement the otherwise strict lines. The veneer has a grain that has come out beautifully over time, and gives the sideboard a striking look. This means that each model is different and unique, the pattern always varying. It praises the designer that the body is in an understated, rectangular shape that lets the wood and the legs stand out. Functionality also plays an important role in this model; with its sheer size and four doors, this piece offers a lot of shelving space. The first three doors cover space for height adjustable shelves, while the fourth covers four white, unevenly sized drawers. Each door has a small oval notch on the top, enabling easy opening while maintaining a clean and uncluttered front. Presumably only 40 or 50 of these models have been made when the Säffle factory bought a leftover stack of veneer from another factory. This sideboard is made with outstanding production quality and attention to detail.

Ib Kofod-Larsen's work became increasingly sought-after during the 1950s and 1960s, typically featuring organic and minimal pieces made specifically for the Scandinavian market. This “Trol” sideboard is a beautiful and elegant evidence of Kofod-Larsen’s graphic purity and artistic expression. He was a purist. A man of detail. At first glance, his furniture may seem simple, but at closer inspection it is full of detail.

Condition:

In good condition. Wear consistent with age and use. The veneer has some minor marks.

Dimensions:

95.86 in W x 18.51 in D x 28.3 in H

243.5 cm W x 47 cm D x 72 cm H

Literature:

Mobilia Magazine n°106, May 1964

About the designer:

Ib Kofod-Larsen was born in 1921 in Denmark. Kofod-Larsen was trained as a cabinetmaker with the highest honours in 1944, and later completed his education as an architect from the Royal Danish Academy of Fine Arts in 1948.

His first recognition as a designer came when he won the Holmegaard Glass Competition and received the Danish Cabinetmakers Guild’s annual award. These awards attracted the attention of the Danish furniture manufacturer Faarup Møbelfabrik.

During his time at Faarup, he created some of his most beautiful works, like the rosewood Model 66 sideboard, and established himself as a furniture designer. Learn more about Ib Kofod-Larsen. ~H.