Bas van Pelt Oak and Bouclé Lounge Chair, The Netherlands 1940s (sold)




























































Bas van Pelt Oak and Bouclé Lounge Chair, The Netherlands 1940s (sold)
Bas van Pelt’s designs were only produced when an order was placed, which is still a tradition at “My Home Foundation”, and explains the limited numbers of surviving models. This lounge chair has a timeless style thanks to its classic elegance and high-quality materials.
The attention-grabbing visual element is the backrest with thirteen wooden spindles that creates an almost throne-like appearance. The natural beauty of oak and its versatile grain is beautifully displayed throughout the chair, especially in the backrest. The round, “floating” pillow cleverly breaks the mostly straight lines, and further highlights the barred-back. Interesting details are to be found everywhere, including the joinery point of the armrests and front legs, which is in a shape of a small tetrahedron. The legs and stretchers combine straight and bent lines, creating a sculptural look that is interesting from all angles. The structure displays a beautiful contrast between the wooden oak frame and the elegant bouclé fabric of the cushions.
This lounge chair shows why Bas van Pelt is widely regarded as a Dutch design icon. From the handcrafted oak frame to the wooden spindles and tapered legs, the design talent is obvious. According to some historical records, this model was commissioned by prestigious institutions, such as the Dutch Town hall, museum or director’s office and was made in limited editions in the 1930s and 1940s.
SOLD
Condition:
In good vintage condition. Wear consistent with age and use. Some small scratches and marks. The pillow and seat cushion have been reupholstered recently in premium bouclé fabric.
Dimensions:
27.36 in W x 33.46 in D x 39.96 in H; Seat height 15.15 in
69.5 cm W x 85 cm D x 101.5 cm H; Seat height 38.5 cm
About the Designer:
Bas Van Pelt (1900 Dordrecht (NL) - 1945 Sandbostel (DE)) was a well-known Dutch interior and furniture designer, known for the clarity and quality of his designs. His works created in the 1930s and 1940s are regarded for their progressive design and quality.
While he is most well-known for his chair designs, van Pelt was also active as an interior designer. He also designed fabrics for window coverings, rugs and carpets, seating and tables, as well as lighting crafted by the best craftsmen in the Netherlands. He worked with multiple manufacturers, including his own firm, Bas van Pelt / My Home and Verto Verenigde Touwfabrikien, where his tubular metal designs were produced.He opened ‘My Home’ in 1931, just before the onset of the great crisis in the midst of major changes in the last century. In the façade of the shop, in the lively centre of The Hague, there was one large window placed so that everyone could look inside and see how things were made, and could be done differently; in his view, modern furniture at the time was light and airy, transparent, made of tubular steel frame, combined with wood. This view was very progressive for the 1930s, when the influence of The Hague School was still dominating most designers.
Unfortunately, in 1940 WWII changed the life of Bas van Pelt as well, who was on the board of the Haagse Kunstkring, where discussions about reconstruction after the war took place. Sadly, Bas van Pelt did not live to see it. He was deported because he gave people in hiding a safe place, saving many lives. While there is very limited information about his life and work, his furniture designs have become collectibles in the past decades that are also found in Dutch museums. Bas van Pelt is remembered as a progressive designer and as a man who saved lives. ~H.
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Price category: 12,500 - 15,000 usd / eur
Rosello Paris was a French furniture house active through much of the twentieth century, starting in 1928. Their models draw on geometry and style associated with Art Deco furniture. This pair from the 1970s draws inspiration from the Art Deco period in an expressive direction, with large circular armrests becoming the central architectural element of the chairs.
The armchairs feature tall upholstered backs that rise in a gentle curve above deep, generously cushioned seats. Their off-white mohair gives the broad surface a soft, elegant appearance, with restrained piping following the outer edges and emphasising the height of the backrests. Against this pale upholstery, the dark wooden frames are particularly striking. Each armrest takes the form of a circle, sweeping upward from the front leg, around the side of the seat and back toward the rear structure. The generous diameter of these loops give the chairs their unmistakable profile, while the open centres keep the wooden elements visually light. At floor level, the circular forms continue into short curved feet and connecting members, creating arcs around the upholstered body. Seen from the side, the contrast is evident: the seat is almost enclosed by the curve of the dark wood, while the high, softly shaped back projects upward. The fabric allows the form to remain the main focus, while enduring lasting quality and beauty over generations to come.
The dramatic armrests give this pair a presence that goes well beyond conventional lounge seating. Placed together in a living room, library or conversation area, this pair can bring softness and light to the interior. With the sculptural elements, the pair is a particularly distinctive example of Rosello Paris seating from the 1970s.
Condition:
In good vintage condition. Wear consistent with age and use. The armchairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The armchairs have recently been reupholstered in premium mohair. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
23.6 in W × 29.9 in D × 39.8 in H; Seat height: 17.7 in; Seat depth: 18.9 in; Arm height: 23.6 in
60 cm W x 76 cm D x 101 cm H; Seat height 45 cm; Seat depth 48 cm; Arm height 60 cm
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Price category: 7,500 - 10,000 usd / eur
French mid-century seating frequently combined elements of regional craftsmanship with the cleaner lines associated with modernist furniture. These chairs are exemplary of the main ideals of mid-century modernism, characterised by clean, simple lines, honest use of materials, and a lack of unnecessary decorative embellishments. Instead, the focus is on craftsmanship and clever design.
The pair, crafted in the manner of Jacques Lardin, is confident yet discreet, with clean junctions and honest detailing of the joinery. Chairs are often considered especially revealing of a designer's skill because of the strict limits placed on their form by the demands of the human body. With these armchairs, the designer arrived at a clearly-structured solution in which a high degree of coherence is maintained while the chairs appear visually light and open. The warm tone of the wood highlights the natural grain, adding visual depth and character to the clean, architectural structure. Upholstered in off-white fabric, the chairs gain their quiet luxury through material rather than embellishment. Together, the wood and fabric establish a dialogue between texture and form: one smooth, one tactile, both grounded in natural beauty. They function effortlessly as statement pieces while remaining practical for everyday use. Timeless in form and character, the pair offers an expression of 1940s craftsmanship that fits with ease into both modern and classic interiors.
Though many mid-century French designers may not have the same name recognition as some of their Scandinavian counterparts, they were integral to developing a modern aesthetic in Europe. The appreciation for their contribution is still growing today making outstanding pieces like these chairs highly sought after.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, some marks and scratches are present. The items have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
19.88 in W x 25.59 in D x 31.29 in H; Seat height 18.89 in; Seat depth 18.50 in; Arm height 24.80 in
50.5 cm W x 65 cm D x 79.5 cm H; Seat height 48 cm; Seat depth 47 cm; Arm height 63 cm
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Price category: 7,500 - 10,000 usd / eur
Renowned for their innovative, high-quality furniture, Robert Guillerme and Jacques Chambron combined elegant form with straightforward functionality to create their timeless designs. The “Juliette" is one of their most notable series, designed for their company, Votre Maison. This sofa deserves its title of iconic, both in terms of quality and design.
This sofa features a solid oak frame characterised by its sculptural construction. This material is associated with the duo’s most famous models, as oak is both extremely durable and beautiful, displaying a lovely grain throughout. The backrest is composed of eleven curved spindles, which create a round and inviting silhouette that is a hallmark of Guillerme and Chambron’s style. The armrests, also featuring a curved structure, extend seamlessly into the legs, giving the piece a cohesive and organic look. To ensure functionality and comfort, as expected of mid-century modern furniture, the generous seat and back cushions are plus and upholstered in an elegant off-white fabric. The back is adorned with tufted buttons that add depth to the fabric upholstery. The cushions are held securely in place by fabric loops to ensure they remain properly positioned even after prolonged periods of use. The woodworking truly shows the overall quality of this sofa: the frame is refined and the attention to the smallest detail shows the design and manufacturing skills of Guillerme et Chambron.
This two-seater sofa truly exemplifies the thoughtful design and classic appeal of Guillerme et Chambron’s work, blending natural materials with mid-century modern aesthetics. Whether used to define a space or to provide additional seating, the “Juliette” sofa remains a sought-after piece for collectors and design enthusiasts alike.
Condition:
In good vintage condition. Wear consistent with age and use. The sofa has recently been reconditioned and reupholstered. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
64.57 in W x 36.42 in D x 37.20 in H; Seat height 16.34 in; Seat depth 23.23 in; Arm height 21.65 in
164 cm W x 92.5 cm D x 94.5 cm H; Seat height 41.5 cm; Seat depth 59 cm; Arm height 55 cm
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Price category: 5,000 - 7,500 usd / eur
The company Votre Maison is one that has left an indelible mark on the history of French design. The 'José' armchair, designed by Robert Guillerme along with his sales partner Jacques Chambron, and manufactured in Emile Dariosecq’s workshop, was created at Votre Maison during the 1970s.
Made of high-quality oak with a beautiful sandy fabric, this ‘José’ armchair is truly eye catching. The carefully carved geometrical patterns on the backrest are symmetrically arranged, with a shape reminiscent of four leaf clovers, making the chair an interesting and aesthetically pleasing sight from the back as well. The light fabric works beautifully with the warm brown wooden structure of the chair. The edges of the frame and legs are softly rounded, giving a gentle feel. The arms are carved in an open and angular construction, bringing elegance to the piece.
Thanks to the appealing combination of materials, design and craftsmanship, the ‘José’ chair is immediately recognisable. Guillerme et Chambron’s pieces were manufactured in small series, therefore they are highly collectible.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
28.94 in W x 29.13 in D x 32.68 in H; Seat Height 15.55 in
73.5 cm W x 74 cm D x 83 cm H; Seat Height 39.5 cm
About the designer:
Robert Guillerme graduated in 1934 from the École Boule where he excelled in architecture and furniture design. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops.
In 1948, Guillerme was joined by his long-time friend, decorator Jacques Chambron in Lille. The following year Guillerme and Chambron met master cabinet maker Émile Dariosecq, owner of a woodworking shop and the company Votre Maison was born. Together, they defined and imposed a new furniture concept. Thanks to their distinctive creativity, originality, and quality, the Votre Maison quickly became well-known.
The Votre Maison marked the history of French design. Guillerme drew the furniture designs while Chambron played the part of salesman, welcoming and advising clients. The power duo was complemented by Dariosecq, whose workshop took charge of the manufacturing. Together, they defined new furnishings concepts. Well-crafted chair back, polished wood and thick cushions make the reputation of their armchairs and sofas. Votre Maison continued to produce furniture right into the Twentieth Century, with Jacques’ son Hervé Chambron, a designer and graduate of the Ecole Boulle, having taken the reins in 1983.
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Price category: 5,000 - 7,500 usd / eur
Wim den Boon was a Dutch designer and architect associated with the post-war modernist movement in the Netherlands. After studying interior design at the Academy of Fine Arts in The Hague, he worked alongside artists like Hein Stolle and Pierre Kleykamp to contribute to a number of important post-war interiors, including projects for Schiphol Airport. Den Boon later established himself independently in The Hague, where he designed furniture characterised by restrained compositions, careful spatial treatment, and a preference for unadorned everyday materials.
Influences from De Stijl and Scandinavian modernism remained visible throughout his work, particularly in the balance between strict structure and warmth. This lounge chair reflects that sensibility through its reduced oak construction and tactile ponyskin upholstery. The frame is composed of cylindrical supports and straight horizontal rails, creating a clear geometric outline around the upholstered body. The proportions are low and generous, giving the piece a relaxed, grounded posture. The seat and backrest form a wide lounging space upholstered entirely in champagne-coloured ponyskin. The material introduces a textured surface, giving the otherwise minimal form a sense of movement and depth. Still, the oak remains visible throughout the design, outlining the silhouette and through its slim slats it prevents the chair from appearing overly heavy. The tilt of the backrest softens the strict geometry and contributes to the lounge-like comfort of the piece.
Den Boon was part of the generation of Dutch designers who helped shape post-war modernism in the Netherlands through a restrained and architectural approach to furniture. This chair is proof of his talent. It feels architectural in structure, yet tactile and warm in appearance, reflecting the balance that made Dutch modernist furniture so distinctive during the period.
Condition:
In good vintage condition. Wear consistent with age and use. The lounge chair has recently been reconditioned. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration. The piece has recently been reupholstered in premium ponyskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
25.79 in W x 34.26 in D x 27.56 in H; Seat height 14.97 in; Seat depth 20.67 in
65.5 cm W x 87 cm D x 70 cm H; Seat height 38 cm; Seat depth 52.5 cm
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Price category: 7,500 - 10,000 usd / eur
Art Deco, the glamorous and influential design movement that emerged in France during the early 20th century, left an indelible mark on the world of furniture design. Characterised by its bold geometric shapes, rich materials, and luxurious aesthetics, Art Deco transformed the way we perceive interior spaces. It was a testament to the fusion of form and function, and this ethos is beautifully exemplified in this exquisite lounge chair.
This lounge chair is defined by its generous, rounded silhouette, with thickly upholstered arms that curve forward and frame the seat in a protective, almost enveloping way. The deep seat and softly padded backrest create a sense of weight and comfort, while the proportions remain carefully controlled so the form never feels heavy. The body is upholstered in a luxurious off-white mohair, which delights the eye thanks to its softness and texture, transforming the piece into a uniquely charming accent. The plush mohair also adds a tactile richness and warmth that stays true to the Art Deco commitment to durability and high-quality materials. Paired with the brown of the tapered wood that composes its legs, the lounge chair evokes a natural feel.
Perfect for those who value style and quality, this lounge chair brings a bold, timeless charm to any room. With its silhouette and rich, versatile colour, this piece combines style and comfort to infuse a space with Art Deco elegance.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The lounge chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.17 in W x 39.57 in D x 27.96 in H; Seat height 15.36 in; Seat depth 21.66 in; Arm height 24.02 in
69 cm W x 100.5 cm D x 71 cm H; Seat height 39 cm; Seat depth 55 cm; Arm height 61 cm
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Price category: 2,500 - 5,000 usd / eur
The bergère chair is a French, fully upholstered armchair with an exposed wooden frame that originated during the early 1700s. It emerged as a comfortable, "enclosed" alternative to the open-armed fauteuil, designed for lounging and conversational spaces rather than formal, rigid seating.
This 1920s bergère-style chair represents a continuation of eighteenth century seating through its classic form adapted to more modern times. By the early 1900s, French designers began reinterpreting historical forms through the lens of current design movements, simplifying ornament while preserving the elegance and curvature associated with earlier furniture styles. The most distinctive feature is the continuous curved backrest, which sweeps downward into the arm supports in a single uninterrupted line. This rounded frame softens the look of the chair and creates an enveloping seating true to the bergère tradition. The exposed wooden structure outlines the silhouette with precision, while the organic brown tone stands out against the rich purple upholstery. The textile itself gives the chair much of its visual impact. Its deep tone and softness emphasise the fullness of the seat. Below, the slender tapered legs offer support and prevent the chair from appearing visually heavy despite its upholstered body.
The balance between historical influence and modern restraint gives the chair a distinctly refined character. While rooted in the bergère tradition, the simplified lines and pared down ornament ensure elegance achieved through silhouette, proportion, and material rather than decorative excess.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The item has recently been reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
23.63 in W x 23.63 in D x 33.47 in H; Seat height 19.30 in; Seat depth 16.54 in; Arm height 25.60 in
60 cm W x 60 cm D x 85 cm H; Seat height 49 cm; Seat depth 42 cm; Arm height 65 cm
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Price category: 2,500 - 5,000 usd / eur
French seating design from the 1940s often sits at the intersection between late Art Deco and the early stages of modernism. While earlier decades favoured more elaborate ornamentation, this period saw a gradual simplification of form, with designers focusing more on proportion, silhouette, and comfort. Upholstered side chairs became increasingly common in domestic interiors, offering a more relaxed alternative to rigid dining or occasional seating.
This side chair follows that direction through its restrained yet carefully shaped form. From the rounded back, to the tapered wooden legs, its elements that reflect both the elegance of Art Deco and a move toward more practical, everyday use. The structure is defined by a softly curved backrest that sits slightly detached from the seat, creating a light, open transition between the two elements. The upholstery, in a warm burnt tone, gives the chair its visual identity, introducing both colour and a soft texture that contrasts with the sleek and slender wooden legs below. These legs taper subtly toward the floor, offering sturdiness and support while keeping the overall composition visually light. The seat itself is compact and gently rounded at the edges, echoing the curvature of the backrest and contributing to a cohesive silhouette. There is a clear sense of balance between the upholstered volumes and the exposed wooden structure, with both elements working together. The proportions are modest but deliberate, allowing the chair to function comfortably without appearing heavy or overly decorative.
This piece is not designed to command attention and overpower a space, but rather to work as an accent within a living space. The warmth of the upholstery and the simplicity of the frame make it easy to integrate, while the subtle shaping ensures it retains character.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
18.51 in W x 21.66 in D x 32.68 in H; Seat height 20.28 in; Seat depth 17.72 in
47 cm W x 55 cm D x 83 cm H; Seat height 51.5 cm; Seat depth 45 cm
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Price category: 5,000 - 7,500 usd / eur
This easy chair in solid wood and wicker attributed to Dutch designer, Bas Van Pelt, is a rare model with plenty of visual delights. The construction of this piece is simple at its core, but thanks to its details, it is a playful representation of early Dutch modernism.
Bas van Pelt’s designs were, in many ways, ahead of their time. The Dordrecht-born designer’s furniture models are quite rare, a few being preserved in the Stedelijk Museum in Amsterdam. While made of solid wood, this chair has a light feel to it thanks to the woven pattern on the back. Durable yet flexible, the cane fulfils both an aesthetic and functional purpose, offering support for the sitter, while ensuring comfort through its flexibility. The shade of the wood further highlights the sandy colour of the wicker and the earthy tone of the upholstery, creating visual dynamism. The curved lines of the armrests nicely contrast with the straight contour of the frame, and show wonderful craftsmanship. The legs are much simpler in their design, serving a primarily structural role, letting the weaving and the arms stand out. Lastly, the neutral tone upholstered seat ties in the design ensuring comfort. As this chair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship was the key to the success of this design period.
Today, Bas Van Pelt’s designs are highly sought after by collectors and are considered important examples of 20th century modern design. Furniture pieces like this easy chair stand out through unique textures and materials, as well as through its classic charm.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The seat has recently been reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.61 in W x 24.02 in D x 36.62 in H; Seat height 14.97 in; Seat depth 17.72 in; Arm height 23.04 in
62.5 cm W x 61 cm D x 93 cm H; Seat height 38 cm; Seat depth 45 cm; Arm height 58.5 cm
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Price category: 2,500 - 5,000 usd / eur
Bas van Pelt was one of the key figures in early Dutch modernist design, active during the 1930s and 1940s through his firm “My Home.” His work is recognised for its clarity of construction, careful proportions, and thoughtful integration of natural materials. Van Pelt focused on creating furniture that balanced function and craftsmanship, often incorporating elements such as wicker, rattan, and solid wood to introduce both durability and texture.
This high-back chair by Bas van Pelt combines of strong verticality and refined material contrast. The solid wooden frame establishes a clear architectural outline, with the elongated tall back defining the silhouette. The back is composed by ladder-like horizontal slats that introduce a sense of rhythm while maintaining the openness of the design. The seat is crafted from woven wicker, a material valued for its strength and breathability, which adds a tactile, organic quality to the otherwise linear construction. This contrast between the smoothness of the frame and the texture of the woven surface is central to the chair’s character. The armrests are gently shaped, introducing a subtle curvature that softens the overall form. Below, the legs are connected by stretchers that reinforce the structure and ensure stability. The craftsmanship is evident in the precision of the joinery which contribute to the overall sense of durability and refinement.
This armchair shows why Bas van Pelt is widely regarded as a Dutch design icon. From the handcrafted frame to the beautiful woven element, the chair remains of hifh quality and ideally suited for everyday use.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Some chips and dents are present. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration.
Dimensions:
25.20 in W x 28.35 in D x 40.95 in H; Seat height 13.39 in; Seat depth 20.08 in; Arm height 23.82 in
64 cm W x 72 cm D x 104 cm H; Seat height 34 cm; Seat depth 51 cm; Arm height 60.5 cm
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Price category: 5,000 - 7,500 usd / eur
The unique design style, “Amsterdamse School”, was an influential Dutch architectural and design movement that emerged in the early 20th century, which left an indelible mark on the cultural landscape of the Netherlands and on Europe on a larger scale. Beyond its architectural achievements, the Amsterdamse School also extended its influence to interior design and furniture, giving rise to a distinctive style that reflects a harmonious blend of craftsmanship, artistic expression, and social ideals exemplified by this pair of chairs with an enduring appeal, quality, and style.
The frames are deliberately straightforward yet bold, giving the chairs a grounded presence that feels both honest and enduring. Each piece features squared legs connected by stretchers that reinforce the straight structure while maintaining a clean visual rhythm. The seats and backrests are upholstered in a textured green fabric that complements the wood, adding softness and comfort to the otherwise solid construction. This upholstery provides a tactile contrast to the geometry of the frames, making the chairs inviting without losing their disciplined form. From every angle, the chairs reveal thoughtful joinery and a careful balance of shape, with no unnecessary embellishment, only purposeful design choices that emphasise durability, comfort, and visual cohesion.
The set's geometric elements makes them a perfect addition to any interior, perfect for bringing an effortlessly elegant element to a room. With their clean lines, understated presence and quality materials, these chairs exude a sense of timelessness, while simultaneously maintaining their versatility.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the wood, the items may have some marks, scratches, and discolouration. The set has recently been reupholstered. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
18.5 in W x 19.29 in D x 37.79 in H; Seat height 19.48 in; Seat depth 18.3 in
47 cm W x 49 cm D x 96 cm H; Seat height 49.5 cm; Seat depth 46.5 cm
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Price category: 5,000 - 7,500 usd / eur
This beautiful chair design was crafted by French duo Audoux-Minet. Adrien Audoux and Frida Minet worked together during the mid-20th century, and are known for their innovative use of natural, sustainable materials, including rope, wicker, and bamboo. Their work was heavily influenced by the Modernist movement, which sought to create functional and streamlined designs that were accessible to a wider audience.
Like in Scandinavia, there was an early emphasis on wood in most French mid-century design - it connected everyday objects to nature. These chairs are a perfect example of this sentiment, and the visual benefits of an understated, organic design. The high quality woven papercord makes the pieces an outstanding example of woven furniture. They feature a fairly traditional shape with soft edges and an airy feel. The straightforward shape highlights the understated beauty of the materials, allowing the beautiful woven pattern and the grain of the wood to stand out. The interplay of a simple structure and refined detailing evokes a sense of harmony, aligning with the era’s focus on blending beauty with utility. The organic design makes these pieces stand out with an elemental edge. The colour palette further allows easy adaptation to almost any interior, functioning to either complement a space or to stand out as an accent.
Today, Audoux and Minet's designs are highly sought after by collectors and are considered important examples of mid-century modern design. Furniture pieces like this pair of armchairs stand out through their unique textures, and their materials, as well as their classic charm.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, dents and discolouration.
Dimensions:
17.51 in W x 20.86 in D x 32.28 in H; Seat height 17.32 in; Seat depth 17.51 in
44.5 cm W x 53 cm D x 82 cm H; Seat height 44 cm; Seat depth 44.5 cm