Italian Bamboo Lounge Chairs with Upholstered Cushions, Italy 1970s (sold)


































Italian Bamboo Lounge Chairs with Upholstered Cushions, Italy 1970s (sold)
The 1970s were a boom time in Italy, a decade of mass production and innovation when designers made huge quantities of furniture and sold it through department stores. As a result, exceptional pieces from the 1970s are in short supply. Most are still in Italy, with exceptions like these bamboo lounge chairs.
With their fresh colours and shiny surfaces, pieces from the 1970s are very appealing and photogenic. During the 20th century, bamboo enjoyed a few resurgences of popularity as it has always conjured up feelings of travel and pleasure. These lounge chairs are all that and more: they showcase a precision that was unachievable by methods of mass production, therefore there is the charm and quality that handcrafted pieces possess. This is most apparent in the arms with a dynamic, flowing curve. Each of the seven pieces stems from the same spot at the top, gradually increasing in size to form the armrests. The backs are also formed from individual pieces of bamboo, bent at their “hip” to create the reclined position of the backs. To enhance the sense of relaxed lounging, the chairs sit very low with two cushions comprising the seats. The upper seat and back cushions are upholstered in a floral, patterned fabric that further add to the cosy impression. Bamboo’s ability to be both delicate and ornate, as well as bohemian and relaxed means that it fits into a host of different types of interiors.
Italian furniture managed to preserve the uniqueness of handmade pieces well into the 20th century. Bamboo has a place in almost every setting, traditional or modern, as it is a grounding force that makes everything feel a bit more at ease. It was a popular choice for casual '70s décor. While it usually looks great in more natural and earthy interiors, even the most modern rooms can incorporate pieces such as these lounge chairs.
SOLD
Condition:
In good vintage condition. The chair cushions were upholstered later, and the fabric has very light colour bleeding because of previous washing. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
28.14 in W x 38.58 in D x 34.25 in H; Seat height 11.81 in; Arm height 18.89 in
71.5 cm W x 98 cm D x 87 cm H; Seat height 30 cm; Arm height 48 cm
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Price category: 5,000 - 7,500 usd / eur
This pair of dining chairs is designed in the manner of Charles Dudouyt, one of the most distinctive figures in French decorative arts of the interwar period. Dudouyt’s work is often celebrated for its rustic charm, and masterful handling of wood, bridging tradition with the evolving aesthetics of Art Deco and modern design.
This pair embodies early 20th century qualities through its grounded presence and confident use of materials. This design is all about the wooden structures. The discreet joinery and seamless construction reflect the French emphasis on detail and quality, elevating the chairs beyond just function to objects of aesthetic value. The chairs are made from solid oak in a rich, dark stain that accentuates the natural grain to create subtle warmth and depth. Adding to their appeal are the geometric backrests, which provide firm support and a subtle architectural detail to the design. The carved elements on the sides showcase the Art Deco interest in geometric adornments. While dining chairs are generally more utilitarian types of seating, this pair still manages to look cosy and warm thanks to the woven rope seats. Moreover, each leg features carved and rounded detailing, lending rhythm and visual weight to the structures. This play between solidity and ornamentation is characteristic of French designs of the era, where pieces were not only functional but also a statement of craftsmanship and artistic individuality.
The essence of early 20th century French design is beautifully captured by these chairs. Functional yet sculptural, rustic yet refined, this pair stands as an enduring testament of the striking balance only master woodworkers are able to create.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items have minor marks, scratches, dents and discolouration.
Dimensions:
16.14 in W x 20.86 in D x 32.87 in H; Seat height 17.32 in; Seat depth 15.55 in
41 cm W x 53 cm D x 83.5 cm H; Seat height 44 cm; Seat depth 39.5 cm
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Price category: 5,000 - 7,500 usd / eur
By the latter half of the 20th century, European furniture design had become an arena for bold experimentation and a renewed fascination with material honesty. The Brutalist movement, though often associated with architecture, influenced furniture makers who explored volume, geometry, and the natural character of wood and other materials to create designs that were both functional and sculptural.
This oak corner bench exemplifies the Brutalist ethos through its striking form. Crafted from solid oak, it features a tall, slatted backrest composed of vertical planks, each slightly angled to provide both visual rhythm and ergonomic support. The corner design creates a natural sense of enclosure, inviting conversation and closeness while optimising space in a room. The bench rests on tapered, splayed legs that lighten the strong presence and introduces a subtle mid-century refinement to its otherwise architectural silhouette. The dark wood’s warm grain and natural patina are left visible, reinforcing the Brutalist emphasis on rawness of materials and celebrating the inherent beauty of solid timber. The geometry of the back contrasts with the softly curved seat edges, striking a balance between strength and human comfort. Beyond its practical use, this bench functions as a statement piece that transforms a corner into an intimate space. Its quiet strength and handcrafted character make it more than mere seating - it is a reflection of a design period unafraid to combine utility with expressive structure.
Ideal for a dining nook, entryway, or modern rustic interior, this bench brings presence to any space. For collectors and designers alike, the bench is a testament to postwar Europe’s exploration of honest forms and enduring materials, offering a blend of sculptural impact and everyday livability.
Condition:
In good vintage condition. Wear consistent with age and use. The bench has recently been reconditioned. Due to the nature and age of the material, the item has some dents, scratches, and discolouration.
Dimensions:
76.77 in W x 56.69 in D x 34.25 in H; Seat height 18.11 in; Seat depth 16.14 in
195 cm W x 144 cm D x 87 cm H; Seat height 46 cm; Seat depth 41 cm
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Price category: 5,000 - 7,500 usd / eur
The mid 1950s in Italy were marked by a new softness in modern furniture. Designers began shifting away from the strict rationalism of the postwar years and toward interiors shaped through comfort and tactility. Lenzi worked inside that transition. Their production merged clarity of proportion with upholstered volume. The result was a kind of modernism that felt warm, human, and atmospheric rather than merely functional.
This armchair features a curved back, low arms, and deep seat all flowing into one continuous shape, to create a soft envelope around the sitter. Upholstered in a rich olive green textile with a subtle pile, the chair gains depth through texture rather than pattern. The fabric reads almost like moss, perfectly natural and comforting. The seat is anchored by four slender brass legs that angle outward with quiet poise. Their gleam has just enough presence to complement the body above without drawing excess attention to themselves. The upper part of the chairs feels steady and welcoming, while the slender metal below introduces air and lightness. Every contour and proportion has been judged toward an overall calm. This chair is the perfect example of great attention to detail mixed with skilled cabinetmaking.
This model speaks to a moment when Italian modernism was not purely decorative, nor austere, but refined in its ability to create atmosphere. They remain compelling examples of Lenzi's charming yet timeless design approach.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Minor marks on the brass. Due to the nature and age of the materials, the item may have some scratches and discolouration. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.92 in W x 26.77 in D x 24.4 in H; Seat height 17.32 in; Seat depth 23.62 in; Arm height 21.25 in
76 cm W x 68 cm D x 62 cm H; Seat height 44 cm; Seat depth 60 cm; Arm height 54 cm
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Price category: 9,000 - 12,500 usd / eur
Art Deco was a movement characterised by geometric shapes, rich materials and luxurious aesthetics, with furniture designers placing particular emphasis on craftsmanship and distinctive silhouettes. This pair of chairs exemplifies why works from the first half of the 20th century are often considered a visual connection between the innovative Art Deco movement and European modern design after the Second World War. The design of this pair is a unique yet immediately recognisable aesthetic based on graceful curves, carefully chosen materials and practical construction.
The armchairs immediately catche the eye with their bold outline, defined by the elegantly curved wooden arms that continue down into the front legs. The exposed wooden frames contrast beautifully with the thick upholstered seats and backs, creating a balanced combination of straight and rounded forms. Each chair has a generously padded seat and a tall backrest with an arched top, upholstered in a muted rose-coloured fabric. The fabric's rich tone complements the warmth of the wood. The backs and seats are outlined with subtle piping, adding another level of visual interest to the pieces. What really sets this pair apart is the adjustable construction of the backrests. The exposed mechanisms allow the backs to change position, while the horizontal wooden supports visible behind the upholstery introduce an interesting architectural element to the design. The obvious quality of the craftsmanship complements the design through the choice of materials, techniques and well-thought-out details.
Created during an age of innovation in materials, shapes and techniques, these chairs showcase the European furniture designers' artistic approach to combining comfort with distinctive forms. Their adjustable backrests add a practical quality that makes them particularly suitable for a living room, library or reading area, while their proportions invite relaxed seating. Exuding warmth and vintage charm, the armchairs can complete a variety of interiors while being visually captivating.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, dents and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
26.96 in W x 31.88 in D x 38.58 in H; Seat height 17.51 in; Seat depth 19.48 in; Arm height 23.22 in
68.5 cm W x 81 cm D x 98 cm H; Seat height 44.5 cm; Seat depth 49.5 cm; Arm height 59 cm
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Price category: 9,000 - 12,500 usd / eur
The 20th century saw the rise of brilliant designers, like Steen Østergaard, working to create furniture of the highest quality that explored truly modern shapes and forms. Østergaard sought to combine comfort and elegance to achieve timeless designs that remain iconic examples of style and skill to this day.
Immediately, these chairs captivate with their cosy and stylish silhouette. The shell bodies cradle the occupant, providing a sense of intimacy and comfort that transcends mere functionality. The mid-century modern aesthetic is elegantly expressed through clean lines and organic curves, creating a harmonious balance between form and function. The designer managed to create pieces that seamlessly integrate into contemporary living spaces while preserving the warmth and character of natural materials, ideals deeply rooted in the Danish tradition. The wooden frames of these chairs showcase the skillful artistry of Steen Østergaard. The tripod legs, with beautiful joinery, not only add a touch of sophistication but also exemplify the meticulous attention to detail and aesthetic balance. The upholstery of the pair further enhances the allure. Meticulously chosen fabrics not only contribute to the overall aesthetic appeal but also emphasise the commitment to creating pieces that age gracefully.
Danish modern chairs have not only stood the test of time but continue to inspire contemporary designers and homeowners worldwide. Their enduring popularity is a testament to the genius of Danish modern design, based on both form and function, resulting in pieces that are as comfortable as they are stylish.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the chairs have minor scratches, dents, and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.2 in W x 22.8 in D x 25.8 in H; Seat height 14.4 in
69 cm W x 58 cm D x 65.5 cm H; Seat height 36.5 cm
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Price category: 5,000 - 7,500 usd / eur
This peculiar mid-century easy chair features multiple distinctive characteristics, from its floating back to the curvaceous armrests. This model is, without a doubt, the work of a master cabinetmaker. The period from roughly the 1940s through the 1960s was a high point for Scandinavian furniture makers, and this chair shows why.
The elegant organic lines of the design create a striking silhouette. Its generous proportions and luxurious upholstery provide great sitting comfort. The chair’s seat and backrest are separated in a style that is typical of Swedish designer, Otto Schulz. This stylish feature highlights the beautiful oaken frame. The armrests are in a peculiar shape, wider in the middle, and along with the generous proportions and upholstery, are perfectly sculpted to accommodate the sitter. Schulz was known for his floating back designs as seen here, preventing the chair from looking heavy. As with most lounge chairs, this chair is also built in a slightly reclined position which provides ultimate comfort. Thanks to the open profile and luxurious, organic style, it is an ideal way to draw attention while complementing any space.
Swedish furniture reflected traditional Scandinavian craftsmanship and mixed it with a modern style. This is reflected in the beautiful sheepskin upholstery, which give this easy chair a soft, modern edge. The sturdy frame and armrests are all carved from solid oak and have acquired a beautiful patina over the decades.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the wood, the chair may have marks, scratches, and discolouration. The chair has been recently reupholstered in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.95 in W x 30.90 in D x 31.29 in H; Seat height 16.92 in
71 cm W x 78,5 cm D x 79,5 cm H; Seat height 43 cm
About the (attributed) designer:
Otto Schulz (1882-1970) was Swedish interior designer, furniture designer, publisher and founder of the furniture company BOET in Gothenburg.
Schulz was born in Germany and moved to Sweden in 1907. He mainly produced opulent upholstered furniture, as well as lavishly inlaid, decorative box furniture style-wise between functionalism and traditionalism. He has some of his own invented techniques patented, including the use of decorative nails as part of the design, called Bopoint. After establishing his own furniture company, BOET, he used it as a showroom to exhibit his designs as well.
In the 1920s he started publishing the eponymous magazine BOET, which was also a platform for his own collection. The magazine was at the time the most influential, appearing in regular editions in Sweden and often included interviews with well-known designers and architects. ~H.
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Price category: 5,000 - 7,500 usd / eur
Bas van Pelt (1900–1945) was a Dutch furniture and interior designer whose work combined traditional craftsmanship with the principles of early modernism. While Van Pelt's creative work was primarily dominated by the Hague School, this armchair is the result of his more mature design period, characterised by natural materials, in order to create a friendly and inviting appearance that combines the warmth of solid oak with the distinctive texture of woven rush.
The construction of this model is simple at its core, but thanks to certain details, it is a playful representation of early Dutch modernism. While made of solid oak, this armchair has an open feel to it thanks to the horizontal spaces on the back that divide the three rush panels. The tall, slightly inclined backrest is framed by two straight wooden uprights, creating a strong vertical outline that contrasts with the more fluid shape of the armrests. The curved lines of the arms contrast nicely with the straight lines of the frame and clearly show wonderful craftsmanship. Each armrest extends outward in a gentle wave, giving the chair a particularly individual character. The rush weaving on the back adds textural interest, bringing the appealing roughness of nature to the design. Its closely arranged vertical strands create a warm, sandy surface, beautifully complemented by the oak's rich brown colour and the similar tone of the upholstery. The legs and stretchers are simple in their design, serving a primarily structural role and allowing the rush weaving and the wooden construction to stand out. The legs are connected by a gently curved wooden rail beneath the seat, while the rear supports continue naturally from the backrest. Thanks to the well-chosen proportions and the combination of natural materials, this armchair provides great comfort while maintaining a remarkable appearance.
Bas van Pelt's progressive designs were, in many ways, ahead of his time. The Dordrecht-born designer's furniture models are quite rare, with examples preserved in the collection of the Stedelijk Museum Amsterdam. Furniture pieces like this easy chair stand out through their unique textures and materials, as well as their classic charm. Its generous backrest and comfortable seat make it particularly suitable for a living room, library or reading area, where the craftsmanship can be appreciated from every angle.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the wood, the item has minor marks, scratches, dents and discolouration. The seat cushion has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.8 in W x 29.13 in D x 38.18 in H; Seat height 14.96 in; Seat depth 22.44 in; Arm height 22.83 in
63 cm W x 74 cm D x 97 cm H; Seat height 38 cm; Seat depth 57 cm; Arm height 58 cm
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Price category: 9,000 - 12,500 usd / eur
This sofa reflects the quiet confidence of Scandinavian design from circa 1930s, a period when modern ideas were being absorbed into more traditional forms. Swedish furniture of this era often balanced restraint with comfort, favouring clean silhouettes. Rather than chasing novelty, designers focused on proportion, usability, and longevity.
Curved sofas in general are considered statement pieces, for reasons that are eminently present in this three-seater sofa. With its classic shape paired with modern design, the generous size and fully upholstered body, it is outstanding, even when measured to the many beautiful sofas created in Sweden during the first half of the 20th century. The large, curved backrest follows the curve of the voluptuous seat, creating an inviting and open look. This shape is referred to as the ‘banana’ in furniture design, and is perfect to bring people closer together. The armrests are not independent, but rather a continuation of the back. The solid wooden legs provide perfect stability and visual appeal to the upholstered body, while balancing the sizeable body. Wood is the most important material in Swedish mid-century design, and the luxurious upholstery highlights and complements the beautiful colour of the wood.
Free from unnecessary ornamentation, the aesthetic of this three-seater sofa is sleek, elegant and modern. With its curved shape, it is perfect to break the rigour of any space, keeping the elegant appearance, elevated by the warm toned upholstery.
Condition:
In good vintage condition. Wear consistent with age and use. The sofa has recently been reconditioned. Due to the nature and age of the materials, the item has some marks, scratches, and discolouration. The sofa has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
92.51 in W x 33.07 in D x 27.55 in H; Seat height 17.32 in; Seat depth 17.71 in; Arm height 27.55 in
235 cm W x 84 cm D x 70 cm H; Seat height 44 cm; Seat depth 45 cm; Arm height 70 cm
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Price category: 9,000 - 12,500 usd / eur
These chairs were created by Asko, the Finnish furniture manufacturing company founded in 1918 by Aukusti Asko Avonius, known for the production of high-quality furniture. By 1930, the company had grown to be the largest furniture chain in Finland and the largest supplier of furniture in the Nordic countries. This pair of Model “217” or “Continent” armchairs belongs to this period of Finnish furniture design, combining the generous comfort of traditional upholstered seating with a more restrained and modern appearance.
These armchairs embody comfort and elegance in equal measure. With their soft curves and rounded bodies, they cradle the sitter in a harmonious and just as stylish embrace. The defining feature of these lounge chairs is their enveloping design, which creates a sense of cosy intimacy and warmth. Each chair has a broad, rounded backrest that curves forward at the sides into the upholstered arms. The soft curves that define their shape not only evoke inviting comfort but also serve a practical purpose, as the curvature follows the natural contours of the human body. The chairs appear open and welcoming thanks to the arms and backs curving outwards, while the deep seats and generous padding emphasise their comfortable character. The soft outline of the design remains clearly defined, enhanced by the dark moss-green upholstery. The fabric has a rich, textured surface that accentuates the gentle curves and gives the chairs a warm, inviting appearance. The seats extend forward between the rounded arms, with their upholstered fronts creating a uniform image. Short wooden legs support the chairs, their warm brown colour contrasting beautifully with the green fabric. In the absence of additional ornamentation, the focus stays on the distinctive shape, supported by functionality and comfort.
As part of Asko's furniture production, the model “217” represents an interesting chapter in the development of modern seating. With their cosy appearance, distinctive bodies and appealing material combination, the armchairs bring warmth and character to an interior while retaining the comfort and practicality for which they were designed.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the wood has minor scratches, dents and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.76 in W x 31.89 in D x 27.95 in H; Seat height 15.75 in; Seat depth 20.67 in; Arm height 24.41 in
70.5 cm W x 81 cm D x 71 cm H; Seat height 40 cm; Seat depth 52.5 cm; Arm height 62 cm
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Price category: 9,000 - 12,500 usd / eur
The Italian architect, painter and furniture designer, Guglielmo Ulrich, descended from a noble family with Danish origins. He quickly became a very influential figure in modern Italian design and his models are real delicacies today.
As this pair of 1950s lounge chairs show, Ulrich’s work is elegant and rich in detail. Although his work does not quite conform with the strict norms of simplicity of the time, it fits the prevalent aesthetics of Modernism. In the case of these chairs, the fully upholstered bodies show the general mid-century modern characteristics with an ergonomic and functional design. The seats are slightly raised, and the backs tilted, creating an angle that supports the sitter and the lounging experience. The wooden arms transcending to form the back legs however, truly stand out. The sharp curvature of the armrests and front legs define the look and create an interesting effect, as if the upholstered seats and backs were connected to them without joinery. The carved, dark wood and soft upholstery make them even more pronounced. There are more, subtler features to these chairs, including the wider armrests and the curved backrests, both in service of comfortable lounging. Thanks to the quality of his furnishings, that Ulrich designed and made personally, he became the trusted architects of many upper-class Milanese families. He participates in the furnishing of the most prestigious Italian ships: Cristoforo Colombo, Raffaello, etc.
“A nobleman of yesteryear, with sudden jokes and twists, such as a pipe with an egg in his mouth and a very concrete sense of doing” is how he was often described. This pair of chairs is much like this description with a playful, elegant design completed by quality materials and craftsmanship.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.4 in W x 31.69 in D x 31.49 in H; Seat height 14.17 in; Arm height 23.42 in
62 cm W x 80.5 cm D x 80 cm H; Seat height 36 cm; Arm height 59.5 cm
About the designer:
Guglielmo Ulrich (born 1904, Milan–died 1977) was an Italian architect, furniture designer, and painter. He was born to a notable family of Danish origin. In 1924, Ulrich enrolled in the Scuola Speciale di Architettura at the Accademia di Belle Arti di Brera. He finished his studies at Politecnico di Milano in 1927 and soon became a very influential figure in modern Italian design.
In 1930, along with Scaglia and Wild, Guglielmo Ulrich founded and became head designer of home furnishing company Arca (Arredamento casa, or Home Furnishing), a company engaged in the creation of high-quality furnishing accessories characterized by craftsmanship and the use of premium materials. In the 1950s, he participated in several editions of the Triennale di Milano and concentrated on designing buildings, offices, and retail shops throughout Italy.
Most of Ulrich’s furniture designs from this era, and especially his chairs and chaise lounges, resemble simplified and streamlined design versions of late 19th century pieces and do not necessarily conform to modern designs prevalent in Northern Europe and the U.S. in the 1950s. In the 1960s, Ulrich focused his work toward industrial design and was able to create original and impactful objects. His talent was rewarded on many occasions. In 1961, he won the Fiera di Trieste award for his Trieste chair, produced by furniture maker Saffa.
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Price category: 7,500 - 10,000 usd / eur
Simplicity, functionality, and elegance - these are the basic aspects of Danish design and accordingly, of this sophisticated easy chair as well. As a representation of early modernist seating, there is a profound focus on comfort and cosiness, that invokes a pleasant homelike feeling.
The subtle decorative qualities stemming from the early 20th century art movements and the simple lines deriving from the inter-war art movements gives the chair its elegance. Even though Scandinavian design is generally democratic and meant for the masses, pieces were not stripped of all beauty in order to make them as easy to use as possible. The importance of this balance can be identified in the design and execution of these armchairs as well. This balance is achieved through the clever use of the materials and rounded edges of the upholstered body. The exposed wood outlining the armrests’ shape is the standout design element. Quality craftsmanship was evidently of optimum importance for the cabinetmaker who created this piece, especially visible in the sculpted armrests. The pairing of the bun feet in the front and the short, tapered legs in the back is a quirky Scandinavian detail that adds more visual interest to this model.
This armchair further illustrates how modernist design can be warm and cosy despite its reputation of often cold simplicity. The elegant light wool upholstery highlights the beautiful wood lines of the armrests and the legs. With a classic look, storied design and solid quality, this chair is truly soulful and timeless.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
32.48 in W x 37.4 in D x 32.48 in H; Seat height 16.73 in
82.5 cm W x 95 cm D x 82.5 cm H; Seat height 42.5 cm
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Price category: 5,000 - 7,500 usd / eur
Renowned for their innovative, high-quality furniture, Robert Guillerme and Jacques Chambron combined elegant form with straightforward functionality to create their distinctive designs. The French duo established their company, Votre Maison, in 1949, working alongside master cabinetmaker Émile Dariosecq, whose workshop was responsible for manufacturing their furniture. Guillerme drew the furniture designs while Chambron played the part of salesman, and together they developed a recognisable style.
This oak armchair from the 1950s visually represents the very reason Votre Maison significantly influenced French design history, combining natural materials with the comfort and craftsmanship associated with the duo's work. The piece features a sculptural oak frame, a hallmark of the duo's style. The wooden structure rests on four sturdy legs, with the front legs extending upwards to support the carefully shaped armrests. The armrests are carved with great precision to serve a double purpose: an aesthetic role and a functional one. The legs are similarly sculpted, with subtle changes in their thickness and shape adding visual interest to the construction. The backrest has an open slatted wooden structure, concealed by a generously upholstered cushion that rises above the seat. The gray back cushion is adorned with tufted buttons arranged in horizontal rows, adding depth to the textured grey upholstery. The thick padding and slightly reclined position provide additional comfort. A broad seat cushion completes the chair, with its upholstered body resting within the oak structure. Like most of their designs, this chair model displays a beautiful contrast between the wooden frame and the elegant fabric. Thanks to the ergonomic curves and thick, comfortable seat and back cushions, this chair is perfect for cosy lounging.
Guillerme et Chambron's work not only represents the fusion of traditional craftsmanship and modern design, but also exemplifies the distinctive French mid-century aesthetic they helped shape. Their emphasis on quality craftsmanship and the use of noble materials like oak has left a lasting imprint on the world of furniture making. Whether placed in a living room, library or reading corner, this armchair offers an inviting seating experience while introducing the recognisable character of Votre Maison furniture into an interior.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
30.32 in W x 28.74 in D x 37.01 in H
77 cm W x 73 cm D x 94 cm H