Italian Bamboo Lounge Chairs with Upholstered Cushions, Italy 1970s (sold)
Italian Bamboo Lounge Chairs with Upholstered Cushions, Italy 1970s (sold)
The 1970s were a boom time in Italy, a decade of mass production and innovation when designers made huge quantities of furniture and sold it through department stores. As a result, exceptional pieces from the 1970s are in short supply. Most are still in Italy, with exceptions like these bamboo lounge chairs.
With their fresh colours and shiny surfaces, pieces from the 1970s are very appealing and photogenic. During the 20th century, bamboo enjoyed a few resurgences of popularity as it has always conjured up feelings of travel and pleasure. These lounge chairs are all that and more: they showcase a precision that was unachievable by methods of mass production, therefore there is the charm and quality that handcrafted pieces possess. This is most apparent in the arms with a dynamic, flowing curve. Each of the seven pieces stems from the same spot at the top, gradually increasing in size to form the armrests. The backs are also formed from individual pieces of bamboo, bent at their “hip” to create the reclined position of the backs. To enhance the sense of relaxed lounging, the chairs sit very low with two cushions comprising the seats. The upper seat and back cushions are upholstered in a floral, patterned fabric that further add to the cosy impression. Bamboo’s ability to be both delicate and ornate, as well as bohemian and relaxed means that it fits into a host of different types of interiors.
Italian furniture managed to preserve the uniqueness of handmade pieces well into the 20th century. Bamboo has a place in almost every setting, traditional or modern, as it is a grounding force that makes everything feel a bit more at ease. It was a popular choice for casual '70s décor. While it usually looks great in more natural and earthy interiors, even the most modern rooms can incorporate pieces such as these lounge chairs.
SOLD
Condition:
In good vintage condition. The chair cushions were upholstered later, and the fabric has very light colour bleeding because of previous washing. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
28.14 in W x 38.58 in D x 34.25 in H; Seat height 11.81 in; Arm height 18.89 in
71.5 cm W x 98 cm D x 87 cm H; Seat height 30 cm; Arm height 48 cm
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Price category: 12,500 - 15,000 usd / eur
In an era marked by unprecedented cultural dynamism and bold artistic expression, the Art Deco movement emerged as a testament to modernity and sophistication. This period witnessed the creation of exquisite furniture pieces that epitomised the union of form and function, with this pair of armchairs standing out as a prime example.
In line with the Art Deco movement during which they were designed and manufactured, these chairs illustrate the bold, rich and luxurious aesthetic of the era. Before giving way to mid-century modernism and its focus on function over form, Art Deco pieces coupled geometry and craftsmanship to arrive as elegantly impressive additions to the era’s interiors. The upholstery is soft but controlled, with clean planes and subtle curves rather than excess padding. The seats are deep and inviting, designed for practical use, while the proportions remain compact enough to feel composed in a room. The wooden elements frame the upholstery and emphasise the chair’s structure, reinforcing its Art Deco character. Every detail works together, from the block-like legs to the precise transitions between wood and fabric, creating a chair model that feels deliberate, balanced, and quietly strong.
As a pair, this design captures the lasting appeal of Art Deco furniture: comfort shaped by discipline and elegance rooted in form rather than ornament. It works equally well as a statement chair in a living room or as a refined accent in a bedroom or study. Its presence offers visual weight without heaviness and comfort without excess, in true Art Deco fashion.
Condition:
In good vintage condition. Wear consistent with age and use. The armchairs have recently been reconditioned. Due to the age and nature of the materials, the items have marks and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
25.8 in W × 37.8 in D × 31.5 in H; Seat Height: 13.4 in; Seat Depth: 19.7 in; Arm Height: 22.0 in
65.5 cm W x 96 cm D x 80 cm H; Seat Height 34 cm; Seat Depth 50 cm; Arm Height 56 cm
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Price category: 2,500 - 5,000 usd / eur
The mid-20th century saw brilliant Danish designers and cabinetmakers working to create furniture of the highest quality that explored modern shapes and forms. Skilled cabinetmakers produced quality furniture in relatively small quantities, while architects and designers increasingly worked with them to refine established furniture types and give greater attention to construction.
This Danish armchair is built from a clearly exposed wooden frame, with upholstered elements forming the seat and backrest. The sides are particularly distinctive: beneath each armrest, three horizontal rails span the distance of the sides, creating an open, ladder-like structure. The construction uses both wood and negative space to create the appearance of enveloping arms that contribute to the chair’s unique look. At the same time, this horizontal arrangement keeps the sides considerably lighter than they would appear as solid panels. Four straight legs support the body, continuing upward to form the supports for the armrests. While the sides create the visual impact, the upholstered seat and back ensure comfort. The muted upholstery contrasts with the warm wood without obscuring any of the chair’s structural elements. Each element of this piece comes together to give a simple chair a surprisingly substantial framework.
The exposed joints, repeated side rails and separation marriage of materials make the chair immediately charming. Rather than hiding its frame, the design uses the frame itself as its principal visual feature - an approach consistent with the attention to workmanship and material construction found within the Danish cabinetmaking tradition.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item has minor marks, scratches, dents, and discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
23.03 in W x 19.68 in D x 25.59 in H; Seat height 4.96 in; Seat depth 14.57 in; Arm height 24.80 in
58.5 cm W x 50 cm D x 65 cm H; Seat height 38 cm; Seat depth 37 cm; Arm height 63 cm
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Price category: 15,000 - 20,000 usd / eur
Swedish architect and furniture designer Axel Einar Hjorth served as the lead designer for Sweden’s Nordiska Kompaniet department store from 1926 to 1938. During this time, Hjorth designed the “Sportstugemöbler” series, (which translates to “sports cabin furnishings”) a collection of wooden furniture designed for country homes. The various models in the sportstugemöbler series took their names from the Stockholm archipelago – including Blidö, Lovö, and famously, Utö.
These Utö chairs were designed in 1932 as part of the collection. Unlike the department store's interiors for floors and villas in the cities, the Utö designs had a simple character with robust and basic shapes in solid pine. Accordingly, the design of these chairs focuses on simple lines and the material itself. Made of pine wood, these chairs are strong, reflecting Hjorth’s principles in which he mixed the ideals of the modernist movement with provincial Swedish traditions. As a result, the design of this set is completely timeless. Each chair demonstrates a conscious construction, where the joinery and fittings related to traditional craftsmanship are emphasized. Dominated by rounded, straight lines, the chairs have spindle backrests and ergonomically carved seats. The form alludes harmony and stability, fitting the summer cabin concept perfectly.
In an international perspective, Hjorth's “sportstugemöbler” series was the forerunner of later pioneering designers such as Charlotte Perriand. It is therefore no surprise that these Utö chairs became part of Swedish and international modernist design history. In their time, the Utö collection may have appeared as pioneering and radical, but today they are viewed as status symbols in interiors of international character.
Condition:
In good vintage condition. Wear consistent with age and use. Some marks and stains on the wood. Due to the nature and age of the wood, the items may have scratches and discolouration.
Dimensions:
18.89 in W x 18.3 in D x 31.49 in H; Seat height 16.92 in
48 cm W x 46.5 cm D x 80 cm H; Seat height 43 cm
Literature:
Christian Bjork, Thomas Ekstrom and Eric Ericson, 'Axel Einar Hjorth: Mobelarkitekt', Stockholm, 2009, p.130
About the designer:
Axel Einar Hjorth was born in a small Swedish village named Krokek, just outside Norrköping, on March 7, 1888. At the age of 20, he moved to Stockholm to study architecture and design at the Högre Konstindustriella Skolan.
Although he never graduated, in the 1920s Hjorth started working as a furniture designer for various manufacturers, such as H. Joop & Co., Myrestedt & Stern, Jonssons, and Nordiska Kompaniet. Hjorth’s designs from this period had neoclassical features combined with Swedish Grace. This romantic national style of Sweden was elegant and refined, yet simple. The anniversary exhibition of 1923 in Gothenburg marked the breakthrough of Swedish decorative arts, and made Axel Einar Hjorth a well-respected artist. From October 1926, Hjorth became the chief designer and architect of Nordiska Kompaniet department store in Stockholm. In the 1930s, Hjorth designed a furniture collection out of pine meant for serial production known as Sportstugemöbler (furniture for holiday houses).
Hjorth’s designs, from the luxury of neoclassicism to the severity of functionalism, are sharply distinctive in style, materials, and character. Unlike many of his contemporaries, Hjorth did not conform to the socially oriented ideas produced by Svensk Form (the Swedish Society of Crafts and Design). He played a significant role in the development of Swedish society as a whole, and particularly in Swedish industrial art
Today Hjorth is often viewed as a precursor to the modern designs popularized by Charlotte Perriand, Jean Royére, Pierre Chapo, or Josef Frank. Recently, there has been a revival of appreciation for his work, showing his genius in a new light. ~H.
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Price category: 5,000 - 7,500 usd / eur
The mid-20th century was a transformative era for design throughout Europe. Around this period, furniture began blending the streamlined elegance of modernism with the inviting charm of skilled craftsmanship. This period celebrated functionality, comfort, and organic forms by creating pieces that were as practical as they were beautiful, like this armchair.
Works from this era embraced soft curves and beautiful textures, perfectly showcased by this piece. This armchair encapsulates the mid-century modern ethos, standing as a testament of the era’s focus on human-centred design and timeless versatility. The piece features harmonious, seamless curves, breaking the classic angularity of most armchairs, while evoking natural fluidity, through material and colour. The frame is quite distinctive even beyond its curved arms. The shape and construction show the signs of a master cabinetmaker as the chair has an almost sculptural look. The backrest is visually “unattached” to the seat which creates an impression of weightlessness. The piece has an overall flow to it which adds to the visual interest. The light fabric adds to the stylish look as well, as it highlights the wood’s gorgeous colour and pattern. European designers often believed that a chair should always be comfortable to sit on and beautiful to look at from all sides and angles and this piece is evidence of that.
Unlike designs from outside the continent, European furniture wasn’t flashy but designed to be well-made and to fit a warm, comfortable and welcoming home. As this armchair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship is the key to the success of modern design.
Condition:
In good vintage condition. Wear consistent with age and use. The armchair has recently been reconditioned. Due to the nature and age of the materials, the item has minor marks, scratches, dents, and discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.61 in W × 25.98 in D × 34.65 in H; Seat Height 15.75 in; Seat Depth 21.26 in; Arm Height 24.02 in
62.5 cm W x 66 D x 88 cm H; Seat height 40 cm; Seat Depth 54 cm; Arm Height 61 cm
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Price category: 7,500 - 10,000 usd / eur
Among the collection of talented individuals who have worked for Artifort, Theo Ruth was the acclaimed Dutch furniture manufacturer’s first permanent designer. Ruth’s work significantly advanced Artifort’s laudable reputation, specifically through his designs of chairs. His most famous chair is the 1952 “Congo” model that enjoyed great success.
This pair of “Congo” chairs is representative of Ruth’s craftsmanship and talent. The model is full of exceptional features and details that make it a unique example of the creative overflow that defined mid-century modernism in The Netherlands and Europe. The flowing structure displays beautifully curved lines and rounded edges, ensuring extreme comfort and emphasizing its ergonomic design. The distinct look is the result of the brilliant pairing of materials. The wooden legs’ smooth lines stand out against the textural shearling, while also accentuating the unique look of the upholstery. The soft fibres of the lightweight, feathery shearling drape beautifully over the lounge chairs, while the darker brown colour of the wood adds depth. Mid-century European designers and cabinetmakers were very firm about two things regarding seating designs: the sitting experience must be comfortable and that the model had to look good from every single angle. The ‘Congo’ model fulfills these principles with its arm-less body and interesting, curved legs. As with most lounge chairs, this model is also built in a permanently reclined position, another lovely feature.
Today, Theo Ruth's furniture designs are considered to be important examples of mid-century modern design, and his work continues to be highly valued by collectors and design enthusiasts around the world.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items may have marks, scratches, and discolouration. The chairs have been reupholstered recently in Mongolian shearling. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
22.04 in W x 35.43 in D x 32.67 in H; Seat height 16.14 in; Seat depth 19.68 in
56 cm W x 90 cm D x 83 cm H; Seat height 41 cm; Seat depth 50 cm
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Price category: 12,500 - 15,000 usd / eur
The 1950s and 1960s saw brilliant Italian designers working to create furniture of the highest quality that explored truly modern shapes and forms. These designers experimented with new materials and construction methods but, crucially, they kept the elegance inherent in Italian design.
These armchairs were crafted in the manner of Paolo Buffa, an impactful designer who made his mark in the Italian mid-century modern style alongside other renowned creators such as Gio Ponti. Gio Ponti and Paolo Buffa’s influence is clearly visible in these chairs. This pair with the upholstered bodies and polished wooden arms show the general mid-century modern characteristics with an ergonomic and functional design. The characteristic shape of the arms sets the tone of the overall look, creating dynamism. The seats are slightly raised, and the backs tilted, creating an angle that supports the sitter and the lounging experience. The overall design is focused on elegant and measured proportions, balanced compositions, and refined décor elements including the materials. From all angles, these chairs offer beautiful textures and eye-catching forms, combining Italian elegance and modern aesthetics to create a timeless look which is full of modern energy that will endure for generations. This is also thanks to the exceptional visual quality and uncompromising level of craftsmanship.
These chairs encapsulate the essence of Italian mid-century modern design, marrying uniting sophistication with artistry. They are a testament to the enduring allure of this design era, where form meets function, and beauty is eternally intertwined with utility. Whether placed in a contemporary, or a retro-inspired space, this pair is a timeless statement piece.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
22.44 in W x 32.67 in D x 30.9 in H; Seat Height 15.35 in; Seat Depth 21.06 in; Arm Height 23.81 in
57 cm W x 83 cm D x 78.5 cm H; Seat Height 39 cm; Seat Depth 53.5 cm; Arm Height 60.5 cm
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Price category: 9,000 - 12,500 usd / eur
The 1950s were a transformative era for design throughout Europe. Around this period, furniture began blending the streamlined elegance of modernism with the inviting charm of skilled craftsmanship. This decade celebrated functionality, comfort, and organic forms by creating pieces that were as practical as they were beautiful.
Furniture from the 1950s embraced soft curves and beautiful textures, perfectly showcased by this lounge chair that was crafted in the manner of Jean Royère. The ovoid shape creates an inviting and open look, which is enhanced by the soft upholstery that is undoubtedly its main visual feature. The combination of solid wood and high-quality upholstery is traditional in mid-century design for good reason; the two materials complement each other by highlighting their unique qualities. This chair has the power to transform a seat into a safe haven, a place to unwind and reflect. The designer clearly understood the comfortable allure of an ovoid shape. Moreover, this lounge chair is the perfect illustration of how the mixture of craftsmanship, high-quality materials, and luxurious upholstery create exceptional pieces.
A true representation of 20th-century European design, this lounge chair reflects the period's focus on practicality combined with artistic refinement. Ideal for both formal and casual settings, this chair can provide a perfect balance of elegance and comfort, making it an excellent addition to any interior setting
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The lounge chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
31.88 in W x 27.95 in D x 27.16 in H; Seat height 14.17 in; Seat depth 18.11 in
81 cm W x 71 cm D x 69 cm H; Seat height 36 cm; Seat depth 46 cm
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Price category: 12,500 - 15,000 usd / eur
This pair of upholstered armchairs beautifully exemplifies the balance of tradition and forward-thinking design that characterised the first half of the 20th century. Unlike designs from outside the continent, European pieces weren’t flashy but rather well-made to fit a warm, comfortable and welcoming interior.
The chair model is defined by a clear, well-proportioned silhouette and upholstered bodies. The design expertly combines a geometric impression and high quality materials to create a balance that defines the overall form. The wooden curved armrests frame the seats, creating a grounded and sturdy presence. These exposed wooden frames feature a continuous linear structure around the chairs, bending outward into broad armrests before descending directly into the sled-style bases. That uninterrupted curve gives the silhouette a strong architectural quality. The bodies are upholstered in a striped fabric, the pattern introduces rhythm and subtle contour without overpowering the shape. The vertical stripes emphasise the chairs’ height and give structure to its soft silhouette, while the fabric’s texture adds depth and tactility.
This armchair model is a strong example of how 1930s design prioritised comfort while embracing modern restraint. The understated elegance allows the pair to blend easily into both classic and contemporary interiors, whether used as a bedroom accent, or part of a larger seating arrangement. Timeless in form and honest in construction, the pair offers both visual clarity and lasting comfort, making it versatile with an enduring appeal.
Condition:
In good vintage condition. Wear consistent with age and use. The armchairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The armchairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
25.8 in W × 35.4 in D × 29.5 in H; Seat Height 14.2 in; Seat Depth 22.0 in; Arm Height 21.5 in
65.5 cm W x 90 cm D x 75 cm H; Seat height 36 cm; Seat depth 56 cm; Arm height 54.5 cm
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Price category: 7,500 - 10,000 usd / eur
French mid-century seating frequently combined elements of regional craftsmanship with the cleaner lines associated with modernist furniture. These chairs are exemplary of the main ideals of mid-century modernism, characterised by clean, simple lines, honest use of materials, and a lack of unnecessary decorative embellishments. Instead, the focus is on craftsmanship and clever design.
The pair, crafted in the manner of Jacques Lardin, is confident yet discreet, with clean junctions and honest detailing of the joinery. Chairs are often considered especially revealing of a designer's skill because of the strict limits placed on their form by the demands of the human body. With these armchairs, the designer arrived at a clearly-structured solution in which a high degree of coherence is maintained while the chairs appear visually light and open. The warm tone of the wood highlights the natural grain, adding visual depth and character to the clean, architectural structure. Upholstered in off-white fabric, the chairs gain their quiet luxury through material rather than embellishment. Together, the wood and fabric establish a dialogue between texture and form: one smooth, one tactile, both grounded in natural beauty. They function effortlessly as statement pieces while remaining practical for everyday use. Timeless in form and character, the pair offers an expression of 1940s craftsmanship that fits with ease into both modern and classic interiors.
Though many mid-century French designers may not have the same name recognition as some of their Scandinavian counterparts, they were integral to developing a modern aesthetic in Europe. The appreciation for their contribution is still growing today making outstanding pieces like these chairs highly sought after.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, some marks and scratches are present. The items have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
19.88 in W x 25.59 in D x 31.29 in H; Seat height 18.89 in; Seat depth 18.50 in; Arm height 24.80 in
50.5 cm W x 65 cm D x 79.5 cm H; Seat height 48 cm; Seat depth 47 cm; Arm height 63 cm
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Price category: 2,500 - 5,000 usd / eur
The dark wood, the beautiful upholstery, and timeless design in the manner of Erik Bertil Karlén make this rare easy chair a beautiful representation of Swedish mid-century modern design history.
For this model, nature was evidently a great source of inspiration, therefore sharp edges or corners can rarely be found. With a tremendous sense of proportion, this chair model is very comfortable and fulfils its task to “serve well” and last for lifetimes. Without any ornamentation, the focus here is on the round, flowing lines of the body and its upholstery. The design has the wingback look with sides that embrace the sitter in a cosy way. On the upper end, the “wings” curve outward, which opens up the design. What makes this model special is how the back and seat form one unit both visually and structurally. This shell-like form has a masterful curve that follows the human body’s shape therefore the chair is very ergonomic. The dark, wooden tapered legs are connected by stretchers on the sides and highlight the body with their understated look. The light upholstery with appealing button tufting provides an elegant look with its textured look and a cosy sitting experience thanks to its softness.
Swedish Modern design is a distinctive style that represents a design philosophy, guided by functionality, simplicity and clean lines. The design of this model is in favour of the user, maintaining the focus on authentic simplicity.
Condition:
In very good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
28.14 in W x 28.74in D x 33.26 in H; Seat height 16.14 in
71.5 cm W x 73 cm D x 84.5 cm H; Seat height 41 cm
Literature:
Form: Svenska slöjdföreningens tidskrift, Svenska slöjdföreningen, Stockholm, 1943, p. 87.
Hedqvist, Hedvig & Björk, Christian, "Swedish Modern : En historia om modernismens yttringar i Sverige genom design, inredning och formgivning", Orosdi-Back, 2018, p. 228-229.
About the designer:
Erik Bertil Karlén was born on February 22, 1912 in Sundbyberg, Sweden. He was a Swedish architect and designer. His architecture characterized many areas of Stockholm’s suburbs from the 1940s, 50s and 60s.
After his training as an architect at KTH in the 1930s, Karlén got a job as an architect at Fortifikationsstyrelsen's Kasernbyrå in 1940. One of his major works at this time was designing the buildings for Svea Livgarde in Sörentorp, Solna municipality, which was completed in 1946. He gave the buildings a simple but careful architectural style using predominantly red brick as the facade material. Some had brick in combination with dark-glazed wood panels.
As many of his contemporary Scandinavian architects, Karlén also designed furniture, mostly seating models. His designs however, remain very rare to this day.
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Price category: 12,500 - 15,000 usd / eur
Art Deco, the glamorous and influential design movement that emerged in France during the early 20th century, left an indelible mark on the world of furniture design. Characterised by its bold geometric shapes, rich materials, and glamorous aesthetics, Art Deco transformed the way we perceive interior spaces. It was a testament to the fusion of form and function, and this ethos is beautifully exemplified in this pair of armchairs.
This pair demonstrates a confident silhouette in which every structural element contributes to the overall design. The chairs are built on substantial plinth bases that anchor the composition, while the upholstered seats and backrests provide comfort. Their defining feature is the sweeping curved wooden supports that rise from the base to form the armrests, creating a continuous structural line that contrasts with the strong angles of the back panel and base. This elegant curve introduces movement to the otherwise geometric design and highlights the craftsmanship required to shape the wood. The armrests are slender and smooth, preserving the visual lightness of the upper section despite the generous forms. Wooden veneers wrap the body, the warm grain complementing the muted olive upholstery with its soft texture. Viewed from the side, the combination of the curved supports, straight back panel, and block-like base creates a layered profile that is both sculptural and highly functional.
Comfort and craftsmanship are equally central to the design of this pair. They possess the quiet confidence characteristic of European Art Deco furniture, making them equally suited to vintage interiors and contemporary spaces that appreciate timeless design.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
28.14 in W x 34.05 in D x 34.84 in H; Seat height 17.91 in; Seat depth 21.85 in; Arm height 23.81 in
71.5 cm W x 86.5 cm D x 88.5 cm H; Seat height 45.5 cm; Seat depth 55.5 cm; Arm height 60.5 cm
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Price category: 5,000 - 7,500 usd / eur
This beautiful chair design was crafted by French duo Audoux-Minet. Adrien Audoux and Frida Minet worked together during the mid-20th century, and are known for their innovative use of natural, sustainable materials, including rope, wicker, and bamboo. Their work was heavily influenced by the Modernist movement, which sought to create functional and streamlined designs that were accessible to a wider audience.
Like in Scandinavia, there was an early emphasis on wood in most French mid-century design - it connected everyday objects to nature. These chairs are a perfect example of this sentiment, and the visual benefits of an understated, organic design. The high quality woven papercord makes the pieces an outstanding example of woven furniture. They feature a fairly traditional shape with soft edges and an airy feel. The straightforward shape highlights the understated beauty of the materials, allowing the beautiful woven pattern and the grain of the wood to stand out. The interplay of a simple structure and refined detailing evokes a sense of harmony, aligning with the era’s focus on blending beauty with utility. The organic design makes these pieces stand out with an elemental edge. The colour palette further allows easy adaptation to almost any interior, functioning to either complement a space or to stand out as an accent.
Today, Audoux and Minet's designs are highly sought after by collectors and are considered important examples of mid-century modern design. Furniture pieces like this pair of armchairs stand out through their unique textures, and their materials, as well as their classic charm.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, dents and discolouration.
Dimensions:
17.51 in W x 20.86 in D x 32.28 in H; Seat height 17.32 in; Seat depth 17.51 in
44.5 cm W x 53 cm D x 82 cm H; Seat height 44 cm; Seat depth 44.5 cm