Wooden Side Table with Round Base attributed after Charles Dudouyt, France ca 1940s (sold)

Wooden Side Table with Round Base attributed after Charles Dudouyt, France ca 1940s (sold)

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In the 1940s, French design experienced a shift toward robust craftsmanship and expressive, sculptural forms. Among the key figures of this era was Charles Dudouyt, known for his bold use of solid wood, rhythmic carving, and rustic modern sensibility. Dudouyt’s work, and pieces like this that are inspired by his work, stand apart for its fusion of traditional craftsmanship with a distinctly modern character, often emphasizing tactile textures and architectural silhouettes.

This wooden side table embodies many of the hallmarks of his celebrated style. The table features a strong, sculptural central column carved in a series of evenly spaced, angular notches, a timeless motif. The dark-stained wood reveals a rich grain and depth, enhancing the organic beauty of the carved surface. The circular top with gently softened edges provides a practical surface, while the base is anchored by a robust, carved circular platform supported by three ball feet. The overall construction is solid and balanced, but what distinguishes this piece is its dynamic interplay of shapes: the bold geometry of the column contrasts with the smooth curves of the base and top. This sense of proportion reflects the maker’s background in both cabinetmaking and art, speaking to their interest in giving weight and presence to utilitarian forms.

With its commanding silhouette and richly finished surface, this side table functions as both a practical accent and a sculptural element within an interior. It works beautifully beside a lounge chair or as a standalone statement piece, introducing warmth, texture, and a distinctly French decorative spirit to any setting.

SOLD

Condition:

In good vintage condition. Wear consistent with age and use. Small slit on the tray and marks on the wood.

Dimensions:

12.01 in ⌀ x 21.26 in H

30.5 cm ⌀ x 54 cm H

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Price category: 20,000 - 30,000 usd / eur

Adrien Audoux and Frida Minet were a French design duo who worked together during the 20th century. They were known for their innovative use of natural, sustainable materials, including rope, wicker, and bamboo. The duo’s work was heavily influenced by the Modernist movement, which sought to create functional and streamlined designs that were accessible to a wider audience.

Audoux & Minet’s pieces are characterised by a strong sense of craftsmanship, with each piece being handmade by the designers themselves or by skilled artisans. This dining table showcases a long rectangular top finished in warm wood veneer, its broad uninterrupted surface displays the grain. The top sits above thick base covered in a tightly woven natural fibre that introduces an immediate depth of tone and texture. The fibre flows across the supports in beautiful braided patterns, emphasising the bold and solid look. The rope is made into a geometric pattern which breaks up the woven surface to create a beautiful rhythm within the structure. The contrast of materials is central to the table’s character: the smooth, richly grained wooden top stands out against the coarse, rough and natural fibre below, allowing two very different surfaces to define the piece.

Today, Audoux and Minet's designs are highly sought after by collectors and are considered important examples of mid-century modern design. Furniture pieces like this table stand out through their unique textures, and their materials, as well as their classic charm.

Condition:

In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature and age of the material, the item has some marks and scratches on the tabletop. Additional imperfections like chips, dents or discolouration may be present.

Dimensions:

67.12 in W x 33.46 in D x 29.13 in H

170.5 cm W x 85 cm D x 74 cm H

Posidonia Slate Coffee Table, Europe Second half of the 20th Century

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Price category: 2,500 - 5,000 usd / eur

Brutalist furniture of the second half of the 20th century often gave materials a dominant role, using simple, bold forms to emphasise their natural colour and texture. Stone was particularly effective within this approach, as its irregular surface could provide visual richness without additional decoration. This Posidonia slate coffee table follows that principle closely, with a low architectural form built almost entirely around the distinctive character of the stone.

The coffee table has a broad rectangular top supported by four rectangular legs positioned at its corners. Its construction is extremely clear, with the horizontal tabletop and vertical supports creating a simple geometric structure. Posidonia slate makes up the entire surface, giving the table a consistent material character. The stone has a deep dark tone with lighter areas scattered irregularly across the surface. These natural variations break up the large flat plane and ensures that no area of the table appears completely uniform. The top is particularly effective in constituting a focal point, as its generous uninterrupted surface provides a clear view of the slate's complex pattern. The low height further emphasises the horizontal shape, allowing the long stone top to remain the main focus from every angle. Coffee tables, in general, serve as design staples in living spaces for a multitude of reasons: beyond their utilitarian function of providing a surface for drinks and books, they anchor a room, creating a point around which furniture and conversation revolve.

The strength of this coffee table comes from the direct relationship between its simple construction and expressive stone. This piece represents a particularly striking example of the material-focused furniture associated with the era.

Condition:

In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature of material, the item has some marks, scratches, and discolouration.

Dimensions:

53.35 in W x 33.66 in D x 16.14 in H

135.5 cm W x 85.5 cm D x 41 cm H

"Sequenza" Side Table with Pivotable Top by François Monnet, France ca 1970s

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Price category: 2,500 - 5,000 usd / eur

The 1970s witnessed the emergence of eccentric furniture pieces that seamlessly blended the avant-garde with practicality. Crafted in France, this distinctive "Sequenza" table by François Monnet bears the mark of French ingenuity and artistry, reflecting an era where experimentation in design was the norm.

The modern look of this table carries an industrial quality, yet retains the refined edge of late 20th century design. Each component of this table was designed with functionality and elegance in mind, culminating in a piece that transcends simple utility. It is a striking blend of form and function - the swivel top offers not just practicality, but also a touch of modern charm that can enhance the decor and warmth of an interior. The material choice of stainless steel also makes the piece look lightweight while maintaining its durability. Simplicity meets sophistication in this design, where craftsmanship and finish take center stage. The piece exudes a sense of artistic whimsy and individuality, embodying the best of its era. Objects like this make striking focal points in any modern home and this table is no exception.

Coffee and side tables, in general, serve as design staples in living spaces for a multitude of reasons: beyond their utilitarian function of providing a surface for drinks and books, they anchor a room, creating a focal point around which furniture and conversation revolve. Overall, the table equally emphasizes function and visual interest, creating an instantly arresting aesthetic.

Condition:

In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. There are minor dents and scratches in the metal. Due to the age and nature of the metal, the table may have marks, and discolouration.

Dimensions:

29.92 in W x 17.72 in D x 21.26 in H

76 cm W x 45 cm D x 54 cm H

Pine Side Table with Geometric Pattern by Hilding Nilsson, Sweden 1960s

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Price category: 2,500 - 5,000 usd / eur

The 1960s in Sweden were defined by a quiet but deliberate design philosophy rooted in function, clarity, and craftsmanship. Designers and cabinetmakers turned toward a more humanist modernism that emphasised warmth over severity. This approach is exemplified by Swedish Modern design movement, which focused on creating durable, accessible, and elegant furniture for the masses.

Rather than treating tables as purely functional objects, designers like Hilding Nilsson created furniture that integrated beauty into day-to-day life. Thanks in great part to an early emphasis on wood Swedish furniture design from the mid-20th century era avoided associations with cold industrialisation and machine aesthetics. This table is crafted from pine and because of its universally appealing form and impeccable craftsmanship, it fits almost any design style. It is apparent that equal attention was paid to the aesthetic quality, which is visible in the carefully crafted construction. The minimalist design allows the beautiful grain of the wood to stand out throughout the table. Moreover, the geometric grain pattern and warm patina of the pine speak to decades of gentle use, enhancing the appeal with a sense of history and authenticity.

Like most mid-century pieces, this side table is sure to enhance the daily lives of its users through its visually pleasing and functional design that is timeless in every sense of the word.

Condition:

In good vintage condition. Wear consistent with age and use. The side table has recently been reconditioned. Due to the nature and age of the material, the item has marks, scratches, and discolouration.

Dimensions:

22.64 in W x 12.60 in D x 20.08 in H

57.5 cm W x 32 cm D x 51 cm H

Brutalist Stone Coffee Table with Double Oak Base, Europe Mid-20th Century

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Price category: 5,000 - 7,500 usd / eur

In the European design landscape of the mid-20th century, Brutalism emerged as a distinct architectural and artistic movement, influencing not only buildings but also furniture design. The 1950s and 1960s witnessed the rise of Brutalist furniture pieces, often showcasing the marriage of raw, unfinished materials and sculptural forms. Today, this style has made a remarkable comeback, capturing the essence of a bygone era while still resonating with contemporary sensibilities.

This table boasts a robust, almost industrial aesthetic, marrying form and function with an unapologetic rawness. Its bold, unapologetic aesthetic resonates with those seeking a departure from the sleek minimalism of recent years. Its design showcases a rectangular stone top and wooden block base. This combination of materials makes it a stylish example of the period’s design versatility. The unique colour variation of the stone top greatly adds to the visual interest of this piece. Stone nowadays is an indispensable element of interior design. Not only is it durable, but it has the power to arrest visual interest through its versatility. Brutalist furniture from Europe in many ways transcends the word ‘modern’, and so does this coffee table.

Coffee tables, in general, serve as design staples in living spaces for a multitude of reasons: beyond their utilitarian function of providing a surface for drinks or books, they anchor a room, creating a focal point around which furniture and conversation revolve. Overall, this table equally emphasises function and visual interest, creating an instantly arresting aesthetic.

Condition:

In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature and age of the materials, the item has some marks, scratches, and discolouration.

Dimensions:

55.11 in W x 27.55 in D x 14.37 in H

140 cm W x 70 cm D x 36.5 cm H