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‎Price category: 2,500 - 5,000 usd / eur

The post-war design landscape in Finland gave rise to a generation of architects and designers who approached lighting while keeping in mind both functionality and artistry. Carin Lisa Johansson-Pape was among the most significant Finnish lighting designers in the second half of the 1900s. She stood out for her unique ability to blend technical precision with atmospheric sensitivity through her work for some of Finland’s most iconic manufacturers.

This model “50-090” exemplifies the approach Johansson-Pape cultivated during the 1950s and the reason she became synonymous with elegant minimalism and soft, diffused lighting. The lamp features a flared conical shade in frosted opal glass, designed to provide even illumination while concealing the bulb and avoiding harsh lighting. Its tapering form is both sculptural and efficient, channeling the light upward while gently dispersing a warm glow throughout the room. The shade is secured by a golden brass arm, which adds a touch of refinement without overpowering the simplicity of the overall silhouette. The fixture’s wall-mounted support is also made from brass, providing a subtle contrast to the white glass and highlighting the careful balance between material and form. The simplicity of its geometry and the muted palette make it particularly versatile for a range of settings.

Finnish designers believed that light should enhance comfort and define space rather than simply serve a technical function. Johansson-Pape’s commitment to mastering this principle is evident in this wall lamp model, a perfect example of Finnish lighting design from the mid-20th century.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

7.87 in W x 10.62 in D x 11.81 in H

20 cm W x 27 cm D x 30 cm H

About the designer:

Lisa Johansson-Pape graduated as a furniture designer in 1927. Her career as a designer was long and wide-ranged. Johansson-Pape's furniture was very functional. After graduating in 1927 from the Central School of Arts and Crafts she went on to work for Kylmäkoski designing furniture. In 1933, she joined the Friends of Finnish Handicraft. She designed furniture for Stockmann in 1937 and in 1942 she designed for the Stockmann owned lighting factory Orno. The materials of the luminaires were enamelled metal, acrylic and glass. The technical functionality and practicality of the luminaire was a priority in Johansson-Pape's design.

Her attention turned towards lighting, and she co-founded the Illuminating Engineering Society of Finland, and she became the artistic director of the Friends of Finnish Handicraft from 1951 to 1985. She designed the lumieres and lighting solutions for several large spaces in Finland, such as hospitals, churches and ships. Johansson-Pape served as the artistic director of ‘Friends of Finnish Handicrafts’. She was also known as a designer of textiles, rugs and carpets. Johansson-Pape also created installations for 150 churches, including Eckerö Church, Helsinki Children’s Hospital, a rheumatic clinic, and for the ships Ilmatar, Aallotar, Finnpartner, Finnhansa and the icebreaker Karhu.

Lisa Johansson-Pape's works have represented Finland in several international exhibitions since the 1930s. At the Milan Triennial in 1951, her lamps received a silver medal and at the 1954 Triennial a gold medal. Johansson-Pape was awarded the ProFinlandia Medal in 1957.