Set of Four Pierre Chapo "S45" Dining Chairs in Solid Elm, France 1970s
Set of Four Pierre Chapo "S45" Dining Chairs in Solid Elm, France 1970s
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Price category: 9,000 - 12,500 usd / eur
French designer and woodworker Pierre Chapo was an iconic cabinetmaker, who created timeless furniture that fused modern design with traditional craftsmanship. Pierre Chapo always paired his creative and elegant designs with impeccable craftsmanship that gained him worldwide fame and love. Thus, he attracted a loyal clientele including people like the playwright Samuel Beckett.
These beautiful “S45” or "Chlacc" chairs are made from solid elm, Pierre Chapo’s preferred material for his sculptural furniture pieces, and are not to be confused with his model “S42” chairs which have slighly different legs. “Chlacc” (Construction Homogène Lamélle Assemblée Collée Cloué, or Homegenous Laminated Assembled Glued Nailed Construction) is the patented manufacturing process of this design. The “S45” chair model is technically and conceptually difficult to make. The sitter’s weight rests mainly on the crossed feet and the sturdiness of the back is ensured by being secured to the two back legs. Each chair consists of several elements arranged and joined in this characteristically creative way, which allows them to also be viewed as sculptures. With their distinctive form, this set epitomizes Chapo's search for new systems of joinery, in which the material and the design would be the lead factors in achieving stability, durability, and of course, an aesthetically pleasing outcome. While much could be written about Chapo and these stunning chairs, in this case words don’t do justice in relaying their visual and technical quality. The use of the sizeable pieces of elm wood with a beautiful grain, the unique angles, and most importantly, Chapo’s genius make these chairs unmistakable and invaluable.
Chapo's work originated by means of special commissions that would later be adapted to universal needs. Chapo was inspired by Frank Lloyd Wright's balanced lines, Corbusier's research on proportions and the Bauhaus movement. The three principles that motivated Pierre Chapo were material, form, and function. These chairs are beautiful examples of his ideals in a tangible form.
Condition:
In good vintage condition. Wear consistent with age and use.
Dimensions:
16.92 in W x 22.04 in D x 41.33 in H; Seat height 17.91 in; Seat depth 15.35 in
43 cm W x 56 cm D x 105 cm H; Seat height 45.5 cm; Seat depth 39 cm
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Price category: 2,500 - 5,000 usd / eur
French seating design from the 1940s often sits at the intersection between late Art Deco and the early stages of modernism. While earlier decades favoured more elaborate ornamentation, this period saw a gradual simplification of form, with designers focusing more on proportion, silhouette, and comfort. Upholstered side chairs became increasingly common in domestic interiors, offering a more relaxed alternative to rigid dining or occasional seating.
This side chair follows that direction through its restrained yet carefully shaped form. From the rounded back, to the tapered wooden legs, its elements that reflect both the elegance of Art Deco and a move toward more practical, everyday use. The structure is defined by a softly curved backrest that sits slightly detached from the seat, creating a light, open transition between the two elements. The upholstery, in a warm burnt tone, gives the chair its visual identity, introducing both colour and a soft texture that contrasts with the sleek and slender wooden legs below. These legs taper subtly toward the floor, offering sturdiness and support while keeping the overall composition visually light. The seat itself is compact and gently rounded at the edges, echoing the curvature of the backrest and contributing to a cohesive silhouette. There is a clear sense of balance between the upholstered volumes and the exposed wooden structure, with both elements working together. The proportions are modest but deliberate, allowing the chair to function comfortably without appearing heavy or overly decorative.
This piece is not designed to command attention and overpower a space, but rather to work as an accent within a living space. The warmth of the upholstery and the simplicity of the frame make it easy to integrate, while the subtle shaping ensures it retains character.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
18.51 in W x 21.66 in D x 32.68 in H; Seat height 20.28 in; Seat depth 17.72 in
47 cm W x 55 cm D x 83 cm H; Seat height 51.5 cm; Seat depth 45 cm
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Price category: 5,000 - 7,500 usd / eur
“Amsterdamse School” was an influential Dutch architectural and design movement that emerged in the early 20th century, and left an indelible mark on the cultural landscape of the Netherlands and on Europe on a larger scale. Beyond its architectural achievements, the Amsterdamse School also extended its influence to interior design and furniture, giving rise to a distinctive style that reflects a harmonious blend of craftsmanship, artistic expression, and social ideals exemplified by this pair of chairs with an enduring appeal, quality, and style.
The Amsterdamse School movement arose in response to the predominant influence of Art Nouveau and Jugendstil in the late 19th and early 20th centuries. Designers sought to integrate form and functionality seamlessly, resulting in furniture pieces that were not only visually striking but also practical. The construction of these chairs is solid and balanced, yet does not shy from a dynamic interplay of shapes: the bold geometry of the backrests contrasts with the smooth linearity of the base. Subtle, intricate detailing can be observed in this pair as well, from the tightly fit upholstery to the carved wooden back and legs, and, before all else, a strong emphasis on craftsmanship. The simple, warm colour palette and gentle design make this pair of chairs an ideal addition to both contemporary and traditional living spaces. It is evident that the maker of these chairs was highly aware of body proportions, prioritising comfort just as much as the visual qualities.
This pair is a timeless addition to any room, blending sculptural presence with everyday functionality. As with much of the Amsterdamse School’s work, these chairs stand as enduring examples of early 20th century Dutch design at its finest; warm, distinctive, and thoughtfully made.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the wood, the items have marks, scratches, dents, and discolouration. The chairs have recently been reupholstered. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
18.7 in W x 21.45 in D x 34.44 in H; Seat height 20.07 in; Seat depth 17.13 in
47 cm W x 45 cm D x 97.5 cm H; Seat height 53 cm; Seat depth 43.5 cm
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Price category: 5,000 - 7,500 usd / eur
This impressive mid-century dining set is representative of the fundamental principles of Scandinavian design that revolve around quality and functionality, paired with a distinctive design.
The set consists of six chairs made of solid oak with a beautiful grain and colour. The style and shape of the frames have a strong angular structure featuring straight as well as curved edges. The design also combines the natural impression of traditional Scandinavian style, and as a result, this set has a visually arresting and individual aesthetic. The stand-out visual appeal is provided by the backrests, with the famous razorblade-esque shape that is the trademark design element of Kjærnulf. The details, such as the joinery and woodworking, further reveal the focus on high quality craftsmanship of the designer. The chairs feature light upholstered seats that complement the beautiful oaken wood colour and provide ample comfort, making this an ideal and impressive dining set
Thanks to their intricate design, these chairs are a perfect match for an understated dining table to create an ideal and visually interesting dining set.
Condition:
In good vintage condition. Wear consistent with age and use. This chairs have been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
18.31 in W x 20.67 in D x 35.24 in H; Seat height 17.32 in; Seat depth 18.31 in
46.5 cm W x 52.5 cm D x 89.5 cm H; Seat height 44 cm; Seat depth 46.5 cm
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Price category: 5,000 - 7,500 usd / eur
The unique design style, “Amsterdamse School”, was an influential Dutch architectural and design movement that emerged in the early 20th century, which left an indelible mark on the cultural landscape of the Netherlands and on Europe on a larger scale. Beyond its architectural achievements, the Amsterdamse School also extended its influence to interior design and furniture, giving rise to a distinctive style that reflects a harmonious blend of craftsmanship, artistic expression, and social ideals exemplified by this pair of chairs with an enduring appeal, quality, and style.
The frames are deliberately straightforward yet bold, giving the chairs a grounded presence that feels both honest and enduring. Each piece features squared legs connected by stretchers that reinforce the straight structure while maintaining a clean visual rhythm. The seats and backrests are upholstered in a textured green fabric that complements the wood, adding softness and comfort to the otherwise solid construction. This upholstery provides a tactile contrast to the geometry of the frames, making the chairs inviting without losing their disciplined form. From every angle, the chairs reveal thoughtful joinery and a careful balance of shape, with no unnecessary embellishment, only purposeful design choices that emphasise durability, comfort, and visual cohesion.
The set's geometric elements makes them a perfect addition to any interior, perfect for bringing an effortlessly elegant element to a room. With their clean lines, understated presence and quality materials, these chairs exude a sense of timelessness, while simultaneously maintaining their versatility.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the wood, the items may have some marks, scratches, and discolouration. The set has recently been reupholstered. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
18.5 in W x 19.29 in D x 37.79 in H; Seat height 19.48 in; Seat depth 18.3 in
47 cm W x 49 cm D x 96 cm H; Seat height 49.5 cm; Seat depth 46.5 cm
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Price category: 9,000 - 12,500 usd / eur
Throughout the mid-20th century, European furniture makers embraced an aesthetic rooted in simplicity, craftsmanship, and the expressive qualities of natural materials. Traditional chair forms were refined with cleaner silhouettes and careful attention to proportion. This set of twelve ladderback chairs reflects that evolution, with slatted backs and woven seats in a restrained mid-century approach.
Each chair is crafted from solid beech, with gently turned details ending in small finials that lend the design a subtle vertical emphasis. Four slightly curved ladderback slats create a rhythmic structure that follows the natural contour of the back, while the woven rush seats introduce warmth and texture against the smooth timber. The seats are tightly executed, their classically intricate pattern contrasting with the simplicity of the frame and providing a comfortable, sturdy seating surface. Beneath, the legs are connected by traditional box stretchers, reinforcing the structure while adding visual depth to the open framework. The softly rounded edges, restrained turning, and warm honey-toned beech highlight the quality of the craftsmanship, allowing the natural materials to define the character of the chairs rather than excessive ornament.
These chairs demonstrate the enduring appeal of traditional construction interpreted through a modern lens. Their balanced proportions, honest materials, and durable craftsmanship make them a versatile dining set that celebrates the lasting qualities of European furniture making.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials the chairs have minor marks, scratches, dents and discolouration.
Dimensions:
17.32 in W x 18.30 in D x 42.52 in H; Seat height 18.70 in; Seat depth 16.53 in
44 cm W x 46.5 cm D x 108 cm H; Seat height 47.5 cm; Seat depth 42 cm
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Price category: 5,000 - 7,500 usd / eur
Many associate the design duo, Robert Guillerme and Jacques Chambron, with some of the most recognisable and enduring French furniture of the second half of the 20th century. Working for their workshop Votre Maison, founded in the 1950s, the pair developed a design language that merged modernist ideals with a rustic sensibility and deep respect for craftsmanship. Known especially for their use of solid oak, expressive lines, and thoughtful detailing, Guillerme et Chambron created pieces that feel as relevant today as they did during the mid-century.
This set of dining chairs displays the qualities that make Guillerme et Chambron’s work so iconic. Constructed in solid oak, the frames are characterised by gently tapered legs, finely proportioned stretchers, and a subtle refinement that never compromises their structural integrity. The backrests provide the defining visual feature: two angled frames supporting a carved horizontal element showcasing a delicate cut-out, which introduces a sculptural detail that immediately distinguishes the design. Though understated, this feature echoes the handcrafted quality found throughout Guillerme and Chambron's work. The contrast between the generous soft textile and the golden oak creates a harmony that feels thoughtful and balanced. Viewed together, the repeated silhouettes establish a strong rhythm around the dining table, their balanced proportions allowing the set to feel elegant without appearing rigid
This set has the power to shape the atmosphere of a room with quiet confidence, bringing warmth, craft, and intention into daily life. The set represent Votre Maison’s philosophy, and stands as an enduring example of French mid-century design at its best.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the material, the items may have some marks, scratches, and discolouration. The set has recently been reupholstered. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
18.7 in W x 21.45 in D x 34.44 in H; Seat height 20.07 in; Seat depth 17.32 in
47.5 cm W x 54.5 cm D x 87.5 cm H; Seat height 51 cm; Seat depth 44 cm
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Price category: 2,500 - 5,000 usd / eur
Working against the minimal shapes and ergonomic design of streamlined mid-century European furniture, the maker of this side chair moved away from highly polished factory uniformity and toward more expressive, hand-worked forms. In smaller workshops especially, chairs like this were shaped through carving and direct craftsmanship, allowing irregular contours, visible tool marks, and natural grain variation to remain part of the final appearance rather than something to conceal.
This chair retains clearly visible traces of hand construction: uneven carving and forms shaped by the maker’s hand rather than by machinery. Pieces of this kind sit between functional furniture and sculptural woodworking, reflecting a period when natural materials and individual craftsmanship remained central to modern interiors. This piece carries visual rhythm through the relationship between the seat, legs, and backrest. The back rises from a single central support and widen into broad asymmetrical crests, the silhouette cuts with irregular contours that make it one of a kind. Instead of polished precision, the wood has a raw tactile quality, with visible grain variation, softened edges, and surfaces that reveal the carving process. The outward-angled legs create a stable stance and complete the design. Because the construction is uniform in terms of material, every detail becomes noticeable: the slight taper of the legs, the thickness of the wood, the way the backrest appears almost branch-like in profile.
The piece has a strong physical presence without relying on decorative excess, feeling intimate rather than polished and formal. It is individual, balancing utilitarian construction with a sculptural, almost folk-like sensibility.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Some marks, scratches and discolouration are present.
Dimensions:
17.72 in W x 19.49 in D x 28.75 in H; Seat height 15.94 in; Seat depth 14.38 in
45 cm W x 49.5 cm D x 73 cm H; Seat height 40.5 cm; Seat depth 36.5 cm
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Price category: 5,000 - 7,500 usd / eur
France occupied a unique position in the development of post-war furniture design. Many designers embraced the possibilities offered by industrial materials - retaining a sensitivity to proportion and decoration that distinguished French work from the stricter functionalism found elsewhere in Europe. Dining chairs became an ideal canvas for this approach, combining lightweight construction with elegant silhouettes that could bring rhythm and refinement to an interior.
The backrests are what immediately capture the eye - formed from a series of slender vertical rods, they rise in a gentle, fan-like construction that gives each chair a remarkable sense of lightness. The open frame allows the surrounding space to remain visible through the chairs, preventing the set from visually overwhelming a room even when placed together around a table. The black lacquered metal provides a crisp graphic outline, while the upholstered seats introduce warmth and tactility. Together, these elements create a striking contrast between line and volume, precision and softness. Arranged as a group, the repeated bars generate a rhythmic pattern that feels almost architectural, recalling the delicate ironwork found throughout mid-century French design.
The success of the set lies in its ability to be both decorative and discreet. The chairs possess a strong identity, yet their form allows them to integrate in a space. Elegant from every angle and highly versatile, they demonstrate how thoughtful use of materials and proportion can transform a functional object.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items have some marks, scratches, and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
18.89 in W x 18.11 in D x 36.41 in H; Seat height 18.70 in; Seat depth 16.14 in
48 cm W x 46 cm D x 92.5 cm H; Seat height 47.5 cm; Seat depth 41 cm
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Price category: 7,500 - 10,000 usd / eur
Etienne Kohlmann was a French interior decorator and designer during the early to mid-20th century. This set of dining chairs was crafted in the 1930s, and its design and execution show how the aesthetic and functional dimensions were of equal importance for Kohlmann.
This set is all about the gorgeous wooden structure. The discreet joinery and seamless construction reflect the French emphasis on detail and quality, elevating the chairs beyond just function to objects of aesthetic value. The carved backrests of this set immediately stand out. The dark-stained oak reveals a rich grain and depth, enhancing the organic beauty of the carved surface. Since the wood has a deep, rich tone, it pairs beautifully with the burnt-orange mohair upholstery, offering a restrained yet sophisticated material contrast. Overall, the construction is solid and balanced, yet it does not shy from a dynamic interplay of shapes: the bold geometry of the backrests contrasts with the smooth linearity of the base. This sense of proportion reflects the maker’s background in both cabinetmaking and art, speaking to his interest in giving weight and presence to utilitarian forms.
This set is a timeless addition to any dining room, blending sculptural presence with everyday functionality. As with much of Etienne Kohlmann’s work, these chairs stand as enduring examples of French mid-century design at its finest; warm, distinctive, and thoughtfully made.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned and reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Due to the nature and age of the wood, the chairs may have some marks, scratches, and discolouration. Please reach out for more information.
Dimensions:
19.48 in W x 20.07 in D x 35.82 in H; Seat height 20.07 in; Seat depth 16.92 in
49.5 cm W x 51 cm D x 91 cm H; Seat height 51 cm; Seat depth 43 cm
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Price category: 7,500 - 10,000 usd / eur
René Prou was one of the leading figures of French decorative arts during the first half of the twentieth century. He began his career as artistic director for the house of Gouffé, where he developed a reputation for refined interiors and exceptional craftsmanship. Over the following decades, Prou received prestigious commissions ranging from luxury ocean liner cabins to the council chamber of the Comptoir d’Escompte de Paris, while also serving as director and professor at the École Nationale Supérieure des Arts Décoratifs.
Prou’s work became known for its elegant curved forms, decorative restraint, and innovative treatment of metal, particularly through his “zinzin maison” technique, which gave metal a flexibility and visual softness similar to rattan. This set of three armchairs attributed to René Prou reflects these qualities associated with his work. The chairs are built around slender blackened metal frames that curve fluidly to form the legs, arm supports, and decorative details beneath the seats. Rather than concealing the structure beneath upholstery, the metalwork remains fully visible and becomes central to the composition. The flowing lines introduce rhythm and movement throughout the design. In contrast, the upholstered seat and back cushions are restrained, covered in a neutral fabric that balances the delicacy of the frame with a greater sense of solidity and comfort. The cylindrical arm cushions further soften the composition while reinforcing the linear direction of the armrests.
Despite the decorative quality of the metalwork, the chairs retain a remarkable sense of openness due to the thinness of the structure and the spacing between elements. These armchairs carry a light, and almost architectural presence, where the curves of the metal frame create visual movement without overwhelming the composition. The result is a set that functions equally well as practical seating and as sculptural interior pieces.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The armchairs have recently been reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
21.65 in W x 27.36 in D x 38.19 in H; Seat height 15.75 in; Seat depth 18.90 in; Arm height 24.81 in
55 cm W x 69.5 cm D x 97 cm H; Seat height 40 cm; Seat depth 48 cm; Arm height 63 cm
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Price category: 2,500 - 5,000 usd / eur
This dining chair, designed by the Amsterdam-based company N.V. Jac Levee, is a beautiful piece of furniture design that embodies the essence of the Amsterdam School style. This movement, which emerged in the Netherlands during the early twentieth century, sought to unite expressive craftsmanship with modern design, resulting in furniture that was both functional and visually distinctive. Its influence extended from architecture to interiors and furnishings, where rich materials and carefully considered decorative details became defining characteristics.
Crafted from high-quality wood, the frame of the chair exudes a sense of strength and durability, while the wicker seating offers a comfortable and tactile sitting experience. The eight stretchers that make up the lower part of the frame provide a sense of balance and stability to the overall structure, while also creating a pleasing geometric rhythm when viewed from different angles. One of the most striking features of this chair is the use of black circular accents positioned along the legs and back. These details not only introduce a subtle graphic contrast against the warm tone of the wood but also reinforce the construction and highlight the chair's architectural character. The restrained ladder-back design further complements the overall composition, balancing the solidity of the frame with an open and elegant silhouette.
Over time, the chair has acquired a beautiful patina that adds to its charm and character. The tone of the wood and the gently aged wicker speak to decades of history, enhancing the authenticity of the piece without diminishing its functionality. More than simply a dining chair, it reflects the enduring quality of Dutch craftsmanship, combining honest materials, thoughtful construction, and understated decorative refinement.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Some marks, scratches and discolouration are present.
Dimensions:
19.29 in W x 15.74 in D x 34.84 in H; Seat height 18.11 in; Seat depth 15.15 in
49 cm W x 40 cm D x 88.5 cm H; Seat height 46 cm; Seat depth 38.5 cm
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Price category: 5,000 - 7,500 usd / eur
This beautiful chair design was crafted by French duo Audoux-Minet. Adrien Audoux and Frida Minet worked together during the mid-20th century, and are known for their innovative use of natural, sustainable materials, including rope, wicker, and bamboo. Their work was heavily influenced by the Modernist movement, which sought to create functional and streamlined designs that were accessible to a wider audience.
Like in Scandinavia, there was an early emphasis on wood in most French mid-century design - it connected everyday objects to nature. These chairs are a perfect example of this sentiment, and the visual benefits of an understated, organic design. The high quality woven papercord makes the pieces an outstanding example of woven furniture. They feature a fairly traditional shape with soft edges and an airy feel. The straightforward shape highlights the understated beauty of the materials, allowing the beautiful woven pattern and the grain of the wood to stand out. The interplay of a simple structure and refined detailing evokes a sense of harmony, aligning with the era’s focus on blending beauty with utility. The organic design makes these pieces stand out with an elemental edge. The colour palette further allows easy adaptation to almost any interior, functioning to either complement a space or to stand out as an accent.
Today, Audoux and Minet's designs are highly sought after by collectors and are considered important examples of mid-century modern design. Furniture pieces like this pair of armchairs stand out through their unique textures, and their materials, as well as their classic charm.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, dents and discolouration.
Dimensions:
17.51 in W x 20.86 in D x 32.28 in H; Seat height 17.32 in; Seat depth 17.51 in
44.5 cm W x 53 cm D x 82 cm H; Seat height 44 cm; Seat depth 44.5 cm