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Price category: 2,500 - 5,000 usd / eur

Mid 20th century lighting design endures in popularity for numerous reasons. The era’s designers managed to make practical design look beautiful, while maintaining the highest quality. The mid-20th century brought about a design revolution throughout Europe, where function and form merged in the most intriguing ways. One such example of this era’s creativity is this exceptional wall lamp.

This beautiful piece is characterised by its distinctive marriage of materials combines brass and lacquered metal in a way that is emblematic of the era's fascination with contrast. When looking at the materials’ finish, the glossy sheen of the warm brass stands out against the matte lacquered metal. Similarly, the chromatic juxtaposition of the back and front plate catches the eye, creating visual interest. The backplate has an irregular, organic outline that softens the minimal construction. Mounted in front is a rounded brass element that projects outward from the wall almost like a petal with subtle perforations. The asymmetry of the composition prevents the fixture from feeling static, while the composition of the shapes and clever decorative elements give this light a personality that isn’t loud but still stands out.

The timeless appeal of this wall lamp is a reminder of an era when designers were free to explore new horizons in crafting distinctive and captivating lighting fixtures that continue to inspire and illuminate our lives today. Its compact scale and sculptural silhouette allow it to function both as lighting and as a small wall-mounted object within an interior.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

8.66 in W x 5.52 in D x 11.02 in H

22 cm W x 14 cm D x 28 cm H

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Price category: 5,000 - 7,500 usd / eur

Art Deco emerged from the 1925 Paris Exposition, celebrating craftsmanship, modern materials, and stylised forms - balancing decorative flair with functional clarity. European designers became known during this period for combining bold forms with the durability of fine materials to create sophisticated lighting models like this set of three wall lamps.

These lamps perfectly marry strong edges with rounded curves to obtain the ideal balance of form. The set is constructed from patinated brass, and the material’s tones elegantly highlight both its age and craftsmanship. The interplay between the rich patina of the brass and the milk-white shades create a harmonious contrast, while the symmetrical arrangement reinforces the balance and rhythm central to Art Deco design. The visual interest of this set is accentuated by the form of the hands that suspend from the wall mounting to the body of the lamps - reminiscent of a hand holding a torch or even a wine glass. When lit, the lamps create an exceptionally atmospheric light, giving the brass a warm colour. Wall lamps such as this are a timeless example of how thoughtful craftsmanship can result in lighting fixtures that transcend their utilitarian purpose, becoming works of art in their own right. Today, we consider Art Deco and the early 20th century era a golden age for lighting design. During these decades, some of the most significant luminaries were created, and remain highly sought-after today.

This wall lamp set bridges sculptural presence and domestic functionality. It embodies the enduring qualities of the Art Deco movement in Europe: geometric refinement, tonal richness, and atmospheric light. The qualities of this set transform it into a bold design statement, while still able to complement a modern space.

Condition:

In good vintage condition. Wear consistent with age and use. The lamps have recently been rewired and reconditioned. The glass has some imperfections. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The lamps are compatible with E26 / E27 (standard) fittings. All lighting can be converted for US usage.

Dimensions:

4.33 in W x 6.69 in D x 11.49 in H

11 cm W x 17 cm D x 29 cm H

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Price category: 2,500 - 5,000 usd / eur

In Scandinavia, during the mid-20th century, pieces were designed with the goal of serving generations to come. This was made possible by an emphasis on the creation of timeless designs that would suit the shifting tastes of the future. Working with high quality materials, and focusing on functionality, were some of the most important pillars of the design world.

Wall lamps are a timeless type of lighting fixture that can easily elevate their surroundings. These fixtures never go out of style, and have been in use for centuries for good reason. The simple style of this sconce is clean with a straightforwardly modern look. The lamp features a brass frame holding an opal glass shade. The shade, almost resembling a jelly fish, is held up by the brass stem. The choice of materials and shape of the design truly highlights the aesthetic of modernism. The light, when diffused casts a warm and inviting glow, creating an ambiance that is both timeless and comforting. This lamp’s presence is an excellent way to elevate the ambience of a room, creating an inviting and stylish atmosphere. The piece is particularly adaptable, capable of blending into a range of interiors while still offering a refined point of interest. It reflects a side of Scandinavian design that prioritises atmosphere and usability, where even the most modest objects are shaped with intention and care.

Swedish lighting design, deeply rooted in the country's commitment to quality craftsmanship and functional elegance, continues to influence global trends. The enduring popularity of mid-century modern design, exemplified by this wall lamp, underscores its timeless allure. This piece stands as a prime example of the enduring legacy and popularity of Swedish design excellence in the world of lighting design.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The glass shade has some minor imperfections. Due to the nature and age of the material, the brass may have some marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

9.05 in W x 13.77 in D x 12.20 in H

23 cm W x 35 cm D x 31 cm H

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Price category: 5,000 - 7,500 usd / eur

Between the 1920s and 1950s, Böhlmarks was a significant player in the Swedish design movement. Harald Notini, after becoming creative director in 1916, drove the company forward, producing what were considered pioneering and distinctive luminaires for the time. With an unmistakeable design, this model ‘8596’ wall sconce belongs to a historic collection of luminaires from a golden era.

At Arvid Böhlmarks Lampfabrik, the 1940s and 50s represented a period marked by undulating forms and organic material choices in a fundamental Swedish Modern manner. Consequently, the shape and material of the shade determines the overall aesthetic of this lamp. The design encapsulates a harmonious interplay of light and shadow, casting a gentle glow that will be sure to enhance the ambiance of any space. The 1950s was a period of renewal, prosperity, and optimism following the world wars. This resulted in lighting designers seeking to create pieces that embodied the spirit of the age, reflecting the fast-paced and industrialised world. The most distinctive design element of this model is the large white lacquered metal reflector that is in a folded shape. This ingenious addition not only provides a clean backdrop against which the front brass structure stands out, but also reflects the light to create a cosy effect. It also serves as a back-plate, therefore the lamp appears as if it were not fixed to the wall. The front brass plate also features a subtle decorative element; a perforated floral design. The brass exudes warmth and elegance, contrasting beautifully with the off-white metal.

The composition of the piece with its soft shapes and clever decorative elements give this wall lamp a stylish look that is guaranteed to set the tone of its interior. The sleek lines create a perfect balance between the ornamented features of the early 20th century, and the later phase of mid-century modernism with its more minimal, simplified lines.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

8.26 in W x 4.92 in D x 11.81 in H

21 cm W x 12.5 cm D x 30 cm H

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Price category: 5,000 - 7,500 usd / eur

Tynell's lamps have developed in style over time; his early lamps had a chandelier inspired design, during the 1920s, the use of glass became an increasingly important part of his lamps. During the interwar period, Tynell designed both art deco-style lamps and more functionalistic, simpler lamps. In his functionalist inspired lamps, Tynell took into account how the lamp was to be used, which is clearly traceable in the design of these “A2” lamps.

The modernistic look is achieved by the simple, yet smart design of the black lacquered cylindrical silhouette. The look is almost industrial, yet has the edge is Finnish mid-century design. By the 1950s, Finland had established itself as a force for innovation in design, and the versatility of Tynell explains why. As seen in this model, the masterful combination of materials, blend of aesthetic and functional design features, and expert craftsmanship was indispensable. Despite being made of metal, the bodies appear light mainly thanks to the structures connecting to the backplates that allow the lamps to be adjusted in almost any direction and angle. Furthermore, since the cylinders are open at both ends, providing two sources of light, making this pair both ideal task and ambient light sources. The two main structural elements - the white shade holders, and backplates and the black shades are clearly separated both by their colours and shapes. This results in a greatly balanced look that Tynell was a master of. The most significant clientele of the luminaires designed by Tynell were architects, which made Paavo Tynell the leading lighting designer for public spaces, and that likely goes for these “A2” wall lights as well.

The lamps still have Idman Oy’s manufacturer’s mark. The firm, Taito Oy, was established by Tynell in 1918, and it would become his life work. In 1953, Idman Oy acquired the majority of shares in Taito Oy, nonetheless, Paavo Tynell continued to work for the company on a freelance basis, through his own design firm. This model was designed and produced during this time.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

5.9 in W x 7.28 in H x 8.85 in H

15 cm W x 18.5 cm D x 22.5 cm H

About the designer:

Paavo Tynell (1890-1973) was an industrial designer, known as the great pioneer of Finnish lighting design and fondly dubbed as “the man who illuminated Finland”.

Tynell was one of the founders and chief designers of Taito Oy – the first industrial producer of lighting fixtures in Finland. With the innovation of electricity in the beginning of the 20th century, Taito Oy and Tynell expanded the thinking and manufacturing of modern lighting solutions in Europe and abroad.

Paavo Tynell rose to prominence in the 1930s and 40s where he collaborated with some of the most renowned Finnish architects, Alvar Aalto being the most notable one. Working to incorporate artificial lighting into modern environments, Tynell’s company Taito Oy produced fixtures for all of Alvar Aalto’s major projects including the Paimio Sanatorium and the Viipuri Library.

Tynell was especially appraised through his involvement with the Finland House, a design atelier in New York that showcased the work of Finnish designers and craftspeople. His elegant brass designs became an instant success in North America, and he began creating lighting designs for the prestigious American company Lightolier.

A master craftsman himself, Tynell’s designs were derivative of a traditional aesthetic with a modern sensibility, mixed with an extensive use of perforated and polished brass as material. Marked by delicacy and softness, his most famous forms in lightning echo the structures of nature; he adroitly created sculptural shapes reminiscent of the branches of trees, swirling snowflakes and seashells. ~H.

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Price category: 2,500 - 5,000 usd / eur

Toni Zuccheri was an Italian architect, painter and designer, whose work sits at the intersection of craftsmanship and experimentation. He developed a deep sensitivity to glass as both a functional and expressive medium. Throughout the 1960s, in his early twenties, Zuccheri collaborated with some of Italy’s leading manufacturers, including Venini, as well as with other iconic designers of the period, such as Geo Ponti. He pushed the limits of glass-making techniques to create objects that integrated sculptural form with atmospheric light.

This wall light reflects Zuccheri’s signature approach of texture and form. The piece is made of thick, moulded glass that appears almost fluid, its surface rippling with irregular folds and undulations. The glass diffuses light in a way that is both gentle and practical, creating a glow that shifts across the surface. When turned on, the lamp reveals subtle variations in tone and depth, recalling the organic qualities of ice or flowing water. This sculptural piece is secured by small metal screws that add an understated industrial contrast to the glass’s organic look. Despite the rather simple materials, the fixture commands presence through its tactile complexity and the play of light and shadow it produces. Zuccheri’s ability to manipulate glass beyond its rigid form gives the lamp an individual, hand-made character.

This wall light exemplifies the expressive possibilities of Italian glass design in the mid-20th century. More than a functional object, it serves as a sculpture that animates the wall with texture and reflection. It embodies Zuccheri’s belief that light could be both a material and an emotion, revealing the artistic depth that defines his contribution to postwar Italian design.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Minor marks, scratches, and imperfections may be present due to manufacturing inconsistencies and age of the item.

Dimensions:

14.37 in W x 4.33 in D x 14.56 in H

36.5 cm W x 11 cm D x 37 cm H

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Price category: 2,500 - 5,000 usd / eur

These Lyfa-edition “Saga” wall sconces by Danish architect and designer, Kay Kørbing are true collectors’ pieces. By the 1950s, Lyfa had built an international reputation for original, high-quality, modernist lamps. In the postwar era, the company collaborated with esteemed architects and designers to produce minimalist, sculptural pieces including these lamps.

Made of brass, metal, and crystal, the design of this model is entirely in the vein of modernism, while also sticking to the main ideals of Danish design, such as functionality. This can be observed in the lamps’ build that allows them to be faced either up- or downwards. The proportions are carefully thought out, with three main sections comprising the design. The three elements - the brass base, black metal shade holder, and the crystal glass shade - are clearly separated both by their shape, material, and colour. Most eye-catching are the Orrefors crystal glass shades in a peculiar shape that appear to be roll cut. Orrefors has been established in Swedish design tradition since 1898. Glass from the forests of Småland was incomparable: “Il n’y a que ça!” (There is nothing like it!) exclaimed the 1925 Paris World Fair. As these sconces showcase, the glass and shape are always in focus, combined with elegance, simplicity, and confidence. The predominantly round shapes are balanced by the square backplate. The artistic design is very honest in a purely Scandinavian manner, exposing the joinery and the materials’ natural qualities as well.

This pair of “Saga” wall sconces is a stunning example of how the 1960s are still able to deliver modern "art" to any interior. The producer, Lyfa, produced some cabin lamps and in its heyday - from the 1950s to mid-1970s - was considered a pioneer in innovative, architectural lighting. It is believed that Kay Kørbing designed this model for two school ships: M/S Princesse Margrethe and M/S Winston Churchill.

Condition:

In good vintage condition. Wear consistent with age and use. The brass body has a beautiful patina with some marks and discolouration. The glass has some marks and chips.

Dimensions:

4.72 in W x 5.51 in D x 13.77 in H

12 cm W x 14 cm D x 35 cm H

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Price category: 2,500 - 5,000 usd / eur

In postwar Italy, lighting design became a vital field of experimentation, uniting art, technology, and craft. Designers like Gino Sarfatti helped define a new language that embraced precision and artistic restraint. His work replaced excessive ornament with geometry, using simple forms and refined materials to reveal how illumination could shape a space.

This pair of wall lamps manufactured at Arteluce in the 1950s, captures that sensibility with characteristic elegance. Each lamp features a subtly flared opal glass shade mounted on a brass fitting, creating a delicate dialogue between the opaque shade and the dark metal. The glass diffuses the light into a gentle, ambient glow that softens its surroundings. The combination of opal glass and brass reflects the mid-century era’s preference for these materials, but the painted metal sets this piece apart. The brass base provides a tonal contrast to the light shades, as well as safely securing the model to the wall. The proportions are meticulously balanced, allowing the curved shades to appear weightless against when looked at straight on. Though understated, every element demonstrates Sarfatti’s mastery of form and proportion, where technical precision and visual grace coexist seamlessly. The lamps embody the modern Italian pursuit of beauty, an aesthetic guided not by excess, but by the harmony between light, material, and function.

Together, the pair radiates a quiet sophistication that stays true to 1950s Italian design. Their timeless appeal lies in their simplicity and modernism’s ability to balance innovation with emotion, craftsmanship and clarity.

Condition:

In good vintage condition. Wear consistent with age and use. The lamps have recently been rewired and reconditioned. Due to the nature of the materials, the items may have some marks, scratches, and discolouration. Additional imperfections may be present on the glass due to manufacturing inconsistencies and age of the items.

Dimensions:

4.72 in W x 4.33 in D x 8.46 in H

12 cm W x 11 cm D x 21.5 cm H

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Price category: 5,000 - 7,500 usd / eur

This exceedingly rare model by Swedish designer and sculptor, Harald Notini. He was the artistic leader at Böhlmarks and is represented at the ‘Nationalmuseum’ in Stockholm.

Between the 1920s and 1950s, Böhlmarks was a significant player in the Swedish design movement. Notini drove the company forward, producing what were considered pioneering and distinctive luminaires for the time. With an unmistakeable design, this pair of model “8772/3” wall sconces belongs to a historic collection of luminaires from a golden era. At Arvid Böhlmarks Lampfabrik the 1940s and 50s represented an era with undulating forms and organic material choices in a fundamental Swedish Modern manner. This model is no exception with a stunning brass structure and unique additional features. The three symmetrically arranged brass arms branch out from the bottom of the sconce into a more organic, curved arrangement. The lamp sockets stand out for their sheer size, showcasing the brass’s beauty. The most distinctive design element however, is the large white lacquered metal reflector that is in the shape of a non-folding fan. This ingenious addition not only provides a clean backdrop against which the organic brass structure stands out, but also reflects the light to create a cosy effect. It also serves as a backplate, therefore the sconces appear as if they were not fixed to the wall.

Today we consider the mid-century era a golden age for Swedish design and craftsmanship. During these decades, some of the country's most significant luminaires were designed and produced at Böhlmarks, including these exceptionally rare wall sconces.

Condition:

In good vintage condition consistent with age and use. The metal reflectors have some scratches. The brass bodies have some weather marks and beautiful patina.

Dimensions:

11.02 in W x 3.54 in D x 17.71 in H

28 cm W x 9 cm D x 45 cm H

About the designer:

Harald Elof Notini (1879-1959), son of the sculptor Axel Notini, was a trained sculptor and interior designer who studied in his early years at the 'Högre konstindustriella skolan' - now known as Konstfack. Notini worked at Böhlmarks throughout his active career and came to play a significant role in lighting design in Sweden during the first half of the 20th century.

Notini joined Böhlmarks in 1916 and was hired as artistic director, leading Böhlmarks in a modern and innovative direction that would particularly characterize the company's range of luminaires and glass. Notini drove the company forward, producing what were considered pioneering and distinctive luminaires for the time. His expression ranged from the most ornate Swedish Grace of the 1920s and strictly functionalist luminaires, presented at the 1930 Stockholm Exhibition - to the now highly regarded Swedish Modern aesthetic of the 1940s and 1950s.

Harald remained faithful to his company for the rest of his life; at the age of 79 (1958), he still had his office and a wide range of duties. A commemorative publication of Böhlmark's 75th anniversary, published in 1947, notes that Notini was active as an artistic director with a continuing significant role in the design of luminaires and household glass. Given Böhlmark's extensive product catalogues, Notini must have had a drawing office with several designers employed.

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Price category: 5,000 - 7,500 usd / eur

Finnish mid-century design is characterized by simple, elegant forms that Paavo Tynell was a master of. Like Finnish culture he embraced timeless beauty, sustainability and a deep connection to the natural world. His favourite material to work with was brass, and he formed the material into shapes that are very characteristic and unique.

Functionality, a pared down, simple style and a thoughtful colour palette are key principles for the Finnish icon, whose model “9414” features organic lines and focuses on the characteristics of brass itself. The lamp is adjustable at multiple points; therefore, the angles can be changed freely. Material and colour palettes are very well considered in Finnish interiors, favouring naturally derived mediums and a strong connections with nature. The forms in Tynell’s designs tend to divert from typical symmetrical, rectangular shapes, and the designer’s artistic ability to easily connect line and material is especially visible in this unique wall light. Its organic brass body holds a textile shade that has a dimming effect to create atmospheric light. The shade, like the neck, can be adjusted at its top to direct the light. The clever solutions allow this lamp to be very versatile and customizable. In the spirit of Finnish mid-century design and culture, this lamp takes on exciting, free forms adjusted to the user needs. The organically derived forms help to build an intimate, friendly, and welcoming environment.

This lamp was manufactured by the famous Finnish manufactory Taito Oy, one of the most innovative Scandinavian lighting design companies of the mid-century era. Paavo Tynell was the co-founder and chief designer of the company until 1953. The company’s lighting designs define the Finnish mid-century era, and the models of the period, including this “9414” model, are greatly sought after to this day.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has a custom textile shade that approximates the design of the original.

Dimensions:

31,10 in W x 9.06 in D x 14.57 in H

79 cm W x 23 cm D x 37 cm H

About the designer:

Paavo Tynell (1890-1973) was an industrial designer, known as the great pioneer of Finnish lighting design and fondly dubbed as “the man who illuminated Finland”. Tynell was one of the founders and chief designers of Taito Oy – the first industrial producer of lighting fixtures in Finland.

With the innovation of electricity in the beginning of the 20th century, Taito Oy and Tynell expanded the thinking and manufacturing of modern lighting solutions in Europe and abroad. Paavo Tynell rose to prominence in the 1930s and 1940s, during which period he collaborated with some of the most renowned Finnish architects, including Alvar Aalto. Working to incorporate artificial lighting into modern environments, Tynell’s company, Taito Oy produced fixtures for all of Alvar Aalto’s major projects including the Paimio Sanatorium and the Viipuri Library.

Tynell was especially appraised through his involvement with the Finland House, a design atelier in New York that showcased the work of Finnish designers and craftspeople. His elegant brass designs became an instant success in North America, and he began creating lighting designs for the prestigious American company Lightolier.

A master craftsman himself, Tynell’s designs were derivative of a traditional aesthetic with a modern sensibility, mixed with an extensive use of perforated and polished brass as material. Marked by delicacy and softness, his most famous forms in lightning echo the structures of nature; he adroitly created sculptural shapes reminiscent of the branches of trees, swirling snowflakes and seashells. ~H.

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Price category: 5,000 - 7,500 usd / eur

The mid-century modern movement was more than a design trend - it was a new design ethos that emerged in a world recovering from war, seeking simplicity, functionality, and a break from the past's ornate styles. The movement was influenced by the International and Bauhaus movements, and it embraced the philosophy that good design should be accessible to all.

These lights exemplify the movement's emphasis on modern materials and streamlined forms. The set features rectangular Opaline glass shades, which provide soft, ambient illumination. The opal glass dims the light to create a cosy effect with its great qualities. The distinctive white colour is obtained by adding opacifiers to the glass melt. It stands out for its elegance, resistance and practicality which is why it has steadily been around since the 16th century. The shades also ensure gentle and even diffusion, creating a warm, inviting atmosphere, while the sleek look of the black back-plates add a touch of chromatic and textural contrast. These lamps are a testament to Staff Leuchten’s ability to merge function with sculptural integrity. Adding illumination to a living space with these wall lamps will not only improve the ambience, it will also bring a piece of design history into a room.

The design of mid-century lighting fixtures can have a significant impact on the mood and feel of an interior. Their clean lines and high-quality materials and forms can create a sense of calm and order, while their timeless elegance adds a touch of sophistication. Integrating mid-century lamps into contemporary decor is both an art and a homage to design history. The unquestionable quality of design, material, and craftsmanship makes these wall lamps a perfect addition to any space and style.

Condition:

In good vintage condition. Wear consistent with age and use. Minor marks, scratches and imperfections on the glass may be present due to manufacturing inconsistencies and the age of the item.

Dimensions:

4.33 in W x 3.39 in D x 8.66 in H

11 cm W x 10 cm D x 22 cm H

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Price category: 1,000 - 2,500 usd / eur

“The man who illuminated Finland”, Paavo Tynell is one of the best-known Finnish lighting designers, and his work has had a great influence on modern lighting design in Finland, and internationally.

The best qualities of Tynell's light fixtures are their atmospheric light and disciplined, functionalist design, exemplified by these two model “2008” ceiling lamps. The design of this model is dominated by the opal glass shades supported by the nickel plated brass stems. Tynell’s design merges together a simple and decorative shape with sculptural elements. These lamps have great proportions, the large shades are balanced by the backplates to create the attention-grabbing look. When lit, these lamps create an exceptionally atmospheric light, giving the nickel plated brass a vivid colour as well. Tynell’s designs are marked by a delicacy and softness that reveals his background in fine jewellery, and his most famous forms in lighting echo the structures of nature. Model “2008” is a modernist design to its core with a look that is timeless and can stand out and complement any space.

Idman Oy was established as early as 1897 by Karl Hjalmar Idman. In 1953, Idman Oy, acquired the majority of shares in Taito Oy, the company of Paavo Tynell. Paavo Tynell continued to work for the company on a freelance basis, through his own design firm. In his day, Tynell’s atmospheric light fixtures attracted attention as far away as the United States.

Condition:

In good vintage condition. Wear consistent with age and use. The metal base has some marks and staining. The mounting bases of the lamps differ slightly.

Dimensions:

7.08 in ⌀ x 7.87 in H

18 cm ⌀ x 20 cm H

Literature:

Idman Lighting Catalogue 140 – 1950s – Around 1956. p. 26.

About the Designer:

Paavo Tynell (1890-1973) was an industrial designer, known as the great pioneer of Finnish lighting design and fondly dubbed as “the man who illuminated Finland”. Tynell was one of the founders and chief designers of Taito Oy – the first industrial producer of lighting fixtures in Finland.

With the innovation of electricity in the beginning of the 20th century, Taito Oy and Tynell expanded the thinking and manufacturing of modern lighting solutions in Europe and abroad. Paavo Tynell rose to prominence in the 1930s and 1940s, during which period he collaborated with some of the most renowned Finnish architects, including Alvar Aalto. Working to incorporate artificial lighting into modern environments, Tynell’s company, Taito Oy produced fixtures for all of Alvar Aalto’s major projects including the Paimio Sanatorium and the Viipuri Library.

Tynell was especially appraised through his involvement with the Finland House, a design atelier in New York that showcased the work of Finnish designers and craftspeople. His elegant brass designs became an instant success in North America, and he began creating lighting designs for the prestigious American company Lightolier.

A master craftsman himself, Tynell’s designs were derivative of a traditional aesthetic with a modern sensibility, mixed with an extensive use of perforated and polished brass as material. Marked by delicacy and softness, his most famous forms in lightning echo the structures of nature; he adroitly created sculptural shapes reminiscent of the branches of trees, swirling snowflakes and seashells.