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‎‎Price category: 1,000 - 2,500 usd / eur

“GA9” appears to be inspired by a droplet, floating upward the wall. The mouth blown glass with bubbles creates an intricate play between light and shadow, giving the appearance of light travelling through water.

Swedish architect and designer, Erik Gunnar Asplund, is celebrated as the godfather of functionalist design in Sweden. Like his celebrated Stockholm City Library, this wall lamp emphasizes geometric simplicity and clarity of form. The construction of this model is ingenious, with a bent arm holding the glass in place, with yet another arm holding the light source in the centre of the luminaire. The black lacquered metal bends organically into a sinuous form, while the back-plate has a polygon shape. Pairing the geometric elements with the more organic ones shows Asplund’s great eye for design that was well ahead of his time. The large, mushroom-like mouth blown glass shade has a distinctive “drop” on its surface, creating a beautiful effect that becomes even more apparent when the light is on. The atmospheric light it creates is not measurable, nor is it functional in the traditional sense. It is easily forgotten, but nevertheless important when creating a space of well being. It is the most basic and fundamental of all lighting principles, one that has been with us since the dawn of time. Asplund’s life and work served as inspiration to a number of Scandinavian design luminaries, such as lifelong friend and mentee Alvar Aalto, as well as Erik Bryggman and Arne Jacobsen.

An acronym for Allmänna Svenska Elektriska Aktiebolaget (“General Swedish Electrical Limited Company”), ASEA was a Swedish manufacturer of electrical products and industrial infrastructure. The company endures in the hearts of design lovers for their mid-century interior lighting collections produced in collaboration with venerated designers like Gunnar Asplund.

‎Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The metal structure has some marks and scratches. Due to the nature and age of the materials, the item may have discolouration and imperfections. All lighting can be converted for US usage.

Dimensions:

11.02 in W x 16.14 in D x 10.04 in H

28 cm W x 41 cm D x 25.5 cm H

About the designer:

Erik Gunnar Asplund, born in Stockholm in 1885, was a Swedish architect, mostly known as a key representative of the Nordic classicism of the 1920s.

He studied architecture at the Royal Institute of Technology in Stockholm. After completing his studies, he worked for Asplund Tengrom architects, Westman and Ostberg. He completed his architectural training, with long journeys through Sweden and other parts of Europe. Asplund worked alone and obtained a large amount of his work through contests.

Asplund was a professor of architecture at the Royal Institute of Technology from 1931. His appointment was marked by a conference, later published under the title "Our architectural concept of space. Gunnar Asplund is considered perhaps the most important Swedish modernist architect and has had a great influence on successive generations of Swedish and Nordic architects. Among the most significant works of Asplund is the Stockholm public library, built between 1924 and 1928, which represents the prototype example of Nordic classicism and the so-called Swedish grace movement.

During the period from 1931 until his death, Asplund moved away from Modernism and began to show sympathy towards a stripped Nordic classicism. Asplund continued to draw until his death in Stockholm in 1940.

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Price category: 5,000 - 7,500 usd / eur

Gunnel Nyman was one of the pioneers of modern Finnish glass design, with her work extending from glassware to furniture and lighting design. Trained at the School of Industrial Arts in Helsinki under Arttu Brummer, she designed lighting for Idman Oy early in her career while simultaneously developing the innovative glass objects for which she is best known.

Model 51132/5 features five amber-tinted glass shades arranged in a circular composition, each supported by elegantly curved brass arms that extend from a central hub. The shades have a finely spiral-moulded surface that subtly refracts the light, giving the warm amber glass additional depth and texture when illuminated. The looping brass arms become an integral part of the design, creating a rhythmic composition of repeated curves beneath the glass. The slender suspension stem reinforces the chandelier's light appearance, allowing the sculptural arrangement of the shades to take center stage. The contrast between the polished brass and softly glowing glass creates a warm, balanced composition that is equally decorative whether lit or unlit. Every element is carefully proportioned, from the compact central fitting to the generous spacing of the five shades, resulting in a fixture that distributes light evenly while maintaining a refined architectural presence.

Despite her short career, Nyman received international recognition, including a gold medal at the 1937 Paris World Exhibition, and her work is represented today in major museum collections. This chandelier demonstrates her ability to combine functional lighting with sculptural composition, while reflecting the high level of craftsmanship that characterised Finnish lighting produced by Idman during the mid-twentieth century.

Condition:

In good vintage condition. Wear consistent with age and use. The chandelier has recently been rewired and reconditioned. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. Additional imperfections on the glass may be present due to manufacturing inconsistencies and age. The brass showcases a beautiful, slight patina. All lighting can be converted for US usage.

Dimensions:

23.22 in W x 21.65 in D x 30.90 in H

59 cm W x 55 cm D x 78.5 cm H

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Price category: 20,000 - 30,000 usd / eur

This striking set of wall lamps, designed by Rolf Krüger and Dieter Witte, highlights the refined innovation of 20th century German design. Crafted in lacquered aluminium, each lamp showcases a minimalist aesthetic that merges industrial functionality with sculptural elegance.

These lamps were conceived during a period of dynamic experimentation in German design, where materials like aluminium were celebrated for their lightness and modern appeal. The square, boxy shape speaks to the geometric influence of the Bauhaus and mid-century modern design, and highlights the uniqueness of the set. The lacquered finish adds a sophisticated touch, lending the fixtures a sleek, contemporary presence that remains timeless. Whether arranged in a linear sequence or displayed asymmetrically, the set creates a versatile and cohesive lighting solution for a variety of interiors. Furthermore, the harmonious pairing of black and white endures as a hallmark of sophistication, blending seamlessly into contemporary design aesthetics. The prowess of the designers becomes evident as this set stands as statement pieces despite their minimalism.

Rolf Krüger and Dieter Witte, both known for their contributions to lighting and industrial design, brought a shared vision to these wall lamps — one that balances modernist restraint with expressive detail. As a set, they not only function as sources of light but also serve as sculptural elements that enhance the architectural character of any space. These lamps are a testament to the enduring legacy of German modernism in the decorative arts.

Condition:

In good vintage condition. Wear consistent with age and use. The lamps have recently been rewired and reconditioned. The lamps are later repainted. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The lamps are compatible with an E26 / E27 (standard) fitting.

Dimensions:

9.84 in W x 4.33 in D x 9.84 in D

25 cm W x 11 cm D x 25 cm H

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Price category: 5,000 - 7,500 usd / eur

During the mid-20th century, Scandinavian lighting designers frequently turned to organic forms as a way to soften the harsher industrial modernism. Rather than relying on strict geometry alone, many fixtures incorporated flowing silhouettes inspired by nature, balancing functional lighting with a more decorative and atmospheric presence. Brass was the material of choice during this period, being able to be shaped into sculptural forms that retain their sense of craftsmanship. 

This pair of wall lights captures the essence of the era through its branch-like composition and asymmetrical structure. Each fixture is formed from curving brass arms that extend upward in a fluid, botanical arrangement, supporting four individual light sockets positioned throughout the length of the pieces. The lines blow naturally from the wall mount, creating a silhouette that resembles growing stems, and not a mechanical construction. Despite the decorative quality of the composition, the design remains balanced and elegant. The polished brass surface reflects the warm glow of the bulbs, emphasizing the rhythm of the curved forms while adding depth and variation to the surface. The exposed bulbs become part of the design, reinforcing the sculptural appearance and contributing to the soft ambient light produced by the fixtures.

Wall lighting from this period was designed not only to illuminate a room, but also to complement their surroundings through movement and ambiance. These wall lamps fulfill their role through their utilitarian, as well as clear decorative effect. Their combination of fluid brass lines and warm light gives the fixtures a distinct presence without becoming excessive.

Condition:

In good vintage condition. Wear consistent with age and use. The wall lamps have recently been rewired and reconditioned. There may be minor dents and scratches in the metal. Due to the age and nature of the brass, the wall lamps may have marks, and discolouration. These lamps are compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.

Dimensions:

10.63 in W x 4.33 in D x 31.10 in H

27 cm W x 11 cm D x 79 cm H

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Price category: 5,000 - 7,500 usd / eur

This stunning 1940s ceiling lamp pair was designed by Gunnel Nyman and produced by the esteemed company, Idman Oy. Established at the end of the 19th century in Finland, Idman Oy was renowned for its exceptional metalwork and craftsmanship, gained a reputation for producing high-quality furniture and lighting pieces that embodied the principles of functionality and aesthetic simplicity. These Model “81003” lamps are a shining example of their dedication to these values that still stand strong today.

Suspended from slender, elegant nickel-plated brass rods and finished with minimalist metal caps, the rounded shades float gracefully. The pendant lamps feature opal or milk glass, perfect for diffusing the light in an elegant manner. The glow enhances the surrounding space without harshness, embodying the designer’s belief in lighting as an integral architectural element rather than a mere accessory. The refined simplicity of the form allows the quality of the materials and the purity of the design to shine. The craftsmanship is evident in every detail, showcasing a masterful sense of balance and proportion. With their timeless shape, these lamps have maintained their appeal over decades, blending perfectly into various interior styles, from mid-century modern to contemporary spaces. In the 1940s, Idman played a pivotal role in shaping the Finnish design landscape. The company developed an impressive portfolio of iconic pieces that continue to be cherished today.

Although Gunnel Nyman’s career was cut short by an untimely death, she had time enough to give a new direction to Finnish glass design. This model, with its blend of materials, impeccable craftsmanship, and timeless design, remains a testament to the company's dedication to creating objects of enduring beauty.

Condition:

In good vintage condition. Wear consistent with age and use. The lamps have recently been rewired and reconditioned. Due to the nature and age of the materials, the lamps may have minor marks, scratches, and discolouration. Additional imperfections on the glass may be present due to manufacturing inconsistencies and age. All lighting can be converted for US usage.

Dimensions:

Lamp 1:

9.84 in ø × 32.68 in H

25 cm ø x 83 cm H

Lamp 2:

9.84 in ø × 26.77 in H

25 cm ø x 68 cm H

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Price category: 5,000 - 7,500 usd / eur

Paavo Tynell is regarded as one of Finland’s pioneering lighting designers, celebrated for his poetic approach that merged natural inspiration with refined craftsmanship. Working for his company, Taito Oy, during the first half of the 20th century, Tynell was instrumental in shaping the character of Finnish lighting design. His creations often combined brass, glass, and delicate detailing, resulting in fixtures that feel timeless and sophisticated. This hanging lamp, model “1004”, is an exemplary representation of Tynell's artistic vision and technical mastery.

This uniquely decorated hanging lamp was designed in an era in which Finland saw the birth of many of its most iconic lighting models. It was a period of consistency, excellence, and sophistication design wise. Despite its age, this ceiling light has a hint of Art Deco in its design, with sinuous lines and pronounced decorative elements. One of the defining features of 20th century lighting is its marriage of functionality and aesthetics; the era's designers believed that a well-made lighting fixture could serve a practical purpose while also acting as a piece of art, and this lamp is a testament to this sentiment. Moreover, brass was very much one of the most popular materials of the era, and when combined with glass, a sleek shiny look can be created, like this model exemplifies. This material duo makes sense from both a functional and visual standpoint. Not only is brass corrosion-resistant and durable, but it withstands the test of time, developing a beautiful patina as the years go by. Moreover, on the list of decorative elements are the ring on the finial, the rod adorned with a floral element, the curves of the arms, and finally, the way the rod connects to the canopy. These features make this hanging lamp an early example of Tynell’s expressiveness that drew inspiration from previous design movements and eras.

Tynell was a master of peculiar decorative elements that never feel tacky or excessive and this is mainly thanks to his great sense of balance. In 1918 Tynell founded Oy Taito AB, which eventually became the Finnish lighting industry trendsetter during the interwar period. This rare model from the 1930s can easily draw all the attention while not compromising on quality and functionality.‎

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned. Due to the age and nature of the brass, it may have some marks, scratches, and discolouration. Additional imperfections on the glass may be present due to manufacturing inconsistencies and age. The brass is patinated. This lamp is compatible with an E27 standard fitting.

Dimensions:

12.2 in W × 8.1 in D × 27.2 in H

31 cm W x 20.5 cm D x 69 cm H

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Price category: 2,500 - 5,000 usd / eur

This “2004” pendant lamp, designed by Paavo Tynell for Taito in the 1930s, is a quintessential example of early Finnish modern lighting. Known as “the man who illuminated Finland,” Tynell was a pioneer in bringing elegance, lightness, and innovation to everyday interiors. His designs for Taito helped establish Finnish lighting as a global benchmark, blending functionality with a poetic sensibility that made lamps more than utilitarian objects, but integral elements of atmosphere and style.

This model features a softly stepped opaline glass shade that diffuses light evenly, producing a warm and atmospheric glow. The shade’s gentle form showcases Tynell’s gift for balancing simplicity with refinement, ensuring that the piece remains modest in profile while quietly sophisticated in detail. Suspended from a slender nickel-plated rod attached to a polished canopy, the lamp demonstrates Tynell’s sensitivity to proportion and harmony, qualities that made his designs adaptable to a wide range of interiors. The use of opaline glass was not only functional, providing glare-free illumination ideal for dining or working spaces, but also aesthetic, introducing a soft tone that completes the sheen of the metal fittings. When lit, the lamp enhances its surroundings in a practical, yet atmospheric way through masterful construction, elegant materials, and timeless allure.

Model “2004” was manufactured at Taito. In 1918 Tynell founded Oy Taito AB, which eventually became the Finnish lighting industry trendsetter during the interwar period. This rare model from the 1930s can easily draw all the attention while not compromising on quality and functionality.‎

Condition:

In good vintage condition. Wear consistent with age and use. The pendant lamp has recently been reconditioned and rewired. Due to the age and nature of the materials, the lamp may have minor marks, scratches, and discolouration. Additional imperfections on the glass may be present due to manufacturing inconsistencies and age. This lamp is compatible with an E26 / E27 (standard) fitting.

Dimensions:

12.79 in ø x 33.46 in H

32.5 cm ø x 85 cm H

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Price category: 2,500 - 5,000 usd / eur

By the 1950s, Finland had established itself as a force for innovation in design. The best qualities of Finnish light fixtures are their atmospheric light and disciplined, functionalist design that is not short of unique elements. These wall lamps were manufactured by Itsu, or Itä-Suomen Sähkö (eng. Eastern Finland Electricity), a small, then lesser-known manufacturer that produced characteristic models in small quantities.

This pair stands as evidence to the era's minimalist aesthetic. These wall lamps are not only embodiment’s of simplicity and elegance, showcasing a design ethos that continues to captivate admirers today, but also illustrate how simple design can be so ingenious and expressive at the same time. The modernistic look of this pair is achieved through the simple yet smart silhouette. The look is almost industrial, yet has the edge of early mid-century modernism. The rounded shape of these lamps is very effective in highlighting the opal glass and the copper reflectors. The mix of materials is a classic example of the contrast and harmony that Finnish design often seeks to achieve. Beyond the structural aspects, the copper’s aesthetic charm is undeniable; its rich patina and finish transform ordinary interiors into elegant and rich spaces. Furthermore, Finnish designers’ powerful abilities as architects are reflected in many of the lighting designs of the era, including this pair. They are a stylish representation of mature modernism that the Nordic country has been a master of since the 19th century.

Overall, the composition of the shapes and materials give these lamps a personality that isn’t loud but still stands out. The impression of this pair is fresh with a retro touch, sure to bring interest to any area in need of decor as a piece of design history.

Condition:

In good vintage condition. Wear consistent with age and use. The lamps have recently been rewired and reconditioned. Minor dents and scratches are present. Due to the nature and age of the materials, the items may have marks and discolouration. All lighting can be converted for US usage.

Dimensions:

8.46 in W × 13.19 in D × 7.48 in H

21.5 cm W x 33.5 cm D x 19 cm H

‎‎

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Price category: 30,000 - 40,000 usd / eur‎

‎‎‎‎

This lamp is one of those models that lighting design enthusiasts recognize immediately, a truly iconic design. Paavo Tynell designed this model “9060” in 1950-52 for the secretariat's room at the United Nations building in New York City.

Lighting designer Paavo Tynell, “the man who illuminated Finland,” was the founder and chief designer of Taito Oy - the first industrial producer of lighting fixtures in Finland. A master craftsman himself, Tynell’s elegant brass designs were derivative of a traditional aesthetic with a modern sensibility. This model is in many ways his most famous ceiling light design and not solely for its impressive story. The design has entirely unique elements such as the glass inside the reflector, the unusual circular finial, and the perforated shade to name a few. All of these features are in service of the unique distribution of the light, provided by four bulbs sitting above the glass inside the white lacquered reflector. The light shines in all directions thanks to the open, hanging brazier-like shade, the open bottom with brass circles, and the patterned, perforated brass. The result is bordering the realm of lighting art, with the brass dressed in golden light. The body is held by two brass rods connected to the rounded canopy. Despite its many distinctive elements, the design is united by its material, the beautiful polished brass, Tynell’s preferred material to work with.

Tynell’s international design influence grew thanks to the Finland House located in New York City and resulted in prestigious commissions both for public buildings such as the United Nations HQ but also for important private collections. Model “9060” is a historic testament of his design prowess and craftsmanship, remaining one of the most coveted lighting pieces to this day.

Condition:

In good vintage condition consistent with age and use. The brass has some weather marks and a beautiful patina.

Dimensions:

21.45 in ⌀ x 20.86 in H

54.5 cm ⌀x 53 cm H

Literature:

Idman, sales catalogues, no. 135, 136, 140, 142, 1953-1959, n.p.
Finland House Lighting: Harmony in lighting for harmony in living, original designs by Paavo Tynell, sales catalogue, New York, p. 23.

About the designer:

Paavo Tynell (1890-1973) was an industrial designer, known as the great pioneer of Finnish lighting design and fondly dubbed as “the man who illuminated Finland”.

Tynell was one of the founders and chief designers of Taito Oy – the first industrial producer of lighting fixtures in Finland. With the innovation of electricity in the beginning of the 20th century, Taito Oy and Tynell expanded the thinking and manufacturing of modern lighting solutions in Europe and abroad. 

Paavo Tynell rose to prominence in the 1930s and 40s when he collaborated with some of the most renowned Finnish architects, Alvar Aalto being the most notable one. Working to incorporate artificial lighting into modern environments, Tynell’s company Taito Oy produced fixtures for all of Alvar Aalto’s major projects. Tynell was especially appraised through his involvement with the Finland House, a design atelier in New York that showcased the work of Finnish designers and craftspeople. His elegant brass designs became an instant success in North America, and he began creating lighting designs for the prestigious American company, Lightolier. 

Marked by delicacy and softness, his most famous forms in lightning echo the structures of nature; he adroitly created sculptural shapes reminiscent of the branches of trees, swirling snowflakes and seashells. ~H.

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Price category: 2,500 - 5,000 usd / eur

Glössner & Co. was a Swedish glass company founded by brothers Karl-Erik and Harry Glössner, active from the 1930s. Known for their decorative glasswork, they produced a range of items including etched and frosted glass, leaded glass windows, and artistic lighting fixtures. Their designs often featured stylised figures, nature motifs, and geometric patterns, all carachteristics found in this ceiling lamp.

Bo Notini was among the most accomplished lighting designers working in Sweden with Glössner & Co.. Notini came from a family of designers, his grandfather Harald and father Gunnar being key figures of Swedish lighting creation. Bo Notini often incorporated etched or sandblasted decoration into understated, elegant forms, in the case of this lamp, they take the form of birds, clouds and raindrops - all elements inspired by nature. These stylised elements are etched on an amber glass shade suspended from a slender brass rod and canopy, creating a light composition. The gently curved sides of the shade soften the simple profile, while the polished brass introduces a subtle metallic counterpoint to the textured glass. When lit, the amber glass diffuses a warm glow that highlights the etched decoration from within. The restrained palette of brass and glass allows the quality of the materials and craftsmanship to remain the focus, resulting in a fixture that is both decorative and highly refined.

Glössner & Co. developed a body of work distinguished by its refined proportions and exceptional glass craftsmanship. This piece remains an elegant example of Swedish lighting design from the 1940s, equally compelling as a source of ambient light and as a finely crafted decorative object.

Condition:

In good vintage condition. Wear consistent with age and use. The pendant lamp has recently been reconditioned and rewired. Due to the age and nature of the chrome, the lamp may have minor marks, scratches and discolouration. Additional imperfections on the glass may be present due to manufacturing inconsistencies and age. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.

Dimensions:

12.20 in W x 12.20 in D x 23.22 in H

31 cm W x 31 cm D x 59 cm H

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Price category: 2,500 - 5,000 usd / eur

Hans Bergström’s designs are just as scarce today as the information available on the Swedish designer despite their undeniable visual and material quality. Guided by the mantra, “Light must be white and shine freely,” he designed and produced functional yet modern fixtures that were intended to brighten up entire spaces.

Bergström was the founder and creative director of the lighting firm Ateljé Lyktan, which he founded in Åhus in 1934. There he created amazing lighting in various shapes and forms. This unique wall mounted lamp is attributed to the iconic designer. The most distinctive design element of this model is the perforated brass shade. The multitude of small perforations in the metal not only serves an aesthetic function, adding texture and visual interest, but also plays a key role in the diffusion of light; these openings allow for a soft, dappled light to escape, creating a serene star-like pattern on the surrounding wall, further enhancing the lamp's charm. additionally, the slender metal arm is adjustable, allowing the piece to be customised depending on the user’s need. Each component of this brass wall lamp was designed with functionality and elegance in mind, culminating in a piece that transcends simple utility. It is a striking blend of form and function, a luminary that offers not just light, but also a touch of artisanal charm that can enhance the decor and warmth of any contemporary interior.

The 1950s was a period of renewal, prosperity, and optimism following the world wars. This resulted in lighting designers seeking to create pieces that embodied the spirit of the age, reflecting the fast-paced and industrialised world, like this gorgeous model.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the item may have minor dents, marks, scratches, and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

7.28 in W x 25.19 in D x 13.58 in H

18.5 cm W x 64 cm D x 34.5 cm H

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Price category: 5,000 - 7,500 usd / eur

Finnish mid-century design is characterised by simple, elegant forms that Paavo Tynell was a master of. Like Finnish culture, he embraced timeless beauty, sustainability and a deep connection to the natural world. One of his favourite materials to work with was glass, as this set of three ceiling lamps showcases.

This pair embodies the sleek and simple aesthetic that characterised modern Finnish design. Still, even in the absence of ornamentation or elaborate shapes and forms, there was always an emphasis on interesting materials. Milk glass, appropriately named for its opaque or transparent ivory white tone, was first created in Venice in the 16th century, known as Lattimo. At that time, it was widely used for decorative purposes and continued to be popular during the 20th century when the material was used to decorate households as home accents. These lamps have an eye-catching shape thanks to the brass ring detail. Still, the edges are just as soft as the light these lamps emit. These pieces are flush mounted without any exposed parts but the glass shades. Tynell was a master of working with milk glass, and his lamps of this material are some of his most sought-after designs.

The mid-century period was a time of great innovation in Finnish design, as artists like Tynell pushed the boundaries of what was possible with new materials and manufacturing techniques. At the same time, there was a strong emphasis on simplicity and functionality, with designers who sought to create objects that were both beautiful and practical. Tynell's model "A2-7" lamps embody these qualities perfectly, with clean lines, and a unique, but functional design.

Condition:

In good vintage condition. Wear consistent with age and use. The ceiling lamps have recently been rewired and reconditioned. There are minor dents and scratches in the copper. Due to the age and nature of the materials, the lamps may have marks, and discolouration. Additional imperfections on the glass may be present due to manufacturing inconsistencies and age. These lamps are compatible with E27 standard fittings. All lighting can be converted for US usage.

Dimensions:

9.64 in ø x 5.12 in H

24.5 cm ø x 13 cm H