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Price category: 5,000 - 7,500 usd / eur

Art Deco seating developed around a balance between modern construction and a more decorative approach to form. While earlier movements prioritised either ornament or strict function, Art Deco combined the two through geometry, symmetry, and the use of rich materials. Upholstered armchairs from this period often feature materials such as velvet, wood, and metal, used alongside bold shapes to create contrast while maintaining cohesion.

This armchair reflects that approach through its clear form and combination of upholstery with wooden detailing. The chair has thick armrests and a plush seat that allows for a stable and comfortable sitting position. The upholstery is fitted across the frame, with the material itself contributing to both comfort and appearance. A defining feature is the vertical wooden detailing integrated into the sides of the chair. This element introduces a contrasting material while also breaking up the otherwise smooth upholstered surfaces. The vertical flute reinforce a sense of rhythm and geometry that aligns with Art Deco’s signature characteristics. At the same time, they provide a visual transition between the soft fabric and the short feet that anchor the piece. Chromatically, the burnt orange of the textile and the warm tone of the wood come together to create a cosy, comforting look.

This chair combines a functional form with careful detailing, highlighting the artistry and timeless craftsmanship of an era that valued glamour and luxury as well as usability. It will work perfectly as an accent piece in a home, offering a clear, structured presence within an interior.

Condition:

In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Due to the nature of the material, the item may have some marks, scratches, and discolouration. The item has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

33.85 in W x 35.82 in D x 29.72 in H; Seat height 19.48 in; Seat depth 23.22 in; Arm height 24.60 in

86 cm W x 91 cm D x 75.5 cm H; Seat height 49.5 cm; Seat depth 59 cm; Arm height 62.5 cm

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Price category: 7,500 - 10,000 usd / eur

This beautiful Danish lounge chair is an early example of Scandinavian mid-century modern design as well as outstanding craftsmanship with a quality that honours the materials and users. The period from roughly the 1940s through the 1960s was a high point for Danish furniture makers, and this chair shows why.

Designed in the early phase of what we know today as mid-century modern, this lounge chair is a Danish delicacy with a unique look. With its classic shape paired with modern design elements, it combines the best design characteristics of the 1940s. The large, enveloping backrest dictates the shape of this chair, as it forms most of the structure, including the armrests. The curvature creates an inviting and open look, enhanced by the soft sheepskin upholstery. The inside of the upholstered back is sectioned which creates a shell-like look. The thick, bun feet-like front legs are a pleasant touch. The warm brown colour of the stained wood nicely contrasts to the off-white sheepskin, not to mention the thick wooden feet make a long-lasting, rock solid foundation for any chair. The chair’s back legs differ, they are straight, which is an eccentric detail that adds visual interest. Master cabinetmakers were highly aware of body proportions, prioritising comfort just as much as the visual qualities, therefore this lounge chair provides support for the back and great sitting comfort.

Perfectly suited for a vintage or contemporary interior, this chair represents a marriage of artistry and comfort. Its upholstery captures attention, adding warmth and vibrancy to any space, while the wooden feet are grounding, together making this piece into an ideal statement piece.

Condition:

In good vintage condition. Wear consistent with age and use. The wood has some scratches and marks. Due to the nature and age of the materials, the chair may have additional discolouration. The chair has recently been reupholstered in premium sheepskin. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

34.25 in W x 33.46 in D x 27.55 in H; Seat height 14.56 in

87 cm W x 85 cm D x 70 cm H; Seat height 37 cm

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Price category: 2,500 - 5,000 usd / eur

Danish armchairs reflect a strand of mid-20th century design that is expressive while also maintaining the minimal decor of the period. While much Scandinavian furniture from this period is associated with restraint and lightness, artists such as Henning often introduced a more sculptural character, combining solid oak construction with carved or shaped elements. His “razorblade” backrests became a defining feature, giving otherwise simple chairs a distinctive identity.

This armchair, in the manner of Kjærnulf’s work, follows that direction through its solid oak frame and clearly defined silhouette. The structure is built with thick elements, with the legs and arm supports featuring turned details. The backrest is composed of three horizontal slats with gently curving edges, creating a layered effect that adds depth without complicating the form. The woven seat introduces a counterpoint to the rigid wooden frame. Made from natural fibres, it has an organic texture that contrasts with the smoother surfaces of the oak. This material choice offers breathability while remaining durable over time. The combination of solid wood and woven seating reflects traditional craftsmanship, where each material is valued, and comes together to create enduring pieces.

What makes the chair stand out is the way it balances weight and detail within Danish design. It feels solid and deliberate, able to anchor a space, while still being functional for everyday use.

Condition:

In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Minor dents and scratches are present. Due to the nature of the materials, the item may have some marks and discolouration.

Dimensions:

25.19 in W x 26.37 in D x 36.61 in H; Seat height 14.96 in; Seat depth 20.47 in; Arm height 24.80 in

64 cm W x 67 cm D x 93 cm H; Seat height 38 cm; Seat depth 52 cm; Arm height 63 cm

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Price category: 7,500 - 10,000 usd / eur

This stunning armchair, designed by the renowned French duo Guillerme et Chambron, showcases an exquisite blend of elegant aesthetics and rustic design elements. Crafted in the mid-20th century by Votre Maison, the model reminds us how form and elegance blend together in the duo's exceptional distinctive craftsmanship style.

The solid oak wood frame provides a sturdy yet elegant structure, showcasing the beautiful material. The sculptural form allows for a dynamic visual movement between the different accents of this model. The back is composed of seven oak spindles, standing detached from the arms. The armrests are carved with great precision to serve a double purpose: an aesthetic role, and a functional one thanks to the cushioning. The frame is striking through its composition, yet the look is enhanced even further thanks to the upholstered cushions, which immediately draw the eye with their playful geometry. Like most of their designs, this chair model displays a beautiful contrast between the wooden frame and the elegant light fabric. The material is not only visually appealing but also selected for its comfort and durability, ensuring that the chair is as practical as it is beautiful. This model also shows how Guillerme et Chambron pieces possess an unusual flare.

Guillerme et Chambron’s work not only represents the fusion of function and form, but also exemplifies the mid-century modern and brutalist aesthetic - which they played a pivotal role in shaping. Their emphasis on quality craftsmanship and the use of noble materials like oak has undeniably left a lasting imprint in the world of furniture making, solidifying their legacy in the French design landscape during the mid-century era.

Condition:

In good vintage condition. Wear consistent with age and use. The item has been reconditioned. Due to the nature of the materials, the item may have some marks, scratches, and discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.92 in W x 35.03 in D x 37.79 in H; Seat height 15.35 in; Seat depth 20.86 in; Arm height 22.24 in

76 cm W x 89 cm D x 96 cm H; Seat height 39 cm; Seat depth 53 cm; Arm height 56.5 cm

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Price category: 30,000 - 40,000 usd / eur

Swedish architect and furniture maker Axel Einar Hjorth worked as the lead designer for Sweden’s Nordiska Kompaniet department store from 1926 to 1938. During this time, Hjorth designed the “Sportstugemöbler” series, (which translates to “sports cabin furnishings”) a collection of wooden furniture designed for country homes. The various models in the sportstugemöbler series took their names from locations in the Stockholm archipelago – including Blidö, Lovö, and Utö.

The “Lovö” model, designed within the series of chalet furnishings, was initially launched by Nordiska Kompaniet in 1932. The series was a response to a new and growing demand for furnishings for leisure houses where the style was more informal. This chair is crafted from local pine wood, while the backrest features iron rivets. The juxtaposition between the pine and iron provides a rustic, sturdy and resilient feel, elevating the timeless look of the model. The chair combines a simple and honest form of the handcrafted style of traditional Nordic “allmoge” furniture, and the international 20th century Modernist movement. The result is a modest yet visually interesting design with a strong silhouette. The pine body is composed of a low, curved back that is slightly tilted in order to increase the sitter’s comfort - highlighting the functional nature of the chair. The seat features a loose, removable cushion, upholstered in a textural, striped fabric. Not only is the design of this model unique, but the colourful, cushion further increases the special character, ensuring remarkable charm. The design is completed by four square, straight legs, offering sturdiness.

The “Sportstugemöbler” series had a lasting influence on Hjorth’s contemporaries, inspiring other big names within Nordic design, such as Carl Malmsten. From an international perspective, this series is the forerunner of later pioneering designs, so it comes as no surprise that these “Lovö” chairs became part of modernist design history.

Condition:

In good vintage condition. Wear consistent with age and use. This chair comes with its original upholstery or has been reupholstered by a previous owner. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

20.86 in W x 20.07 in D x 31.49 in H; Seat height 18.50 in; Seat depth 16.92 in

53 cm W x 51 cm D x 80 cm H; Seat height 47 cm; Seat depth 43 cm

About the designer:

Axel Einar Hjorth was born in a small Swedish village named Krokek, just outside Norrköping, on March 7, 1888. At the age of 20, he moved to Stockholm to study architecture and design at the Högre Konstindustriella Skolan.

Although he never graduated, in the 1920s Hjorth started working as a furniture designer for various manufacturers, such as H. Joop & Co., Myrestedt & Stern, Jonssons, and Nordiska Kompaniet. Hjorth’s designs from this period had neoclassical features combined with Swedish Grace. This romantic national style of Sweden was elegant and refined, yet simple. The anniversary exhibition of 1923 in Gothenburg marked the breakthrough of Swedish decorative arts, and made Axel Einar Hjorth a well-respected artist. From October 1926, Hjorth became the chief designer and architect of Nordiska Kompaniet department store in Stockholm. In the 1930s, Hjorth designed a furniture collection out of pine meant for serial production known as Sportstugemöbler (furniture for holiday houses).

Hjorth’s designs, from the luxury of neoclassicism to the severity of functionalism, are sharply distinctive in style, materials, and character. Unlike many of his contemporaries, Hjorth did not conform to the socially oriented ideas produced by Svensk Form (the Swedish Society of Crafts and Design). He played a significant role in the development of Swedish society as a whole, and particularly in Swedish industrial art.

Today Hjorth is often viewed as a precursor to the modern designs popularised by Charlotte Perriand, Jean Royére, Pierre Chapo, or Josef Frank. Recently, there has been a revival of appreciation for his work, showing his genius in a new light.

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Price category: 7,500 - 10,000 usd / eur

Danish Modernism can be visually described by this beautiful wing-back chair: sleek, organic and timeless. These attributes are met with high quality materials and the famous craftsmanship of the country’s cabinetmakers. This chair is a testament to the quality and craftsmanship of Villy Sørensen.

From the welcoming winged body and the solid wood frame to the cosy sheepskin upholstery, this chair expresses a quality of hygge and a feeling of contentment. The distinctive shape is a result of the two “ears” that encompass the sitter. One of the most notable chair styles that embodies Scandinavian modern design is the wing-back chair. The history of this type of chair can be traced back to the 17th century when they were originally designed to provide protection from drafts in grandiose, often chilly, European homes. With high backs and "wings" on each side to shield the sitter from cold air, these chairs were originally a symbol of prestige and comfort. To balance the sculptural, upholstered body is the beautiful solid wood frame that is left exposed on the sides as it also functions as a decorative element with its geometric angles and curves. The arms and tapered legs are formed from the same piece of wood resulting in a sleek impression. The wood’s colour and smooth surface contrast brilliantly with the sheepskin’s light colour and texture. Thanks to the properties of the sheepskin, this chair provides great, soft comfort as well.

Villy Sørensen had a unique design idiom, which is clearly visible in this model: function, durability, timeless design, and perhaps above all, comfort. This traditional yet playful chair combines all of these attributes, which makes it ideal to be the stylish focal point of any space.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature of the wood, the item may have some marks, scratches, and discolouration. The chair has recently been reconditioned and has recently been reupholstered in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.92 in W x 32.28 in D x 38.98 in H; Seat height 14.96 in; Seat depth 22.83 in

76 cm W x 82 cm D x 99 cm H; Seat height 38 cm; Seat depth 58 cm

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Price category: 15,000 - 20,000 usd / eur

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This beloved José Zanine Caldas lounge chair from the “Linha Z” or “Z Line” is an exceptional example of Brazilian design of the 1950s. The design dates to 1949, The woven leather straps and the organic shape is unmatched.

This chair model is made of plywood and features a distinctive shape, distinguished by its legs. The legs and arms are connected and form one unit and their shape inspired the name of the line, “Linea Z”. The edges are softly rounded, which matches the versatile curvature of the body, which enhances the organic feel of the chair. Besides the plywood frame, the original leather upholstery is the stand-out element of this chair both in terms of visual and technical terms. The leather strap seat and back are tightly secured to the plywood, completing the great graphic expression this is widely known for. The bolts of the joinery are left visible, a detail that adds to the rawness of the design. The bent seat is perfectly angled for lounging, supporting the sitter’s whole body.

The pioneering Brazilian designer, José Zanine Caldas’s present design was created by Mòveis Artisticos Z, the factory Zanine Caldas founded in São José dos Campos in 1948. Most of Zanine Caldas’s designs - especially this armchair - tap into the modernist aesthetic while bearing exceptionally unique shapes: form and function revisited with a twist.

Condition:

In good vintage condition. Wear consistent with age and use. Some scratches and discoloration on the wood. This chair comes with its original leather or has been reupholstered by a previous owner.

Dimensions:

24.21 in W x 40.94 in D x 32.48 in H; Seat height 12.4 in

61.5 cm W x 104 cm D x 82.5 cm H; Seat height 31.5 cm

Literature:
Movel Moderno Brasileiro, published by Olhares editores, São Paulo 2017 by Alberto Vicente and Marcelo Vasconcellos
Aric Chen, Brazil Modern, Monaclli Press, New York City 2016
Ruy Teixeira e Jayme Vargas, Desenho da Utopia, Olhares, São Paulo 2016

About the designer:

José Zanine Caldas was born in Belmonte, at the southern coast of Bahia, in 1919. Son of a doctor, Zanine was an autodidact who, from a young age, was fascinated with his environment, especially with trees.

While most architects of his generation studied extensively, Zanine developed his own style through doing and making, and at the age of 20 decided to exchange Bahia for Rio de Janeiro. There he opened up a workshop for architectural scale-models and had the chance to work with pioneering modern architects like Lucio Costa and Oscar Niemeyer.

Large scale furniture with modern design and affordable prices. This was the great advantage of the joinery Móveis Artístico Z founded in 1948 by the architect Zanine Caldas, in partnership with Sebastião Pontes and Paulo Mello, was a great success at the time. Headquartered in São José dos Campos (SP), it maintained its production for almost two decades. The form of creation, idealized by Zanine, was opposed to the market of the time, which was either based on the production of handmade furniture, in solid wood, or in pieces produced in series with an unattractive design. Breaking these paradigms, Móveis Artísticas Z revolutionized manufacturing pieces with improved design and great popular appeal.

Inspired by the local craftsmen who carved boats and furniture from fallen trees, Zanine began experimenting with chiselling and carving large, sculptural works, which became the focus of his later career. Zanine became a big advocate for preservation and in the 1980s, he established the Foundation Center for the Development of the Application of Brazilian Woods (DAM), in an effort to educate and attempt to reverse the rampant destruction of Brazilian rainforests.

Up until his death in 2001, Zanine kept his natural visions alive, and would plant a new tree in place of any tree that was taken down for one of his projects. ~H.

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Price category: 7,500 - 10,000 usd / eur

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This “Canada” or model P110 chair was designed by Osvaldo Borsani in 1965 and manufactured by the Borsani brothers’ company, Tecno. The chair is enriched with mechanical components that give it versatility in terms of composition, shape and arrangement.

The Borsani brothers’ company, founded in 1953, had strong ideals, mainly a philosophy of quality. Just like the company’s name in Italy, this “Canada” lounge chair is unmistakable. The wooden structure serves as the base for the upholstered sections that are divided into three parts. Immediately standing out are the oversized buttons, seven on both sides, that secure the cushions in place, while also increasing the visual quality of the chair. The extraordinary heritage of craftsmanship in the treatment of materials, in the attention to detail, in the interpretation of the shape defines this chair. Thanks to the innovative language of the design, this model can fit perfectly into any interior while still standing out visually.

The “Canada” lounge chair shows the rigor of form, the quality of materials and workmanship, and the attention to the opportunities of technology that Tecno is known for. The chair is upholstered in leather, which contrasts beautifully to the peculiar body.

Condition:

In good vintage condition. Wear consistent with age and use. Minor scratches on the back. The chair comes with its original upholstery or has been reupholstered by a previous owner. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

32.28 in W x 33.46 in D x 33.07 in H; Seat height 15.74 in; Seat depth 22.04 in; Arm height 21.06 in

82 cm W x 85 cm D x 84 cm H; Seat height 40 cm; Seat depth 56 cm; Arm height 53.5 cm

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Price category: 2,500 - 5,000 usd / eur

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‎The Amsterdamse School movement arose in response to the influence of Art Nouveau and Jugendstil in the late 19th and early 20th centuries. This movement, which took root in Amsterdam, sought to create a uniquely Dutch style that embraced traditional craftsmanship and celebrated the spirit of the current times. The Amsterdamse School extended its influence across various artistic disciplines, including architecture, decorative arts, and furniture design.‎

The styles’ main characteristics are reflected in the design of this chair beautifully: expressive, art deco-reminiscent, and functional. Amsterdamse School furniture is renowned for its sculptural qualities. Designers like Jac Levee sought to integrate form and functionality seamlessly, resulting in furniture pieces that were not only visually striking but also practical. The craftsmanship of Amsterdamse School furniture is exemplified by its intricate woodwork and joinery. Pieces often showcased decorative detailing through carvings, inlays, and geometric patterns. These elements add a touch of individuality and artistry to a piece, setting them apart from the mass-produced furniture of the time. In this chair, the backrest’s clean, symmetrical lines reflect the simple, yet sophisticated aesthetics of the era. The use of black round accents not only adds an element of visual interest to the design, but also serve to reinforce the structure and enhance the overall strength. To further add to the charm of the piece, the woven seat, made from durable natural fibres, highlights the attention to both function and form, by creating visual and textural interest. The beautifully symmetrical pattern showcases the timeless artistry of artisanal furniture.

Whether placed in a farmhouse or used to add an organic element to a modern interior, this chair provides both history and utility. More than just functional seating, this chair represents a moment in design history where furniture was built to last, to be used daily, and to shape the atmosphere of a room.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Minor scratches and discolouration. Due to the nature of the wood, the item may have some additional marks.

Dimensions:

25.59 in W x 20.86 in D x 37.40 in H; Seat height 18.50 in; Seat depth 16.92 in; Arm height 28.14 in

65 cm W x 53 cm D x 95 cm H; Seat height 47 cm; Seat depth 43 cm; Arm height 71.5 cm

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Price category: 5,000 - 7,500 usd / eur

Artifort was founded in 1890, when Jules Wagemans started a business as an upholsterer in Maastricht. A great deal changed with the arrival of the interior and furniture designer Kho Liang Ie, and in 1959 he recruited the French designer Pierre Paulin, beginning a long and fruitful collaboration between Paulin and the Dutch manufacturer. Pierre Paulin’s model “577” lounge chair, also known as the “Tongue Chair” or “Langue” in French, represents a bold and fluid design language that emerged in the mid-20th century.

Designed in 1967, and produced by Artifort, the chair is a hallmark of Paulin’s sculptural approach to furniture. He believed that “a chair should be more than simply functional”. This "577" lounge chair model features a seamless, flowing form that echoes the curve of a human tongue. The lounge chair offers a fresh departure from traditional seating, embodying the futuristic and organic sensibilities of the 1960s. Constructed with a metal frame covered in foam and upholstered in a beautiful off-white textured fabric, the design prioritises both form and comfort. The low armless profile encourages a relaxed posture and makes it visually striking from all angles. Paulin’s innovative use of materials and emphasis on ergonomic design allowed this chair model to become a functional piece and a statement - ideal for modernist interiors that value design and experimentation.

Today, the “577”/ “Langue” chair stands as a timeless icon of modern design, revered for its originality and enduring appeal. Through this design, Pierre Paulin and Artifort captured a unique moment when comfort, form, and avant-garde aesthetics come together beautifully.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

31.88 in W x 38.18 in D x 24.80 in H; Seat height 14.56 in; Seat depth 22.83 in

81 cm W x 97 cm D x 63 cm H; Seat height 37 cm; Seat depth 58 cm

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Price category: 12,500 - 15,000 usd / eur

This rare "Roset" chair is a striking creation by the Danish designer duo Ole Gjerløv-Knudsen and Torben Lind, manufactured by Mogens Kold in Denmark in the early 1970s. Introduced in 1972, the “Roset” model stands out for its sculptural form and innovative construction, embodying the spirit of Danish modernism with a playful and organic twist.

The chair’s design is both functional and deeply expressive. Its unusual shape evokes the comfort of a nest, welcoming the sitter into a softly embracing form.  The chair’s broad circular seat and gently curved split backrest encourage a relaxed lounging posture, creating an intimate and cocoon-like experience for the user. The feet, resembling fins, not only provide visual dynamism but also ensure stability, giving the piece a grounded yet airy presence. The body is constructed from three laminated plywood panels, precisely joined with visible brass screws that lend a subtle industrial touch while highlighting the craftsmanship and attention to structural detail. The model is upholstered in a premium wool and alpaca blend fabric, chosen for its softness, warmth, and luxurious texture. The light, tactile quality of the upholstery enhances the chair's inviting character and complements the warm natural tones and grain of the plywood shell.

The “Roset” model remains a rare piece that offers both sculptural impact and everyday warmth. It is an ideal statement chair capturing the balance between innovation, comfort, function, and aesthetics, that defines the best of Danish design from the period.

Condition:

Wear due to age and use. Some scratches and marks. Recently reupholstered in premium alpaca - wool blend fabric.

Dimensions:

35.63 in W x 31.50 in D x 23.43 in H; Seat Height 14.17 in

90.5 cm W x 80 cm D x 59.5 cm H; Seat Height 36 cm

About the designer:

Ole Gjerløv-Knudsen (1930-2009) was a Danish furniture architect. He studied at the School of Crafts, graduating in 1952 and then at the Academy of Fine Arts in Copenhagen until 1955. Gjerløv-Knudsen designed furniture series for both carpentry and industrial production in collaboration with fellow Danish furniture designer Torben Lind (1928-2016) from 1962.

Lind’s works showed a commitment to using the finest materials and extraordinary precision to create one-of-a-kind designs. Together, they became well-known for their light furniture in beech and plywood. The duo worked together at PP Møbler, creating furniture that became a trademark of Danish design.

During their long collaboration, Gjerløv-Knudsen and Lind designed numerous successful chair designs representing Danish mid-century modern, with special attention to outstanding comfort and ensuring long-lasting value by using quality materials. Many of their designs were produced by France & Son and Mogens Kold Møbelfabrik. The latter produced some of the most coveted furniture of the mid- 20th century. ~H.