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‎Price category: 1,000 - 2,500 usd / eur

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While Hans-Agne Jakobsson designed and produced various types of furniture, his lighting received greater international attention, and not without good reason. As these “V-149” wall sconces showcase, the Swedish designer mastered both the direction and colour of his lighting designs.

With the brass frames holding the glass shades, these lamps clearly show the Swedish designer’s studies in architecture, with beautiful geometric forms and symmetry dominating the structures. The popularity of brass in Swedish mid-century modern lighting design can be attributed to its golden hue, which adds warmth to the style's streamlined aesthetic. This wall sconce pair further exemplify the mid-century modern movement's guiding principles through their clean lines and geometric shapes. The structure is composed of a back-plate and single stem holding an elongated brass socket. The translucent glass shades stand out not only through the pairing of materials, but also by their generous size compared to the delicate appearance of the fixtures. These wall sconces divide the light evenly and brighten the yellow brass beautifully, creating a cosy and warm visual effect. This model was produced by Hans-Agne Jakobsson’s own company in Markaryd, Sweden.

Sconces are a timeless type of lighting fixture that easily elevate their surroundings. These fixtures never go out of style, and this is especially true for mid-century brass models like these lamps. While already stunning individually, these light models are even more effective when placed in close proximity to each other.

Condition:

In good vintage condition. Wear consistent with age and use. Some scratches and marks on the patinated brass structure. All lighting can be converted for US usage.

Dimensions:

7.87 in W x 5.9 in D x 9.05 in H

20 cm W x 15 cm D x 23 cm H

About the Designer:

Born in 1919 in Gotland, Sweden, Hans Agne Jakobsson is one of the most well-known Swedish lighting designers. He did his carpenter apprenticeship before studying architecture in Gothenburg.

First working as an industrial designer for General Motors, he later founded his own company after being an assistant to the designers Carl Malmsten and Werner West. In 1950, due to Christmas, he added a model of hanging lamps in small strips of pine in one of his stores to soften the lively lighting of the shop window. The people who were passing by were immediately seduced by this hanging lamp, which started it all. He established his own company in 1951: Hans Agne Jakobsson AB and began producing this model in his factories and achieved success abroad as well. In 50 years, he designed more than 2000 lamps with unique designs.

He used materials and experimented with multiple techniques, for example using fabrics with fringes, blown glass of colour and smoked glass. His great diversity resulted in a wide range of timeless lighting models. These pieces continue to seduce design lovers, as they adapt themselves to any interior, without blending into the background.

Today, Jakobsson’s works can be found in private homes as well as public institutions throughout Sweden. The designer passed away in 2009 in Sweden, leaving behind a great legacy. ~H.

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Price category: 2,500 - 5,000 usd / eur

Mid 20th century lighting design endures in popularity for numerous reasons. The era’s designers managed to make practical design look beautiful, while maintaining the highest quality. The mid-20th century brought about a design revolution throughout Europe, where function and form merged in the most intriguing ways. One such example of this era’s creativity is this exceptional wall lamp.

This beautiful piece is characterised by its distinctive marriage of materials combines brass and lacquered metal in a way that is emblematic of the era's fascination with contrast. When looking at the materials’ finish, the glossy sheen of the warm brass stands out against the matte lacquered metal. Similarly, the chromatic juxtaposition of the back and front plate catches the eye, creating visual interest. The backplate has an irregular, organic outline that softens the minimal construction. Mounted in front is a rounded brass element that projects outward from the wall almost like a petal with subtle perforations. The asymmetry of the composition prevents the fixture from feeling static, while the composition of the shapes and clever decorative elements give this light a personality that isn’t loud but still stands out.

The timeless appeal of this wall lamp is a reminder of an era when designers were free to explore new horizons in crafting distinctive and captivating lighting fixtures that continue to inspire and illuminate our lives today. Its compact scale and sculptural silhouette allow it to function both as lighting and as a small wall-mounted object within an interior.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

8.66 in W x 5.52 in D x 11.02 in H

22 cm W x 14 cm D x 28 cm H

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‎Price category: 5,000 - 7,500 usd / eur

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While Hans-Agne Jakobsson designed and produced various types of furniture, his lighting received greater international attention, and not without good reason. As this set of “V-149” wall sconces showcases, the Swedish designer mastered both the direction and colour of his lighting designs.

With the brass frame holding translucent glass shades, this set clearly shows the Swedish designer’s studies in architecture, with beautiful geometric forms and symmetry dominating the structures. Like most mid-century Swedish lighting designs, this model is also dominated by its brass structure. The popularity of brass can be attributed to its golden hue, which adds warmth to the style's modern aesthetic. This model further emulates the mid-century modern movement's guiding principles through its clean lines and geometric shapes. The structure is composed of a back-plate and pole holding a large, elongated brass socket. Next to the brass, the glass shade stands out with a shape that resembles a pressed sphere and has a generous size. Furthermore, thanks to the arrangement of the brass pole and the shade, these wall sconces divide the light evenly and brighten the yellow brass beautifully, creating a cosy, warm visual effect. This model was produced by Hans-Agne Jakobsson’s own company in Markaryd, Sweden.

Sconces are a timeless type of lighting fixture that can easily elevate their surroundings. These fixtures never go out of style, and have been in use for centuries. This is especially true for mid-century brass models like this lamp. While already stunning individually, these light models are even more effective when placed in close proximity to each other.

Condition:

In good vintage condition. Wear consistent with age and use. Some scratches and marks on the patinated brass structure. Due to the nature and age of the material, the items may have discolouration.

Dimensions:

7.87 in W x 5.9 in D x 9.05 in H

20 cm W x 15 cm D x 23 cm H

About the Designer:

Born in 1919 in Gotland, Sweden, Hans Agne Jakobsson is one of the most well-known Swedish lighting designers. He did his carpenter apprenticeship before studying architecture in Gothenburg.

First working as an industrial designer for General Motors, he later founded his own company after being an assistant to the designers Carl Malmsten and Werner West. In 1950, due to Christmas, he added a model of hanging lamps in small strips of pine in one of his stores to soften the lively lighting of the shop window. The people who were passing by were immediately seduced by this hanging lamp, which started it all. He established his own company in 1951: Hans Agne Jakobsson AB and began producing this model in his factories and achieved success abroad as well. In 50 years, he designed more than 2000 lamps with unique designs.

He used materials and experimented with multiple techniques, for example using fabrics with fringes, blown glass of colour and smoked glass. His great diversity resulted in a wide range of timeless lighting models. These pieces continue to seduce design lovers, as they adapt themselves to any interior, without blending into the background.

Today, Jakobsson’s works can be found in private homes as well as public institutions throughout Sweden. The designer passed away in 2009 in Sweden, leaving behind a great legacy. ~H.

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Price category: 7,500 - 10,000 usd / eur

During the mid-20th century, Scandinavian lighting designers frequently turned to organic forms as a way to soften the harsher industrial modernism. Rather than relying on strict geometry alone, many fixtures incorporated flowing silhouettes inspired by nature, balancing functional lighting with a more decorative and atmospheric presence. Brass was the material of choice during this period, being able to be shaped into sculptural forms that retain their sense of craftsmanship. 

This pair of wall lights captures the essence of the era through its branch-like composition and asymmetrical structure. Each fixture is formed from curving brass arms that extend upward in a fluid, botanical arrangement, supporting four individual light sockets positioned throughout the length of the pieces. The lines blow naturally from the wall mount, creating a silhouette that resembles growing stems, and not a mechanical construction. Despite the decorative quality of the composition, the design remains balanced and elegant. The polished brass surface reflects the warm glow of the bulbs, emphasizing the rhythm of the curved forms while adding depth and variation to the surface. The exposed bulbs become part of the design, reinforcing the sculptural appearance and contributing to the soft ambient light produced by the fixtures.

Wall lighting from this period was designed not only to illuminate a room, but also to complement their surroundings through movement and ambiance. These wall lamps fulfill their role through their utilitarian, as well as clear decorative effect. Their combination of fluid brass lines and warm light gives the fixtures a distinct presence without becoming excessive.

Condition:

In good vintage condition. Wear consistent with age and use. The lamps have recently been rewired and reconditioned. Due to the nature and age of the materials, the items may have marks, scratches, or discolouration. These lamps are compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

8.27 in W x 4.73 in D x 36.03 in H

21 cm W x 12 cm D x 91.5 cm H

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Price category: 5,000 - 7,500 usd / eur

Art Deco emerged from the 1925 Paris Exposition, celebrating craftsmanship, modern materials, and stylised forms - balancing decorative flair with functional clarity. European designers became known during this period for combining bold forms with the durability of fine materials to create sophisticated lighting models like this set of three wall lamps.

These lamps perfectly marry strong edges with rounded curves to obtain the ideal balance of form. The set is constructed from patinated brass, and the material’s tones elegantly highlight both its age and craftsmanship. The interplay between the rich patina of the brass and the milk-white shades create a harmonious contrast, while the symmetrical arrangement reinforces the balance and rhythm central to Art Deco design. The visual interest of this set is accentuated by the form of the hands that suspend from the wall mounting to the body of the lamps - reminiscent of a hand holding a torch or even a wine glass. When lit, the lamps create an exceptionally atmospheric light, giving the brass a warm colour. Wall lamps such as this are a timeless example of how thoughtful craftsmanship can result in lighting fixtures that transcend their utilitarian purpose, becoming works of art in their own right. Today, we consider Art Deco and the early 20th century era a golden age for lighting design. During these decades, some of the most significant luminaries were created, and remain highly sought-after today.

This wall lamp set bridges sculptural presence and domestic functionality. It embodies the enduring qualities of the Art Deco movement in Europe: geometric refinement, tonal richness, and atmospheric light. The qualities of this set transform it into a bold design statement, while still able to complement a modern space.

Condition:

In good vintage condition. Wear consistent with age and use. The lamps have recently been rewired and reconditioned. The glass has some imperfections. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The lamps are compatible with E26 / E27 (standard) fittings. All lighting can be converted for US usage.

Dimensions:

4.33 in W x 6.69 in D x 11.49 in H

11 cm W x 17 cm D x 29 cm H

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Price category: 2,500 - 5,000 usd / eur

Lighting is a huge part of Danish and Scandinavian design, ranging from the warm, low light of a candle to the bright overhead glow of a ceiling light. This wall lamp is a unique piece of functionalist design with unmistakable touches of Modernism.

This lamp stands firmly in Danish design lineage, balancing a sculptural presence with practical light diffusion, and embodying the craftsmanship and material honesty that became hallmarks of modern Scandinavian design. Made out of brass and glass, the lamp carries a beautiful warm hue lingering through its body. The brass frame provides a tonal contrast to the light shade, as well as safely securing the model to the wall. The proportions are meticulously balanced, allowing the dome shade to appear weightless when looked at straight on. Though understated, every element demonstrates the Danish mastery of form and proportion, where technical precision and visual grace coexist seamlessly.

A model like this can create an intimate and cosy experience in a dining room or enhance the ambience of a living room with a warm glow, without creating harsh shadows. This lamp is sure to be a lovely addition to any interior space.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Matte glass shade. Due to the nature and age of the materials, the item has minor marks, scratches, and discolouration. Imperfections on the glass may be present due to manufacturing inconsistencies and age. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

6.30 in W x 9.05 in D x 12.99 in H

16 cm W x 23 cm D x 33 cm H

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Price category: 2,500 - 5,000 usd / eur

In Scandinavia, during the mid-20th century, pieces were designed with the goal of serving generations to come. This was made possible by an emphasis on the creation of timeless designs that would suit the shifting tastes of the future. Working with high quality materials, and focusing on functionality, were some of the most important pillars of the design world.

Wall lamps are a timeless type of lighting fixture that can easily elevate their surroundings. These fixtures never go out of style, and have been in use for centuries for good reason. The simple style of this sconce is clean with a straightforwardly modern look. The lamp features a brass frame holding an opal glass shade. The shade, almost resembling a jelly fish, is held up by the brass stem. The choice of materials and shape of the design truly highlights the aesthetic of modernism. The light, when diffused casts a warm and inviting glow, creating an ambiance that is both timeless and comforting. This lamp’s presence is an excellent way to elevate the ambience of a room, creating an inviting and stylish atmosphere. The piece is particularly adaptable, capable of blending into a range of interiors while still offering a refined point of interest. It reflects a side of Scandinavian design that prioritises atmosphere and usability, where even the most modest objects are shaped with intention and care.

Swedish lighting design, deeply rooted in the country's commitment to quality craftsmanship and functional elegance, continues to influence global trends. The enduring popularity of mid-century modern design, exemplified by this wall lamp, underscores its timeless allure. This piece stands as a prime example of the enduring legacy and popularity of Swedish design excellence in the world of lighting design.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The glass shade has some minor imperfections. Due to the nature and age of the material, the brass may have some marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

9.05 in W x 13.77 in D x 12.20 in H

23 cm W x 35 cm D x 31 cm H

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Price category: 5,000 - 7,500 usd / eur

This set of Peter Celsing wall sconces are celebrated for their iconic design, bringing modernity into any setting. Being a visual representation of “Svensk design”, this model projects a powerful, concrete rendering of a sort of essentialised “Swedishness”.

These stylish brass wall sconces were designed by Celsing for Falkenberg in 1966 for the cultural center Kulturhuset in Stockholm. The modernistic look is achieved by the simple and smart design of the silhouette. The yellow brass bodies of this pair gently reflect the light, which can be elevated even more with diverse lightbulbs. The concave bowls are slightly lifted from the wall by the matte, black lacquered rings, giving them a floating appearance. The bulbs are placed directly in the centre of the bowls, reflecting the warm, subdued light evenly across the room. This model is equally attention grabbing when placed vertically on a wall or on the ceiling.

Falkenbergs Belysning was an excellent manufacturer of various lighting designs, with some models exhibited in museums to this day. Kalmar Läns Museum is among the Swedish institutions where the manufacturer’s lamps and their history is exhibited as part of the country’s cultural design heritage.

Condition:

In good vintage condition. Wear consistent with age and use. The lamps have some small marks and scratches. Due to the nature and age of the material, the item may have discolouration.

Dimensions:

11.41 in Ø x 6.29 in D

29 cm Ø x 16 cm D

About the designer:

Peter Elof Herman Torsten Folke von Celsing (January 29, 1920 – March 16, 1974) was a Swedish modernist architect.

He was born in Stockholm, Sweden and studied at the architectural school of the Royal Institute of Technology in Stockholm, and at the Royal Swedish Academy of Arts. Celsing has been the assistant of the widely known Swedish architect Sigurd Lewerentz. According to Adam Caruso, it was Celsing that helped Lewerentz to win the design competition for the Church of St. Mark (Markuskyrkan). This building and the later St. Petri Church (Olaus Petri kyrka) are now known as a starting point of brutalist architecture.

He later became professor of architecture at the Royal Institute of Technology. After working for some time in Beirut, he became head of the architectural office of AB Stockholms Spårvägar, the Stockholm tram and local railway authority, and designed a number of suburban metro stations. He also designed several churches: in Härlanda (Gothenburg), Almtuna (Uppsala), and Vällingby, a much-publicized modernist suburb of Stockholm.

Celsing often worked in a brutalist style with large exposed grey concrete surfaces, but occasionally combined this with large glass panes exposing the structure of the building from the outside, and interior details in wood. The best-known example of this are the Kulturhuset (House of Culture) at Sergels torg in central Stockholm (1966–1971). While he is mostly remembered as an architect, Celsing also designed furniture, mainly lighting, which reflects his talent in both architectural and furniture design. ~H.

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Price category: 2,500 - 5,000 usd / eur

Manufacturers such as Lyfa reflect the iconic movement of Danish lighting design. Founded in 1924, Lyfa produced lighting that combined craftsmanship with a growing interest in functional clarity. During the 1930s, Scandinavian designers adopted influences from both Art Deco and Bauhaus, resulting in pieces that balanced ornament with structural logic. While Art Deco introduced elegance and refined detailing, the modernist movement encouraged simplification and a focus on functionality.

This wall lamp is defined by its compact yet expressive composition, where each element contributes to a clear visual message. The softly rounded opaline glass shade forms the focal point, its spherical shape diffusing light evenly in all directions. This creates a warm, ambient glow that enhances the surrounding space while softening the overall appearance of the fixture. Supporting the globe is a curved brass arm that extends outward from the wall mount in a smooth, controlled arc. This introduces a sense of movement, contrasting with the more rigid geometry of the vertical back-plate. The brass structure carries a subtle patina, emphasizing the material’s age and adding depth to the surface. The vertical wall plate itself is understated, allowing the projecting arm and illuminated globe to define the lamp’s presence. This interplay between curved and straight lines reflects the period, where decorative softness met architectural discipline.

Together, the spherical shade and curved arm create a gentle, composition that feels both deliberate and restrained. This allows the lamp to integrate easily into a variety of interiors, from more traditional spaces to modern settings, without losing its character. As a result, the piece remains not only a functional source of light, but a subtle architectural accent, reflecting the enduring relevance of early Scandinavian design principles.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. Minor imperfections on the glass may be present due to manufacturing inconsistencies and age. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

7.09 in W x 8.66 in D x 13.38 in H

18 cm W x 22 cm D x 34 cm H

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Price category: 7,500 - 10,000 usd / eur

While Hans-Agne Jakobsson designed and produced various types of furniture, his lighting received greater international attention, and not without good reason. As this set of “V-149” wall sconces showcases, the Swedish designer mastered both the direction and colour of his lighting designs.

With the brass frame holding a translucent glass shade, these lamps clearly shows the Swedish designer’s studies in architecture, with beautiful geometric forms and symmetry dominating the structure. Like most mid-century Swedish lighting designs, this model is also dominated by its brass structure. The popularity of brass can be attributed to its golden hue, which adds warmth to the style's modern aesthetic. This model further emulates the mid-century modern movement's guiding principles through its clean lines and geometric shapes. The structure is composed of a back-plate and pole holding a large, elongated brass socket. Next to the brass, the translucent glass shade stands out with a shape that resembles a pressed sphere and has a generous size. Furthermore, thanks to the arrangement of the brass pole and the shade, this wall sconce divides the light evenly and brightens the yellow brass beautifully, creating a cosy, warm visual effect. This model was produced by Hans-Agne Jakobsson’s own company in Markaryd, Sweden.

Sconces are a timeless type of lighting fixture that can easily elevate their surroundings. These fixtures never go out of style, and have been in use for centuries. This is especially true for mid-century brass models like the "V-149". While already stunning individually, these light models are even more effective when placed in close proximity to each other.

Condition:

In good vintage condition. Wear consistent with age and use. The lamps have recently been rewired and reconditioned. Slight crack on one of the shades, but is not visible when mounted. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. Minor imperfections on the glass may be present due to manufacturing inconsistencies and age. These lamps are compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

5.51 in W x 8.07 in D x 9.05 in H

14 cm W x 20.5 cm D x 23 cm H

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Price category: 5,000 - 7,500 usd / eur

Between the 1920s and 1950s, Böhlmarks was a significant player in the Swedish design movement. Harald Notini, after becoming creative director in 1916, drove the company forward, producing what were considered pioneering and distinctive luminaires for the time. With an unmistakeable design, this model ‘8596’ wall sconce belongs to a historic collection of luminaires from a golden era.

At Arvid Böhlmarks Lampfabrik, the 1940s and 50s represented a period marked by undulating forms and organic material choices in a fundamental Swedish Modern manner. Consequently, the shape and material of the shade determines the overall aesthetic of this lamp. The design encapsulates a harmonious interplay of light and shadow, casting a gentle glow that will be sure to enhance the ambiance of any space. The 1950s was a period of renewal, prosperity, and optimism following the world wars. This resulted in lighting designers seeking to create pieces that embodied the spirit of the age, reflecting the fast-paced and industrialised world. The most distinctive design element of this model is the large white lacquered metal reflector that is in a folded shape. This ingenious addition not only provides a clean backdrop against which the front brass structure stands out, but also reflects the light to create a cosy effect. It also serves as a back-plate, therefore the lamp appears as if it were not fixed to the wall. The front brass plate also features a subtle decorative element; a perforated floral design. The brass exudes warmth and elegance, contrasting beautifully with the off-white metal.

The composition of the piece with its soft shapes and clever decorative elements give this wall lamp a stylish look that is guaranteed to set the tone of its interior. The sleek lines create a perfect balance between the ornamented features of the early 20th century, and the later phase of mid-century modernism with its more minimal, simplified lines.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

8.26 in W x 4.92 in D x 11.81 in H

21 cm W x 12.5 cm D x 30 cm H

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Price category: 5,000 - 7,500 usd / eur

Tynell's lamps have developed in style over time; his early lamps had a chandelier inspired design, during the 1920s, the use of glass became an increasingly important part of his lamps. During the interwar period, Tynell designed both art deco-style lamps and more functionalistic, simpler lamps. In his functionalist inspired lamps, Tynell took into account how the lamp was to be used, which is clearly traceable in the design of these “A2” lamps.

The modernistic look is achieved by the simple, yet smart design of the black lacquered cylindrical silhouette. The look is almost industrial, yet has the edge is Finnish mid-century design. By the 1950s, Finland had established itself as a force for innovation in design, and the versatility of Tynell explains why. As seen in this model, the masterful combination of materials, blend of aesthetic and functional design features, and expert craftsmanship was indispensable. Despite being made of metal, the bodies appear light mainly thanks to the structures connecting to the backplates that allow the lamps to be adjusted in almost any direction and angle. Furthermore, since the cylinders are open at both ends, providing two sources of light, making this pair both ideal task and ambient light sources. The two main structural elements - the white shade holders, and backplates and the black shades are clearly separated both by their colours and shapes. This results in a greatly balanced look that Tynell was a master of. The most significant clientele of the luminaires designed by Tynell were architects, which made Paavo Tynell the leading lighting designer for public spaces, and that likely goes for these “A2” wall lights as well.

The lamps still have Idman Oy’s manufacturer’s mark. The firm, Taito Oy, was established by Tynell in 1918, and it would become his life work. In 1953, Idman Oy acquired the majority of shares in Taito Oy, nonetheless, Paavo Tynell continued to work for the company on a freelance basis, through his own design firm. This model was designed and produced during this time.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

5.9 in W x 7.28 in H x 8.85 in H

15 cm W x 18.5 cm D x 22.5 cm H

About the designer:

Paavo Tynell (1890-1973) was an industrial designer, known as the great pioneer of Finnish lighting design and fondly dubbed as “the man who illuminated Finland”.

Tynell was one of the founders and chief designers of Taito Oy – the first industrial producer of lighting fixtures in Finland. With the innovation of electricity in the beginning of the 20th century, Taito Oy and Tynell expanded the thinking and manufacturing of modern lighting solutions in Europe and abroad.

Paavo Tynell rose to prominence in the 1930s and 40s where he collaborated with some of the most renowned Finnish architects, Alvar Aalto being the most notable one. Working to incorporate artificial lighting into modern environments, Tynell’s company Taito Oy produced fixtures for all of Alvar Aalto’s major projects including the Paimio Sanatorium and the Viipuri Library.

Tynell was especially appraised through his involvement with the Finland House, a design atelier in New York that showcased the work of Finnish designers and craftspeople. His elegant brass designs became an instant success in North America, and he began creating lighting designs for the prestigious American company Lightolier.

A master craftsman himself, Tynell’s designs were derivative of a traditional aesthetic with a modern sensibility, mixed with an extensive use of perforated and polished brass as material. Marked by delicacy and softness, his most famous forms in lightning echo the structures of nature; he adroitly created sculptural shapes reminiscent of the branches of trees, swirling snowflakes and seashells. ~H.