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Price category: 5,000 - 7,500 usd / eur

In Italy, the evolution of lighting design developed side by side with the post-war recovery after WWII. Designer lamps became more accessible, and the aesthetic and materials more experimental. This table lamp’s design shows this interesting and unique era’s marks in its clever solutions and use of materials.

The modern look of this lamp is achieved through the simple yet smart use of mediums. A continuous sheet of chromed metal was shaped to explore light diffusion, resulting in a piece that feels both contemporary and timeless. It carries an almost industrial quality, yet retains the refined edge of Italian mid-century design, encapsulating a harmonious interplay of light and shadow that casts a gentle, ambient glow. Composed of a base and a curved body that, from the side, resembles a capital ‘G’, the lamp’s form is both sculptural and functional. The sheen of the metal softens the light, producing a warm glow rather than a harsh beam. This choice of material also makes the lamp lightweight while maintaining its durability. Simplicity meets sophistication in this design, where craftsmanship and finish take center stage. The piece exudes a sense of artistic whimsy and individuality, embodying the best of its era. Italian lighting fixtures make striking focal points in any modern home and this table lamp is no exception.

Each component of this table lamp was designed with functionality and elegance in mind, culminating in a piece that transcends simple utility. It is a striking blend of form and function, a luminary that offers not just light, but also a touch of modern charm that can enhance the decor and warmth of an interior.

Condition:

In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Minor marks and scratches. Due to the nature and age of the material, item may have additional discolouration.

Dimensions:

10.63 in W x 8.66 in D x 12.59 in H

27 cm W x 22 cm D x 32 cm H

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Price category: 7,500 - 10,000 usd / eur

Hans Bergström’s designs are just as scarce today as the information available on the Swedish designer, despite his undeniable quality of output. Guided by the mantra, “Light must be white and shine freely,” he designed and produced functional and modern fixtures that were intended to brighten up entire spaces.

The beauty of these stylish lamps lies in the combination of materials, including the accent wooden necks, the brass elements and the scalloped edged shades. The pairing of brass and wood creates an interesting visual effect, where the organic and traditional look of the wood meets the modern look of brass. Swedish lighting manufacturers, like ASEA, were masters of creating designs with great textural variety - as this lovely table lamp shows. The brass elements tie the materials together in a design that is indeed innovative and modern, yet still fresh to the contemporary eye. The beautiful colours and textures of the materials are further emphasised when the light is turned on by the switch on the base. This elegant pair casts an atmospheric light and thus contributes to the warmth of an interior but also fits perfectly on an elegant surface.

This lamp model effortlessly shows off Bergström’s creativity that he always paired with structural precision and material quality. Hans Bergström had a modernist approach based on quality and attention to detail, and was the favourite lighting designer of many fellow architects, among them Bruno Mathsson.‎

Condition:

In good vintage condition. Wear consistent with age and use. The lamps have recently been reconditioned and rewired. The shades are later replacements. Due to the age and nature of the materials, the items may have marks, and discolouration. All lighting can be converted for US usage.

Dimensions:

15.35 in ⌀ x 22.63 in H

39 cm ⌀ x 57.5 cm H

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Price category: 2,500 - 5,000 usd / eur

Robert Bentsen was among the generation of Danish ceramicists who helped define the character of post-war stoneware production. During a period when Danish ceramics gained international recognition, designers focused on creating forms that highlighted the natural beauty of clay through texture, glazing, and proportion. Artists embraced the functional role of ceramics within the home, while producing pieces that combined artistic expression with the natural beauty of the material.

Model “378” is characterised by a bold body, with a silhouette that narrows from a thick, wide bottom into a thinner, contrasting neck. The stoneware body is enriched by a richly textured surface, where horizontal ridges emphasize the handmade quality of the piece. These ridges create variations in the glaze that subtly shifts in tone across the surface, ranging in earthy browns that catch the light across the shiny surface. The bottom introduces another eye catching detail, contrasting the texture above with a matte, unglazed segment. Above, the cylindrical drum shade introduces a geometric counterpoint to the organic quality of the curved ceramic. When illuminated, the light casts a warm glow that enhances the richness of the glaze and highlights the depth of the textured surface below.

What makes this lamp particularly appealing is the contrast between its restrained form and its highly expressive materiality. The silhouette is simple, yet the surface reveals layer upon layer of visual interest through texture, colour, and craftsmanship. As both a lighting fixture and a ceramic object, model “378” reflects the enduring appeal of Danish stoneware from the 1960s, where utility and artistry were inseparable.

Condition:

In good vintage condition. Wear consistent with age and use. The table lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the age and nature of the stoneware, the lamp may have marks and scratches. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.

Dimensions:

15.74 in W x 8.66 in D x 16.92 in H

40 cm W x 22 cm D x 43 cm H

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Price category: 7,500 - 10,000 usd / eur

Inger Persson (1936–2021) was one of the leading figures of twentieth-century Swedish ceramic design. After studying at Konstfack in Stockholm, she joined Rörstrand in 1959 at only twenty-two years old, during what is widely regarded as the factory's golden age. Working alongside celebrated designers such as Carl-Harry Stålhane, Marianne Westman, and Hertha Bengtsson, Persson developed a highly personal design language characterised by strong forms, rich glazes, and a willingness to move between functional objects and more sculptural creations. Her work is represented in the collections of Sweden's Nationalmuseum, and she remains one of the most recognised names associated with Rörstrand's artistic legacy today.

This pair of table lamps demonstrates Persson's sensitivity to surface and material. The cylindrical stoneware bodies are divided into distinct horizontal bands, each treated with a different glaze. Deep black sections frame the composition above and below, while a speckled band creates a striking contrast through rich brown and off white tones at the centre. Rather than relying on elaborate modelling, the lamps derive their visual interest from the interaction between colour, texture, and the subtle variations created during firing. The vertical form allows the glazes to remain the focal point, emphasising the ceramic quality rather than disguising them as purely functional objects. Above, the pleated fabric shades introduce a softer texture and a warm diffused light that complements the earthy palette of the stoneware.

Persson spent much of her career exploring how simple forms could be transformed through glaze and surface treatment, a quality that is clearly visible here. The lamps function not only as sources of light but also as examples of the experimental ceramic work that made Rörstrand internationally respected during the second half of the twentieth century.

Condition:

In good vintage condition. Wear consistent with age and use. The lamps have recently been reconditioned and rewired. Due to the age and nature of the material, the items may have marks, and discolouration. These lamps are compatible with an E27 / E26 standard fitting. All lighting can be converted for US usage.

Dimensions:

15.75 in ø x 24.41 in H

40 cm ø x 62 cm H

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Price category: 2,500 - 5,000 usd / eur

The manufacturer Søholm Stentøj (“Søholm Stoneware”) was one of the oldest and most revered names in Danish ceramics. It was founded in Rønne, on the Baltic island of Bornholm, in 1835 and became known for its distinctive ceramic designs, combining traditional craftsmanship with modern aesthetics. In the middle of the 20th century, Søholm produced a wide range of stoneware in various patterns and shapes, marrying practicality with artistry to create items that feel both grounded and elegant.

This model “1025” table lamp’s small yet bold, rounded body sits with a grounded presence. The overall form highlights the ceramic, which shows its natural texture and handmade qualities. The unique base features a beautiful blue glaze, a clear artistic touch by Søholm. The body features gently rounded edges, adorned with rhythmic ridges along the sides of the model, providing the perfect support for the fabric shade. The model is completed by an off-white pointed shade that softens the light, creating a warm, ambient glow, while adding another layer of visual interest and originality. The sharply geometric shade juxtaposes the curvatures of the body below. No aspect of this piece was overlooked in the design process, with the quality craftsmanship being rooted in the rich history of the lamp, as well as in its unique characteristics.

Wherever the lamp is placed, it effortlessly enhances the mood with its refined, polished aesthetic. In addition to its visual appeal, this lamp stands as a testament to the quality and craftsmanship of the mid-20th century. Its clean lines and functional elegance are characteristic of the era, combining minimalist grace with rich materials to create a piece that feels both contemporary and timeless.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

13.58 in ø x 12.20 in H

34.5 cm ø x 31 cm H

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Price category: 20,000 - 30,000 usd / eur

Paavo Tynell is widely regarded as one of the most important figures of Finnish lighting design from the twentieth century. From recognition at the Barcelona World Exhibition (1929) and Milan’s Triennale (1933), to the first prize for Best Lighting Design at the American Interior Decorator’s Competition (1950), Tynell earned his nickname as “the man who illuminated Finland”.  After studying at the University of Art and Design in Helsinki, he founded his own manufacturing company named Taito Oy, later merging with Idman. This collaboration resulted in the development of lighting fixtures that balanced craftsmanship, functionality, and a strong sculptural presence.

Model “5061” reflects these qualities through its distinctive use of polished brass and its elegantly proportioned silhouette. The lamp is constructed entirely from brass, a material that Tynell favoured for its warmth, durability, and reflective properties. The gently domed shade spreads outward in a smooth, continuous curve, creating a wide canopy that both conceals the light source and directs illumination downward. This form allows the metal surface to catch and reflect light subtly, enhancing the lamp’s glow while emphasizing the richness of the metal. The slender central stem tapers as it rises from the circular base, creating a sense of vertical balance that contrasts with the broader shade above. The circular base anchors the design without drawing attention away from the dynamic between stem and shade. This piece exemplifies the essence of Tynell’s designs: careful treatment of metal, soft diffusion of light, and forms that feel both restrained and expressive.

The 1950s were a time of great innovation in Finnish design, as designers like Tynell pushed the boundaries of what was possible with new materials and manufacturing techniques. Today, Paavo Tynell’s lighting designs remain highly sought after for their ability to combine technical clarity with subtle detail. Model “5061” shows this approach, demonstrating how a designer can transform a practical object into a refined piece of design.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. Due to the nature and age of the material, the lamp has marks, scratches, and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

14.17 in ø x 15.74 in H

36 cm ø x 40 cm H

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Price category: 2,500 - 5,000 usd / eur

This cantilever table lamp embodies an era of bold aesthetic choices that combined structural shapes with sleek materials. Postmodernism in the 1980s embraced a playful approach to design, making this table lamp not only functional but also a statement that serves to inject energy and individuality into any interior.

The silhouette is the central visual element of this table lamp, with a frosted glass shade suspended from an angular wooden arm, balanced by a contrasting egg-shaped base. The balance between clean linear elements and soft curves creates a composition that feels both dynamic and harmonious. The craftsmanship involved in creating this piece is evident in the seamless construction and attention to detail. The wooden body is carefully carved to highlight the natural grain and warm tones of the material, while the smooth finish enhances the lamp’s tactile appeal. Designed for both stability and elegance, the base grounds the composition without overpowering its refined look. When illuminated, the soft glow of the light allows for a warm, inviting atmosphere to emanate within a space.

While the latter half of the 20th century saw the takeover of mass production and many - now iconic - futuristic designs, this table lamp preserves the value and beauty of master craftsmanship and exquisite materials.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. Due to the nature and age of the materials, the lamp may have some marks, scratches, and discolouration. The shade is a later replacement. The lamp is compatible with E26 / E27 (standard) fittings. All lighting can be converted for US usage.

Dimensions:

13.19 in W x 8.46 in D x 22.83 in H

33.5 cm W x 21.5 cm D x 58 cm H

Shade:

3.94 in ø x 8.07 in H

10 cm ø x 20.5 cm H

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Price category: 2,500 - 5,000 usd / eur

Fridtjof Sejersen was a Danish ceramicist in the postwar period, known for his material experimentation and expressive surface work. From the early 1940s to the late 70s, through his company, Sejer Keramik, Sejersen explored the tactile and visual possibilities of chamotte clay, a coarse ceramic material that allowed for sculptural forms and richly textured glazes. His work sits comfortably within the broader context of Danish modern design, where craftsmanship and artistic individuality were valued as much as functional clarity.

This table lamp model is an object that is both utilitarian, yet anchored in the ceramic traditions that defined Danish craft throughout the mid-20th century. The base has a plump, rounded profile that feels grounded and inviting, while the stem is slender and long. The base features an inlay, which adds to the visual interest of the design. The surface of the chamotte displays texture, reminding of the material’s natural qualities. The shade introduces another layer of warmth, diffusing the light into an ambient glow that complements the material below. Together, the stoneware and textile create a dialogue between weight and softness, cool ceramic and warm illumination. This interplay is what makes the piece feel both functional and artistic.

As a piece, this lamp works beautifully in interiors that value character and material honesty. It adds warmth and texture to a room, whether placed on a side table, shelf, or desk, and pairs easily with both modern and more traditional furnishings. Beyond its practical use, it represents a moment in Danish design where studio ceramics and functional objects came together seamlessly.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The lamp has minor marks and scratches. Due to the nature and age of the materials, the lamp may have discolouration. The shade was custom made by our in-house atelier. The lamp is compatible with E26 / E27 (standard) fittings. All lighting can be converted for US usage.

Dimensions:

15.75 in ø x 21.65 in H

40 cm ø x 55 cm H

Shade:

15.75 in ø x 8.27 in H

40 cm ø x 21 cm H

Base:

6.10 in ø x 3.54 in H

15.5 cm ø x 9 cm H

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Price category: 2,500 - 5,000 usd / eur

The second half of the 20th century was perhaps the most fertile breeding ground for innovation since the industrial revolution. Many Scandinavian lightning designers and companies of the era created innovative and distinctively modern pieces, such as this table lamp. 

The piece features a slender, tapering ceramic base with a richly textured glaze. Its surface features tonal variations and a lovely vertical pattern. The base of this piece features decorative motifs which greatly add to the visual interest while also adding depth. This design reflects the approach that an object can be utilitarian yet still anchored in the artistic ceramic traditions that defined Danish craft throughout the mid-20th century. The fabric shade introduces a layer of warmth, diffusing the light into an ambient glow that complements the ceramic below. A balance between softness and structure characterises this table lamp with the heavy stone body being softened by gentle curves and the pleasant warm light, creating perfect harmony. The overall aesthetic is essentially Scandinavian modern thanks to the combination of interesting material choices and a design that feels organic and natural.

Defined by verticality, this model is uniquely stylish and guaranteed to stand out. Adding illumination to a living space with this stylish table lamp will not only improve the ambience, it will also bring a piece of design history to the space. 

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade is a later replacement. Due to the nature of and age of the material, the item may have some marks, scratches, and irregularities. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

15.74 in ø x 24.41 in H

40 cm ø x 62 cm H

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Price category: 2,500 - 5,000 usd / eur

At the turn of the 20th century, Art Nouveau emerged as a reaction against historic revival styles and the mass-production brought about by the Industrial Revolution. It favoured organic lines, natural motifs, and a sense of fluidity. Across Europe, designers sought to create objects that felt alive, drawing inspiration from plants, vines, and patterns found in nature. This table lamp sits firmly within that context, reflecting the period’s fascination with craftsmanship, ornament and atmosphere.

The design of this lamp has a clear focus on the ceramic body. The unique base features a beautiful and organic colour palette with decorative details, giving a clear artistic touch. The base has a plump, rounded profile that feels grounded and inviting. Its ceramic body is covered in a rich, layered glaze that shifts between deep blues, creating a soft gradient. The surface displays texture, reminding of the material’s natural qualities. The fabric shade introduces another layer of warmth, diffusing the light into an ambient glow that complements the ceramic below. Together, the stoneware and textile create a dialogue between weight and softness, cool ceramic and warm illumination. This interplay is what makes the piece feel both functional and artistic.

Over a century since its creation, this Art Nouveau lamp stands as a timeless testament to an era that celebrated the marriage of art and craftsmanship, where even the smallest details were treated as opportunities for creative expression. This model is a true accent lighting piece, sure to start a conversations about style and beauty.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade is a later replacement.

This lamp is compatible with an E27 fitting. Due to the age of the lamp we recommend using LED bulbs.

Dimensions:

11.81 in ø x 16.33 in H

30 cm ø x 41.5 cm H

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Price category: 2,500 - 5,000 usd / eur

Dutch ceramic lighting in the 1960s often reflected a close relationship with functional design, where everyday objects were shaped with the same care as artistic ceramic works. Mobach, founded in Utrecht in 1895, built its reputation on traditional craftsmanship and a strong emphasis on hand-thrown forms, while building their centuries-long reputation.

Rather than standardising production, Mobach maintained a workshop-oriented approach, allowing variation in surface and finish to become part of each object’s identity. This table lamp demonstrates that sensibility through its form and richly textured surface. The base is composed of two clearly articulated volumes: a wider cylindrical foot and a narrower, elongated neck, creating a stable yet light composition. The surface is particularly notable, featuring ridges, alongside the already textured surface, enhancing the tactile quality of the ceramic. The earthy tones, ranging from muted browns to softer, lighter hues, reinforce the natural character of the material, allowing the glaze to complement the texture rather than dominate it. Above, the fabric shade introduces a contrasting smoothness, both visually and materially. Its simple, slightly tapered form diffuses the light evenly, producing a warm glow that complements the depth of the ceramic base. The relationship between these elements is balanced and deliberate, with the shade acting as a calm counterpoint to the more expressive base.

What gives this lamp its presence is the way it feels anchored without appearing heavy. The geometry is simple, yet the surface carries enough detail to hold attention. Whether placed on a side table or console, its material qualities can be appreciated without needing excess ornament to stand out.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade has been custom-made by our in-house atelier. Due to the nature of and age of the material, the item may have some marks, scratches, and discolouration. All lighting can be converted for US usage.

Dimensions:

20.47 in ø x 33.66 in H

52 cm ø x 85.5 cm H

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Price category: 2,500 - 5,000 usd / eur

Nils and Herman Kähler took over the family’s ceramic business in the 1940s. The two brothers began their careers as designers, but Nils quickly assumed control of the artistic direction, while Herman focused mainly on the administrative side of the firm. Nils, often called “the young Kähler,” had spent much of his childhood in the workshop alongside his brother, where they received the majority of their training. It was in this workshop that beautiful pieces - like this ceramic table lamp - were crafted.

Throughout the mid-20th century, there was a strong emphasis on simplicity and functionality in Scandinavian lighting design, as designers sought to create objects that were both beautiful and practical, and this lamp is a perfect example of this sentiment. This table lamp features a softly rounded ceramic base with a gently tapering profile. The form is accentuated by a beautiful blue glaze. A balance between softness and structure characterise this piece, the stone body is softened by the light fabric shade and the pleasant warm light, creating exquisite harmony. Nils Kähler was celebrated for his ability to translate traditional pottery techniques into modern forms that resonated with mid-century sensibilities. This lamp reflects that heritage, balancing decorative surface treatment with a pure and elegant silhouette. Wherever the lamp is placed, it effortlessly enhances the mood with its refined, polished aesthetic. In addition to its visual appeal, this lamp stands as a testament to the quality and craftsmanship of the mid-20th century. Its clean lines and functional elegance are characteristic of the era, combining minimalist grace with rich materials to create a piece that feels both contemporary and timeless.

Both decorative and functional, this table lamp embodies the quiet sophistication that defines Danish mid-century lighting. As an authentic example of 1950s Scandinavian ceramics, it offers a blend of artistry, craftsmanship, and everyday usability. Stylish yet understated, the lamp stands as a refined expression of Nils and Herman Kähler’s enduring design legacy.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the lamp may have marks, scratches, and discolouration. The shade is a later replacement. The lamp is compatible with E26 / E27 (standard) fittings. All lighting can be converted for US usage.

Dimensions:

15.75 in W × 9.84 in D × 23.43 in H

40 cm W x 25 cm D x 59.5 cm H

Shade:

15.75 in W × 9.84 in D × 8.66 in H

40 cm W x 25 cm D x 22 cm H

Base:

4.33 in ø × 17.32 in H

11 cm ø x 44 cm H