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Price category: 30,000 - 40,000 usd / eur

Swedish architect and furniture designer Axel Einar Hjorth served as the lead designer for Nordiska Kompaniet from 1926 to 1938. During this time, Hjorth designed the “Skoga” series in the early 1930s.

The “Skoga” series was crafted as part of a broader collection of summer-house furniture, intended to be both practical and aesthetically harmonious with the rugged beauty of the Swedish landscape. Despite its utilitarian roots, the series, as well as this table, exudes quiet sophistication and a timeless appeal focusing on simple lines and the material itself. Made of pine wood, this table is strong, reflecting Hjorth’s principles according to which he mixed the ideals of the modernist movement with provincial Swedish traditions, producing a unique and primitive modernism. It is quite robust without being intrusive, naturally standing to be the centre of the room. The legs and stretch-bar base emphasize structural clarity and durability, while the rounded corners and visible joinery express a handcrafted, almost sculptural quality. The rectangular tabletop is comprised of three planks of wood, yet it has a light impression. The large surface shows off the pattern of the wood and colour variation. The absence of heavy ornamentation is also in service of enhancing the organic, simple look that defined Swedish design of the era. Each element, joint and line is well crafted and solid, the attention given to every construction and finishing detail is obvious.

This table doesn’t depend on its details, rather, it is just as arresting from afar as from a proximity. The joinery and woodworking reveal the quality craftsmanship of the experts at Nordiska Kompaniet. The most charming thing about this table however, is that it showcases classic elements and so much history, but it lends itself easily to a modern interior.

Condition:

In good vintage condition. Wear consistent with age and use. Some marks and scratches on the wood.

Dimensions:

70.86 in W x 23.62 in D x 27.55 in H

180 cm W x 60 cm D x 70 cm H

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Price category: 5,000 - 7,500 usd / eur

The Savonarola originates from a chair found in the convent of San Marco in Florence which was used by the 15th century Italian Dominican priest Girolamo Savonarola. Savonarola-style pieces feature a lower structure built from intersecting or flowing supports. In Italian design, it was often constructed from wrought iron, where curved elements replace rigid straight lines and create a sense of movement within the structure.

This dining table reflects that sentiment through its wrought iron base. The structure is made up of slender metal supports that curve and connect across the underside of the table. These elements distribute weight across the base to offer stability while also supporting the glass top above. The glass top introduces a strong contrast to the expressive base. It is flat, clear, and clearly geometrical, allowing the structure beneath to remain fully visible. This transparency turns the base into the focal point of the design rather than hiding it. The table feels balanced, from the mix of juxtaposing materials and shapes. The iron base is strong and bold, yet its curved lines prevent it from appearing rigid. The glass top, in turn, helps avoid visual clutter and makes the table easier to place in a room without overwhelming the space.

Overall, the piece works as both a functional dining table and a sculptural object. The combination of materials highlights the contrast between structure and transparency, while the flowing base connects the design to earlier Italian furniture traditions in a modern form.

Condition:

In good vintage condition. Wear consistent with age and use. Marks and scratches are present on the glass. Due to the nature and age of the iron, the item may have some marks, scratches, and discolouration. Additional imperfections on the glass may be present due to age and manufacturing inconsistencies.

Dimensions:

70.86 in W x 39.37 in D x 29.52 in H

180 cm W x 100 cm D x 75 cm H

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Price category: 12,500 - 15,000 usd / eur

This stunning "L'Italienne" dining table, designed by the renowned French duo Guillerme et Chambron, showcases an exquisite blend of elegant aesthetics and rustic design elements. Crafted in the 1960s by Votre Maison, the table reminds us how form and elegance blend together in the duo's exceptional distinctive craftsmanship style.

At the heart of the construction of this model is the use of oak, a material renowned for its durability and timeless aesthetic qualities. Oak was the preferred material for Guillerme et Chambron, and this piece expertly showcases its rich and robust character, resulting in a solid, functional, and visually captivating work of art. Compared to the duo’s other models, this table is more pared down, relying mostly on the natural appeal of the oak, and its decorative legs. Unlike in most mid-century models, ornamentation was an important part of the duo’s creations, and while apparent, they were never overwhelming. This balance kept the pieces’ elegance, like in the case of this dining table. Furthermore, this piece is full of character and offers expressive and sculptural functionalism. Guillerme et Chambron’s table designs are well-known for their distinctive appearance and multi-functionality; this model is extendable and shows how decorative design and functionality were equally important for the designers, being as sensitive to the use of furniture in everyday life as to the creation of innovative design.‎

The table's form is clean, geometric, and is a testament to Guillerme et Chambron's dedication to modernism, while staying rooted in traditional craftsmanship and joinery techniques. Their work not only represents the fusion of function and form, but also exemplifies the mid-century modern aesthetic, which they played a pivotal role in actively shaping. Their emphasis on quality craftsmanship and the use of noble materials - like oak - has undeniably left a lasting imprint in the world of furniture making, solidifying their legacy in the French design landscape during the mid-century era.

Condition:

In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Due to the nature and age of the wood, the item may have some marks, scratches, and discolouration.

Dimensions:

70.87 in W x 34.45 in D x 28.54 in H

180 cm W x 87.5 cm D x 72.5 cm H

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Price category: 12,500 - 15,000 usd / eur

This dining table is a compelling embodiment of Pierre Chapo’s distinctive style. He always paired his creative and elegant designs with impeccable craftsmanship that gained him worldwide fame and love. This model “T35A” is a rare and beautiful example of Chapo’s designs, a piece that truly stands the test of time, bringing lasting form and quality to any interior.

Crafted entirely from solid elm, this dining table demonstrates exceptional craftsmanship and masterful joinery. Renowned for its striking grain patterns and long-lasting durability, elm is an ideal choice for larger pieces of furniture. This table’s vast flat surface, composed of carefully selected elm planks, beautifully highlights the wood's natural beauty, allowing the material to take center stage and speak for itself. The generous shape coupled with its warm honey tones, ensures that this table will be a focal point in any style of dining room or other large gathering area and is sure to be a conversation starter. The central quadripode base was designed with Chapo’s signature architectural legs, arranged in a dynamic way with the four pillars collapsing and balancing on each other at the same time, creating a striking visual rhythm.

Chapo’s designs reflect the architectural philosophies of Le Corbusier, as well as the commitment to the honest use of quality materials of Frank Lloyd Wright. His work is grounded in the simple harmony of form, function, and material, principles carried out in his works, enabling him to produce grand scale items, while preserving an underlying sense of warmth and simplicity. This dining table adds character to any interior with its uniquely structured leg composition, reflecting the influence of mid-century modernism.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

50.19 in W x 32.67 in D x 28.74 in H

127.5 cm W x 83 cm D x 73 cm H

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Price category: 5,000 - 7,500 usd / eur

The period between 1950 and 1970 was characterised by some of the most stunning and well-executed furniture designs of the 20th century. As with the UK and much of Europe, there was something of a design renaissance in France in the 1950s, due to developments in materials and technology after the war. In France, designers were often also architects, whose focus on functionality and quality resulted in pieces such as this stunning dining table.

This model is all about the gorgeous wooden structure. The discreet joinery and seamless construction reflect the French emphasis on detail and quality, elevating the piece beyond just functional to an object of aesthetic value. The design is dominated by the rectangular tabletop; it features a rich, dark wood veneer that showcases the grain and deep tones of the wood, which can add a sense of warmth and sophistication to any dining space. To support the top are four legs with impeccable joinery that is visible under the tabletop. Since this piece was made in the heyday of mid-century design, the legs - and the table as a whole - lack heavy ornamentation, and instead the focus is on the beauty of the material. The mid-century pieces that appeal to most are the models that were designed with both nature and function in mind, which appear completely contemporary and undated, making this dark wood dining table an exceptional example of the ideals of the era. Overall, the clean lines and balanced proportions create a streamlined silhouette, while the dark finish lends a timeless quality that complements both classic and contemporary interiors.

Wood has never gone out of style, and interior design with an emphasis on natural materials is only gaining popularity today. This dining table will make a striking addition to a variety of interiors.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

66.93 in W x 33.46 in D x 29.92 in H

170 cm W x 85 cm D x 76 cm H

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Price category: 2,500 - 5,000 usd / eur

This extraordinary sculptural round dining table has strong lines and proportions and was made in very small numbers.

The table consists of eight beech elements that have a petal like shape. The elements are connected with eight black metal round inlays to which the eight legs are connected at the bottom side. This table is the luxury model that holds a "Lazy Susan" (turntable) in the middle; the large black lacquered metal disc in the centre runs on ball bearings and is rotatable so that you can, for example, share food without having to rise. The slender cylindrical legs are made out of black lacquered metal with tapered solid beech feet.

Manufactured and marked by Nissen, Langå Denmark.

Condition:

In good vintage condition. Wear consistent with age and use. Item has some small marks and scratches. The table can be purchased with two additional legs.

Dimensions:

53.54 in Ø x 29.33 in H

136 cm Ø x 74.5 cm H

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Price category: 7,500 - 10,000 usd / eur

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This rare “AT-309” dining table was designed by Hans Wegner in 1955 and its title of ‘iconic’ is well deserved. As it is no longer produced, this model has become a collector’s item created by a designer who is credited as one of the main driving forces of the mid-century Danish modern movement.

The “AT-309” model is also commonly referred to as the “saw-horse” for its trestle base. In woodworking, a saw-horse is a trestle structure used to support a board similarly to this model’s case. While Hans J. Wegner became world-renowned for his chairs, he also designed a broad range of tables, where he was just as thorough and artistic about the proportions, construction, function, and style. With a clear statement of simplicity, quality and respect for materials, this table is a great example of Danish Modern design. The massive teak tabletop with drop-leafs is stunning on its own, showcasing the wood’s grain and offering plenty of space with the extendable solution. However, to Wegner, the most important part of his tables was not the top, but rather what was underneath. For the supporting structure he used the distinctive saw-horse look with crossed legs and brass braces. The diagonal brass reinforcement is not only a significant structural feature, it is also a visually appealing detail that gives character to this dining table. Looking beneath the top, the elaborate oak structure becomes visible, showing both Wegner’s and the manufacturer’s expert skill and knowledge.

Over the course of his career, the designer collaborated with several renowned manufacturers, including Andreas Tuck. The company was one of the greatest Danish furniture design companies of the mid-20th century, producing pieces that epitomize classic Danish craftsmanship. Wegner worked with the company for many years, creating iconic designs such as this “AT-309” table.

Condition:

In good vintage condition. Wear consistent with age and use. The tabletop has been refinished.

Dimensions:

51.96 in W (89.76 in when extended) x 33.66 in D x 28.14 in H

132 cm W (228 cm when extended) x 85.5 cm D x 71.5 cm H

About the designer:

Hans Wegner (1914–2007) is considered as one of the most influential designers of Scandinavian design. Danish-born Wegner became a national and international design idol for shaping the history of design in the 1950s and ‘60s.

In his designs, the sharp edges defining Modernism were smoothened, creating his iconic chairs. As a pioneer of the modernist style, often described as “organic functionality”, Wegner described his method as “stripping the old chairs of their outer style and letting them appear in their pure construction.”.

At 14 years old, he began his apprenticeship with Danish master cabinetmaker H. F. Stahlberg. After serving in the military he moved to Copenhagen, and attended the School of Arts and Crafts, before setting out as a furniture designer. In 1943, he established his own studio, producing designs for manufacturers like AP Stolen, Fredericia Stolefabrik, and in later years, PP Møbler.

Wegner designed more than 500 chairs in his lifetime, refining an approach that combined a variety of natural materials and pushed traditional joinery techniques to extreme tolerances and distillations. Wegner’s background as a cabinetmaker gave him a deep understanding of how to integrate exacting joinery techniques with exquisite form, realizing the perfect combination with form and purpose.

The core of Wegner’s legacy remains his focus on showing the inner soul of furniture pieces through a simple and functional exterior. ~H.

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Price category: 7,500 - 10,000 usd / eur

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During the early 20th century, Europe was experiencing a dramatic shift in design sensibilities. Art Deco emerged as a response to the austerity of the previous era, blending modernist ideals with a love for luxury and ornamentation. It was an era that celebrated geometric forms, rich materials, and innovative craftsmanship, often incorporating bold contrasts of textures and colours.

This striking Art Deco table, dating from the 1930s, epitomises the elegance and boldness of the period. The table itself is a perfect example of Art Deco’s lavish but structured aesthetic. The piece’s large, commanding presence makes an immediate impact, yet its sleek, elegant design ensures it remains visually balanced. The choice of Macassar ebony veneer as the primary material is particularly significant; this wood is prized for its dense, dark texture, and its dramatic, visibly pronounced grain pattern. It is considered a highly valuable wood for turning, fine cabinet work, and joinery. The tabletop is supported by two grand, rounded legs. These legs are connected by a pair of brass bars, which serve as spacers. The brass bars do not only provide structural integrity but also serve as an aesthetic feature, adding a touch of refinement to the piece. The golden accents evoke the luxurious nature of the Art Deco movement, while the fluid lines of the legs inject a sense of modernity and elegance. The rich brown and almost black hues of the ebony contrast beautifully with the golden brass accents, creating a striking interplay of natural and industrial elements.

This table embodies the spirit of 1930s Europe—where form and function merged seamlessly, and craftsmanship was revered. As a statement piece, it captures the essence of Art Deco’s timeless appeal, making it a standout addition to any space.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

78.93 in W x 41.33 in D x 29.92 in H

200.5 cm W x 105 cm D x 76 cm H

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Price category: 2,500 - 5,000 usd / eur

In most mid-century European design, there was an early emphasis on wood as it connected everyday objects, such as furniture to nature. This rustic, solid wood table is a perfect example of this sentiment, and the visual benefits of an understated, organic design. The natural texture of the wood, left largely untreated, adds to the table's robust character. The base of the table is a marvel of fine detailing, showcasing carved ornaments that underscore the artisan's dedication to craftsmanship.

Functional wedge joints contribute not only to the table's stability but also serve as aesthetic elements, blending seamlessly with the overall organic appeal. One cannot overlook and appreciate the meticulous joinery that characterizes the construction of this dining table. The craftsmanship involved in creating seamless connections between elements underscores the cabinetmaker’s commitment to precision and attention to detail. The joinery serves both functional and aesthetic purposes, reinforcing the overall integrity of the piece.

In rustic pieces, the wood is not overworked, its raw surface and edges are kept to show off the beautiful grain and texture, serving the purpose of showing the understated beauty of natural materials and their endless possibilities. The wood has aged beautifully and displays a beautiful grain within the wood. This table has a startling rawness, but with its warm-toned, carved body, it is a greatly-balanced piece.

Condition:

In good vintage condition. Wear consistent with age and use. Some marks and scratches on the wood.

Dimensions:

70.87 in W x 30.71 in D x 29.92 in H

180 cm W x 78 cm D x 76 cm H

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Price category: 2,500 - 5,000 usd / eur

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This oak and teak “AT-312” dining table was designed by Hans Wegner in the 1950s and its title of ‘iconic’ is well deserved. Created by a designer who is credited as one of the main driving forces of the mid-century Danish modern movement, this table is the epitome of functional modernity.

While Hans J. Wegner became world-renowned for his chairs, he also designed a broad range of tables, where he was just as thorough and artistic about the proportions, construction, function, and style. With a clear statement of simplicity, quality and respect for materials, this table is a great example of Danish Modern design, and is a reference in Scandinavian table design on a broader scale. The design of this table model boasts an ingeniously functional and well-thought-out structure crafted from quality wood. Two pull-out leaves “hide” under the teak top and integrate beautifully with it until extended; not only is this a highly functional solution, it also contributes to delineate the characteristic profile of the design. The extension mechanism also serves as a decorative element, which shows why Wegner is in many ways in his own league in Danish Modern design. The massive teak tabletop with drop-leafs is stunning on its own, showcasing the wood’s grain and offering plenty of space even without the extensions. The lower oak structure received just as much attention with elegant slim legs that are slightly tapered and splayed, balancing the large rectangular top.

Looking beneath the top is also a special experience, the elaborate oak structure becomes visible, showing both Wegner’s and the manufacturer’s expert skill and knowledge. Andreas Tuck created several of Wegner’s table models, but the company closed down in 1972, making original models such as this table collectors’ pieces. This table is stamped: “Fabrikat: Andr Tuck Arkitekt: Hans J Wegner Denmark”.

Condition:

In good vintage condition. Wear consistent with age and use. Some marks and scratches.

Dimensions:

94.48 in W (when extended) x 35.43 in D x 28.34 in H

240 cm W (when extended) x 90 cm D x 72 cm H

About the designer:

Hans Wegner (1914–2007) is considered as one of the most influential designers of Scandinavian design. Danish-born Wegner became a national and international design idol for shaping the history of design in the 1950s and ‘60s.

In his designs, the sharp edges defining Modernism were smoothened, creating his iconic chairs. As a pioneer of the modernist style, often described as “organic functionality”, Wegner described his method as “stripping the old chairs of their outer style and letting them appear in their pure construction.”.

At 14 years old, he began his apprenticeship with Danish master cabinetmaker H. F. Stahlberg. After serving in the military he moved to Copenhagen, and attended the School of Arts and Crafts, before setting out as a furniture designer. In 1943, he established his own studio, producing designs for manufacturers like AP Stolen, Fredericia Stolefabrik, and in later years, PP Møbler.

Wegner designed more than 500 chairs in his lifetime, refining an approach that combined a variety of natural materials and pushed traditional joinery techniques to extreme tolerances and distillations. Wegner’s background as a cabinetmaker gave him a deep understanding of how to integrate exacting joinery techniques with exquisite form, realizing the perfect combination with form and purpose.

The core of Wegner’s legacy remains his focus on showing the inner soul of furniture pieces through a simple and functional exterior. ~H.

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Price category: 2,500 - 5,000 usd / eur

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The “C35 FDB” table series was designed by Poul M. Volther in 1957 for Danish Furniture co-operative FDB. The company, FDB Møbler was founded in 1942 with architect, Børge Mogensen heading the studio. According to their philosophy, every new piece of FDB Møbler is born as an heirloom. This ash dining table is no exception.

First trained as a cabinetmaker, Poul Volther studied furniture design at the Arts and Crafts School in Copenhagen. A believer in Functionalism, he avoided short-lived aesthetic trends, concentrating on the simple crafting with quality materials. This dining table is characterized by its functionalism combined with a modern expression – the epitome of FDB Furniture’s design philosophy. The table frame is made of solid ash wood, which has a light shade and spectacular pattern. However, this model’s standout feature is definitely its large, green laminated top. This rectangular inlay is framed by the ash frame. The legs of the table slope slightly outward, providing optimal legroom and a more stable surface. The lower structure also features stretchers and cross railing, assuring structural stability. These elements also serve an aesthetic role, adding to the clean, architectural precision of the table.

FD Møbler’s philosophy was focused on creating beautiful, functional and exceptionally crafted furniture that makes room for everyday living at home and can withstand everyday wear and tear to age gracefully with those who use them. Accordingly, this C35 table perfectly complements different interiors and styles with its classic, quality design. Today it remains as contemporary as it was 60 years ago.

Condition:

In good vintage condition. Wear consistent with age and use. The top has some scratches and marks of wear.

Dimensions:

70.86 in W x 35.43 in D x 28.74 in H

180 cm W x 90 cm D x 73 cm H

About the designer:

Born in 1923, designer Poul M. Volther belonged to a generation of Danish creatives rooted in Scandinavian functionalism. Volther’s work is characterized by a mastery of form, as evidenced by his iconic EJ5 Corona Chair for Erik Jørgensen (1961/64). Highly collectible today, this singular piece has left an indelible mark on design history.

Volther originally trained as a cabinetmaker before studying at the Royal Danish Academy School of Arts & Crafts in Copenhagen. Over the years, Volther also taught at the Royal Danish Academy School of Design, influencing hundreds of young designers along the way. In 1949, legendary architect-designer Hans Wegner introduced Volther to the FBD, a Danish national cooperative association for producers of consumer goods. There, Volther worked under another Danish design great, Børge Mogensen, and went on to become FDB’s design director when Mogensen left in 1959. During his tenure at FDB, Volther created a range of chairs and sofas that can still be found in homes across Denmark.

In 1962, Volther found a partner in the then-new furniture manufacturer Erik Jørgensen. The company agreed to produce the Corona Chair with a chrome-plated steel frame. Despite the investment, this chair would not find a significant audience until 1997, when Erik Jørgensen re-launched it at the Cologne Furniture Fair in Germany, followed by the Scandinavian Furniture Fair in Denmark. One year after Volther’s death in 2001, the chair was used at the EU Summit in Copenhagen.

Volther’s designs have been produced by many design companies, such as Munch Furniture and Frem Røjle. However, his Corona Chair is considered his most memorable design contribution. It’s been featured in countless movies, fashion shoots, and music videos. ~H.

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Price category: 1,000 - 2,500 usd / eur

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This gorgeous extendable dining table model by the Danish furniture maker, Bernhard Pedersen og Søn was inspired by classic Danish furniture design and simplicity. The period between 1950 and 1970 in particular was characterized by some of the most stunning and well-executed pieces in the company’s history, including this table.

This elegant dining table features two large leaves, stored underneath the tabletop, that slide out and allow the table to be easily extended to accommodate extra diners. This clever design element makes the table not only greatly functional, it is also a design element that is aesthetically pleasing. When extended, the veneered exotic wood becomes visible with a much darker colour and distinct pattern variation. The gently rounded edges complement the display of the patterns, while also providing contrast to the sleek, tapered legs. However, the most interesting part of the design remains invisible as it is right under the tabletop. The metal rods and the elaborate wooden system that allows the top to almost double in size shows why many of the era’s most renowned Danish designers worked together with Bernhard Pedersen & Son. The family owned furniture maker has had an exceptionally strong tradition in high quality cabinetmaking since their start in 1902.

This dining table has the characteristics of the prized Scandinavian idea of “honest” design that Bernhard Pedersen and Son is also known for. The sleek look resulting from the clean lines, functional design and expert craftsmanship makes this table a perfect functional piece and stylish addition to any dining area.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

55.11 in W x 37.4 in D x 28.85 in H

140 cm W x 95 cm D x 73.3 cm H

About the designer:

Bernhard Pedersen & Søn, is a Danish furniture maker company with a long and strong tradition in furniture and cabinetmaking, stretching all the way back to the company’s start in 1902. Through three generations the family firm has created and sold classic Danish furniture to many parts of the world.

The period between 1950 and 1970 in particular was characterized by some of the most stunning and well-executed pieces in Bernh. Pedersen & Søn’s history. Especially the classic mid-century sideboards and daybeds designed by Danish furniture designers, including the world-renowned Johannes Andersen, Svend Aage Madsen and Kurt Østervig who were – and still are – highly valued by customers worldwide.

Every piece of furniture is made in the same factory that was built by the Bernhard Pedersen family in 1902, located in a small community in the Danish countryside. The workshop and its skilled cabinetmakers are known for their exquisite and dedicated work based on strong Danish craft traditions; traditions recognized around the world for timeless design, high-quality craftsmanship and outstanding longevity. Unique techniques, special tools and original machinery are maintained and used to produce the sideboards in keeping with the first original pieces. The sum of it all is captured in the phrase: Made in Denmark.

Today, the fourth generation in the family, Thomas Bernhard Pedersen is focusing on an exclusive selection of the company’s most exquisite sideboards designed by Danish furniture designers, including the world-renowned architect Johannes Andersen. Every piece of furniture is made in Denmark by skilled cabinetmakers and in keeping with the strong Danish craft traditions. In 2015, great-grandson Thomas Bernhard Pedersen re-established the company and started focusing exclusively on relaunching some of the exquisite furniture designed in the 1950s and 1960s. ~H.