REQUEST PRICE HERE

Price category: 9,000 - 12,500 usd / eur

This pair of armchairs is what we consider a timeless Danish Modern classic. The “ND83” was designed in 1952 by Nanna and Jørgen Ditzel for the exhibition 'Today’s Furniture, Home Equipment' in the Forum Hall Copenhagen in 1952.

Chairs are often considered especially revealing of a designer's skill because of the strict limits placed on their design by the demands of the human body. With this model, the Ditzels arrive at a clearly-structured solution in which a high degree of coherence is maintained while the chair appears visually light and open. The structure of the chairs is made entirely of solid oak. Each sculpted leg is made of a single piece of timber that ascend gently, giving stability to the curved backs. Rounded oak dowels plug the holes in which the fastenings for the back can be found -these help to create the elegant simplicity and honesty of the frame. The large curved backs extend up to the front, forming the armrests for a cosy and elegant profile similar to that of a tub chair. The elegance is further enhanced by the premium bouclé upholstery which complements the oak gracefully.

Cabinetmaker Søren Willadsen handcrafted these chairs, while them company Selig Co., imported them to the U.S. market from Denmark in 1952. The “ND83” model is still made to order today, however chairs – like these - from the original production show Ditzel and Willadsen’s true genius. The original marking on the wood is retained.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been recently reupholstered in a premium bouclé fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions: 

30.9 in W x 25.98 in D x 26.96 in H; Seat height 14.76 cm

78.5 cm W x 66 cm D x 68.5 cm H; Seat height 37.5 cm

Literature:

Hanne Horsfeld Danske Designere, 'Nanna Ditzel', p.86

Oda Noritsugu, Danish Chairs, p.164

Per H. Hansen, Klaus Petersen, Den Store Danske Møbelguide, p.77

REQUEST PRICE HERE

Price category: 12,500 - 15,000 usd / eur

“Danish Modern” is a recognized term around the world, standing for the characteristic style of Danish design created during the 20th century. As these lounge chairs show, furniture created in this period are characterized by clarity in design, and extremely high-quality craftsmanship and choice of materials.

This pair of lounge chairs exudes quality and personality from all angles. Their classic shape is formed by the generous seat and embracing back. The large, curved backrests feature tufted buttons and follow the curve of the voluptuous seats, creating an inviting and open look which is a signature characteristic of Danish Modernism. The tufting stitches are festooned with thirteen, symmetrically arranged buttons on each chair, that sink into the soft upholstery. The tapered, lacquered wood legs prevent the chairs from looking heavy by slightly lifting them off the ground, while their warm brown colour nicely contrasts the soft, light colour of the bodies. The back legs are splayed to provide structural support to the chairs.

Thanks to the sheepskin, the chairs give a natural, textured look, making them ideal to blend a stroke of modernity to any space, with a nod to organic, simple artistry. Sheepskin is the ultimate material for comfort, warm in the winter and cool in the summer. The artisanal production quality is evident throughout this pair and takes the Danish idea of “furniture that last for generations” seriously.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in premium sheepskin.

Dimensions:

32.28 in W x 33.46 in D x 31.1 in H; Seat height 17.32 in

82 cm W x 85 cm D x 79 cm H; Seat height 44 cm

About the Designer:

The practical and comfortable designs of Danish cabinetmakers defined mid-20th century modern seating. The Danish Cabinetmakers focused on minimalist design executed by expertly skilled craftsmen.

Works from the Danish Cabinet-Makers' Guild is a concept of its own in collectible design. The Cabinet-Makers' Guild began annual exhibitions in 1927 in Copenhagen. The group formed an exhibit showing each year in October the quality furniture made to drawings by gifted architects. The exhibition took place each year, without interruption, for forty years. A number of successful Danish Design collaborations were formed during this time between cabinetmakers and architects.

Danish Modernism has influenced Scandinavian furniture to a great degree, defined by minimalism, simplicity, and functionality. The muted colours and gentle designs make Danish mid-century furniture an ideal addition to contemporary living spaces. Additionally, master cabinetmakers were highly aware of body proportions, prioritizing comfort just as much as the visual qualities.

The works of master cabinetmakers – such as this chair – are of the highest quality, both in terms of materials and craftsmanship. Cabinetmakers take the art of working with wood one step further, and focus on the finer details of what can be created with the material. Therefore, it comes as no surprise that numerous master cabinetmakers are part of the renowned Danish Culture Canon (Danish: Kulturkanonen). The canon contains no more than 108 works of cultural excellence, based on works with a useful function and that are still recognizable today. This small armchair is the perfect illustration of Danish design, and the work of a true cabinetmaker. ~H.

REQUEST PRICE HERE

Price category: 7,500 - 10,000 usd / eur

‎

Swedish designer, Arne Norell’s conceptual designs, gained recognition for their use of traditional materials and forms like fabrics and wood combined with simple and vanguard lines. This pair of “Pilot” chairs was designed by Arne Norell in 1967 and each of them was handmade in Aneby, Sweden in the same factory that Norell established himself a decade earlier. This model is a modern classic with all the characteristics of a genuine Swedish modern chair.

The design of these remarkable chairs carries a certain “design weight” that is the result of their understated elegance, premium materials, and the outstanding craftsmanship. Norell was known for his versatile use of wood and leather in his furniture designs that are characterized by comfort and ease and were to a great extent inspired by Danish design. These “Pilot” easy chairs are no exception with a design idiom centred on the curved wooden legs, stylish upholstery, and the subtly curved bodies offering gentle yet robust support for the spine - qualities that engender contentment and well-being.  The tightly fitted velour fabric and wood complement each other in numerous ways, enhancing each other’s individual qualities, such as the wood legs’ distinctive curves and the fabric’s rich texture and colour. The result is an infinitely elegant and comfortable look that is unlikely to ever lose its appeal, and only get more stylish with time. This pair of "Pilot" easy chairs encapsulates the essence of Norell’s innovative approach to furniture design. The laminated beech legs allow the shape to be bent and result in the distinctive look this chair model is famous for. Norell began his journey as a furniture designer in the 1950s, becoming renowned for his ability to seamlessly blend comfort and aesthetics through innovative experimentations. During the 1960s, Swedish furniture design witnessed a transformative period marked by a departure from ornate and heavy styles to more streamlined, minimalist forms. Arne Norell played a pivotal role in shaping this evolution, embracing a modernist ethos while staying true to the principles of craftsmanship and quality materials. His designs, including these "Pilot" models, are celebrated for their timeless appeal and functional elegance and style. These chairs epitomize Norell's design philosophy, featuring clean lines, organic shapes, and a commitment to ergonomic excellence. These chairs were produced and are marked by Möbel AB Arne Norell (today known as Norell Möbel AB) in Aneby, Sweden. The workshop was founded in 1954 by Arne Norell, and ever since its establishment, it has been a family business carrying on Norell’s design legacy. In fact, the same factory that Arne Norell built in the 1950s is still where the company exists today in Sweden.

The perks of incorporating these "Pilot" easy chairs into interior design are manifold; their ergonomic design and lush upholstery make them inviting and comfortable, creating an ideal setting for relaxation. Furthermore, thanks to their mid-century modern aesthetic, these chairs can seamlessly adapt to various interior styles, from  modern to contemporary, making them versatile additions to any space. The timeless aesthetic of these "Pilot" chairs ensures that they remain relevant and stylish across different design trends. Beyond their aesthetic appeal, easy chairs like the "Pilot" serve as focal points in a room, elevating the overall design scheme. Whether placed in a cosy reading nook or as part of a larger seating arrangement, these chairs effortlessly enhance the visual appeal of the space.

‎Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in a premium velour fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

32.28 in W x 29.92 in D x 29.52 in H; Seat height 16.53 in; Arm height 21.25 in

76.5 cm W x 79 cm D x 79.5 cm H; Seat height 45 cm; Arm height 55 cm

About the designer:

Arne Norell started his own workshop in 1954 in the town of Solna, Sweden. Thereafter, he moved to Småland and established his company Möbel AB Arne Norell, today known as Norell Möbel AB (Norell Furniture). He was known for his versatile use of wood, leather, fabric, and metal in furniture characterized by comfort and ease. Norell’s success made him a household name within the interior design-world of Europe. Several models were also produced in other parts of the world under a licence.

He was to a great extent inspired by Danish design. Two examples of this influence are the lounge chair Ari and the safari chair Sirocco. Ari was awarded the British Furniture Manufacturer’s greatest award “showpiece of the year” in 1973. Many of the models he designed came into production after his death in 1971. His designs are still handcrafted by the same company today, Norell Möbel AB.

‎‎‎

‎‎

REQUEST PRICE HERE

Price category: 9,000 - 12,500 usd / eur

‎

‎‎‎‎

Carl Malmsten’s life's work spans nearly sixty intense years and his legacy is considered a national treasure in Sweden. He created a number of furniture classics including these rare “Elder man” armchairs.

His entire work is characterized by a close-to-nature philosophy which is deeply rooted in Swedish nature and commoner culture. A deeper knowledge of Carl Malmsten as a person means that his furniture can be seen not only as utilitarian objects, but also as artistic works with the ability to express a feeling or mood. These winged armchairs carry with them that certain “Malmstenesque” that is characterized by gentle curves, a cosy appearance and of course, the highest quality craftsmanship. This is especially visible in the flowing armrests that descend from the top, curling outwards to create a welcoming look. The slightly bent backrests are tufted with dark brown leather stitches that contrast with the light bouclé upholstery both in colour and texture to create a stylish, visually interesting look. As it can be expected from the “Master of Wood”, the frames are expertly designed, with ergonomic and aesthetic principles at their core. To complete the mid-century look, the structures are supported by tapered, solid wood legs that add an organic touch to the design.

In the 50s, Carl Malmsten’s furniture were produced in small series in smaller workshops, which meant that the furniture became very expensive and thus inaccessible to most people. He then decided to select a number of producers who could produce his furniture in larger volumes without sacrificing quality, beauty, and practicality. In Tranås he came into contact with O.H. Sjögren which he considered fulfilled all the high demands he placed on the production of upholstered furniture.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

Chair 1

28.74 in W x 34.64 in D x 41.33 in H; Seat height 16.14 in; Arm height 21.65 in

73 cm W x 88 cm D x 105 cm H; Seat height 41 cm; Arm height 55 cm

Chair 2

29.52 in W x 32.67 in D x 41.73 in H; Seat height 14.56 in; Arm height 21.65 in

75 cm W x 83 cm D x 106 cm H; Seat height 37 cm; Arm height 55 cm

About the Designer:

Carl Malmsten (December 7, 1888 – August 13, 1972) was a Swedish furniture designer, architect, and educator. Malmsten was born in Stockholm, Sweden. Malmsten's career took off when he won a competition in 1916 to design furniture for the Stockholm City Hall and shortly after in 1917, he exhibited alongside well-known Swedish architects such as Gunnar Asplund and Uno Åhrén.

In the 1920s he was invited to furnish a room for the crown prince, Gustaf VI Adolf, and his wife Louise in Ulriksdal Palace. He was honoured with an inaugural Prince Eugen Medal for design in 1945. Already as a young designer in the early 20th century, Carl Malmsten advocated an artisanal furniture design based on local ingredients and traditions, available to a wide audience at a reasonable price.

Nature was Carl Malmsten's foremost teacher and source of inspiration. He conveyed his love of craftsmanship as a teacher in his own schools, at Olofskolan in Stockholm, Capellagården on Öland and the Carl Malmsten school on Lidingö, today a branch of Linköping University and one of the country's leading design colleges. As a debater, Malmsten stormed against functionalism, but in retrospect it can be seen that his ideas often coincided with the rational and frugal style ideals of function.

Malmsten has had a lasting influence on Swedish furniture design through the two schools he founded—the Carl Malmsten Furniture Studies (Carl Malmstensskolan), which has been a part of Linköping University since 2000, is situated on the island of Lidingö on the outskirts of Stockholm. Carl Malmsten spoke about the importance of tradition, craftsmanship, and the nation. His furniture was in many ways a product of the thoughts and ideals of the time, they have a timeless quality that makes them just as relevant and loved today. ~H.

REQUEST PRICE HERE

Price category: 10,000 - 12,500 usd / eur

This pair of Swedish modern armchairs stand out for its inviting shape and charismatic character, capturing the spirit of Scandinavian design. The soft lines and thoughtfully balanced proportions reveal a deep commitment to the abandonment of showy ornamentation in the favour of confident elegance.

The design is grounded in a human-centered approach, favouring curves that follow the body’s natural shape, and the use of materials that age gracefully over time. The tall winged backrests create a slight cocooning feel while still providing excellent support, the subtle button tufting introduces a hint of texture without overpowering the design. The generous seat cushions invite relaxation, aided by the padded wooden armrests. This not only gives the chairs a sculptural edge but it also highlights the natural grain of the wood, adding visual warmth and contrast. The chairs rest on tapered legs that lift the overall silhouette, lending an airy feel despite the generous proportions above. The deep green upholstery immediately draws the eye, bringing a warmth and an earthy richness that pairs beautifully with the soft curves of the frame. Altogether, the interplay between rounded shapes and linear details provides a relaxed, harmonious energy that feels both timeless and welcoming, striking a rare balance between functional simplicity and expressive form.

These armchairs capture the essence of Swedish design, making them equally suited for a cosy reading corner or a lively living room. Their distinctive yet versatile character allows them to complement a range of interiors, from mid-century inspired settings to more eclectic contemporary homes.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been recently reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

27.95 in W x 30.70 in D x 35.43 in H; Seat height 18.11 in; Seat depth 21.65 in; Arm height 23.03 in

71 cm W x 78 cm D x 90 cm H; Seat height 46 cm; Seat depth 55 cm; Arm height 58.5 cm

REQUEST PRICE HERE

Price category: 9,000 - 12,500 usd / eur

Rich in Danish design heritage, this chair model captures the spirit of the mid-20th century, combining natural materials with the sleek, functional style that defined the era. The "Yin" chair is a rare and sought-after collectible that embodies both the beauty and practicality of Scandinavian design.

Danish Modern is known for its emphasis on simplicity, natural materials, and an intrinsic connection to nature. Richard Nissen, influenced by this design movement, often combined traditional craftsmanship with innovative forms, resulting in timeless pieces that still resonate in modern interiors. These chairs embody the principles of functional beauty and understated craftsmanship. The fluid lines of the "Yin" chair, along with its harmonious proportions, create an inviting yet sophisticated presence in any space, evoking a sense of balance and serenity that is key to its design philosophy. The chairs feature a sculptural frame made from rich, honey-toned beech wood, which is known for its durability and smooth grain. The seats are woven from natural wicker, which adds texture and an organic touch to the design. With its gently curved lines and refined proportions, the "Yin" chair exemplifies a harmonious balance between form and function, offering both comfort and aesthetic appeal. The design is a visual interpretation of balance, the careful craftsmanship and attention to detail make this pair a timeless focal point in any interior, ideal for both modern and classic settings.

This Yin Chair is a wonderful example of Richard Nissen's commitment to creating functional yet sculptural furniture pieces. It remains a coveted collectible today, admired for its timeless design and connection to one of the most celebrated movements in modern furniture history.

Condition:

In good vintage condition. Wear consistent with age and use. Some marks and scratches on the wood.

Dimensions:

25.01 in W x 21.66 in D x 34.65 in H; Seat height 16.34 in

63.5 cm W x 55 cm D x 88 cm H; Seat height 41.5 cm

REQUEST PRICE HERE

Price category: 5,000 - 7,500 usd / eur

This pair of armchairs by Swedish-German designer, Otto Schulz, is a beautiful example of his repertoire of cleverly constructed pieces. With a creative and masterfully crafted hardwood structure and leather upholstered seat and backrests, this model truly deserves its place in Swedish design history.

Schulz's designs are a mixture of modern and baroque styles, as evidenced by these chairs. The pair was constructed with extraordinary care using beech and leather. From the carved backrests to the curved legs, the woodworking is exceptional. The beech is not overworked, letting its natural qualities and appeal define the frames. The fluidity of the carvings creates a harmonious contrast with the chair's angular structure, resulting in a design feast. Schulz modernised the traditional shape, avoiding excessive ornamentation while retaining the important features: the broad seats and backrests that give the chairs character and provide ample support for the human body. Furthermore, the combination of the materials gives a strong, rustic appearance. The colour of the leather compliments the shade of the beech beautifully. Further adding to the visual delight of this pair are the rows of metal screw caps that fix the leather to the frame.

It is evident that the maker of these chairs possessed great talent in cabinetmaking, and used high-quality materials that became even more appealing with the decades gone by. This is visible in the beautiful patina of the leather and the wood. Otto Schulz's designs are well recorded, depicted among some 1,600 watercolors, sketches and drawings that are archived at the Rhösska Museum in Gothenburg.

Condition:

In good vintage condition. Wear consistent with age and use. Minor scratches and marks. These chairs come with their original leather upholstery or have been reupholstered by a previous owner. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

26.18 in W x 25.19 in D x 30.11 in H; Seat height 11.41 in; Seat depth 22.44 in; Arm height 22.83 in

66.5 cm W x 64 cm D x 76.5 cm H; Seat height 29 cm; Seat depth 57 cm; Arm height 58 cm

REQUEST PRICE HERE

Price category: 15,000 - 20,000 usd / eur

This pair is the most recognizable model of Danish designer and manufacturer, Svend Skipper, and a great example of the mid-century era design. Skipper only created commissioned pieces, meaning none of his designs were mass-produced.

“Model 91” features a masterfully sculpted teak base and legs. The teak tips “poke out” at the end of the upholstered armrests, which is a very characteristic design element of this model. The high wing-back offers back support, while enveloping the sitter. It also features tufted buttons arranged in a single, horizontal line, adding to the visual interest of the piece. The loose cushion on the seat provides great sitting comfort while also adding to the welcoming look. These details create a sculptural silhouette that made this model popular already in its time.

The design was created in 1956 and this particular piece was manufactured by Skipper Møbelfabrik in the 1960s. For its resemblance to Hans J. Wegner’s “Papa Bear” chair, this model is often referred to by that name, however, “Model 91” was only made upon order. Skipper’s craftsmanship and quality can be observed in every single detail, from the exposed teak arms, to the distinctive shape and level of comfort.

‎Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in premium light wool. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

31.29 in W x 34.05 in D x 38.58 in H; Seat height 15.74 in

79.5 cm W x 86.5 cm D x 98 cm H; Seat height 40 cm

Literature:

Mobilia Volume 6 #73 August 1961, edited by Paul Henningsen & Gunnar Bratvold. Published by [Snekkersten: Mobilia, 1961]

About the designer:

Svend Skipper was a Danish furniture designer and manufacturer. Skipper Møbelfabrik was founded in 1955 by the namesake and has since produced seating furniture as a Danish craft for almost 6 decades. The manufacturer still exists, and “Model 91” has been relaunched in 2011 as a response to its growing popularity and rarity.

REQUEST PRICE HERE

Price category: 20,000 - 30,000 usd / eur

‎Designed in the early phase of what we know today as mid-century modern, this charming pair of armchairs is a unique evidence of how traditional Swedish craftsmanship was brought into modernism. Berga Möbler, later called Berga Form, began manufacturing furniture of the highest quality in 1896.

This pair holds all the characteristics that define the manufacturer's style: soft, organic, playful, and sophisticated. The model is slightly tilted backwards allowing for a pleasant sitting experience. The tapered wooden legs add a touch of mid-century modern flair apart from being structurally integral, while the two front legs have a precise curvature towards the end; something which has become a distinctive feature of Berga Möbler's designs. The rounded backrest and armrests are just some of the elements that define the elegance of this pair. Slightly inclined towards the backrest, the armrests enhance the excellent seating experience, making this pair a great choice for any contemporary living space. The back is tufted with two large buttons that allow for a friendly and welcoming appearance. The cushioning is firm yet plush, perfectly balancing comfort and support. This attention to detail ensures that the armchair is beautiful and practical for everyday use.

Crafted with precision and finished with attention to detail and care for the aesthetic dimension, this pair of armchair stands the test of time thanks to both their visual and material quality.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.52 in W x 33.46 in D x 33.07 in H; Seat height 17.71 in; Seat depth 20.86 in; Arm height 23.62 in

75 cm W x 85 cm D x 84 cm H; Seat height 45cm; Seat depth 53 cm; Arm height 60 cm

REQUEST PRICE HERE

‎Price category: 5,000 - 7,500 usd / eur

This pair demonstrates Carl Malmsten’s fine sense of proportion, line tension and balance between the surfaces, and how skillfully he carried in the heritage of traditional allmoge (folk art) design.

These chairs are in the vein of Swedish modernism, with simplicity and functionality, while also showcasing the subtle details and quality Malmsten is known and appreciated for. Even though Swedish design is generally democratic and meant for the masses, pieces were not stripped of all beauty in order to make them as easy to use as possible. The importance of this balance can be identified in the design and execution of these armchairs as well. The wooden spindles comprising the back are the most apparent visual feature, while the more subtle details, such as the connecting point of the arms and seats make these models interesting. These chairs utilise the natural beauty of the oak perfectly. Furthermore, the oak structure is a frame for the cushions both in a literal and figurative way. The light bouclé fabric is a lovely contrast against the smooth oak, highlighting the interesting texture and look of both materials. The back and seat cushions are also quite rotund; therefore, the sitting comfort is great.

This pair of “Stugan” armchairs is an elegant and comfortable evidence of the mastery and artistry of the Swedish cabinetmakers who defined mid-20th century modern seating. Karl Andersson & Söner was one of these renowned workshops, materialising this model and a number of furniture series by Carl Malmsten, such as Visingsö. This pair is of the highest quality, both in terms of materials and craftsmanship.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in premium bouclé fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.21 in W x 33.85 in D x 32.28 in H; Seat height 17.71 in

61.5 cm W x 86 cm D x 82 cm H; Seat height 45 cm

About the designer:

Carl Malmsten (December 7, 1888 – August 13, 1972) was a Swedish furniture designer, architect, and educator. Malmsten was born in Stockholm, Sweden. Malmsten's career took off when he won a competition in 1916 to design furniture for the Stockholm City Hall and shortly after in 1917, he exhibited alongside well-known Swedish architects such as Gunnar Asplund and Uno Åhrén.

In the 1920s he was invited to furnish a room for the crown prince, Gustaf VI Adolf, and his wife Louise in Ulriksdal Palace. He was honoured with an inaugural Prince Eugen Medal for design in 1945. Already as a young designer in the early 20th century, Carl Malmsten advocated an artisanal furniture design based on local ingredients and traditions, available to a wide audience at a reasonable price.

Nature was Carl Malmsten's foremost teacher and source of inspiration. He conveyed his love of craftsmanship as a teacher in his own schools, at Olofskolan in Stockholm, Capellagården on Öland and the Carl Malmsten school on Lidingö, today a branch of Linköping University and one of the country's leading design colleges. As a debater, Malmsten stormed against functionalism, but in retrospect it can be seen that his ideas often coincided with the rational and frugal style ideals of function.

Malmsten has had a lasting influence on Swedish furniture design through the two schools he founded—the Carl Malmsten Furniture Studies (Carl Malmstensskolan), which has been a part of Linköping University since 2000, is situated on the island of Lidingö on the outskirts of Stockholm. Carl Malmsten spoke about the importance of tradition, craftsmanship and the nation. His furniture was in many ways a product of the thoughts and ideals of the time, they have a timeless quality that makes them just as relevant and loved today.

‎

REQUEST PRICE HERE

Price category: 15,000 - 20,000 usd / eur‎

‎

Eva and Nils Koppel met while she was studying at the Danish Academy, Copenhagen. Together they studied architecture and later worked in design icon Alvar Aalto’s office. Their furniture pieces are very representative of Scandinavian design - featuring organic shapes, architectural structure, and cosy upholstery.

This pair of chairs have some of the best characteristics of Danish modern design. The cosy and stylish elements of these chairs are especially distinctive of Eva and Nils Koppel’s work. These chairs feature a tiered side profile, starting from the “wings” on top, which step down into the arms and sides of the seats. The rounded edges contribute to the soft and cosy impression of the design, which is complimented by the unique legs that appear to gently clasp the bodies. The back legs are tilted slightly to support the seats. The dark stained, subtly tapered wooden legs pair beautifully with the light coloured fabric of the upholstery. The tufted buttons arranged in three lines enhance the wing-back shape of the backs, while the pairing of materials and colours give an elegant yet understated look to this model.

The Danish design idiom was centred around warm woods, quality fabrics and gentle but robust support for the spine - qualities that engender contentment and well-being, a defining characteristic of Danish culture. The Koppels’ exceptional architectural talent is evident even in these wing-back chairs, which are outstanding not only in the couple’s repertoire, but also among mid-century Danish chairs.

Condition:

In good vintage condition. The chairs have been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

28.34 in W x 30.9 in D x 39.17 in H; Seat height 17.91 in; Arm height 23.22 in

72 cm W x 78.5 cm D x 99.5 cm H; Seat height 45.5 cm; Arm height 59 cm

About the designer:

Eva Koppel, born Eva Ditlevsen (1916-2006) and Nils Adolf Koppel (1914-2009) were a Danish functionalist architect couple who characterized the post-war era and the public building of the welfare society.

Nils and Eva Koppel met during their shared lectures at the Danish Polytechnic Teaching Institute in 1935, where Eva studied mathematics and Nils studied engineering. The same year, they applied to the Academy of the Arts' School of Architecture, where they were both admitted. The year after, in 1936, they got married.

During their studies between 1938 and 1939, they worked together in Finland at Alvar Aalto's design studio. In 1940, they had their first child and the following year they both graduated from the School of Architecture. Since Nils Koppel's father was Jewish, in 1943 they had to flee because of the Jewish persecution. They fled to Finland and resumed working at Aalto's design studio. In the years following the war, the couple designed a number of single-family homes, and set up a home of their own in 1946. Initially, they erected houses for family and friends, designed wallpaper, chairs, watches, light fixtures, and other art-industrial objects.

In 1954, their joint studio won the architectural competition for the Langelinie Pavilion, which was erected in 1958 and has been preserved. The pavilion's rigorous shape, slim profiles and its design as a 'floating' box are indebted to Ludwig Mies van der Rohe's school and the international style. The couple got their first big task in 1954 via family relations: The settlement Søllerød Park. Their house design managed to preserve the scenic parkland, and is now one of the great architectural classics for this time period.

The Koppel couple has received numerous awards and honours, including: The Wood Prize 1960, the Natural Stone Prize 1966 and the Eckersberg Medal 1955. Nils Koppel was also awarded the Knud V. Engelhardt Scholarship in 1951.

REQUEST PRICE HERE

Price category: 7,500 - 10,000 usd / eur‎‎

The first golden age of Scandinavian design took place from the 1930s through the 1970s. During this period, furniture designers created works that offered unique twists on tradition, that would soon become prized for their innovative features, exemplified by this pair of armchairs. Sven Larsson's designs were characterised by their functional and practical qualities, as well as their simple, understated aesthetic.

While the main principles of Swedish Modernism centre around minimalism, simplicity and functionalism, cabinetmakers like Larsson also liked to try their hands at wooden ornamentation. These armchairs achieve to follow the basic principles while also offering plenty of visually arresting qualities, which include the sculpted legs, the ladder back, and the cushions covered in upholstery adorned with buttons. The pine frame is visually arresting, defined by the sculpted legs that reach up to support the armrests. Swedish cabinetmakers relied on solid wood in order to provide the excellent structure and durability that it delivers. Generally, lighter coloured woods, such as pine, were chosen so that the material could stand out as an important design feature. The wood here was beautifully moulded under the hands of the master cabinetmaker, creating unparalleled shapes and smoothness. The pine’s grain and pattern is very appealing throughout the design, which adds an organic touch to the look. This pair displays a beautiful contrast between the light wooden frame’s colour and the elegant off-white fabric of the cushions.

The craftsmanship of these chairs is without a doubt of the highest quality, and Sven Larsson had a great sense of proportions. This beautifully crafted pair of armchairs lives up to its Swedish heritage both in terms of design and quality, which are further elevated by the luxurious bouclé upholstery.

Condition:

In good vintage condition. Wear consistent with age and use. The cushions have been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

33.46 in W x 40.35 in D x 36.61 in H; Seat height 14.56 in

85 cm W x 102.5 cm D x 93 cm H; Seat height 37 cm