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Price category: 7,500 - 10,000 usd / eur

This lounge chair by Swedish designer, Gösta Jonsson, exudes quality and personality from all angles, and is the designer’s most famous model. The basic Swedish design principles are all present and upholstered in soft and stylish sheepskin.

With organic forms and harmonious proportions, this model is an excellent example of great Swedish design from the era. Designed in the early phase of what we know today as mid-century modern, this lounge chair has a classic shape, paired with a modern edge. The generous seat and back are welcoming, with the latter curving in such an angle that the sitter is “hugged”. The large, curved backrest features tufted buttons and follows the curve of the equally generous seat, creating a harmonious look. The backside of this chair is quite striking, as it is created from a single piece stemming from the base. The sheepskin used for the upholstery is the ultimate material for comfort, warm in the winter and cool in the summer. It elevates the sheer size and shape of the chair, especially its back, beautifully. At the same time, the wood also remains in the focus, as it is the most important material in Swedish mid-century design. The solid, stained wood legs are tapered to lighten the look, but are thick enough at the top to provide adequate joinery strength.

The artisanal production quality shows throughout this chair and takes the Swedish idea of furniture that last for generations seriously. The harmony of craftsmanship, the materials and the design makes this lounge chair ideal for any interior and style.

Condition:

In good vintage condition. Wear consistent with age and use. Item may have some marks, scratches, and discolouration. The chair has been reupholstered recently in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

30.7 in W x 34.64 in D x 27.95 in H; Seat height 16.14 in

78 cm W x 88 cm D x 71 cm H; Seat height 41 cm

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Price category: 30,000 - 40,000 usd / eur

Swedish architect and furniture maker Axel Einar Hjorth worked as the lead designer for Sweden’s Nordiska Kompaniet department store from 1926 to 1938. During this time, Hjorth designed the “Sportstugemöbler” series, (which translates to “sports cabin furnishings”) a collection of wooden furniture designed for country homes. The various models in the sportstugemöbler series took their names from locations in the Stockholm archipelago – including Blidö, Lovö, and Utö.

The “Lovö” model, designed within the series of chalet furnishings, was initially launched by Nordiska Kompaniet in 1932. The series was a response to a new and growing demand for furnishings for leisure houses where the style was more informal. This chair is crafted from local pine wood, while the backrest features iron rivets. The juxtaposition between the pine and iron provides a rustic, sturdy and resilient feel, elevating the timeless look of the model. The chair combines a simple and honest form of the handcrafted style of traditional Nordic “allmoge” furniture, and the international 20th century Modernist movement. The result is a modest yet visually interesting design with a strong silhouette. The pine body is composed of a low, curved back that is slightly tilted in order to increase the sitter’s comfort - highlighting the functional nature of the chair. The seat features a loose, removable cushion, upholstered in a textural, striped fabric. Not only is the design of this model unique, but the colourful, cushion further increases the special character, ensuring remarkable charm. The design is completed by four square, straight legs, offering sturdiness.

The “Sportstugemöbler” series had a lasting influence on Hjorth’s contemporaries, inspiring other big names within Nordic design, such as Carl Malmsten. From an international perspective, this series is the forerunner of later pioneering designs, so it comes as no surprise that these “Lovö” chairs became part of modernist design history.

Condition:

In good vintage condition. Wear consistent with age and use. This chair comes with its original upholstery or has been reupholstered by a previous owner. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

20.86 in W x 20.07 in D x 31.49 in H; Seat height 18.50 in; Seat depth 16.92 in

53 cm W x 51 cm D x 80 cm H; Seat height 47 cm; Seat depth 43 cm

About the designer:

Axel Einar Hjorth was born in a small Swedish village named Krokek, just outside Norrköping, on March 7, 1888. At the age of 20, he moved to Stockholm to study architecture and design at the Högre Konstindustriella Skolan.

Although he never graduated, in the 1920s Hjorth started working as a furniture designer for various manufacturers, such as H. Joop & Co., Myrestedt & Stern, Jonssons, and Nordiska Kompaniet. Hjorth’s designs from this period had neoclassical features combined with Swedish Grace. This romantic national style of Sweden was elegant and refined, yet simple. The anniversary exhibition of 1923 in Gothenburg marked the breakthrough of Swedish decorative arts, and made Axel Einar Hjorth a well-respected artist. From October 1926, Hjorth became the chief designer and architect of Nordiska Kompaniet department store in Stockholm. In the 1930s, Hjorth designed a furniture collection out of pine meant for serial production known as Sportstugemöbler (furniture for holiday houses).

Hjorth’s designs, from the luxury of neoclassicism to the severity of functionalism, are sharply distinctive in style, materials, and character. Unlike many of his contemporaries, Hjorth did not conform to the socially oriented ideas produced by Svensk Form (the Swedish Society of Crafts and Design). He played a significant role in the development of Swedish society as a whole, and particularly in Swedish industrial art.

Today Hjorth is often viewed as a precursor to the modern designs popularised by Charlotte Perriand, Jean Royére, Pierre Chapo, or Josef Frank. Recently, there has been a revival of appreciation for his work, showing his genius in a new light.

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Price category: 7,500 - 10,000 usd / eur

In Sweden, “svensk design” in particular operates as a set of relations linking objects, spaces, people to the cultural ideologies that motivate the persistence of a social democratically infused “way of life.” Thanks to this sentiment, the cabinetmaker of this chair put an emphasis on soft elegance and functionality, making it timeless in every sense of the word.

The Swedish design movement has exercised a wide influence on modern architecture and interior furnishings internationally since the early twentieth century. As this beautiful high-back lounge chair shows, early mid-century modern designers and cabinetmakers not only prioritised outstanding craftsmanship, but also an aesthetic quality that honours the materials and their users alike. Swedish proponents of modern design ideals were able to cultivate their principles in a climate of relative calm with the long-term persistence of crafts traditions being especially formative. This craftsmanship is apparent in this lounge chair with a sinuous body that is as artistic as it is functional. The main principles of Swedish Modernism centre around minimalism, simplicity, and functionalism. This chair achieves to follow these principles while offering plenty of visually arresting qualities, including the high, curved back and exposed, sculptural arms that claw into the upholstery. The rich texture of the bouclé fabric accentuates the expressive shape of the frame that praises the maker’s sense of proportions. The short wood legs don’t take away from the robust, cosy appearance, instead they keep the design grounded and perfectly stable while also providing contrast with the beautiful colour. The expert Swedish craftsmanship is clearly visible throughout this piece, with impeccable woodworking and construction.

This beautiful, inviting lounge chair lives up to its Swedish heritage both in terms of visual and material quality. While its aesthetic is clean and functional, it has an eye-catching look with luxurious upholstery and cross stitches that make it an ideal accent piece as well.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some mark, scratches, and discolouration. The chair has been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.13 in W x 37.79 in D x 39.96 in H; Seat height 14.76 in; Arm height 24.21 in

74 cm W x 96 cm D x 101.5 cm H; Seat height 37.5 cm; Arm height 61.5 cm

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Price category: 9,000 - 12,500 usd / eur

Designed in the early phase of what we know today as mid-century modern, this charming armchair is unique evidence of how traditional Swedish craftsmanship was brought into modernism. Berga Möbler, later called Berga Form, began manufacturing furniture of the highest quality in 1896.

This armchair holds all the characteristics that define the manufacturer's style: soft, organic, playful, and sophisticated. The model is slightly tilted backwards allowing for a pleasant sitting experience. The tapered wooden legs add a touch of mid-century modern flair apart from being structurally integral, while the two front legs have a precise curvature towards the end; a feature which has become a distinctive feature of Berga Möbler's designs. The rounded backrest and armrests are just some of the elements that define the elegance of the chair. Slightly inclined towards the backrest, the armrests enhance the excellent seating experience, making this piece a great choice for any contemporary living space. The back is tufted with two large buttons that allow for a friendly and welcoming appearance. The cushioning is firm yet plush, perfectly balancing comfort and support. This attention to detail ensures that the armchair is beautiful and practical for everyday use.

Crafted with precision and finished with attention to detail and care for the aesthetic dimension, this armchair stands the test of time thanks to both their visual and material quality.‎

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.52 in W x 33.46 in D x 33.07 in H; Seat height 17.71 in; Seat depth 20.86 in; Arm height 23.62 in

75 cm W x 85 cm D x 84 cm H; Seat height 45cm; Seat depth 53 cm; Arm height 60 cm

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Price category: 5,000 - 7,500 usd / eur

This chair is a striking example of mid-century Scandinavian design, blending natural materials with industrial elements. The chair features a robust frame constructed from solid pine, which is known for its durability and warm, organic tones. The wood's natural grain is accentuated through a light finish, showcasing the Scandinavian aesthetics' emphasis on simplicity and connection to nature. The combination of pine and iron not only reflects the practical and resourceful design ethos of the 1940s but also demonstrates a harmonious blend of organic and industrial materials, characteristic of Swedish furniture design during this period.

The chair’s shape and construction show the signs of a master cabinetmaker. The beautiful light upholstery, the wooden frame, and the traditional craft of woodworking translate the primordial beauty of nature into this modern piece. The design aims to maximize comfort while putting an emphasis on elegance and function. This is most visible in the round, welcoming body, enhanced by the light fabric of the chair's cushions. The pine slats form a curved backrest, providing ergonomic support and comfort, while the iron components add structural integrity. The armrests feature a beautiful and unique wood grain, further enhancing the natural beauty of the material.

This armchair by Åby Möbelfabrik encapsulates the timeless appeal of Scandinavian design, where form meets function in a way that feels both natural and modern. Its enduring materials and clean lines make it a versatile piece that could easily complement various interiors, from rustic to contemporary. The armchair stands as a testament to the craftsmanship and innovative design principles that defined Swedish furniture making in the mid-20th century.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

28.34 in W x 29.13 in D x 30.31 in H; Seat height 16.53 in

72 cm W x 74 cm D x 77 cm H; Seat height 42 cm

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Price category: 5,000 - 7,500 usd / eur

This upholstered armchair reflects the quiet confidence of Scandinavian design from the 1930s, a period when modern ideas were being absorbed into more traditional forms. Swedish furniture of this era often balanced restraint with comfort, favouring clear silhouettes and honest materials over ornament. Rather than chasing novelty, designers focused on proportion, usability, and longevity, creating pieces that felt modern yet familiar.

This chair sits comfortably within that moment, bridging early modernist thinking with the warmth expected in domestic interiors. The armchair is defined by its solid wooden frame, which gives structure and presence without overpowering the soft upholstery. The straight, architectural arms frame the seat and back in a way that feels deliberate and grounded, while the slightly reclined backrest invites relaxed sitting. Upholstered in a dusty pink fabric, the chair gains a subtle softness that tempers the firmness of the wood. The fabric adds depth and tactility, catching light gently and emphasizing the slightly rounded edges. The proportions are compact but generous, making the chair feel supportive without appearing heavy. Every element, from the thickness of the cushions to the clean transitions between wood and fabric, suggests careful craftsmanship and an understanding of everyday comfort.

As both a functional seating piece and a design object, this armchair works easily in a range of interiors. Its calm colour palette and balanced form make it timeless, appealing to those who value character, quality, and subtle design. This is a chair meant to be lived with, offering comfort first while quietly carrying the design language of its time into the present.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature of the wood, the item may have some marks, scratches, or discolouration. The chair has recently been reconditioned and reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

26.18 in W x 33.66 in D x 32.48 in H; Seat height 15.74 in; Seat depth 20.27 in; Arm height 23.62 in

66.5 cm W x 85.5 cm D x 82.5 cm H; Seat height 40 cm; Seat depth 51.5 cm; Arm height 60 cm

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Price category: 5,000 - 7,500 usd/eur

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Carl Malmsten’s life's work spans nearly sixty intense years and his legacy is considered a national treasure in Sweden. He created a number of furniture classics including this rare “Elder man” armchair.

His entire work is characterized by a close-to-nature philosophy which is deeply rooted in Swedish nature and commoner culture. A deeper knowledge of Carl Malmsten as a person means that his furniture can be seen not only as utilitarian objects, but also as artistic works with the ability to express a feeling or mood. This winged armchair carries with it that certain “Malmstenesque” that is characterized by gentle curves, a cosy appearance and of course, the highest quality craftsmanship. This is especially visible in the flowing armrests that descend from the top, curling outwards to create a welcoming look. The slightly bent backrest is tufted with dark brown leather stitches that contrast with the light bouclé upholstery both in colour and texture to create a stylish, visually interesting look. As it can be expected from the “Master of Wood”, the frame is expertly designed, with ergonomic and aesthetic principles at its core. To complete the mid-century look, the structure is supported by tapered, solid wood legs that add an organic touch to the design.

In the 50s, Carl Malmsten’s furniture were produced in small series in smaller workshops, which meant that the furniture became very expensive and thus inaccessible to most people. He then decided to select a number of producers who could produce his furniture in larger volumes without sacrificing quality, beauty, and practicality. In Tranås he came into contact with O.H. Sjögren which he considered fulfilled all the high demands he placed on the production of upholstered furniture.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

28.74 in W x 34.65 in D x 41.34 in H; Seat height 16.14 in; Arm height 21.65 in

73 cm W x 88 cm D x 105 cm H; Seat height 41 cm; Arm height 55 cm

About the Designer:

Carl Malmsten (December 7, 1888 – August 13, 1972) was a Swedish furniture designer, architect, and educator. Malmsten was born in Stockholm, Sweden. Malmsten's career took off when he won a competition in 1916 to design furniture for the Stockholm City Hall and shortly after in 1917, he exhibited alongside well-known Swedish architects such as Gunnar Asplund and Uno Åhrén.

In the 1920s he was invited to furnish a room for the crown prince, Gustaf VI Adolf, and his wife Louise in Ulriksdal Palace. He was honoured with an inaugural Prince Eugen Medal for design in 1945. Already as a young designer in the early 20th century, Carl Malmsten advocated an artisanal furniture design based on local ingredients and traditions, available to a wide audience at a reasonable price.

Nature was Carl Malmsten's foremost teacher and source of inspiration. He conveyed his love of craftsmanship as a teacher in his own schools, at Olofskolan in Stockholm, Capellagården on Öland and the Carl Malmsten school on Lidingö, today a branch of Linköping University and one of the country's leading design colleges. As a debater, Malmsten stormed against functionalism, but in retrospect it can be seen that his ideas often coincided with the rational and frugal style ideals of function.

Malmsten has had a lasting influence on Swedish furniture design through the two schools he founded—the Carl Malmsten Furniture Studies (Carl Malmstensskolan), which has been a part of Linköping University since 2000, is situated on the island of Lidingö on the outskirts of Stockholm. Carl Malmsten spoke about the importance of tradition, craftsmanship, and the nation. His furniture was in many ways a product of the thoughts and ideals of the time, they have a timeless quality that makes them just as relevant and loved today. ~H.

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Price category: 5,000 - 7,500 usd / eur

The “Stora Eva” chair model is from the timeless and iconic Paradiset Collection from the Triva Series, which was created in the 1950s by Kerstin Hörlin-Holmquist during her time at Nordiska Kompaniet. Hörlin-Holmquist had a unique and humanistic design vision, and because of her uncompromising attitude, she became one of Sweden’s most renowned mid-century furniture designers.

Hörlin-Holmquist once remarked "I think both furniture and textiles, wherever they end up, must be kind, gentle, and courteous, but without losing their character. They should have human qualities, not be pompous and only stand alone, but be able to adapt to the environment they end up in” and this armchair is an elegant example of that sentiment. Characterised by the best qualities of mid-century design, this chair can be incorporated into contemporary and traditional interiors, lending itself to a timeless, universal appeal. The elegant lines and shape of the backrest create a striking silhouette. The tufted buttons on the backrest serve as the only form of ornamentation, and add to the visual richness of the model. The soft white upholstery is complemented by the tapered stained wood legs. Tilted in the back, the slim legs have a classically modern look. This armchair model expresses a particular feeling of warmth and comfort with its friendly and rounded form. Standing at the intersection of form and function, this is a timeless model that will never go out of style.

The craftsmanship displayed in this armchair is a testament to the high standards of Swedish design in the mid 20th century, reflecting the technical skill and artistic vision of both Kerstin Hörlin-Holmquist and Nordiska Kompaniet.

Condition:

In good vintage condition. Wear consistent with age and use. Minor scratches on the wood. The chair has been recently reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

28.34 in W x 32.67 in D x 38.38 in H; Seat height 16.14 in; Seat depth 18.70 in; Arm height 22.44 in

72 cm W x 83 cm D x 97.5 cm H; Seat height 41 cm; Seat depth 47.5 cm; Arm height 57 cm

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Price category: 2,500 - 5,000 usd / eur

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Peter Hvidt and Orla Mølgaard-Nielsen’s design language operates as a set of relations linking the everyday world - composed of objects, spaces, people - to the cultural ideologies that motivate the persistence of a social democratically infused “way of life.” The design duo’s company was a pioneering force in Danish furniture design thanks to this sentiment.

While the duo solidified their careers with industrial production, more specifically the “AX chair” in the 1950s, this earlier model is perhaps even more stunning in many aspects. “Model 1748” is their most well-known fully upholstered chair, with a design that builds on the traditions of Danish cabinetmaking. The subtle decorative qualities and the simple lines deriving from the early 20th century design movements give this chair its elegance. This armchair shows the homely curviness that defined the design of the mid-century throughout Scandinavia. The back is lightly bent for ergonomic comfort, and have stylish button tufting. The tapered, stained beech legs complement both the shape of the armchair, and the bouclé upholstery.

Quality craftsmanship was of optimum importance for Hvidt and Mølgaard-Nielsen, therefore they collaborated with the best cabinetmakers of the era. This chair was manufactured by Fritz Hansen, Denmark’s most famous company of the time. Founded in Denmark in 1872, and proceeded to manufacture many of the classic icons of Danish Design in the following decades. With a classic look, storied design and solid quality, these chairs are truly soulful and timeless.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

27.55 in W x 31.88 in D x 33.07 in H; Seat height 16.53 in

70 cm W x 81 cm D x 84 cm H; Seat height 42 cm

About the designer:

Hvidt & Mølgaard was a Copenhagen-based, Danish design and architectural firm which existed from 1944 until 2009. Founded by Peter Hvidt (1916-1986) and Orla Mølgaard-Nielsen (1907-1993), the company was a pioneering force in Danish furniture design and industrialized production in the 1950s, creating furniture that was easy to mass-produce and economic to transport.

Danish architect-designer Orla Mølgaard-Nielsen was born in 1907. His formative years were spent in Copenhagen, studying at the Aalborg Technical School and at the Art and Crafts School of the Design Museum (graduating in 1928). From 1931 until 1934, he continued his studies in furniture design at the Royal Danish Academy of Fine Arts under the instruction of Danish master Kaare Klint (1888-1954). Peter Hvidt was born in Copenhagen in 1916. He studied architecture and cabinetry at the School of Arts and Crafts in Copenhagen. Subsequently, he worked at various design firms before establishing his own studio in 1942.

In 1944, Hvidt designed the Portex Chair, which was one of Denmark’s first stacking chairs. Hvidt, whose design aesthetic was characterized as traditional throughout the 1940s, exhibited frequently at the Cabinetmaker's Guild exhibitions, as both a designer and architect.

In 1944, the pair co-established Hvidt & Mølgaard Studio, which they ran together until 1975. During this time, the pair created designs for Fritz Hansen, France & Søn, and Søborg Møbelfabrik. In 1950, the pair designed the AX Chair, which solidified both of their careers as industrial designers and became an icon of Danish mid-century design. It was the first Danish chair that was crafted with both a seat and back made of curved laminated wood.

From the 1970s, Hvidt & Mølgaard focused on architectural projects, which spanned office buildings and factories, as well as collective housing projects. They were known for their light, simple, and clear designs, which were carried out with precision. Both Hvidt and Mølgaard-Nielsen retired in 1975, designing over 256 pieces of furniture together over the course of their careers. Their work can be found at New York’s MoMA, the National Gallery in Melbourne, and the Danish Museum of Art & Design in Copenhagen. ~H.

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Price category: 2,500 - 5,000 usd / eur‎‎

This spectacular “Pallas” chair by Swedish designer, Svante Skogh dates to 1954 and is a rather rare example of the interior and furniture designer’s repertoire. With a creative and masterfully crafted wooden structure, this lounge chair praises both Skogh and Asko.

The design combines function and aesthetic masterfully, keeping the form in service of the user while maintaining an elegant and modern look. The union of the shell-shaped, upholstered body and the sculpted wooden structure define this chair. The body “sits” on the black painted frame, as if the wood was constructed over the shell. This shows the Swedish design’s and the Finnish manufacturing’s quality. The chair is slightly raised towards the front, which is further accentuated by the armrests. Together with the seat cushion, this angle assures great sitting comfort, a feature that Scandinavian designers were particularly concerned with. The legs not only support the body, but also rise to form the support for the armrests. The clean lines of the black painted birchwood contrast beautifully with the body that is upholstered in a grey wool blend fabric. The pairing of colours and materials creates an open and very photographic appearance. Due to the well-chosen proportions, colour scheme and angled profiles, this lounge chair is uniquely elegant.

Asko - Finland’s market leading furniture manufactory from the 1930s - worked with many renowned Scandinavian designers during the mid-century era, among them Swedish master, Svante Skogh. This “Pallas” lounge chair was manufactured together with a sofa during the 1950s, and remain quite rare.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium wool blend fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

27.55 in W x 29.92 in D x 30.9 in H; Seat height 17.32 in; Arm height 23.22 in

70 cm W x 76 cm D x 78.5 cm H; Seat height 44 cm; Arm height 59 cm

About the designer:

Swedish furniture designer Svante Skogh is best known for his mid-century designs produced by many of the most renowned Scandinavian manufacturers, among them Asko Finland, Seffle (sometimes written as Säffle) Möbelfabrik, and Klings Alingsås. Throughout his career in the 1950s and 1960s, he worked with a number of furniture producers.

Despite his famous designs, not a lot is known about the designer. His designs ranged from coffee tables to seating, such as his famous Bodö Series from 1957. Many of Skogh’s designs have survived and are highly sought after on the vintage market today. ~H.‎

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Price category: 7,500 - 10,000 usd / eur

Designed in the early phase of what we know today as mid-century modern, this charming armchair is evidence of how traditional Swedish craftsmanship was brought into modernism. A functional anchor piece is all that is needed to introduce mid-century modern furniture to any interior, and this chair is perfect to fill that role.

Swedish design is characterised by a minimal, clean approach that seeks to combine functionality with beauty. From the welcoming winged body and the solid wood frame to the upholstery, this chair expresses a quality of conviviality that engenders a feeling of contentment. The distinctive shape is a result of the two “ears” or “wings” that encompass the sitter. Originally, the wingback style was created as a way to help shield a person from drafts of cold air and also to trap the heat from a fireplace. That is why wingback chairs are sometimes called fireside chairs, as it was a popular style of chair to have pulled up in front of or flanking a fireplace. This armchair additionally has the touches of mid-century modernism, with upholstery decorated with button tufting. The button tufting is arranged in a line that enhances the depth visually. Furthermore, the quality of the bouclé upholstery brings out the shape of this design, illustrating how the pairing of the work of a skilled cabinetmaker and luxurious materials create exceptional pieces. Made of solid wood, the front legs are spherical, and the back posts are more angular. It is this detail of the construction that gives the chair a more stylish and sturdy form.

The Swedish perspective on cabinetmaking is exceptional, which is why the country’s cabinetmakers’ craft remains world-famous. In combination with the unadorned styles of mid-century design, this armchair brings together the core characteristics of the style: gently rounded edges, solid wooden legs, and a generous fully upholstered body. The design also possesses the elegant homely curviness, an aesthetic balance that is only seemingly easy to achieve, but this piece exudes it.

Condition:

In good vintage condition. Wear consistent with age and use. The armchair has recently been reupholstered in a premium bouclé fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

40.35 in W x 43.30 in D x 38.97 in H; Seat height 17.91 in; Seat depth 23.81 in; Arm height 23.62 in

102.5 cm W x 110 cm D x 99 cm H; Seat height 45.5 cm; Seat depth 60.5 cm; Arm height 60 cm

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Price category: 2,500 - 5,000 usd / eur

Italian designer Giancarlo Piretti emerged as a leading figure in postwar furniture design, known for combining technical ingenuity with sculptural forms. A longtime collaborator with Anonima Castelli, Piretti developed several groundbreaking pieces in the 1960s and 70s, many of which explored modularity, and ergonomics. His works, such as the iconic Plia folding Chair and Plia Table won multiple international design awards, and still find their home in museums word-wide, from Austria to the Czech Republic, Slovenia and the United States.

The “Alky” lounge chair, first released in the early 1970s, is among his most celebrated works and reflects the experimental spirit of the period while maintaining a strong sense of comfort and approachability. The chair showcases its signature curvilinear form, expertly upholstered in a soft off-white bouclé that enhances the chair’s inviting charm. The piece is organic, almost reminiscent of a cloud, both thanks to its plushy shape and soft fabric. The design features a continuous silhouette from backrest to seat to base, all supported by a lightweight aluminium structure. The sled frame rests on two aluminium feet, ensuring the stability of the chair. Its organic shape hugs the body and provides a comfortable sitting experience, highlighting Piretti’s attention to ergonomics. The design is balanced, as the textile surface adds warmth, contrasting the modernist structure with a sense of softness.

This “Alky” chair remains an example of 1970s Italian design and a perfect illustration of how form and function can harmonise effortlessly. Ideal as a statement piece in a living room, lounge, or studio, it offers timeless comfort and a sculptural presence that continues to resonate in contemporary interiors.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium bouclé fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

26.38 in W x 32.28 in D x 27.56 in H; Seat height 16.14 in; Seat depth 22.05 in

67 cm W x 82 cm D x 70 cm H; Seat height 41 cm; Seat depth 56 cm