Oaken “Grand Repos” Lounge Chair by Guillerme et Chambron for Votre Maison, France 1950s


























Oaken “Grand Repos” Lounge Chair by Guillerme et Chambron for Votre Maison, France 1950s
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Price category: 7,500 - 10,000 usd / eur
This oaken “Grand Repos” lounge chair deserves its title of iconic, both in terms of quality and design. This model visually represents the very reason Votre Maison, the French duo, Guillerme et Chambron’s company significantly influenced French design history.
Guillerme and Chambron are known for their high-quality, solid oak furniture and the “Grand Repos” model is without a doubt their most distinctive seating design thanks to its spindle backrest and distinctive frame with plenty of curvature. With a solid wooden frame, the support for the back of the chair consists of six, symmetrically arranged wooden spindles extending upwards. The backrest is slightly tilted for comfort, aided by the generous seat and back cushions. The back cushion is adorned with tufted buttons that add depth to the textured bouclé upholstery. The standout feature of this model are the creative overarching spindles that create an almost throne-like, grandiose effect. The curvature of the arms follows the lines of the back, and gently curve outwards. “Grand Repos” stands for “great rest” in French, and with a well-though out, elegant design, this lounge chair is sure to provide exactly that. The elegant light colour of the upholstery of the seat and back cushions beautifully compliments the light oak frame. The back cushion is secured with loops that attach to the back spindles, ensuring that the cushion stays in position.
The woodworking truly shows the overall quality of this chair; the frame is refined and the attention to the smallest detail shows the design and manufacturing skills of Robert Guillerme and Jacques Chambron. Since each chair was created by hand, each one is even more unique.
Condition:
In very good vintage condition. Wear consistent with age and use. The chair’s cushions have been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
30.5 in W x 36.22 in D x 40.94 in H; Arm height 23.03 in
77.5 cm W x 92 cm D x 104 cm H; Arm height 58.5 cm
About the Designer:
Robert Guillerme graduated in 1934 from the École Boulle where he excelled in architecture and furniture design. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops.
In 1948, Guillerme was joined by his long-time friend, decorator Jacques Chambron in Lille. The following year Guillerme and Chambron met master cabinetmaker Émile Dariosecq, owner of a woodworking shop and the company Votre Maison was born. Together, they defined and imposed a new furniture concept. Thanks to their distinctive creativity, originality, and quality, the Votre Maison quickly became well-known.
The Votre Maison marked the history of French design. Guillerme drew the furniture designs while Chambron played the part of salesman, welcoming and advising clients. The power duo was complemented by Dariosecq, whose workshop took charge of the manufacturing. Together, they defined new furnishings concepts. Well-crafted chair back, polished wood and thick cushions make the reputation of their armchairs and sofas. Votre Maison continued to produce furniture right into the 20th century, with Jacques’s son Hervé Chambron, a designer and graduate of the École Boulle, having taken the over in 1983. ~H.
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Price category: 2,500 - 5,000 usd / eur
Crafted during a time when movements like Modernism were reshaping design worldwide, this early 20th-century armchair reflect a transitional style rooted in both simplicity and elegance. This era emphasizes clean lines, unique shapes, and high-quality craftsmanship to achieve timeless pieces like this one.
This remarkable armchair was designed by German artist, Willi Ohler. The so-called “Worpsweder” either denote chairs made at the Worpsweder Kunsthütten (Worpsweder arts huts) in Germany, or a specific style of German chairs with solid wood frames, broad armrests, often from tall wood, with woven seats and backs. These piece features all of those characteristics. The honey-toned wood highlights the warm patina that has developed over decades. The softly sculpted armrests framing the chair bring both elegance and ergonomic comfort to the overall form. Woven wicker is the main highlight of the piece. The material is used to construct the seat and tall backrest. The beautifully symmetrical pattern showcases the timeless artistry of artisanal furniture. The rectangular, slim legs create a sleek structure while not abandoning sturdiness. This chair preserves the value and beauty of master craftsmanship and exquisite materials.
Worpswede in Lower Saxony is famous nationwide for its long tradition as an artists' colony. Nowadays, about 130 artists and craftsmen and women live there permanently. The artists who created the so called "Worpsweder Kuentlerkolonie" were looking for the simple and original in art and life. The traditional reed and rush woven chairs of this region were greatly appreciated by the artists of the colony, and some of them were still produced around 1900-1920. They have become collectors’ pieces thanks to the craftsmanship that went into each chair’s creation.
Condition:
In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. The woven back and seat are slightly worn. Due to the nature of the materials, the chair may have some marks, scratches, and discolouration.
Dimensions:
33.07 in W x 33.66 in D x 38.18 in H; Seat height 16.73 in; Seat depth 19.48 in; Arm height 24.80 in
84 cm W x 85.5 cm D x 97 cm H; Seat height 42.5 cm; Seat depth 49.5 cm; Arm height 63 cm
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Price category: 7,500 - 10,000 usd / eur
This “Canada” or model P110 chair was designed by Osvaldo Borsani in 1965 and manufactured by the Borsani brothers’ company, Tecno. The chair is enriched with mechanical components that give it versatility in terms of composition, shape and arrangement.
The Borsani brothers’ company, founded in 1953, had strong ideals, mainly a philosophy of quality. Just like the company’s name in Italy, this “Canada” lounge chair is unmistakable. The wooden structure serves as the base for the upholstered sections that are divided into three parts. Immediately standing out are the oversized buttons, seven on both sides, that secure the cushions in place, while also increasing the visual quality of the chair. The extraordinary heritage of craftsmanship in the treatment of materials, in the attention to detail, in the interpretation of the shape defines this chair. Thanks to the innovative language of the design, this model can fit perfectly into any interior while still standing out visually.
The “Canada” lounge chair shows the rigor of form, the quality of materials and workmanship, and the attention to the opportunities of technology that Tecno is known for. The chair is upholstered in leather, which contrasts beautifully to the peculiar body.
Condition:
In good vintage condition. Wear consistent with age and use. Minor scratches on the back. The chair comes with its original upholstery or has been reupholstered by a previous owner. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
32.28 in W x 33.46 in D x 33.07 in H; Seat height 15.74 in; Seat depth 22.04 in; Arm height 21.06 in
82 cm W x 85 cm D x 84 cm H; Seat height 40 cm; Seat depth 56 cm; Arm height 53.5 cm
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Price category: 5,000 - 7,500 usd / eur
Ergonomic in its structure, this mid-century armchair showcases the best characteristics of post-war Italian design. These postwar boom years of the 1950s through the 1960s were a greatly influential - and experimental - period for Italian creatives. Striking in its balanced proportions and clean architectural lines, this armchair was born of careful decision making, where every curve, joint and surface was conceptualised with comfort and sculptural grace in mind.
The elegant lines of the chair create a pleasing visual balance, a result of the gently rounded back and pointed wingback crown. The silhouette, with its open construction, is comprised of an enveloping back that flows down in a curve towards the generous seat, forming a cocoon for the sitter. Creating a welcoming impression, the sheltering arms hug the person even further, adding a further layer of relaxation. The arms, slightly overturning at the ends, unfold the form of the design and emphasise its openness and welcoming spirit even further. The dark, splayed legs ensure stability, and their minimal shape allow the chair’s body to shine as the focal point. Acting as complementary elements, the tapered legs on the bottom are in harmony with the sharp peaks at the top of the backrest. Meanwhile, along the midsection, the elegant overspill of the armrests traces the sides, opening up the structure and introducing another intriguing dimension that deepens the visual presence of the piece. The armchair is full of unique design elements, but rather than working against each other, they instead unify the design through their shared aesthetic characteristics. In their own unique way, these small details are striving for the same sophisticated style. Recently upholstered in premium fabric, the chair flourishes in a beautiful, neutral colour that complements any interior.
The subtle colour of the chair, combined with its elegant form, provides a beautiful visual cohesiveness. This armchair is not just a functional sitting element, but also brings its own refined character into the atmosphere of the room, making it simultaneously both charming and practical.
Condition:
in good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
33.07 in W x 31.49 in D x 40.55 in H; Seat height 15.15 in; Seat depth 18.70 in; Arm height 21.45 in
84 cm W x 80 cm D x 103 cm H; Seat height 38.5 cm; Seat depth 47.5 cm; Arm height 54.5 cm
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Price category: 5,000 - 7,500 usd / eur
Although Fritz Neth was, and still is, one of the most sought-after designers of German post-war modernism, not much is known about him - but his designs speak for themselves.
The design language is entirely dedicated to the organic-modern style of the 1950s. Much like in Scandinavia, the mid-century in Germany gave form to furniture pieces defined by quality, functionality, and reliability. The curved seat gives this chair a sculptural and striking appearance. This lounge chair’s rounded lines and stylish selection of materials immediately stand out, and make the classic combination of black and white visually interesting. The body is formed like a nest, with smooth and flowing lines that hug the sitter. The wide seat and armrests are not separated, rather they are united and create an open and welcoming look. The black legs of thin tubular metal are very characteristic of the era. The legs are simplistic, which is a great design choice that contrast with the softness of the upholstery. Thanks to its well-thought-out construction and proportions, the sitting comfort is also outstanding.
The classic pairing of black and white further makes this unique model an elegant and stylish addition to any space. Through the design, materials, and degree of craftsmanship, it displays many of the qualities exemplifying why Fritz Neth remains one of the most sought after designers of Germany.
This lounge chair was produced by the Correcta Foams Company (Sitzformbau) in Kassel, Germany. Correcta produced Neth’s designs throughout the 1950s. The company used to produce foam rubber shoulder pads, and towards the 1950s, switched to the production of seating with the highest quality of foam.
Condition:
In good vintage condition. Wear consistent with age and use. Some marks and scratches on the metal legs. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
28.35 in W x 34.25 in D x 35.83 in H; Seat height 15.75 in; Seat depth 17.72 in
72 cm W x 87 cm D x 91 cm H; Seat height 40 cm; Seat depth 45 cm
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Price category: 2,500 - 5,000 usd / eur
Italian designer Giancarlo Piretti emerged as a leading figure in postwar furniture design, known for combining technical ingenuity with sculptural forms. A longtime collaborator with Anonima Castelli, Piretti developed several groundbreaking pieces in the 1960s and 70s, many of which explored modularity, and ergonomics. His works, such as the iconic Plia folding Chair and Plia Table won multiple international design awards, and still find their home in museums word-wide, from Austria to the Czech Republic, Slovenia and the United States.
The “Alky” lounge chair, first released in the early 1970s, is among his most celebrated works and reflects the experimental spirit of the period while maintaining a strong sense of comfort and approachability. The chair showcases its signature curvilinear form, expertly upholstered in a soft off-white bouclé that enhances the chair’s inviting charm. The piece is organic, almost reminiscent of a cloud, both thanks to its plushy shape and soft fabric. The design features a continuous silhouette from backrest to seat to base, all supported by a lightweight aluminium structure. The sled frame rests on two aluminium feet, ensuring the stability of the chair. Its organic shape hugs the body and provides a comfortable sitting experience, highlighting Piretti’s attention to ergonomics. The design is balanced, as the textile surface adds warmth, contrasting the modernist structure with a sense of softness.
This “Alky” chair remains an example of 1970s Italian design and a perfect illustration of how form and function can harmonise effortlessly. Ideal as a statement piece in a living room, lounge, or studio, it offers timeless comfort and a sculptural presence that continues to resonate in contemporary interiors.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium bouclé fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
26.38 in W x 32.28 in D x 27.56 in H; Seat height 16.14 in; Seat depth 22.05 in
67 cm W x 82 cm D x 70 cm H; Seat height 41 cm; Seat depth 56 cm
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Price category: 5,000 - 7,500 usd / eur
This rocking chair, born from the era's penchant for Brutalist design, manages to strike an intriguing balance between the rugged and the refined. The 1970s marked a distinctive period in design, and the Brutalist movement, characterised by its raw, unapologetic use of materials, left an indelible mark on furniture.
This piece embodies the spirit of Brutalism, boasting a robust pine wood construction that conveys a sense of strength and durability. Yet, in a departure from the harsh edges often associated with Brutalist design, the chair surprises with soft, flowing lines that gently cradle the sitter. The use of pine wood brings its own set of advantages: renowned for its resilience, pine became a canvas for many 20th century designers to showcase the marriage of strength and grace. The natural grain of the wood, visible through a subtle finish, adds depth to the chair, embracing the imperfections that come with time, like a visual memoir of shared moments. The essence of this rocking chair lies not just in the design, but also in the experience it offers. Rocking chairs, with their rhythmic motion, invite contemplation and relaxation. They transform a simple seat into a haven, a place to unwind and reflect. The designer clearly understood the timeless allure of a rocking chair, choosing to augment the utilitarian aspect of seating with an inherent connection to human comfort. The upholstered seat and back cushion provide great comfort, and also a gentle contrast to the starkness of the wood. This cushion, rather than diminishing the Brutalist appearance, accentuates it. Softness meets strength, and the result is a tactile experience that harmonises the senses. The light, textural upholstery, carefully selected for its texture and neutrality, introduces a touch of luxury without compromising the chair's integrity.
This rocking chair stands as a visual illustration of the era's exploration of contradictions. It is both bold and welcoming, robust and refined. This design, pairing of materials, and sheer quality makes it a special accent piece.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in premium linen fabric. Normal patina, including some scratches and marks.
Dimensions:
31.29 in W x 36.81 in D x 35.62 in H; Seat height 16.92 in; Arm height 22.04 in
79.5 cm W x 93.5 cm D x 90.5 cm H; Seat height 43 cm; Arm height 56 cm
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Price category: 5,000 - 7,500 usd / eur
VEB Möbelindustrie Oelsa-Rabenau, a notable manufacturer from the former German Democratic Republic (DDR), has been revered for producing high-quality, functional, and durable furniture, leaving a remarkable and defining look to their items. The company was a crucial figure in the DDR's furniture industry, and is known for its commitment to design excellence and innovation. Eberhard Geißler, one of the prominent designers associated with VEB Möbelindustrie, created pieces that emphasised versatility and longevity. His work often featured modular components, allowing for flexible configurations to suit various living spaces, and this unique lounge chair is a prime example of his design philosophy.
This lounge chair from VEB Möbelindustrie Oelsa-Rabenau is a clear example of the brand's unwavering dedication to functionality and striking design. The chair, with its robust and inviting form and generously padded armrests and backrest, offers a promise of unmatched comfort and support. The chair, upholstered in a premium, soft, neutral fabric, exudes a simple yet elegant design that complements a wide range of interior décor. The armrests are firmly connected on the sides of the seating cushion, ensuring stability and a solid rest. The seat, meanwhile, remains firm and retains its shape, a testament to the quality and durability of the materials used.
Introducing this lounge chair to your living space enhances comfort and brings forth a piece of design history that exemplifies the aesthetic forms of an era. This chair, a reflection of the ingenuity and craftsmanship of Eberhard Geißler, are a practical choice for modern living and one which speaks of an era. With its blend of style and functionality, this piece is a smart and stylish addition to any home, making it a cherished part of your living space.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium alpaca blend fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
32.68 in W x 32.48 in D x 27.56 in H; Seat height 14.57 in; Seat depth 21.26 in; Arm height 20.42 in
83 cm W x 82.5 D x 70 cm H; Seat height 37 cm; Seat depth 54 cm; Arm height 52 cm
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Price category: 2,500 - 5,000 usd / eur
This individualistic chair possesses a look that is eternally relevant regardless of current trends, a charm that would likely be called ‘the mid-century modern style’. Even after decades, interior items from Italian manufacturers look like works of art. This lounge chair exemplifies modern design that leans toward a minimalist approach with open spaces and clean, refined lines.
The design language is entirely dedicated to the organic-modern style of the 1950s. Much like in Scandinavia, the mid-century era in Italy gave form to furniture pieces defined by quality, functionality, and reliability. The curved seat gives this model a sculptural and striking appearance. The splayed legs made of lacquered brass are very characteristic of the era, adding a modern touch to the body. The black lacquered legs are quite simple, which is a great design choice that contrasts with the colour and soft texture of the upholstery, while also letting it stand out. This lounge chair can seamlessly integrate into a variety of design schemes, enhancing the overall aesthetic and imbuing the space with a touch of timeless Italian elegance.
Like their international contemporaries, Italian designers prized the marriage of form and function, but there are a few key differences that set Italian mid-century design apart. In Italy, good design was generally defined by unique forms, perfect execution, and a strong sense of exclusivity.
Condition:
In good vintage condition. Wear consistent with age and use. Visible scratches and marks on the lacquer. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.56 in W x 26.38 in D x 30.91 in H; Seat Height 12.60 in; Arm Height 22.83 in
70 cm W x 67 cm D x 78.5 cm H; Seat height 32 cm; Arm height 58 cm
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Price category: 5,000 - 7,500 usd / eur
The 1950s saw brilliant Italian designers working to create furniture of the highest quality that explored truly modern shapes and innovative techniques. Designers experimented with new materials and construction methods but, crucially, they kept the elegance inherent in Italian design. This sculptural wingback lounge chair is a prime example of form’s marriage to function.
With a clear preoccupation with geometry, this chair’s outstanding architectural frame speaks of the mastery of the designer and of the producer. Still, all the decorative elements are in service of functionality, including the “wings”, the appealing angles of the seat, and the thick seat and back cushions. Furthermore, the back’s inclination is adjustable in three stages, making this model a perfect chair for the ultimate lounging experience. The clearly lined wood frame contrasts beautifully with the upholstery. The padded velvet fabric highlights the shapes and angles, such as the pointed “wings” at the top that add a lot of character. The dark stained wooden frame’s most dominant feature are the ‘V’ shaped legs joined with visible screws. The refined linearity defines the overall aesthetic, with crisp and elegant lines. On the decoration front, the chair isn’t in need of much thanks to the brilliance of the design itself, therefore the sole decorative element remains the design itself.
The design was created in the golden days of Italian mid-century modernism, when Italian design giants like Gio Ponti and Paolo Buffa worked as well. With an outstanding design, quality materials and Italian design elements, this lounge chair is sure to provide comfort and style in any interior.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium velour fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.55 in W x 40.94 in D x 35.43 in H; Seat height 15.35 in; Arm height 23.22 in
70 cm W x 104 cm D x 90 cm H; Seat height 39 cm; Arm height 59 cm
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Price category: 2,500 - 5,000 usd / eur
This beautiful 'Worpsweder' armchair was designed in the 1920s by German artist, Willi Ohler and was manufactured by Erich Schultz in Germany. The so-called “Worpsweder” either denote chairs made at the Worpsweder Kunsthütten (Worpsweder arts huts) in Germany, or a specific style of German chairs with solid wood frames, broad armrests, often from tall wood, with woven seats and backs.
The “Worpsweather” style’s design language and materiality is embodied in this pair: the structures are made up of solid oak elements. The seats and backs are woven braided from rush. This chair carries with it the same beloved modernist characteristics applied to American, Scandinavian, and Italian mid-century design – simple, functional – and shows the generally less known early 20th century rustic side of German design. The woven rush seat and back define the armchair’s aesthetic. The straight wooden lines of the minimalist wooden frame serve as the perfect canvas to showcase the appealing and artistic rush weaving. The structure has an airy impression despite being sturdy that is further enhanced by the absence of stretchers between the legs. With the additional organic charm provided by the woven rush seats, this chair is an ideal accent piece. The expert rush weaving pairs beautifully with the solid wood body, and gives this Worpsweder chair its rustic and organic charm.
Worpswede in Lower Saxony is famous nationwide for its long tradition as an artists' colony. Nowadays, about 130 artists and craftsmen and women live there permanently. The artists who created the so called "Worpsweder Kuentlerkolonie" were looking for the simple and original in art and life. One of the most famous members of this colony was Paula Modersohn-Becker. The traditional reed and rush woven chairs of this region were greatly appreciated by the artists of the colony, and some of them were still produced around 1900-1920. They have become collectors’ pieces thanks to the craftsmanship that went into each chair’s creation.
Condition:
In very good vintage condition. Wear consistent with age and use. Some marks and scratches on the wood and rush panels.
Dimensions:
30.51 in W x 25 in D x 32.87 in H; Seat height 18.5 in; Arm height 27.17 in
77.5 cm W x 63.5 cm D x 83.5 cm H; Seat height 47 cm; Arm height 69 cm
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Price category: 5,000 - 7,500 usd / eur
These individualistic chairs possess a look that is eternally relevant regardless of current trends, a charm that would likely be called ‘the mid-century modern style’. Even after decades, interior items from Italian manufacturers look like works of art. As this lounge chair exemplifies, modern design from the country leaned towards a minimalist approach with open spaces and clean, curvy lines.
The design language is entirely dedicated to the organic-modern style of the 1950s. Much like in Scandinavia, the mid-century era in Italy gave form to furniture pieces defined by quality, functionality, and reliability. The organically shaped seat gives this model a sculptural and striking appearance. This lounge chair’s sleek lines and a stylish selection of materials immediately stand out, and even make the classic combination of black and white interesting. The body is formed like a shell, with smooth and flowing lines that surround the sitter. The wide back, seat, and outward curving armrests are not separated, rather they are united and create an open and welcoming look. The splayed legs made of thin tubular metal are very characteristic of the era, adding a modern touch to the organic body. The black lacquered legs are quite simple, which is a great design choice that contrasts with the colour and soft texture of the wool blend upholstery while also letting it stand out. Thanks to its well-thought-out construction and proportions, the sitting comfort this chair provides is also outstanding.
The classic pairing of black and white makes this one-of-a-kind model an elegant and stylish addition to any space. Through the design, materials, and level of craftsmanship, it displays many of the qualities why Italian mid-century furniture design continues to intrigue and impress.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in premium wool blend fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
42.12 in W x 33.07 in D x 28.74 in H; Seat height 16.53 in; Arm height 23.22 in
107 cm W x 84 cm D x 73 cm H; Seat height 42 cm, Arm height 59 cm
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Price category: 7,500 - 10,000 usd / eur
The postwar boom years of the 1950s through to the 1960s were one of the periods of greatest influence of Italian designers. The models created during this period paved a way to a more aesthetical approach to products as opposed to their utilitarian predecessors, resulting in exceptional pieces like this “Hall” armchair.
This stunning piece was designed by Roberto Menghi, a renowned Italian designer who was the recipient of two Compasso d’Oro awards and two Grand Prizes at the Triennale di Milano. This piece effortlessly showcases Menghi’s design prowess and architectural precision. The design epitomises the unique blend of style, craftsmanship, and innovation that characterised Italian design in the mid-20th century. There are several features that show these different style elements starting with the fully upholstered, sculptural body and tapered metal legs. With its outward pointing armrests and the dynamic lines of the seating, the chair combines modern forms and ideals to obtain a timeless, impressive piece of furniture. Furthermore, the blue mohair fabric adds a rich and luxurious look and feel, with the deep, warm hue of the upholstery creating a sense of opulence, making it an ideal choice for an eye-catching interior. The mohair’s tone enhances the sculptural qualities of the form, contrasting the crisp, linear frame with a plush, inviting surface.
The "Hall" armchair is not only functional and comfortable but is also a statement of artistic craftsmanship, making it a perfect addition to any interior. With its timeless appeal and unique character, this chair captures the essence of Italian mid-century design, inviting admiration and comfort.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
39.37 in W x 31.10 in D x 31.88 in H; Seat height 16.14 in; Seat depth 20.47 in; Arm height 22.04 in
100 cm W x 79 cm D x 81 cm H; Seat height 41 cm; Seat depth 52 cm; Arm height 56 cm