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Price category: 7,500 - 10,000 usd / eur

These “Lilla Eva” models are from the timeless and iconic Paradise Collection, which was created by Kerstin Hörlin-Holmquist during her time as a designer at Nordiska Kompaniet. The name is inspired by “Paradiset” – the Swedish name for Eden.

This pair holds a soft simplicity and a uniqueness in its appearance - light, clean lines with an air of romance. Without worrying about short-lived trends and what other people thought, Hörlin-Holmquist created the peculiar shape of these chairs that is only increasing in popularity. Thanks to her unique vision, these chairs have an unmistakeable backrest that flows down to form the armrests. While the armrests sit low, therefore opening the seats, the chairs still give the impression of hugging the sitter. The upholstered bodies elevate the visual comfort, with tufted backrests that are festooned with nine, symmetrically arranged buttons.

The upholstery is a premium fabric with a soft touch that complements the aesthetic of Hörlin-Holmquist’s design. Similarly, the stained and tapered wood legs pair perfectly with the sculptural and organic form of the bodies. Kerstin Hörlin-Holmquist had a unique and humanistic design vision, and thanks to her uncompromising attitude, these “Little Eva” easy chairs have become iconic.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the items may have marks, scratches, and discolouration. The chairs have been reupholstered recently in premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

27.55 in W x 30.51 in D x 32.67 in H; Seat height 15.15 in

70 cm W x 77.5 cm D x 83 cm H; Seat height 38.5 cm

About the Designer:

Kerstin Hörlin-Holmquist was born on May 30, 1925 in Arvika, Sweden. She was a Swedish modernist architect and designer. Hörlin-Holmquist graduated from Stockholm’s Konstfack in 1952, and before that she studied and worked in England.

She often worked with her husband Erik Holmquist, and together they modelled and created the pieces together. A key aspect for the couple was always to test their designs in their own home before completing a project.

"I think both furniture and textiles, wherever they end up, must be kind, gentle and courteous, but without losing their character. They should have human qualities, not be pompous and only stand alone, but be able to adapt to the environment they end up in..."

Holmquist worked and studied in England from 1946-1947 immediately after the war where she also studied art history and became fascinated with the classic English upholstered furniture and style. Something that without a doubt inspired her own creations later in life while she still developed her own expression. She returned to Sweden where she attended Konstfack from 1948 and graduated from the school in 1952. She started working with Nordiska Kompaniet shortly after her graduation and became a lead designer. Her timeless and iconic ‘Paradiset Collection’ was created during her employment with Nordiska Kompaniet in 1956-1957 and holds a soft simplicity and a uniqueness in its appearance - light, clean lines and yet gracious with an air of romance.

Today, her designs are highly treasured collectibles. She is primarily remembered, for her ability to create designs for the modern home in the 1950s without worrying about short-lived trends and what other people thought - to stay true to her own unique and humanistic design vision.

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Price category: 5,000 - 7,500 usd / eur

By the 1920s, Carl Malmsten became one of the most sought-after interior and furniture designers in all of Sweden. As a furniture maker he expressed the old, inherited forms as well as the new, bold ideas with his language of design. “Lata Greven”, Swedish for Lazy Count, is Carl Malmsten’s most successful “count chair”.  With a klismos-style curved back, this model was produced at O.H. Sjögren, a manufacturer that Malmsten often worked with.

This model is a simplified version of the “Jonas Love” armchair, which Carl Malmsten designed for the New York World Fair 1939. Sweeping curves with an organic impression and utmost quality are the main characteristics that define this pair of chairs. Even as a young designer in the early 20th century, Malmsten advocated artisanal furniture design based on local materials and traditions. “Break all edges thoroughly” was a frequent instruction on his drawings and nature was his great source of inspiration, therefore sharp edges or corners can rarely be found in his designs. This “Lata Greven” model is no different, with round, outward curving edges on the back and arms, and an upholstered, cosy seat and back. The organicity of the design is not broken by ornamentation, instead the charming green upholstery is utilised to highlight the shape of the chairs. The chairs are supported by slim, tapered legs made of solid wood with a stunning grain.

Carl Malmsten designed a number of so called “Grevar” (Counts) between the 1930s and 1950s and they were often commissioned for special people or projects. The chairs’ manufacturer, O.H. Sjögren is a furniture factory in Tranås in Småland, and has been active for over 110 years and is thus one of the oldest active furniture manufacturing companies in Sweden. Since the 1950s, O.H. Sjögren manufactured furniture designed by Carl Malmsten, where in the 1950s and 60s, he spent a lot of time to develop his furniture designs.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered by a previous owner. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

23.62 in W x 25.59 in D x 29.92 in H; Seat height 16.92 in; Seat depth 18.50 in; Arm height 25.59 in

60 cm W x 65 cm D x 76 cm H; Seat height 43 cm; Seat depth 47 cm; Arm height 65 cm

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Price category: 7,500 - 10,000 usd / eur

Nordiska Kompaniet was founded in Stockholm in 1902, and to this day, it is regarded as one of the most renowned Swedish furniture manufacturers. The department store reflected modern society in different ways; it was a place where much was possible and consumption became not just a necessary everyday routine, but a lifestyle and a pleasure.

Designed in the first half of the 20th century, these armchairs possess a refined and slender appearance with distinctive sloping armrests. They also hold a soft simplicity and a uniqueness in its appearance - light, clean lines with an air of romance. The sleek wooden frames offer a beautiful contrast to the supple upholstery, creating a visually captivating aesthetic. The juxtaposition of these materials creates a striking contrast. Together, they make for a harmonious balance between contemporary elegance and traditional style. Even though Swedish design is generally democratic and meant for the masses, pieces were not stripped of all beauty in order to make them as easy to use as possible. The importance of this balance can be identified in the design and execution of these armchairs as well.

The overall model beautifully speaks of the zeitgeist of Scandinavia in the early-to-mid-20th century, a period characterised by a spirit of experimentation and a departure from traditional norms towards modernism. Evidently, this set is marked by its commitment to simplicity, functionality, and a bold departure from the ornate styles of the past.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned and reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

27.55 in W x 29.13 in D x 36.61 in H; Seat height 19.68 in; Seat depth 17.71 in; Arm height 30.70 in

70 cm W x 74 cm D x 93 cm H; Seat height 50 cm; Seat depth 45 cm; Arm height 78 cm

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Price category: 12,500 - 15,000 usd / eur

These "Berga" chairs by David Rosén for Nordiska Kompaniet reflect the refined elegance and functional clarity that defined Scandinavian modernism. As a prominent figure in Swedish furniture design, Rosén worked extensively with Nordiska Kompaniet, one of the country’s most influential department stores and producers, creating furniture pieces that embodied the ideals of quality craftsmanship, restrained form, and comfort.

This pair of chairs exude a lovely charm and robust aesthetic that is characteristic of the era. In 20th century design, the use of wood held a special significance; it was not merely a material choice, but a philosophy that emphasised the natural and organic over the ornate and extravagant. Moreover, in a rather distinctive way, softness and tradition merge in these armchairs. While it is elemental thanks to the solid stained pine and interesting construction, the roundness and elegantly sculpted form still provide a sense of gentleness. Pine was a popular choice of wood in Swedish furniture design during the early-to-mid 20th century. Axel Einar Hjorth was another prominent figure who extensively worked with pine, he was also the head of Nordiska Kompaniet during the time of Rosén’s tenure. Hjorth greatly contributed to the burgeoning Swedish design culture, in which these influences are seen in this pair of chairs.

The Swedish company Nordiska Kompaniet manufactured this pair of chairs with utmost care for its quality and design. The company was among the most renowned Swedish lighting manufacturers during the mid-century era, working with some of the most well-known Scandinavian designers - and this "Berga" model is a prime example of the great success these collaborations resulted in.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature of the material, the items may have some marks, scratches, and discolouration.

Dimensions:

34.25 in W x 25.20 in D x 32.48 in H; Seat height 15.16 in; Seat depth 17.71 in; Arm height 23.22 in

87 cm W x 64 cm D x 82.5 cm H; Seat height 38.5 cm; Seat depth 45 cm; Arm height 59 cm

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Price category: 9,000 - 12,500 usd / eur

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The ‘Skrindan’ armchair model was designed in 1963 by iconic Swedish designer Kerstin Hörlin-Homquist. Hörlin-Holmquist had a unique and humanistic design vision, and thanks to her uncompromising attitude, she created some of the most famous Swedish models of the era.

The unique stained beech frames are a visual delight, with subtle decorative elements that distinguish this pair from other models of the era. Without worrying about short-lived trends and what other people thought, Hörlin-Holmquist created her models with such precision and creativity that still makes them collectible pieces. Thanks to her unique vision, these chairs have unmistakable backs and sides comprised of symmetrically arranged spindles. As the backs and armrests sit relatively low, the chairs have an open look. The sheepskin upholstery of the back and seat cushions elevate the visual comfort.

OPE Möbler, Jönköping produced the furniture designs of some of Scandinavia’s most renowned designers, such as Ib Kofod-Larsen, Ingemar Thillmark, and of course, Kerstin Hörlin-Holmquist. These ‘Skrindan’ armchairs are exemplary of Swedish mid-century quality and design to its core, uniting functionality with an understated, yet interesting and elegant design.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in premium sheepskin. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.52 in W x 33.46 in D x 34.65 in H; Seat height 17.34 in; Seat depth 20.47 in; Arm height 23.62 in

75 cm W x 85 cm D x 88 cm H; Seat height 44 cm; Seat depth 52 cm; Arm height 60 cm

About the Designer:

Kerstin Hörlin-Holmquist was born on May 30, 1925 in Arvika, Sweden. She was a Swedish modernist architect and designer. Hörlin-Holmquist graduated from Stockholm’s Konstfack in 1952, and before that she studied and worked in England.

She often worked with her husband Erik Holmquist, and together they modelled and created the pieces together. A key aspect for the couple was always to test their designs in their own home before completing a project.

"I think both furniture and textiles, wherever they end up, must be kind, gentle and courteous, but without losing their character. They should have human qualities, not be pompous and only stand alone, but be able to adapt to the environment they end up in..."

Hörlin-Holmquist worked and studied in England from 1946-1947 immediately after the war, where she also studied art history and became fascinated with the classic English upholstered furniture and style. Something that without a doubt inspired her own creations later in life while she still developed her own expression. She returned to Sweden where she attended Konstfack from 1948 and graduated from the school in 1952. She started working with Nordiska Kompaniet shortly after her graduation and became a lead designer. Her timeless and iconic ‘Paradiset Collection’ was created during her employment with Nordiska Kompaniet in 1956-1957 and holds a soft simplicity and a uniqueness in its appearance - light, clean lines and yet gracious with an air of romance.

Today, her designs are highly treasured collectibles. She is primarily remembered, for her ability to create designs for the modern home in the 1950s without worrying about short-lived trends and what other people thought - to stay true to her own unique and humanistic design vision.

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Price category: 7,500 - 10,000 usd / eur

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Swedish designer, Arne Norell’s conceptual designs, gained recognition for their use of traditional materials and forms like fabrics and wood combined with simple and vanguard lines. This pair of “Pilot” chairs was designed by Arne Norell in 1967 and each of them was handmade in Aneby, Sweden in the same factory that Norell established himself a decade earlier. This model is a modern classic with all the characteristics of a genuine Swedish modern chair.

The design of these remarkable chairs carries a certain “design weight” that is the result of their understated elegance, premium materials, and the outstanding craftsmanship. Norell was known for his versatile use of wood and leather in his furniture designs that are characterized by comfort and ease and were to a great extent inspired by Danish design. These “Pilot” easy chairs are no exception with a design idiom centred on the curved wooden legs, stylish upholstery, and the subtly curved bodies offering gentle yet robust support for the spine - qualities that engender contentment and well-being.  The tightly fitted velour fabric and wood complement each other in numerous ways, enhancing each other’s individual qualities, such as the wood legs’ distinctive curves and the fabric’s rich texture and colour. The result is an infinitely elegant and comfortable look that is unlikely to ever lose its appeal, and only get more stylish with time. This pair of "Pilot" easy chairs encapsulates the essence of Norell’s innovative approach to furniture design. The laminated beech legs allow the shape to be bent and result in the distinctive look this chair model is famous for. Norell began his journey as a furniture designer in the 1950s, becoming renowned for his ability to seamlessly blend comfort and aesthetics through innovative experimentations. During the 1960s, Swedish furniture design witnessed a transformative period marked by a departure from ornate and heavy styles to more streamlined, minimalist forms. Arne Norell played a pivotal role in shaping this evolution, embracing a modernist ethos while staying true to the principles of craftsmanship and quality materials. His designs, including these "Pilot" models, are celebrated for their timeless appeal and functional elegance and style. These chairs epitomize Norell's design philosophy, featuring clean lines, organic shapes, and a commitment to ergonomic excellence. These chairs were produced and are marked by Möbel AB Arne Norell (today known as Norell Möbel AB) in Aneby, Sweden. The workshop was founded in 1954 by Arne Norell, and ever since its establishment, it has been a family business carrying on Norell’s design legacy. In fact, the same factory that Arne Norell built in the 1950s is still where the company exists today in Sweden.

The perks of incorporating these "Pilot" easy chairs into interior design are manifold; their ergonomic design and lush upholstery make them inviting and comfortable, creating an ideal setting for relaxation. Furthermore, thanks to their mid-century modern aesthetic, these chairs can seamlessly adapt to various interior styles, from  modern to contemporary, making them versatile additions to any space. The timeless aesthetic of these "Pilot" chairs ensures that they remain relevant and stylish across different design trends. Beyond their aesthetic appeal, easy chairs like the "Pilot" serve as focal points in a room, elevating the overall design scheme. Whether placed in a cosy reading nook or as part of a larger seating arrangement, these chairs effortlessly enhance the visual appeal of the space.

‎Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in a premium velour fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

32.28 in W x 29.92 in D x 29.52 in H; Seat height 16.53 in; Arm height 21.25 in

76.5 cm W x 79 cm D x 79.5 cm H; Seat height 45 cm; Arm height 55 cm

About the designer:

Arne Norell started his own workshop in 1954 in the town of Solna, Sweden. Thereafter, he moved to Småland and established his company Möbel AB Arne Norell, today known as Norell Möbel AB (Norell Furniture). He was known for his versatile use of wood, leather, fabric, and metal in furniture characterized by comfort and ease. Norell’s success made him a household name within the interior design-world of Europe. Several models were also produced in other parts of the world under a licence.

He was to a great extent inspired by Danish design. Two examples of this influence are the lounge chair Ari and the safari chair Sirocco. Ari was awarded the British Furniture Manufacturer’s greatest award “showpiece of the year” in 1973. Many of the models he designed came into production after his death in 1971. His designs are still handcrafted by the same company today, Norell Möbel AB.

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Price category: 9,000 - 12,500 usd / eur

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Carl Malmsten’s life's work spans nearly sixty intense years and his legacy is considered a national treasure in Sweden. He created a number of furniture classics including these rare “Elder man” armchairs.

His entire work is characterized by a close-to-nature philosophy which is deeply rooted in Swedish nature and commoner culture. A deeper knowledge of Carl Malmsten as a person means that his furniture can be seen not only as utilitarian objects, but also as artistic works with the ability to express a feeling or mood. These winged armchairs carry with them that certain “Malmstenesque” that is characterized by gentle curves, a cosy appearance and of course, the highest quality craftsmanship. This is especially visible in the flowing armrests that descend from the top, curling outwards to create a welcoming look. The slightly bent backrests are tufted with dark brown leather stitches that contrast with the light bouclé upholstery both in colour and texture to create a stylish, visually interesting look. As it can be expected from the “Master of Wood”, the frames are expertly designed, with ergonomic and aesthetic principles at their core. To complete the mid-century look, the structures are supported by tapered, solid wood legs that add an organic touch to the design.

In the 50s, Carl Malmsten’s furniture were produced in small series in smaller workshops, which meant that the furniture became very expensive and thus inaccessible to most people. He then decided to select a number of producers who could produce his furniture in larger volumes without sacrificing quality, beauty, and practicality. In Tranås he came into contact with O.H. Sjögren which he considered fulfilled all the high demands he placed on the production of upholstered furniture.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

Chair 1

28.74 in W x 34.64 in D x 41.33 in H; Seat height 16.14 in; Arm height 21.65 in

73 cm W x 88 cm D x 105 cm H; Seat height 41 cm; Arm height 55 cm

Chair 2

29.52 in W x 32.67 in D x 41.73 in H; Seat height 14.56 in; Arm height 21.65 in

75 cm W x 83 cm D x 106 cm H; Seat height 37 cm; Arm height 55 cm

About the Designer:

Carl Malmsten (December 7, 1888 – August 13, 1972) was a Swedish furniture designer, architect, and educator. Malmsten was born in Stockholm, Sweden. Malmsten's career took off when he won a competition in 1916 to design furniture for the Stockholm City Hall and shortly after in 1917, he exhibited alongside well-known Swedish architects such as Gunnar Asplund and Uno Åhrén.

In the 1920s he was invited to furnish a room for the crown prince, Gustaf VI Adolf, and his wife Louise in Ulriksdal Palace. He was honoured with an inaugural Prince Eugen Medal for design in 1945. Already as a young designer in the early 20th century, Carl Malmsten advocated an artisanal furniture design based on local ingredients and traditions, available to a wide audience at a reasonable price.

Nature was Carl Malmsten's foremost teacher and source of inspiration. He conveyed his love of craftsmanship as a teacher in his own schools, at Olofskolan in Stockholm, Capellagården on Öland and the Carl Malmsten school on Lidingö, today a branch of Linköping University and one of the country's leading design colleges. As a debater, Malmsten stormed against functionalism, but in retrospect it can be seen that his ideas often coincided with the rational and frugal style ideals of function.

Malmsten has had a lasting influence on Swedish furniture design through the two schools he founded—the Carl Malmsten Furniture Studies (Carl Malmstensskolan), which has been a part of Linköping University since 2000, is situated on the island of Lidingö on the outskirts of Stockholm. Carl Malmsten spoke about the importance of tradition, craftsmanship, and the nation. His furniture was in many ways a product of the thoughts and ideals of the time, they have a timeless quality that makes them just as relevant and loved today. ~H.

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Price category: 10,000 - 12,500 usd / eur

This pair of Swedish modern armchairs stand out for its inviting shape and charismatic character, capturing the spirit of Scandinavian design. The soft lines and thoughtfully balanced proportions reveal a deep commitment to the abandonment of showy ornamentation in the favour of confident elegance.

The design is grounded in a human-centered approach, favouring curves that follow the body’s natural shape, and the use of materials that age gracefully over time. The tall winged backrests create a slight cocooning feel while still providing excellent support, the subtle button tufting introduces a hint of texture without overpowering the design. The generous seat cushions invite relaxation, aided by the padded wooden armrests. This not only gives the chairs a sculptural edge but it also highlights the natural grain of the wood, adding visual warmth and contrast. The chairs rest on tapered legs that lift the overall silhouette, lending an airy feel despite the generous proportions above. The deep green upholstery immediately draws the eye, bringing a warmth and an earthy richness that pairs beautifully with the soft curves of the frame. Altogether, the interplay between rounded shapes and linear details provides a relaxed, harmonious energy that feels both timeless and welcoming, striking a rare balance between functional simplicity and expressive form.

These armchairs capture the essence of Swedish design, making them equally suited for a cosy reading corner or a lively living room. Their distinctive yet versatile character allows them to complement a range of interiors, from mid-century inspired settings to more eclectic contemporary homes.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been recently reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

27.95 in W x 30.70 in D x 35.43 in H; Seat height 18.11 in; Seat depth 21.65 in; Arm height 23.03 in

71 cm W x 78 cm D x 90 cm H; Seat height 46 cm; Seat depth 55 cm; Arm height 58.5 cm

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Price category: 5,000 - 7,500 usd / eur

This pair of armchairs by Swedish-German designer, Otto Schulz, is a beautiful example of his repertoire of cleverly constructed pieces. With a creative and masterfully crafted hardwood structure and leather upholstered seat and backrests, this model truly deserves its place in Swedish design history.

Schulz's designs are a mixture of modern and baroque styles, as evidenced by these chairs. The pair was constructed with extraordinary care using beech and leather. From the carved backrests to the curved legs, the woodworking is exceptional. The beech is not overworked, letting its natural qualities and appeal define the frames. The fluidity of the carvings creates a harmonious contrast with the chair's angular structure, resulting in a design feast. Schulz modernised the traditional shape, avoiding excessive ornamentation while retaining the important features: the broad seats and backrests that give the chairs character and provide ample support for the human body. Furthermore, the combination of the materials gives a strong, rustic appearance. The colour of the leather compliments the shade of the beech beautifully. Further adding to the visual delight of this pair are the rows of metal screw caps that fix the leather to the frame.

It is evident that the maker of these chairs possessed great talent in cabinetmaking, and used high-quality materials that became even more appealing with the decades gone by. This is visible in the beautiful patina of the leather and the wood. Otto Schulz's designs are well recorded, depicted among some 1,600 watercolors, sketches and drawings that are archived at the Rhösska Museum in Gothenburg.

Condition:

In good vintage condition. Wear consistent with age and use. Minor scratches and marks. These chairs come with their original leather upholstery or have been reupholstered by a previous owner. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

26.18 in W x 25.19 in D x 30.11 in H; Seat height 11.41 in; Seat depth 22.44 in; Arm height 22.83 in

66.5 cm W x 64 cm D x 76.5 cm H; Seat height 29 cm; Seat depth 57 cm; Arm height 58 cm

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Price category: 9,000 - 12,500 usd / eur

This pair of easy chairs exemplifies the craftsmanship of Swedish modern furniture and its understated luxury. The 1940s saw a departure from the ornate and glamorous Art Deco era toward a more refined and functional design period. While this period did not shy away from luxury, there was a more natural and organic feel to it thanks to increased use of wood and other natural materials.

This stunning pair of easy chairs, crafted in the manner of Erik Bertin Karlen, embodies organic elegance and tactile richness. The chairs feature a rather simple silhouette and since nature was a great source of inspiration during the making of this pair, sharp edges or corners can rarely be found. Without any ornamentation, the focus is on the rounded, flowing lines of the bodies and the luxurious upholstery. The longhair sheepskin features rich, warm tones that add chromatic texture to the chairs. Thanks to the colour variation of the sheepskin, the chairs can lend an earthy and cosy presence to any room in which they are placed. This material not only reflects the Swedish commitment to high quality materials but also showcases the design prowess of the era’s cabinetmakers. Furthermore, architectural precision is present in the subtle wingback backrests, which offer the sitter a charming embrace, even in the absence of armrests. It is this absence of armrests which emphasizes the open and inviting form, while allowing for the focus to remain on the materials. Supported by tapered wooden legs, this pair achieves a beautifully balanced aesthetic.

These easy chairs stand as a testament to the enduring appeal of Swedish design, and its philosophy of simplicity, comfort, and material integrity. Whether placed as accent chairs or as a focal point they are sure to add a touch of quiet luxury to any space.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

26.37 in W x 31.10 in D x 33.07 in H; Seat height 16.92 in Seat depth 18.89 in

67 cm W x 79 cm D x 84 cm H; Seat height 43 cm x Seat depth 48 cm

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Price category: 20,000 - 30,000 usd / eur

‎Designed in the early phase of what we know today as mid-century modern, this charming pair of armchairs is a unique evidence of how traditional Swedish craftsmanship was brought into modernism. Berga Möbler, later called Berga Form, began manufacturing furniture of the highest quality in 1896.

This pair holds all the characteristics that define the manufacturer's style: soft, organic, playful, and sophisticated. The model is slightly tilted backwards allowing for a pleasant sitting experience. The tapered wooden legs add a touch of mid-century modern flair apart from being structurally integral, while the two front legs have a precise curvature towards the end; something which has become a distinctive feature of Berga Möbler's designs. The rounded backrest and armrests are just some of the elements that define the elegance of this pair. Slightly inclined towards the backrest, the armrests enhance the excellent seating experience, making this pair a great choice for any contemporary living space. The back is tufted with two large buttons that allow for a friendly and welcoming appearance. The cushioning is firm yet plush, perfectly balancing comfort and support. This attention to detail ensures that the armchair is beautiful and practical for everyday use.

Crafted with precision and finished with attention to detail and care for the aesthetic dimension, this pair of armchair stands the test of time thanks to both their visual and material quality.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.52 in W x 33.46 in D x 33.07 in H; Seat height 17.71 in; Seat depth 20.86 in; Arm height 23.62 in

75 cm W x 85 cm D x 84 cm H; Seat height 45cm; Seat depth 53 cm; Arm height 60 cm

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‎Price category: 5,000 - 7,500 usd / eur

This pair demonstrates Carl Malmsten’s fine sense of proportion, line tension and balance between the surfaces, and how skillfully he carried in the heritage of traditional allmoge (folk art) design.

These chairs are in the vein of Swedish modernism, with simplicity and functionality, while also showcasing the subtle details and quality Malmsten is known and appreciated for. Even though Swedish design is generally democratic and meant for the masses, pieces were not stripped of all beauty in order to make them as easy to use as possible. The importance of this balance can be identified in the design and execution of these armchairs as well. The wooden spindles comprising the back are the most apparent visual feature, while the more subtle details, such as the connecting point of the arms and seats make these models interesting. These chairs utilise the natural beauty of the oak perfectly. Furthermore, the oak structure is a frame for the cushions both in a literal and figurative way. The light bouclé fabric is a lovely contrast against the smooth oak, highlighting the interesting texture and look of both materials. The back and seat cushions are also quite rotund; therefore, the sitting comfort is great.

This pair of “Stugan” armchairs is an elegant and comfortable evidence of the mastery and artistry of the Swedish cabinetmakers who defined mid-20th century modern seating. Karl Andersson & Söner was one of these renowned workshops, materialising this model and a number of furniture series by Carl Malmsten, such as Visingsö. This pair is of the highest quality, both in terms of materials and craftsmanship.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in premium bouclé fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.21 in W x 33.85 in D x 32.28 in H; Seat height 17.71 in

61.5 cm W x 86 cm D x 82 cm H; Seat height 45 cm

About the designer:

Carl Malmsten (December 7, 1888 – August 13, 1972) was a Swedish furniture designer, architect, and educator. Malmsten was born in Stockholm, Sweden. Malmsten's career took off when he won a competition in 1916 to design furniture for the Stockholm City Hall and shortly after in 1917, he exhibited alongside well-known Swedish architects such as Gunnar Asplund and Uno Åhrén.

In the 1920s he was invited to furnish a room for the crown prince, Gustaf VI Adolf, and his wife Louise in Ulriksdal Palace. He was honoured with an inaugural Prince Eugen Medal for design in 1945. Already as a young designer in the early 20th century, Carl Malmsten advocated an artisanal furniture design based on local ingredients and traditions, available to a wide audience at a reasonable price.

Nature was Carl Malmsten's foremost teacher and source of inspiration. He conveyed his love of craftsmanship as a teacher in his own schools, at Olofskolan in Stockholm, Capellagården on Öland and the Carl Malmsten school on Lidingö, today a branch of Linköping University and one of the country's leading design colleges. As a debater, Malmsten stormed against functionalism, but in retrospect it can be seen that his ideas often coincided with the rational and frugal style ideals of function.

Malmsten has had a lasting influence on Swedish furniture design through the two schools he founded—the Carl Malmsten Furniture Studies (Carl Malmstensskolan), which has been a part of Linköping University since 2000, is situated on the island of Lidingö on the outskirts of Stockholm. Carl Malmsten spoke about the importance of tradition, craftsmanship and the nation. His furniture was in many ways a product of the thoughts and ideals of the time, they have a timeless quality that makes them just as relevant and loved today.