Wooden Armchair with Upholstered Seat by Bas van Pelt, The Netherlands 1940s

Wooden Armchair with Upholstered Seat by Bas van Pelt, The Netherlands 1940s

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Price category: 2,500 - 5,000 usd / eur

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Bas van Pelt was an iconic Dutch furniture designer known for his innovative pieces and style. He renamed “Firma Corn. van der Sluys” into the new “My Home” and opened new branches in different cities. His work was exclusive, a fact which explains the limited numbers of surviving models of his creations.

While Bas Van Pelt's creative work was primarily influenced by the straight lines dominated by The Hague School, this armchair is the result of his more mature design era, which was primarily dominated by natural materials and curvature. The main visual element of this piece is the backrest with eleven wooden spindles that creates an almost throne-like appearance. The spindles are set in the rich dark wood frame which creates the structure of this piece. The natural beauty of oak and its versatile grain is beautifully displayed throughout the chair, especially in the backrest. Not only this, but the upholstered seat transforms this piece into more than an average wooden chair, increasing both its aesthetic qualities and its comfort. The legs and stretchers combine straight and bent lines, creating a sculptural look that is interesting from all angles.

This armchair shows why Bas van Pelt is widely regarded as a Dutch design icon. From the handcrafted wooden frame to the numerous spindles and tapered legs, the chair showcases both the quality materials utilized and expert craftsmanship.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

28.34 in W x 29.52 in D x 50.78 in H; Seat height 18.7 in; Seat depth 21.85 in; Arm height 28.34 in

67 cm W x 75 cm D x 129 cm H; Seat height 47.5 cm; Seat depth 55.5 cm; Arm height 72 cm

About the Designer:

Bas Van Pelt (1900 Dordrecht (NL) - 1945 Sandbostel (DE) was a well-known Dutch interior and furniture designer, known for the clarity and quality of his designs. His works created in the 1930s and 1940s are regarded for their progressive design and quality.

While he is most well-known for his chair designs, van Pelt was also active as an interior designer. He also designed fabrics for window coverings, rugs and carpets, seating and tables, as well as lighting crafted by the best craftsmen in the Netherlands. He worked with multiple manufacturers, including his own firm, Bas van Pelt / My Home and Verto Verenigde Touwfabrikien, where his tubular metal designs were produced. In the window of the shop, in the lively centre of The Hague, there was one large window placed so that everyone could look inside and see how things were made, and could be done differently; in his view, modern furniture at the time was light and airy, transparent, made of tubular steel frame, combined with wood. This view was very progressive for the 1930s, when the influence of The Hague School was still dominating most designers.

Unfortunately, in 1940 WWII changed the life of Bas van Pelt as well, who was on the board of the Haagse Kunstkring, where discussions about reconstruction after the war took place. Sadly, Bas van Pelt did not live to see it. He was deported because he gave people in hiding a safe place, saving many lives. While there is very limited information about his life and work, his furniture designs have become collectibles in the past decades that are also found in Dutch museums. Bas van Pelt is remembered as a progressive designer and as a man who saved lives.

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Price category: 5,000 - 7,500 usd / eur

Bas van Pelt (1900–1945) was a Dutch furniture and interior designer whose work combined traditional craftsmanship with the principles of early modernism. While Van Pelt's creative work was primarily dominated by the Hague School, this armchair is the result of his more mature design period, characterised by natural materials, in order to create a friendly and inviting appearance that combines the warmth of solid oak with the distinctive texture of woven rush.

The construction of this model is simple at its core, but thanks to certain details, it is a playful representation of early Dutch modernism. While made of solid oak, this armchair has an open feel to it thanks to the horizontal spaces on the back that divide the three rush panels. The tall, slightly inclined backrest is framed by two straight wooden uprights, creating a strong vertical outline that contrasts with the more fluid shape of the armrests. The curved lines of the arms contrast nicely with the straight lines of the frame and clearly show wonderful craftsmanship. Each armrest extends outward in a gentle wave, giving the chair a particularly individual character. The rush weaving on the back adds textural interest, bringing the appealing roughness of nature to the design. Its closely arranged vertical strands create a warm, sandy surface, beautifully complemented by the oak's rich brown colour and the similar tone of the upholstery. The legs and stretchers are simple in their design, serving a primarily structural role and allowing the rush weaving and the wooden construction to stand out. The legs are connected by a gently curved wooden rail beneath the seat, while the rear supports continue naturally from the backrest. Thanks to the well-chosen proportions and the combination of natural materials, this armchair provides great comfort while maintaining a remarkable appearance.

Bas van Pelt's progressive designs were, in many ways, ahead of his time. The Dordrecht-born designer's furniture models are quite rare, with examples preserved in the collection of the Stedelijk Museum Amsterdam. Furniture pieces like this easy chair stand out through their unique textures and materials, as well as their classic charm. Its generous backrest and comfortable seat make it particularly suitable for a living room, library or reading area, where the craftsmanship can be appreciated from every angle.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the wood, the item has minor marks, scratches, dents and discolouration. The seat cushion has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.8 in W x 29.13 in D x 38.18 in H; Seat height 14.96 in; Seat depth 22.44 in; Arm height 22.83 in

63 cm W x 74 cm D x 97 cm H; Seat height 38 cm; Seat depth 57 cm; Arm height 58 cm

Leather and Lacquered Metal Armchair by Cees Braakman for Pastoe, the Netherlands 1960s

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Price category: 2,500 - 5,000 usd / eur

Born in Utrecht in 1917, Cees Braakman spent most of his career shaping the identity of the renowned furniture manufacturer, Pastoe. He joined the company at a young age and later became its central designer and manager. Following a formative trip to the United States in 1947, where he encountered the work of Charles and Ray Eames and the innovative production methods of Herman Miller, he began developing furniture that combined modern construction techniques with a distinctly Dutch sense of restraint.

Braakman’s designs from the 1950s and 1960s are characterised by clean lines, functional clarity, and carefully balanced proportions, qualities clearly visible in this chair. The design showcases a beautiful interplay between the slender metal construction and natural materials. The black lacquered frame forms a precise architectural structure, outlining the chair with crisp lines. Rather than appearing overly industrial, however, the frame is softened by the introduction of rich cognac-coloured leather upholstery and wooden armrests. The seat and backrest are generously proportioned, creating a comfortable visual weight that contrasts beautifully with the lightness of the supporting structure. The warm tone of the leather introduces depth and character, while its smooth surface accentuates the chair’s geometry. Particularly striking is the way the wooden armrests are integrated within the metal frame, lending the design an added sense of refinement.

The balance between comfort and structural clarity lies at the heart of Braakman’s work, and this armchair demonstrates that philosophy exceptionally well. Its restrained palette and clean silhouette move it past a simple a seating piece, reflecting the Dutch modernist belief that thoughtful design can elevate everyday furniture into something practical, and visually compelling.

Condition:

In good vintage condition. Wear consistent with age and use. The armchair has recently been reconditioned. Due to the age and nature of the metal, the item may have marks, scratches, and discolouration. The chair has recently been reupholstered in a premium leather. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.21 in W x 22.44 in D x 30.71 in H; Seat height 19.29 in; Seat depth 17.72 in; Arm height 25.20 in

61.5 cm W x 57 cm D x 78 cm H; Seat height 49 cm; Seat depth 45 cm; Arm height 64 cm

Haagse School Armchair with Red Upholstered Seat, The Netherlands First Half of the 20th Century

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Price category: 2,500 - 5,000 usd / eur

In 1920, the term "Nieuwe Haagse School" was first mentioned by the architect C.J. Blaauw. "Typical of The Hague" - that was how the designer spoke of the style. The movement blossomed between 1925 and 1940 and brought uniformity to the cityscape. The Hague School style is closely related to the Amsterdam School and the Bauhaus movement, but has more-so been influenced by Art Deco, and it drew a great deal of inspiration from Berlage's rationalism, the Arts and Crafts movement, and De Stijl.

This chair showcases a robust solid wood construction, with a warm, slightly patinated surface that highlights the natural grain and depth of the material. The frame is deliberately straightforward yet bold, giving the chair a grounded presence that feels both honest and enduring. The design is defined by a subtle architectural quality achieved through wooden slats and panels, characteristic of Dutch seating. From every angle, the chair reveals thoughtful joinery and a careful balance, with no unnecessary embellishment, only purposeful design choices that emphasise durability, comfort, and visual cohesion. The seat is upholstered in a fabric with a deep tone, which allows the focus to remain on the wooden frame. The squared legs are connected by stretchers that reinforce the structure while maintaining a clean visual rhythm.

Haagse School furniture wasn’t flashy but instead focused on being well-made and to fit a warm, comfortable and welcoming home. As this chair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship is the key to the success of this design period.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Minor dents and scratches are present. Due to the nature and age of the wood, the item has some marks and discolouration. The item has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

21.86 in W x 22.64 in D x 34.45 in H; Seat height 21.66 in; Seat depth 20.08 in; Arm height 27.56 in

55.5 cm W x 57.5 cm D x 87.5 cm H; Seat height 55 cm; Seat depth 51 cm; Arm height 70 cm

Cane Back Armchair by Bas van Pelt (Attr.), The Netherlands 1940s

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Price category: 5,000 - 7,500 usd / eur

This easy chair in solid wood and wicker attributed to Dutch designer, Bas Van Pelt, is a rare model with plenty of visual delights. The construction of this piece is simple at its core, but thanks to its details, it is a playful representation of early Dutch modernism.

Bas van Pelt’s designs were, in many ways, ahead of their time. The Dordrecht-born designer’s furniture models are quite rare, a few being preserved in the Stedelijk Museum in Amsterdam. While made of solid wood, this chair has a light feel to it thanks to the woven pattern on the back. Durable yet flexible, the cane fulfils both an aesthetic and functional purpose, offering support for the sitter, while ensuring comfort through its flexibility. The shade of the wood further highlights the sandy colour of the wicker and the earthy tone of the upholstery, creating visual dynamism. The curved lines of the armrests nicely contrast with the straight contour of the frame, and show wonderful craftsmanship. The legs are much simpler in their design, serving a primarily structural role, letting the weaving and the arms stand out. Lastly, the neutral tone upholstered seat ties in the design ensuring comfort. As this chair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship was the key to the success of this design period.

Today, Bas Van Pelt’s designs are highly sought after by collectors and are considered important examples of 20th century modern design. Furniture pieces like this easy chair stand out through unique textures and materials, as well as through its classic charm.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The seat has recently been reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.61 in W x 24.02 in D x 36.62 in H; Seat height 14.97 in; Seat depth 17.72 in; Arm height 23.04 in

62.5 cm W x 61 cm D x 93 cm H; Seat height 38 cm; Seat depth 45 cm; Arm height 58.5 cm

"Congo" Lounge Chair in Mongolian Shearling by Theo Ruth for Artifort, The Netherlands 1950s

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Price category: 2,500 - 5,000 usd / eur

Among the collection of talented individuals who have worked for Artifort, Theo Ruth was the acclaimed Dutch furniture manufacturer’s first permanent designer. Ruth’s work significantly advanced Artifort’s laudable reputation, specifically through his designs of chairs. His most famous chair is the 1952 Congo that enjoyed great success.

This ‘Congo’ chair is a representative example of Ruth’s craftsmanship and talent. It is full of exceptional features and details that make it a unique example of the creative overflow that defined mid-century modernism in The Netherlands and Europe. The flowing structure displays beautifully curved lines and rounded edges, ensuring extreme comfort and emphasizing its ergonomic design. The distinct look is the result of the brilliant pairing of materials. The wooden legs’ smooth lines stand out against the textural shearling, while also accentuating the unique look of the upholstery. The soft fibres of the lightweight, feathery shearling drape beautifully over this lounge chair, while the warm brown colour of the wood adds depth. Mid-century European designers and cabinetmakers were very firm about two things regarding seating designs: the sitting experience must be comfortable and that the model had to look good from every single angle. This ‘Congo’ chair fulfills these principles with its armless body and interesting, curved legs. As with most lounge chairs, this model is also built in a permanently reclined position, another lovely feature.

Today, Theo Ruth's furniture designs are considered to be important examples of mid-century modern design, and his work continues to be highly valued by collectors and design enthusiasts around the world.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the chair may have marks, scratches, and discolouration. The chair has been reconditioned and reupholstered recently in Mongolian shearling. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

22.04 in W x 35.43 in D x 32.67 in H; Seat height 16.14 in; Seat depth 19.68 in

56 cm W x 90 cm D x 83 cm H; Seat height 41 cm; Seat depth 50 cm

Pair of Lounge Chairs in Sheepskin Leather by Bart van Bekhoven for Artistiek Netherlands, The Netherlands Second Half of the 20th Century

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Price category: 9,000 - 12,500 usd / eur

Bart van Bekhoven is a Dutch interior and furniture designer associated with Artistiek, the Breda-based interior studio he runs together with Ellen Merkx. Artistiek combines interior design with furniture made in its own workshop, with an emphasis on craftsmanship, character and carefully selected materials. This pair of lounge chairs, designed by Van Bekhoven for Artistiek, reflects that approach particularly well.

The chairs stand out through their substantial proportions, a strongly architectural silhouette and sheepskin leather. They are built around broad geometric volumes, with deep seats framed by wide side panels that rise into the uniquely shaped armrests. These arms slope gently outward and extend beyond the body at the front and back, creating a pronounced horizontal line across the upper part of the model. The backrest sits between them, giving the sitter an enclosed and intimate position within the structure. The loose seat cushions add comfort to the otherwise architectural body. The leather is important to the overall appearance, with its cognac and chestnut tones across the surface, giving each chair an individual patina. Short dark wooden feet lift the bodies slightly from the floor, providing a clean visual foundation while preserving their grounded character. Together, they offer a compelling combination of Dutch craftsmanship, expressive leather and bold contemporary furniture design.

The eye-catching look of this pair makes them well suited to an open living room, library or conversation area. Distinctive in form and beautifully executed, the chairs show Van Bekhoven’s ability to turn a familiar piece of furniture into something individual and immediately recognisable.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items have some marks, scratches, and discolouration. The chairs come with their original upholstery or have been upholstered by a previous owner. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

36.81 in W x 30.31 in D x 30.11 in H; Seat height 16.92 in; Seat depth 19.68 in; Arm height 28.34 in

93.5 cm W x 77 cm D x 76.5 cm H; Seat height 43 cm; Seat depth 50 cm; Arm height 72 cm