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Price category: 12,500 - 15,000 usd / eur

Generally, Czech mid-century modern designs tend to be more sober than their French, German, American, and even Scandinavian counterparts. However, works by Pavel Novak are an exception - as evidenced by chair. The Czech designer’s repertoire is finally starting to surface, and as this chair shows, we are lucky to witness it.

Novak often worked with a gouge, that originally never had any other vocation than to furnish his farm. This piece is made of hand gouged oak, which is in itself a time-consuming and rare woodcarving technique. While most woodworkers offer help with fixing gouges in wood, Novak used the technique to create this rustic looking body that can be considered to be a functional sculpture. Thanks to the unique, hand-carved texture, the lounge chair is one of a kind, with a unique pattern. The leather seat is suspended between the three legs, one of which is elongated to serve as a backrest. The joinery technique is seamless and shows the outstanding craftsmanship and vision of Novak. The leather straps are inset into the legs in a rough, yet sophisticated way.

In fact, rough yet sophisticated are the adjectives that best define the overall aesthetic of this chair, reflected in the pairing of the materials as well. The patinated leather’s smooth surface contrasts beautifully with the gouged, coarse look of the oak. With its straightforward design, this oiece is a seminal work of Pavel Novak.

Condition:

In good vintage condition. Wear consistent with age and use. Some minor cracks. Due to the nature and age of the materials, the chair may have some marks, scratches, and discolouration.

Dimensions:

40.94 in W x 30.71 in D x 48.82 in H; Seat depth 20.08 in

104 cm W x 78 cm D x 124 cm H; Seat height 51 cm

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Price category: 5,000 - 7,500 usd / eur

Bas van Pelt holds a distinctive place in Dutch design history; he is celebrated primarily for his furniture, yet was equally active as an interior designer whose broader spatial vision informed his work. Although his early designs reflected the straight lines associated with The Hague School of the 1920s, this armchair reflects a more assured phase of his career that coincides with the broader development of Dutch modernism. Here, geometric lines soften into gentle curves with a rich use of materials.

The weaved backrest pairs beautifully with the smooth wooden frame, curving to embrace the sitter. It is coupled with a sage green upholstered seat, creating an interplay of line and texture. The seat emphasises an added layer of comfort while still complementing the natural materials used for its construction. The armrests, with their subtle and flowing curves, are carefully shaped to give the chair a sense of movement - juxtaposed with the straight lines and right angles that make up the frame. The overall impression is that of a visually interesting piece full of contrasts, while simultaneously enhancing the comfort of the user at the crucial points of the back, arms, and seat. The legs remain simple in design, serving a primarily structural role, letting the back and seat stand out.

Bas van Pelt’s furniture models are quite rare, with a few preserved in the Stedelijk Museum in Amsterdam for modern art, contemporary art, and design. His progressive designs were, in many ways, ahead of his time. What makes this armchair especially compelling is the combination of materials and techniques that come together harmoniously to make a visually striking piece.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature of the wood, the item may have some marks, scratches, and discolouration. The chair comes with its original upholstery or has been reupholstered by a previous owner. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.52 in W x 24.01 in D x 31.29 in H; Seat height 17.12 in; Seat depth 18.11 in; Arm height 24.21 in

75 cm W x 61 cm D x 79.5 cm H; Seat height 43.5 cm; Seat depth 46 cm; Arm height 61.5 cm

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‎‎Price category: 5,000 - 7,500 usd / eur

Bas Van Pelt (1900-1945) was a well-known Dutch interior and furniture designer, known for the clarity and quality of his designs. His works created in the 1930s are regarded for their progressive design and quality.

While Bas Van Pelt's creative work was primarily influenced by the 1920s’ straight lines dominated by The Hague School, this armchair is the result of his more mature design era, which was primarily dominated by natural materials and more curvature. While made of solid oak, this armchair has an open feel to it. The arms and backrests showcase a sense of airiness, highlighted by the slats on the back. This neat detail accentuates the high level of woodworking and creates an effortless look. The arms’ angles are slightly inclined, resulting in a harmonious look while also being ergonomic, with solid support for the spine. The sitting comfort is pleasant, aided by the upholstered cushions. The textured upholstery of the seat and back cushion beautifully complements the frame. The chair embodies comfort and cosiness through the mix of proportions and expertly selected materials. The rich shade of the wood pairs perfectly with the cream upholstery.

Haagse School furniture wasn’t flashy but instead focused on being well-made and to fit a warm, comfortable and welcoming home. As this chair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship is the key to the success of this design period.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the wood, the chair may have minor marks, scratches, and discolouration. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

25.59 in W x 29.92 in D x 34.25 in H; Seat height 17.32 in; Seat depth 17.71 in; Arm height 24.40 in

65 cm W x 76 cm D x 87 cm H; Seat height 44 cm; Seat depth 45 cm; Arm height 62 cm

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Price category: 5,000 - 7,500 usd / eur

Among the pantheon of talented individuals who have worked for Artifort, Theo Ruth was the acclaimed Dutch furniture manufacturer’s first permanent designer. Ruth’s work significantly advanced Artifort’s laudable reputation, specifically through his designs for chairs. Thus, this 'Model 105' hairpin chair is a representative example of Ruth’s craftsmanship and talent.

This chair is full of exceptional features and details that make it a unique example of the creative overflow that defined mid-century modernism in The Netherlands and the rest of Europe. The flowing structure displays beautifully curved lines and rounded edges, ensuring extreme comfort and emphasizing its ergonomic design. The round edges of the upholstered body create a nice balance with the hairpin legs. As with most armchairs, this model is also built in a permanently reclined position, another lovely feature. The armrests are formed atop the wooden legs of the chair effortlessly, without any visible joinery as if just emerging from the wood naturally. The light colour of the textured upholstery in combination with the richly coloured, stained wood frame create warm elegance, perfect to bring a modern touch to any space. The duality of the two materials creates a flowing, self-supporting and enticingly functional design. The combination of solid wood and high-quality upholstery is traditional in mid-century design for a good reason, showcased with the simple elegance of this chair.‎

From every single angle this chair offers stunning lines and rich texture, and is a representative example of Ruth’s craftsmanship and talent

Condition:

In good vintage condition. Wear consistent with age and use. Some minor scratches and marks on the wood. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

31.10 in W x 35.43 in D x 35.83 in H; Seat height 16.14 in; Seat depth 19.69 in; Arm height 19.69 in

79 cm W x 90 cm D x 91 cm H; Seat height 41 cm; Seat depth 50 cm; Arm height 50 cm

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Price category: 9,000 - 12,500 usd / eur

The mid-20th century saw brilliant designers working to create furniture of the highest quality that explored modern shapes and forms. These artists experimented with new materials and construction methods. This stunning chaise longue revolves around the use of high-quality materials, comfort, and craftsmanship. It’s clean lines and angular shape is reminiscent of works by Danish designer, Arne Vodder.

This chaise blends three main elements: craftsmanship, the clean lines of Modernism and the clear-eyed practicality of Functionalism. These elements combined with the use of exquisite materials creates a piece that is both historical and modern visually. The chaise is defined by its woven seat and the patinated leather. The seat is composed of leather straps woven in a so-called basket weave pattern and stretched over the solid wood frame. Thanks to the material’s qualities, the seat is very ergonomic, adapting to the sitter’s shape. This piece combines the beauty and innovation of its era’s design movement with the classic qualities of a chaise longue. With its rhythmic motion, it invites contemplation and relaxation. This piece has the power to transform a seat into a safe haven, a place to unwind and reflect.

This chaise longue is a prime example of mid-century modern’s design ideology. The maker of this model effortlessly transformed a historical archetype into a modern, yet timeless chair. It’s sophisticated, lightweight look is defined by its signature craftsmanship, well-conceived proportions, and remarkable material choices.

Condition:

In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration.

Dimensions:

52.55 in W x 23.22 in D x 37.40 in H; Seat height 16.92 in; Seat depth 34.64 in

133.5 cm W x 59 cm D x 95 cm H; Seat height 43 cm; Seat depth 88 cm

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Price category: 2,500 - 5,000 usd / eur

Saying mid-century modernism had a revival would be a serious understatement. In reality, the designs have never gone out of style completely, especially in Scandinavia. Danish cabinetmaker pieces are timeless thanks to their expert craftsmanship, their visual, and the material quality. This armchair showcases this timelessness with its modern form.‎

This elegantly constructed chair combines comfort with style. From as early as the 1920s, cabinetmakers and architects frequently collaborated to produce exceptional pieces like this. The chairs’ elegant curves, precise angles and structure all testify of this partnership’s success. Thanks to its low back the design appears very grounded. With straight and curving lines following each other, the model has a dynamism rooted in organicity. Unlike pieces from outside the continent, Danish designers’ products weren’t flashy but rather well-made to fit a warm, comfortable and welcoming home. As this armchair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship is the key to the success of mid-century modernism. As an object, the chair reflects the mid-20th century Danish pursuit of everyday beauty, objects designed not just to serve, but to enrich domestic environments.

The classic charm and versatility of this design allows it to be used as a desk chair, an occasional piece in a curated corner, or part of a formal dining set, this chair can bring quiet sophistication to any setting. It is an ideal choice for a range of interior styles thanks to its thoughtful materials, and subtle craftsmanship.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the chair may have some marks, scratches, and discolouration. The chair has recently been reconditioned and reupholstered in premium leather. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

25.19 in W x 18.89 in D x 28.14 in H; Seat height 19.09 in; Seat depth 17.32 in; Arm height 26.57 in

64 cm W x 48 cm D x 71.5 cm H; Seat height 48.5 cm; Seat depth 44 cm; Arm height 67.5 cm

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Price category: 2,500 - 5,000 usd / eur

This organic armchair attributed to Dutch designer Bas Van Pelt is an elegant model with an exceptionally high level of craftsmanship. The construction of this rare 1940s design is simple at its core, but thanks to the details, it is a unique representation of early Dutch modernism.

While Bas Van Pelt's creative work was primarily influenced by the 1920s straight lines dominated by The Hague School, this armchair is the result of his more mature design era, which was dominated by natural materials and more curvature. While made of solid wood, this armchair has an open feel to it thanks to the three horizontal slats that compose and divide the back. The curved lines of the armrests are beautifully crafted and follow the raised seat’s angle. The curves nicely contrast with the straight lines of the frame, keeping it from appearing too strict. Apart from the expert woodwork, the paper cord seat stands out as well. The so-called “planflet” (flat-weave) pattern requires considerable expertise, as the warp is wrapped around the frame, and then the weave follows a checkerboard pattern. The seat adds textural interest and also serves a decorative role, not to mention how durable paper cord is. The tapered legs blend seamlessly into the back and arms, and are connected by double stretchers on all sides except the back where the back’s slats dominate. Thanks to the well-chosen proportions and the expert weaving technique on the seat, this armchair provides great comfort.

Bas van Pelt’s progressive designs were, in many ways, ahead of his era. The Dordrecht-born designer’s furniture models are quite rare, a few are preserved in the Stedelijk Museum Amsterdam for modern art, contemporary art, and design.

‎Condition:

In good vintage condition. Wear consistent with age and use. Some minor marks and scratches on the wood.

Dimensions:

25.59 in W x 28.74 in D x 40.16 in H; Seat height 13.39 in; Seat depth 20.28 in; Arm height 24.21 in

65 cm W x 73 cm D x 102 cm H; Seat height 34 cm; Seat depth 51.5 cm; Arm height 61.5 cm

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Price category: 2,500 - 5,000 usd / eur

In 1920, the term "Nieuwe Haagse School" was first mentioned by the architect C.J. Blaauw. And not in a positive way. Blaauw thought nothing of the latest developments in modern architecture. "Typical of The Hague" - that was how the designer spoke of the style. The movement blossomed between 1925 and 1940 and brought uniformity to the cityscape. The Hague School style is closely related to the Amsterdam School and the Bauhaus movement, but has more-so been influenced by Art Deco, and it drew a great deal of inspiration from Berlage's rationalism, the Arts and Crafts movement, and De Stijl.

Standing as evidence of the reason many Dutch architects succeeded at the craft of furniture design; the precision of the structure is evident at first glance, showing great geometric order. Driven by function, the maker’s focus was evidently on practicality, structural stability, and a design in favour of these principles. The construction of this chair is traditional and robust - it features a solid yet graceful frame, crafted from a warm, rich wood, which highlights the natural grain of the material. The arms and backrests showcase a sense of airiness. This neat detail accentuates the high level of woodworking and creates an effortless look. The arms’ angles are aligned with the seats and backs’ angles, resulting in a harmonious look while also being ergonomic, with solid support for the spine. The sitting comfort is pleasant, further aided by the stability the sturdy wooden legs provide. The frame is complemented by the elegant rope seat woven tightly in the wood, with the material of the seat giving the piece a warm and cosy feel all while staying very functional. The chair’s simplicity and honest elegance makes it an exceptional piece of furniture.

Haagse School furniture wasn’t flashy but instead focused on being well-made and to fit a warm, comfortable and welcoming home. As this chair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship is the key to the success of this design period.

Condition:

In good vintage condition. Wear consistent with age and use. Item may have some marks, scratches, and discolouration.

Dimensions:

22.04 in W x 21.85 in D x 33.66 in H; Seat height 17.12 in; Seat depth 19.48 in; Arm height 26.57 in

56 cm W x 55.5 cm D x 85.5 cm H; Seat height 43.5 cm; Seat depth 49.5 cm; Arm height 67.5 cm

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Price category: 5,000 - 7,500 usd / eur

Although Fritz Neth was, and still is, one of the most sought-after designers of German post-war modernism, not much is known about him - but his designs speak for themselves.

The design language is entirely dedicated to the organic-modern style of the 1950s. Much like in Scandinavia, the mid-century in Germany gave form to furniture pieces defined by quality, functionality, and reliability. The curved seat gives this chair a sculptural and striking appearance. This lounge chair’s rounded lines and stylish selection of materials immediately stand out, and make the classic combination of black and white visually interesting. The body is formed like a nest, with smooth and flowing lines that hug the sitter. The wide seat and armrests are not separated, rather they are united and create an open and welcoming look. The black legs of thin tubular metal are very characteristic of the era. The legs are simplistic, which is a great design choice that contrast with the softness of the upholstery. Thanks to its well-thought-out construction and proportions, the sitting comfort is also outstanding.

The classic pairing of black and white further makes this unique model an elegant and stylish addition to any space. Through the design, materials, and degree of craftsmanship, it displays many of the qualities exemplifying why Fritz Neth remains one of the most sought after designers of Germany.

This lounge chair was produced by the Correcta Foams Company (Sitzformbau) in Kassel, Germany. Correcta produced Neth’s designs throughout the 1950s. The company used to produce foam rubber shoulder pads, and towards the 1950s, switched to the production of seating with the highest quality of foam.

Condition:

In good vintage condition. Wear consistent with age and use. Some marks and scratches on the metal legs. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

28.35 in W x 34.25 in D x 35.83 in H; Seat height 15.75 in; Seat depth 17.72 in

72 cm W x 87 cm D x 91 cm H; Seat height 40 cm; Seat depth 45 cm

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Price category: 2,500 - 5,000 usd / eur

Italian designer Giancarlo Piretti emerged as a leading figure in postwar furniture design, known for combining technical ingenuity with sculptural forms. A longtime collaborator with Anonima Castelli, Piretti developed several groundbreaking pieces in the 1960s and 70s, many of which explored modularity, and ergonomics. His works, such as the iconic Plia folding Chair and Plia Table won multiple international design awards, and still find their home in museums word-wide, from Austria to the Czech Republic, Slovenia and the United States.

The “Alky” lounge chair, first released in the early 1970s, is among his most celebrated works and reflects the experimental spirit of the period while maintaining a strong sense of comfort and approachability. The chair showcases its signature curvilinear form, expertly upholstered in a soft off-white bouclé that enhances the chair’s inviting charm. The piece is organic, almost reminiscent of a cloud, both thanks to its plushy shape and soft fabric. The design features a continuous silhouette from backrest to seat to base, all supported by a lightweight aluminium structure. The sled frame rests on two aluminium feet, ensuring the stability of the chair. Its organic shape hugs the body and provides a comfortable sitting experience, highlighting Piretti’s attention to ergonomics. The design is balanced, as the textile surface adds warmth, contrasting the modernist structure with a sense of softness.

This “Alky” chair remains an example of 1970s Italian design and a perfect illustration of how form and function can harmonise effortlessly. Ideal as a statement piece in a living room, lounge, or studio, it offers timeless comfort and a sculptural presence that continues to resonate in contemporary interiors.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium bouclé fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

26.38 in W x 32.28 in D x 27.56 in H; Seat height 16.14 in; Seat depth 22.05 in

67 cm W x 82 cm D x 70 cm H; Seat height 41 cm; Seat depth 56 cm

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‎Price category: 1,000 - 2,500 usd / eur

This chair is a striking example of the Brutalist design movement, which found expression in various creative fields, including architecture and furniture design. Brutalism, characterised by its raw, unrefined forms and the use of industrial materials, emerged in Europe in the mid-20th century as a response to the austerity and the need for functional design in post-war societies.

In the Netherlands, the Brutalist movement took on a distinctive local flavour, blending stark, geometric lines with a strong focus on craftsmanship and the warmth of natural materials. This chair, with its solid wood construction and angular structure embodies the boldness and utilitarian ethos of the time, offering a sturdy, sculptural presence that can be incorporated in any space. In the post-war period, the Netherlands, like many other European nations, underwent a transformation in both its architectural and furniture design landscapes. Wood became an essential material for this rebuilding period, as it was both readily available and symbolic of a return to nature and tradition. The use of wood was seen as a way to create functional, sustainable, and aesthetically pleasing pieces, often combining traditional craftsmanship with modernist principles. This chair specifically demonstrates the dual appeal of Brutalism and the post-war Dutch penchant for functional beauty. The look of the natural grain and texture is an integral part of the design, creating an organic contrast to the clean, angular lines. This fusion of nature and geometry reveals a sophisticated approach that balances modernity with a deep respect for the material's inherent qualities.

This chair stands as both a testament to the era's artistic and cultural spirit and as an enduring piece of mid-century Dutch design.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

20.47 in W x 18.50 in D x 28.35 in H; Seat height 17.72 in; Sear depth 13.18 in

52 cm W x 47 cm D x 72 cm H; Seat height 45 cm; Seat depth 33.5 cm

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Price category: 7,500 - 10,000 usd / eur

Carl-Axel Acking was a Swedish architect, author and furniture designer, winner of the Lunning Prize in 1952. This “Trienna” model was designed in 1957 and was presented at the Milano Triennial that year, as part of the Swedish exhibit. The chair was made by NK (Nordiska Kompaniet), and was originally named "Acking", but this was later changed to “Trienna” because of where it was first exhibited.

This chair is crafted from leather and oak. The leather features a unique patina, giving the chair even more depth and character to its already wonderful, sculptural nature. It is one of Carl-Axel Acking’s best known and most sought after designs. Although the chair bears some resemblance to Børge Mogensen's iconic "Spanish Chair", Acking's design predates Mogensen's by two years. This chair blends three main elements: Swedish craftsmanship, the clean lines of modernism and the clear-eyed practicality of functionalism. The design blends these elements with the use of exquisite materials to create a chair that is both visually historical and modern. Thanks to the material’s qualities, the seat is very ergonomic, adapting to the sitter’s shape. The seat is raised and the back reclined for comfort, making this chair perfect for lounging as well. The exposed screws and stitches provide an almost rustic look that recalls this style’s historic origin. The slim legs support the armrests and the backrest, which allows the design to look sleek and airy even with a solid wood construction. This is a truly special piece that is sure to impress anyone with an appreciation for mid-century modern design. Whether used as a statement piece in a living room, or as a comfortable and functional addition to a home office, the "Trienna" armchair is a true representation of the best of Scandinavian design and craftsmanship.

The Swedish architect and furniture designer, Carl-Axel Acking, made a name for himself thanks to his innovative modern furniture designs for Nordiska Kompaniet in the 1950s. The company was founded in Stockholm in 1902, and was built on international models and had, among other things, Sweden's first escalator. By the end of the 1950s, most public environments - such as restaurants, banks, hotels, embassies, steamships, etc. - had been decorated by NK.

Condition:

In good vintage condition. Wear consistent with age and use. Minor marks and scratches on wood. Wood has some water marks. The leather has a beautiful patina.

Dimensions:

27.56 in W x 29.92 in D x 29.92 in H; Seat height 15.35 in; Seat depth 18.70 in; Arm height 22.64 in

70 cm W x 76 cm D x 76 cm H; Seat height 39 cm; Seat depth 47.5 cm; Arm height 57.5 cm