“Paradise” Sofa by Kerstin Hörlin-Holmquist for Nordiska Kompaniet’s Triva Series, Sweden 1958
“Paradise” Sofa by Kerstin Hörlin-Holmquist for Nordiska Kompaniet’s Triva Series, Sweden 1958
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Price category: 9,000 - 12,500 usd / eur
Renowned for her curvaceous chair and sofa designs that utilize wood and the then pioneering use of polystyrene, Swedish modernist architect and furniture designer Kerstin Hörlin-Holmquist hails from a robust early-century generation of Scandinavian female furniture designers.
In the 1950s, Nordiska Kompaniet’s workshops in Nyköping, Hörlin-Holmquist was asked to take a larger role in the development of the Triva Collection and to provide the company a variety of furniture designs and interior fittings that expressed a modern Scandinavian ethos through soft lines and adaptive humanism. It was during this tenure that Hörlin-Holmquist designed her most iconic work—namely, her Paradiset Collection (Swedish for “Paradise” or “Eden”) from 1956-1958, which included this button-back (a Hörlin-Holmquist hallmark) Paradiset sofa. This stunning model features an immediately recognizable, organic shape that is very representative of the designer’s characteristic. It is a great example of how she managed to mix classic lines with modern design. The sofa has the typical rounded form with button tufting on the backrest, and an arched wooden base. The elegant curves and the overhanging back and armrest create an almost sculptural appearance, and unlike most models, the decorative buttons are arranged in two parallel lines following the curvature of the back. This creates a soft and stylish look that is further complemented by the tapered, solid beech legs, and the light bouclé upholstery.
Beyond jewellery, fashion, cosmetics, and Sweden’s first escalator, Nordiska Kompaniet offered its own line of custom-made furnishings crafted in workshops in Nyköping (est. 1904). The design aesthetic reflected the general ethos of the company: high quality production, pared-down lines with touches of genteel elegance, and, above all, an air of exclusivity.
Condition:
In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in premium bouclé fabric.
Dimensions:
73.03 in W x 31.49 in D x 32.67 in H; Seat height 16.53 in
185.5 cm W x 80 cm D x 83 cm H; Seat height 42 cm
About the Designer:
Kerstin Hörlin-Holmquist was born on May 30, 1925 in Arvika, Sweden. She was a Swedish modernist architect and designer. Hörlin-Holmquist graduated from Stockholm’s Konstfack in 1952, and before that she studied and worked in England.
She often worked with her husband Erik Holmquist, and together they modelled and created the pieces together. A key aspect for the couple was always to test their designs in their own home before completing a project.
"I think both furniture and textiles, wherever they end up, must be kind, gentle and courteous, but without losing their character. They should have human qualities, not be pompous and only stand alone, but be able to adapt to the environment they end up in..."
Hörlin-Holmquist worked and studied in England from 1946-1947 immediately after the war, where she also studied art history and became fascinated with the classic English upholstered furniture and style. Something that without a doubt inspired her own creations later in life while she still developed her own expression. She returned to Sweden where she attended Konstfack from 1948 and graduated from the school in 1952. She started working with Nordiska Kompaniet shortly after her graduation and became a lead designer. Her timeless and iconic ‘Paradiset Collection’ was created during her employment with Nordiska Kompaniet in 1956-1957 and holds a soft simplicity and a uniqueness in its appearance - light, clean lines and yet gracious with an air of romance.
Today, her designs are highly treasured collectibles. She is primarily remembered, for her ability to create designs for the modern home in the 1950s without worrying about short-lived trends and what other people thought - to stay true to her own unique and humanistic design vision. ~H.
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Price category: 5,000 - 7,500 usd / eur
Bas van Pelt (1900–1945) was a Dutch furniture and interior designer whose work combined traditional craftsmanship with the principles of early modernism. While Van Pelt's creative work was primarily dominated by the Hague School, this armchair is the result of his more mature design period, characterised by natural materials, in order to create a friendly and inviting appearance that combines the warmth of solid oak with the distinctive texture of woven rush.
The construction of this model is simple at its core, but thanks to certain details, it is a playful representation of early Dutch modernism. While made of solid oak, this armchair has an open feel to it thanks to the horizontal spaces on the back that divide the three rush panels. The tall, slightly inclined backrest is framed by two straight wooden uprights, creating a strong vertical outline that contrasts with the more fluid shape of the armrests. The curved lines of the arms contrast nicely with the straight lines of the frame and clearly show wonderful craftsmanship. Each armrest extends outward in a gentle wave, giving the chair a particularly individual character. The rush weaving on the back adds textural interest, bringing the appealing roughness of nature to the design. Its closely arranged vertical strands create a warm, sandy surface, beautifully complemented by the oak's rich brown colour and the similar tone of the upholstery. The legs and stretchers are simple in their design, serving a primarily structural role and allowing the rush weaving and the wooden construction to stand out. The legs are connected by a gently curved wooden rail beneath the seat, while the rear supports continue naturally from the backrest. Thanks to the well-chosen proportions and the combination of natural materials, this armchair provides great comfort while maintaining a remarkable appearance.
Bas van Pelt's progressive designs were, in many ways, ahead of his time. The Dordrecht-born designer's furniture models are quite rare, with examples preserved in the collection of the Stedelijk Museum Amsterdam. Furniture pieces like this easy chair stand out through their unique textures and materials, as well as their classic charm. Its generous backrest and comfortable seat make it particularly suitable for a living room, library or reading area, where the craftsmanship can be appreciated from every angle.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the wood, the item has minor marks, scratches, dents and discolouration. The seat cushion has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.8 in W x 29.13 in D x 38.18 in H; Seat height 14.96 in; Seat depth 22.44 in; Arm height 22.83 in
63 cm W x 74 cm D x 97 cm H; Seat height 38 cm; Seat depth 57 cm; Arm height 58 cm
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Price category: 7,500 - 10,000 usd / eur
Simplicity, functionality, and elegance - these are the basic aspects of Danish design and accordingly, of this sophisticated easy chair as well. As a representation of early modernist seating, there is a profound focus on comfort and cosiness, that invokes a pleasant homelike feeling.
The subtle decorative qualities stemming from the early 20th century art movements and the simple lines deriving from the inter-war art movements gives the chair its elegance. Even though Scandinavian design is generally democratic and meant for the masses, pieces were not stripped of all beauty in order to make them as easy to use as possible. The importance of this balance can be identified in the design and execution of these armchairs as well. This balance is achieved through the clever use of the materials and rounded edges of the upholstered body. The exposed wood outlining the armrests’ shape is the standout design element. Quality craftsmanship was evidently of optimum importance for the cabinetmaker who created this piece, especially visible in the sculpted armrests. The pairing of the bun feet in the front and the short, tapered legs in the back is a quirky Scandinavian detail that adds more visual interest to this model.
This armchair further illustrates how modernist design can be warm and cosy despite its reputation of often cold simplicity. The elegant light wool upholstery highlights the beautiful wood lines of the armrests and the legs. With a classic look, storied design and solid quality, this chair is truly soulful and timeless.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
32.48 in W x 37.4 in D x 32.48 in H; Seat height 16.73 in
82.5 cm W x 95 cm D x 82.5 cm H; Seat height 42.5 cm
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Price category: 9,000 - 12,500 usd / eur
This sofa reflects the quiet confidence of Scandinavian design from circa 1930s, a period when modern ideas were being absorbed into more traditional forms. Swedish furniture of this era often balanced restraint with comfort, favouring clean silhouettes. Rather than chasing novelty, designers focused on proportion, usability, and longevity.
Curved sofas in general are considered statement pieces, for reasons that are eminently present in this three-seater sofa. With its classic shape paired with modern design, the generous size and fully upholstered body, it is outstanding, even when measured to the many beautiful sofas created in Sweden during the first half of the 20th century. The large, curved backrest follows the curve of the voluptuous seat, creating an inviting and open look. This shape is referred to as the ‘banana’ in furniture design, and is perfect to bring people closer together. The armrests are not independent, but rather a continuation of the back. The solid wooden legs provide perfect stability and visual appeal to the upholstered body, while balancing the sizeable body. Wood is the most important material in Swedish mid-century design, and the luxurious upholstery highlights and complements the beautiful colour of the wood.
Free from unnecessary ornamentation, the aesthetic of this three-seater sofa is sleek, elegant and modern. With its curved shape, it is perfect to break the rigour of any space, keeping the elegant appearance, elevated by the warm toned upholstery.
Condition:
In good vintage condition. Wear consistent with age and use. The sofa has recently been reconditioned. Due to the nature and age of the materials, the item has some marks, scratches, and discolouration. The sofa has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
92.51 in W x 33.07 in D x 27.55 in H; Seat height 17.32 in; Seat depth 17.71 in; Arm height 27.55 in
235 cm W x 84 cm D x 70 cm H; Seat height 44 cm; Seat depth 45 cm; Arm height 70 cm
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Price category: 2,500 - 5,000 usd / eur
Christian Krass (1868–1957) was a French cabinetmaker and furniture designer based in Lyon, he became an important figure in the city’s decorative arts during the first half of the 20th century. His work included seating, tables, desks and cabinets, often combining carefully worked woods with the geometric forms and refined materials associated with Art Deco. This armchair, which dates back to circa 1930s, applies Krass’s skill to a compact and elegant seating design.
The armchair is defined by its exposed wooden frame, which combines straight lines with subtle curves. Four tapered legs support the upholstered seat, with the front legs continuing upward to meet the armrests and creating a clear structural outline. The armrests have a particularly interesting shape, extending horizontally into a carved element before turning downward. Their broad wooden surfaces and warm reddish-brown tone contrast with the patterned upholstery while keeping the construction clearly visible. The backrest is generously upholstered and slightly curved, with rounded upper corners that soften the otherwise geometric frame. Its shape follows naturally into the broad seat below, creating comfortable proportions within a relatively compact structure. The green and cream upholstery introduces a small repeating geometric pattern that complements the straight lines of the wood while adding texture and visual depth. The clean junctions between the legs, seat rails, arms, and back show the quality of the woodworking, with each element contributing equally to the overall composition.
The chair captures the more restrained side of French Art Deco, where decorative effect could be achieved through proportion, material and carefully controlled lines. Its scale makes it particularly suitable as a desk chair, side chair or additional seating in a living room or bedroom. It represents an interesting example of French furniture design from the 1930s.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. The armrests have minor marks and scratches. Due to the nature and age of the materials, the item may have some discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
23.42 in W x 25.98 in D x 30.70 in H; Seat height 18.70 in; Seat depth 17.12 in; Arm height 26.77 in
59.5 cm W x 66 cm D x 78 cm H; Seat height 47.5 cm; Seat depth 43.5 cm; Arm height 68 cm
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Price category: 12,500 - 15,000 usd / eur
Mid-century modern furniture introduced new approaches to seating, with designers exploring rounded silhouettes and chairs shaped closely around the sitter. This pair of European armchairs belongs to this direction, combining generous upholstery with a compact profile and short wooden legs.
Their continuous curved bodies give them a particularly soft appearance, while the low seating position creates the relaxed character associated with lounge furniture of the period. The shape of these armchairs creates an inviting and enveloping appearance. Each chair has a broad, deep seat framed by substantial upholstered arms that rise gently towards the backrest. The back is formed as a wide panel with softly rounded upper corners, curving around the sitter before flowing directly into the sides of the chair. This continuous transition between the back and arms is particularly effective when the chairs are viewed from behind, where the upholstery creates an uninterrupted curved silhouette. The olive-green fabric covers the entire body, allowing the proportions and shape to remain the focus of the design. Its textured surface gives the colour additional depth. A rectangular seat cushion sits within the upholstered body to ensure comfort for its user. Four short tapered wooden legs lift each chair just above the floor. Their warm brown tone of the wood provides a restrained contrast to the green upholstery, while their outward angle secures the broad stance of the chairs.
The designer ensured to make these chairs attractive from every direction, allowing the option to be positioned away from a wall and used more freely within a larger seating arrangement. Comfortable, compact and visually distinctive, the pair offers an appealing example of the softer forms found in European mid-century seating.
Condition:
In good vintage condition. Wear consistent with age and use. The armchairs have recently been reconditioned. Due to the nature and age of the materials, the items have marks, scratches, and discolouration. The pair have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.52 in W × 34.64 in D × 30.7 in H; Seat height 14.56 in; Seat depth 21.65 in; Arm height 18.5 in
75 cm W x 88 cm D x 78 cm H; Seat height 37 cm; Seat depth 55 cm; Arm height 47 cm
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Price category: 12,500 - 15,000 usd / eur
Art Deco seating from the first half of the 20th century moved towards softer and more streamlined forms, with designers focusing on curved silhouettes, generous proportions and comfort. The club chair was particularly suited to this approach, with its wide sitting area, substantial armrests and fully upholstered body.
The shape of these chairs is generously rounded, creating an inviting and enveloping appearance. The broad seats are framed by the robust armrests that curve outward at the front and continue into the sides of the chairs. Their smooth edges give the bodies a soft profile while still maintaining a clear and structured shape. The backrests are distinctive, formed as large semicircular panels that rise above the arms and create a strong central curve. The light brown upholstery is fitted across the entire body, allowing the shape and proportions to remain the focus of the design. Its warm tone also highlights the curves, as light moves gently across the rounded backs and arms. The seats are wide and deep, while the upholstered bodies create the comfortable, generous character associated with the club chair. Small wooden feet remain mostly concealed beneath the chairs, subtly lifting them from the floor without distracting from their compact volumes.
What makes this pair appealing is the way a familiar club chair is given a more individual character through bold curves. The generous proportions make them well suited to a living room, library or conversation area, either positioned together or used separately within a seating arrangement. The pair offers a strong example of the softer side of European seating design from the first half of the 20th century.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. The wood has minor dents and scratches. Due to the nature and age of the materials, the items may have some marks and discolouration. The chairs have been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
43.30 in W x 36.22 in D x 31.10 in H; Seat height 15.35 in; Seat depth 20.47 in; Arm height 24.40 in
110 cm W x 92 cm D x 79 cm H; Seat height 39 cm; Seat depth 52 cm; Arm height 62 cm
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Price category: 2,500 - 5,000 usd / eur
Valinte Oy, established in Finland during a time of great design exploration, was known for its commitment to crafting distinctive lighting solutions. The company was celebrated for its attention to detail and ability to merge form and function seamlessly. Valinte Oy's designs have always embodied the spirit of Finnish craftsmanship and have often incorporated elements of nature, evoking a sense of purity and simplicity.
The fixture consists of a broad square shade mounted to the ceiling, its pleated fabric surface radiates outward from a central brass fitting. When illuminated, the textile diffuses the light warmly, allowing the folds to become more pronounced and giving the lamp a gentle glow. The material feels organic, yet elegant with its flowing contours. The brass detail acts as a visual anchor within the composition, offering a subtle contrast against the softness of the fabric shade, and drawing the eye in. Despite the relatively simple construction, the interplay between the structured shape and the textile surface gives the lamp a distinctive presence. Finland’s lighting culture evolved alongside the broader Nordic approach to design, prioritising softness, warmth, and an intuitive understanding of how light shapes space during long, dark seasons. Makers like Valinte Oy contributed to this landscape by producing fixtures like this that balanced craftsmanship with gentle innovation, creating objects that were as much about ambiance as they were about illumination.
Mounted close to the ceiling, the lamp provides a calm and balanced source of light. It represents a strong decorative detail without taking up a lot of space, thus being appropriate for interiors of various sizes. Although regardless of where it is placed, this piece is sure to bring warmth and subtle sculptural to a room.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the item may have minor marks, scratches, and discolouration. The shade was custom made by our in-house atelier. The lamp is compatible with an E26 / E27 (standard) fitting.
Dimensions:
23.62 cm W x 23.62 cm D x 10.23 cm H
60 cm W x 60 cm D x 26 cm H
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Price category: 50,000+ usd / eur
Swedish architect and furniture maker Axel Einar Hjorth worked as the lead designer for Sweden’s Nordiska Kompaniet department store from 1926 to 1938. While combining the simple, honest forms of the traditional nordic “allmoge” furniture common in Swedish rural culture, with the international 20th century Modernist movement, Hjorth designed the “Sportstugemöbler” series, (“sports cabin furnishings”) a collection of wooden furniture designed for country homes.
The “Lovö” chair was initially launched by Nordiska Kompaniet in 1932. The series was a response to a new, growing demand for furnishings for leisure houses, thus Hjorth used local pine to create a model that unites the robust and straightforward Nordic style with skilful handcrafting. The result is a modest, yet visually interesting presence with a strong and tall outline. These chairs are crafted from local pine wood, while the backrests feature iron rivets. The juxtaposition between the pine and iron provides a rustic, sturdy and resilient feel, elevating the timeless look of the model. The chairs combine simple and honest forms of the handcrafted style of traditional Nordic “allmoge” furniture, and the international 20th century Modernist movement. The seats feature loose, removable cushions, upholstered in a textured fabric. The cushions further increase the chairs’ special character, increasing both comfort and charm. The design is completed by four square, straight legs.
The “Sportstugemöbler” series had a lasting influence on Hjorth’s contemporaries, inspiring other big names within Nordic design, such as Carl Malmsten. From an international perspective, this series is the forerunner of later pioneering designs, so it comes as no surprise that these “Lovö” chairs became part of modernist design history.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. The chairs show marks and dents Due to the age and nature of the materials, the chairs may have additional scratches or discolouration. The pillows were costum made by our in-house atelier in a premium fabric. In addition, the chairs can be purchased including their original striped cushions. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
18.5 in W x 20.86 in D x 37.4 in H; Seat height 17.71 in; Seat depth 16.54 in
47 cm W x 53 cm D x 95 cm H; Seat height 45 cm; Seat depth 42 cm
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Price category: 12,500 - 15,000 usd / eur
Robert Guillerme and Jacques Chambron established Votre Maison in 1949 together with cabinetmaker Émile Dariosecq, and developed a distinctive body of French furniture during the post-war decades. Their work is particularly associated with solid oak, sculptural woodworking and upholstered seating, with the wooden structure often remaining clearly visible as an important part of the design. This pair of armchairs from the 1960s brings these characteristics together through expressive oak frames and generously upholstered seats and backs.
The chairs are built from solid oak frames with a particularly distinctive construction at the back. A series of vertical wooden spindles follows the curved outline of each backrest, creating an open framework that remains fully visible from behind. The spindles vary in their angle and position, giving the rear of the chairs a strong architectural rhythm while supporting the wide upholstered back cushions. These cushions curve along the backs and are finished with button tufting, adding depth to the textured striped fabric. Broad seat cushions sit above the upholstered lower sections, creating a comfortable body within the exposed wooden structure. The armrests have a gently shaped profile and extend forward to meet thick upright supports, which continue downward into curved front legs. Their rounded surfaces highlight the natural grain and warm tone of the oak. At the rear, the lower ends of the frame curve outward into small feet, adding another carved detail to the silhouette. The muted red, beige and cream tones of the upholstery complement the oak while allowing the elaborate woodworking to remain in focus.
The pair shows why Guillerme et Chambron’s seating is so recognisable within French design of the period. Their furniture gave traditional cabinetmaking a highly individual character through carved oak, unusual structural solutions and an emphasis on comfort. These armchairs are particularly effective as a pair as their open spindle backs make them interesting from every direction.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, dents and discolouration. The cushions have recently been reupholstered in in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
30.31 in W x 29.92 in D x 33.46 in H; Seat height 16.14 in; Seat depth 20.07 in; Arm height 21.25 in
77 cm W x 76 cm D x 85 cm H; Seat height 41 cm; Seat depth 51 cm; Arm height 54 cm
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Price category: 5,000 - 7,500 usd / eur
The European perspective on cabinetmaking is exceptional, and wood was an omnipresent material in mid-century modernism. This sumptuous rounded armchair features the immediately recognisable touches of Modernism: excellent materials, craftsmanship, and elegantly curved shapes.
This armchair holds all the characteristics that define Berga Möbler’s style, from the playful softness, to the organic sophistication. The chair is slightly tilted backwards by the tapered front legs. The curved and rounded backrest and armrests are a few elements that define the elegance of the chair. Slightly inclined towards the backrest, the armrests provide an excellent seating experience, making the chair a wonderful choice for any contemporary living space. Not only this, but the back is tufted with two large buttons that give the pieces a pleasant and welcoming appearance. The upholstery's texture adds to the visual appeal. It enhances the tactile experience, making it a delight to sit on. The frame is constructed from high-quality wood, ensuring durability and sturdiness. Furthermore, apart from being structurally integral, the legs add a touch of mid-century modern flair with their outward bend and smooth finish. The design of this chair possesses an elegant homely curviness, an aesthetic balance that is only seemingly easy to achieve, but this armchair exudes it.
Crafted with precision and finished with attention to detail and care for the aesthetic dimension, this armchair stands the test of time thanks to both its visual and material quality.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.52 in W x 34.25 in D x 32.67 in H; Seat height 18.11 in; Seat depth 19.68 in; Arm height 23.62 in
75 cm W x 87 cm D x 83 cm H; Seat height 46cm; Seat depth 50 cm; Arm height 60 cm
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Price category: 12,500 - 15,000 usd / eur
Art Deco seating from the first half of the 20th century brought together strong geometry, rich materials and interesting forms. Upholstered armchairs were particularly suited to this approach, as their larger surfaces could be shaped into bold silhouettes and contrasted with decorative wooden elements. This pair combines dark green upholstery with sweeping walnut-veneered details, creating a design in which wood becomes as visually important as the upholstered body.
The armchairs have substantial, slightly inclined backrests, giving them generous and comfortable proportions. Each backrest is divided into three vertical upholstered sections with a softly scalloped upper edge, adding definition to the broad surface and drawing the eye upward. The dark green upholstery continues across the seats, backs and side panels, giving the bodies a consistent colour and texture. The walnut veneer provides a striking contrast and forms a distinctive feature of the design. Large curved sections run along either side of each chair, forming part of the armrests before continuing downward towards the floor. Their continuous rounded shape complements the upholstered sides and gives the chairs a strong profile from every angle. At the same time, the wood creates gaps in the size, balancing the strong volume of the upholstered sections. The reddish-brown tone and visible grain of the walnut stand out against the muted green fabric, while the polished surface catches the light along each curve. Finally, short rectangular wooden feet support the front of the seats, while the back one mirror the curve of the armrests, tying the look together.
What makes these armchairs particularly appealing is the way the walnut veneer transforms an upholstered chair into a much more individual Art Deco design. Used together in a living room, library or conversation area, they offer both comfortable seating and the rich material character associated with European furniture at its best.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. The armrests have visible repairs made by a previous owner. Due to the age and nature of the materials, the items have marks, scratches, dents and discolouration. The chairs have recently been reupholstered in in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
28.74 in W x 31.10 in D x 31.88 in H; Seat height 17.51 in; Seat depth 20.86 in; Arm height 23.42 in
73 cm W x 79 cm D x 81 cm H; Seat height 44.5 cm; Seat depth 53 cm; Arm height 59.5 cm
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Price category: 2,500 - 5,000 usd / eur
In the design landscape of Europe, the mid-20th century emerged as a golden era, where form seamlessly intertwined with function, giving rise to timeless pieces that continue to captivate contemporary sensibilities. One such enchanting piece from this era is this graceful floor lamp, a testament to the region's commitment to craftsmanship and new ideas and forms.
Rather than seeking attention through ornament, designers often worked to achieve a quiet refinement through high-quality materials and precision. This floor lamp materialises these ideals both in terms of visual and technical quality. The lamp features three slender stems that rise from a dynamic base. The brass necks allow the shades to be adjusted independently, so their openings can face outward. The tapered fabric shades widen slightly, continuing the movement of the brass arms. Their soft textile surfaces contrast with the polished metal and dark body, while their relatively small scale leaves the structure in focus. The piece is fundamentally functional, at the same time having enough character to stand on its own, making it a distinctive example of European lighting from the 1950s.
Its unique construction gives the lamp a far stronger presence than its slender proportions might suggest. Even when switched off, its profile makes it an expressive object in the room; illuminated, the opposing shades become the focus of the composition, adding charm to any interior.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the brass, the item has some marks and scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
42.12 in W x 27.16 in D x 62.2 in H
107 cm W x 69 cm D x 158 cm H