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Price category: 2,500 - 5,000 usd / eur

The manufacturer of this lamp, ASEA, has a rich heritage rooted in lighting innovation, pushing boundaries and redefining norms, playing a pivotal role in shaping the trajectory of Swedish lighting design during the 20th century. Their commitment to quality craftsmanship and avant-garde design principles set them apart as pioneers in the industry.

This floor lamp boasts a sleek design, combining a round base, sturdy and durable, with an elongated black lacquered metal stem that gracefully extends upward to support a stunning woven shade. The shade emits a soft, diffused glow, which will enhance the ambiance of any space. The slender stem lends an air of elegance. The brass serves not only a functional purpose, it also allows for a touch of understated luxury with its polished finish. The play of contrast between the dark metal, warm brass, and light fabric evokes the restraint typical of Scandinavian modernism, where atmosphere was achieved through proportion rather than ornament. Moreover, the ability to adjust the position of the shade enhances both the functionality and the sculptural character of the piece, allowing it to adapt to different settings and uses.

Elegant and enduring, this floor lamp demonstrate how Swedish design continues to find beauty in simplicity. It merges function, craftsmanship, and light into a harmonious whole, reaffirming that restraint and refinement can be the most distinct of qualities.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade was possibly replaced by a previous owner. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

12.59 in W x 20.86 in D x 46.06 in H

32 cm W x 53 cm D x 117 cm H

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Price category: 2,500 - 5,000 usd / eur

Danish lighting of the 1950s was closely tied to the functional principles of Scandinavian modernism, with designers gave particular attention to flexibility, compact construction and the quality of light within an interior. Wall-mounted fixtures were particularly suited to this approach, freeing surrounding surfaces while allowing illumination to be positioned where needed. This wall lamp reflects the Danish Modern philosophy through its graceful lines, adjustable construction and carefully balanced combination of materials.

The defining feature of the lamp is its long, sinuous metal arm. From a narrow vertical wall mount, the black lacquered structure extends outward through a sequence of elegant bends, creating a pronounced linear silhouette before reaching the shade. Along the arm there are pivot points, making the changing geometry of the structure one of the lamp’s most distinctive visual features. The hinges are subtle and integrated into the design, while small polished brass fittings punctuate the dark metal and draw attention to the points of articulation. At the end, the arm extends horizontally to support a broad tapered fabric shade. Its natural woven surface contrasts beautifully with the black lacquered structure, while the polished brass fitting above provides a warm transition between the two materials. The shade filters the light, producing a soft, atmospheric glow that enhances the comforting character of the design. Seen against the wall, the sequence of curves and straight lines gives the lamp a strong graphic rhythm, transforming its adjustable mechanism into an important part of its visual character.

The generous reach and multiple adjustments make this lamp particularly appealing beside a sofa, reading chair or bed, where it can provide focused illumination without occupying any floor or table space. At the same time, the articulated arm gives it a strong presence even when switched off. Its combination of flexibility, warm light, contrasting materials and expressive lines gives the lamp both the practicality and character associated with Danish mid-century lighting.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Some minor marks on the metal. Due to the nature and age of the materials, the item may have scratches and discolouration. All lighting can be converted for US usage.

Dimensions:

11.81 in W x 31.29 in D x 11.81 in H

30 cm W x 79.5 cm D x 30 cm H

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Price category: 2,500 - 5,000 usd / eur

Hans-Agne Jakobsson was one of the central figures of Swedish lighting design during the post-war decades. After training as both a carpenter and architect, he founded his own company in Markaryd in 1951, where he developed lighting that softened the harsher qualities of electric illumination through beautiful shades, natural materials, and restrained forms.

Jakobsson designed this pair of wall lamps in the mid-20th century. It was a revolutionary period in design throughout Scandinavia, where function and form merged in the most intriguing ways. The designer prized the marriage of form and function, with a poise that is hard to imitate or force. The shape and materials of the shades set the overall aesthetic of these lamps. The opaque glass is made into a bulbous form with a that narrows towards the bottom, held securely by the brass shade holders. The holders feel airy, slender, and minimal, allowing the focus to be on the shades and the light they emit. The brass construction also creates a rich, warm glow, enhancing the light while exuding a sense of effortless sophistication. The mid-20th century was defined by leading Swedish designers’ sleek and innovative modernist creations, and Jakobsson’s prowess is evident here as these lamps can both stand out or blend into a room, depending on the interior style.

Sconces are a timeless type of lighting fixture that can easily elevate their surroundings. These fixtures never go out of style and have been in use for centuries for good reason. This model is reflective of a time when creativity knew no bounds, and designers were free to explore new horizons in crafting captivating lighting fixtures.

Condition:

In good vintage condition. Wear consistent with age and use. These lamps have recently been rewired and reconditioned. Minor marks and scratches are present. Due to the nature and age of the materials, the items may have discolouration. Additional imperfections on the glass may be present due to manufacturing inconsistencies and age. This lamp is compatible with an E26 / E27 (standard) fitting.

Dimensions:

5.9 in W x 8.85 in D x 9.05 in H

15 cm W x 22.5 cm D x 23 cm H

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Price category: 2,500 - 5,000 usd / eur

The Art Deco movement, which emerged in the early 20th century, is known for its bold geometric shapes, luxurious materials, and an emphasis on streamlined forms. Art Deco came as a reaction against the flowing, organic lines of Art Nouveau, thus opting for symmetry, order, and elegance. Influenced by modernity and industrialisation, Art Deco pieces often features polished finishes, and an overall sense of opulence, designed to elevate everyday spaces.

This lamp exemplifies the refined geometry and material richness characteristic of the movement. The piece is constructed from patinated bronze and frosted glass, and the materials’ tones elegantly highlight both the age and craftsmanship. The interplay between the rich patina of the bronze and the milk-white shade creates a harmonious contrast. The visual interest of this lamp is accentuated by the form of the female figurine that is suspended from the wall, mounting to the shade. Wall lamps such as this are a timeless example of how thoughtful craftsmanship can result in lighting fixtures that transcend their utilitarian purpose, becoming works of art in their own right. Today, we consider Art Deco and the early 20th century era a golden age for lighting design. During these decades, some of the most significant luminaries were created, and remain highly sought-after today.

This wall lamp bridges sculptural presence and domestic functionality. It embodies the enduring qualities of the Art Deco movement in Europe: geometric refinement, tonal richness, and atmospheric light. The qualities transform it into a bold design statement, while still able to complement a modern space.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration. Imperfections on the glass may also be present due to age and manufacturing inconsistencies. This lamp is compatible with an E26 / E27 (standard) fitting.

Dimensions:

3.94 in W × 4.33 in D × 19.88 in H

10 cm W x 11 cm D x 50.5 cm H

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Price category: 2,500 - 5,000 usd / eur

Nordic mid-century design of the mid 20th century was defined by restraint, material clarity, and a strong emphasis on functional beauty. Designers and manufacturers in Sweden, Denmark, and Finland sought to create objects that were elegant without being excessive, modern without feeling unnatural. Companies like Bergboms became known for producing refined lighting fixtures that balanced industrial precision with warm materials such as brass, wood, and leather. This lamp reflects an approach where proportion, surface, and light quality are carefully considered to create harmony in a space.

This lamp stands on an elegant tripod brass base that gives it a remarkably light visual footprint while providing excellent stability. Rising from the base is a slender black lacquered metal stem, interrupted by brass details that introduce subtle contrast and outline the vertical composition. The brass continues into the shade support, creating a cohesive transition from base to light source. The lamp draws its character from the interplay of its materials: the warm brass, the deep black lacquer, and the soft texture of the fabric shade. The restrained palette allows the crisp geometry and precise proportions to remain the focus. Model “G-31” has a versatile and elegant presence. Its slim profile occupies little space, yet the tripod base and carefully considered detailing give it a strong identity.

The result is a floor lamp that is both practical and sculptural, demonstrating Bergboms' ability to achieve elegance through thoughtful construction and measured use of materials.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The shade was custom made by our in-house atelier. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

19.68 in W x 18.11 in D x 55.90 in H

50 cm W x 46 cm D x 142 cm H

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Price category: 2,500 - 5,000 usd / eur

Danish lighting of the mid-20th century often combined straightforward construction with materials that brought warmth to otherwise restrained forms. Most of the stunning minimalist designs from the turn of the century to the 1960s captured the imagination of the world, especially the work of Danish creators, who set the high bars for design.

This Danish wall light combines wood, metal and fabric in a design built around that practical arrangement. The lamp is mounted by a compact rectangular metal element, from which a long wooden arm projects outward in an upward curve. The wood has a warm brown tone and tapers slightly toward its outer end, making the reach of the arm appear lighter. Suspended close to the end of the arm is a large custom-made textile shade with a rounded, lantern-like profile: narrow at the top, broad through the middle and drawing inward again toward the bottom. The shade is defined by vertical ribs that give the fabric surface a clear structure. While the light passing through it emphasises each individual section. The contrast between the sweeping wooden arm, small metal fittings and softly rounded shade is particularly effective to create a beautiful piece: the arm establishes a strong horizontal line while the shade hangs beneath it as the visual counterweight.

The extended wooden arm makes the fixture useful beside a bed, sofa or reading chair, where light can be brought forward from the wall rather than fixed directly against it. The result is a distinctly functional piece whose character comes from its construction and contrasting materials, in line with the Danish pursuit of functionality and classic forms.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The brass is patinated. Due to the nature and age of the materials, the items may have marks, scratches, and discolouration. The shade was custom made by our in-house atelier. All lighting can be converted for US usage.

Dimensions:

10.63 in W x 28.74 in D x 18.31 in H

27 cm W x 73 cm D x 46.5 cm H

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‎‎Price category: 1,000 - 2,500 usd / eur

“GA9” appears to be inspired by a droplet, floating upward the wall. The mouth blown glass with bubbles creates an intricate play between light and shadow, giving the appearance of light travelling through water.

Swedish architect and designer, Erik Gunnar Asplund, is celebrated as the godfather of functionalist design in Sweden. Like his celebrated Stockholm City Library, this wall lamp emphasizes geometric simplicity and clarity of form. The construction of this model is ingenious, with a bent arm holding the glass in place, with yet another arm holding the light source in the centre of the luminaire. The black lacquered metal bends organically into a sinuous form, while the back-plate has a polygon shape. Pairing the geometric elements with the more organic ones shows Asplund’s great eye for design that was well ahead of his time. The large, mushroom-like mouth blown glass shade has a distinctive “drop” on its surface, creating a beautiful effect that becomes even more apparent when the light is on. The atmospheric light it creates is not measurable, nor is it functional in the traditional sense. It is easily forgotten, but nevertheless important when creating a space of well being. It is the most basic and fundamental of all lighting principles, one that has been with us since the dawn of time. Asplund’s life and work served as inspiration to a number of Scandinavian design luminaries, such as lifelong friend and mentee Alvar Aalto, as well as Erik Bryggman and Arne Jacobsen.

An acronym for Allmänna Svenska Elektriska Aktiebolaget (“General Swedish Electrical Limited Company”), ASEA was a Swedish manufacturer of electrical products and industrial infrastructure. The company endures in the hearts of design lovers for their mid-century interior lighting collections produced in collaboration with venerated designers like Gunnar Asplund.

‎Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The metal structure has some marks and scratches. Due to the nature and age of the materials, the item may have discolouration and imperfections. All lighting can be converted for US usage.

Dimensions:

11.02 in W x 16.14 in D x 10.04 in H

28 cm W x 41 cm D x 25.5 cm H

About the designer:

Erik Gunnar Asplund, born in Stockholm in 1885, was a Swedish architect, mostly known as a key representative of the Nordic classicism of the 1920s.

He studied architecture at the Royal Institute of Technology in Stockholm. After completing his studies, he worked for Asplund Tengrom architects, Westman and Ostberg. He completed his architectural training, with long journeys through Sweden and other parts of Europe. Asplund worked alone and obtained a large amount of his work through contests.

Asplund was a professor of architecture at the Royal Institute of Technology from 1931. His appointment was marked by a conference, later published under the title "Our architectural concept of space. Gunnar Asplund is considered perhaps the most important Swedish modernist architect and has had a great influence on successive generations of Swedish and Nordic architects. Among the most significant works of Asplund is the Stockholm public library, built between 1924 and 1928, which represents the prototype example of Nordic classicism and the so-called Swedish grace movement.

During the period from 1931 until his death, Asplund moved away from Modernism and began to show sympathy towards a stripped Nordic classicism. Asplund continued to draw until his death in Stockholm in 1940.

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Price category: 2,500 - 5,000 usd / eur

Art Deco developed internationally during the 1920s and 1930s, bringing geometric forms and stylized ornament into architecture, furniture, lighting, and decorative objects. Geometry became one of its most recognisable characteristics, with stepped profiles, repeated lines, and clear volumes appearing across the decorative arts. This pendant lamp embodies the movement through a striking decorative construction.

The pendant is constructed around a hexagonal wooden shade featuring a sequence of stepped, concentric tiers. Each successive layer decreases toward the center, producing a shallow inverted-pyramid profile and giving depth to the shade. The repeated horizontal edges emphasize the geometry, while the visible grain and warm tone of the wood soften the otherwise precise composition. Along the surface, carved horizontal elements offer the shade a dynamic appearance, with flowing lines guiding the eye across the wood. A small spherical wooden finial marks the center of the shade and visually completes its downward profile. Above, a long slender suspension rod connects the shade to a compact wooden ceiling canopy, keeping the structure simple and allowing the unusual wooden shade to remain the main feature. The brass rod complements the warmth of the wood, the two materials working together to created a cohesive piece. To increase its functionality, the inside of the shade is painted white, allowing the light to bounce toward the ceiling and create ambiance despite the opacity of the wood.

Rather than depending on applied ornament, the pendant achieves its decorative effect through repetition, symmetry, material, and the profile of the shade itself. The use of simple geometry highlights the vocabulary associated with the Art Deco movement, while its materials underscore the creativity of its designer.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. There are minor dents and scratches in the metal. Due to the age and nature of the materials, the lamp may have marks, scratches, and discolouration. All lighting can be converted for US usage.

Dimensions:

15.94 in W x 13.78 in D x 24.41 in H

40.5 cm W x 35 cm D x 62 cm H

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Price category: 2,500 - 5,000 usd / eur

Attributed to Birger Ekman (1905–1986), this floor lamp reflects the refined decorative language of Swedish Grace during the 1930s. Ekman is primarily associated with furniture distinguished by exceptional veneer work, marquetry, and finely executed inlays, combined with traditional cabinetmaking techniques. Swedish Grace emerged during the 1920s and 1930s as Sweden's interpretation of Art Deco, balancing classical proportions with simplified ornament and outstanding craftsmanship.

This lamp shares many of the characteristics found in Ekman’s work, particularly the sophisticated use of contrasting veneers and decorative inlay. The lamp is constructed around a tall, square column veneered in alternating bands of richly grained wood, creating a striking rhythm that immediately draws the eye upward. Fine inlaid details run across the height of the column, showing a stylised woman’s figure, demonstrating the precision associated with Swedish cabinetmaking of the period. The square base repeats the veneered and inlaid decoration while incorporating a sculptural burl wood element at its center, introducing an organic counterpoint to the otherwise geometric composition. A slender chromed arm projects from the top of the body and supports an adjustable shade, allowing the light to be directed as needed while adding a subtle functional contrast to the warmth of the wood. The careful combination of veneer, marquetry, chrome, and carved burl transforms the lamp into a piece that functions as both lighting and decorative furniture.

Today, lamps attributed to Birger Ekman are particularly appreciated for their exceptional woodworking and their close relationship to Swedish Grace furniture design. This example demonstrates how decorative techniques could be successfully integrated into a functional object, resulting in a floor lamp that is as much a showcase of craftsmanship as it is a source of light.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The lampshade is a later replacement. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.

Dimensions:

12.20 in W x 24.01 in D x 57.87 in H

31 cm W x 61 cm D x 147 cm H

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Price category: 2,500 - 5,000 usd / eur

Lighting is a huge part of Danish and Scandinavian design more broadly, ranging from the warm, low light of a candle to the bright overhead glow of a chandelier. This wall lamp is a unique piece of functionalist design with unmistakable touches of Art Deco.

Wall lights are a timeless type of fixture that can easily elevate their surroundings. These lamps never go out of style, and have been in use for centuries for good reason. The simple style of this piece is clean with a straightforwardly modern look. The lamp features a brass frame holding an opal glass shade held by a brass stem. The metal frame provides a tonal contrast to the opal glass shade, as well as safely securing the model to the wall. The proportions are meticulously balanced, allowing the shade to appear weightless when looked at straight on. The choice of materials and shape of the design truly highlights the aesthetic of era. The piece is particularly adaptable, capable of blending into a range of interiors while still offering a refined point of interest. It reflects a side of Scandinavian design that prioritises atmosphere and usability, where even the most modest objects are shaped with intention and care.

A model like this can create an intimate and cosy experience in a dining room or enhance the ambience of a living room with a warm glow, without creating harsh shadows. This lamp is sure to be a lovely addition to any interior space.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the item has minor marks, scratches, and discolouration. Additional imperfections on the glass may be present due to manufacturing inconsistencies and age. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.

Dimensions:

7.87 in W x 22.04 in D x 12.99 in H

20 cm W x 56 cm D x 33 cm H

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Price category: 2,500 - 5,000 usd / eur

Hans-Agne Jakobsson was one of the central figures of Swedish lighting design during the post-war decades. After training as both a carpenter and architect, he founded his own company in Markaryd in 1951, where he developed lighting that softened the harsher qualities of electric illumination through carefully designed shades, natural materials and restrained forms. Model “G43” reflects this approach through a particularly light and minimal construction.

The lamp is constructed around a slender white lacquered metal frame, creating a clear vertical axis that gives the piece a light presence. Three thin metal rods create the better part of the stem, spreading outward at the base, each ending in a small rounded foot, while their narrow proportions keep the structure visually unobtrusive. The stem is interrupted by two sections wrapped in brown leather, introducing warmth and texture to the otherwise precise metal construction. A large conical fabric shade sits at the top, its broad proportions creating a strong contrast with the exceptionally slender frame below. The shade becomes the visual volume of the design and filters the light through its fabric surface, producing a soft, warm glow. The simple triangular profile of the shade is balanced by the three-legged base, giving the lamp a clear sense of proportion despite the minimal structure.

The “G43” is a particularly good example of Jakobsson’s ability to give simple lighting a distinct identity through proportion and material. Its narrow frame takes up very little visual and physical space, making it easy to position beside a sofa, lounge chair, or in a corner where a larger floor lamp could feel intrusive. The leather details and warm fabric shade add character to the restrained construction, resulting in a lamp that works equally well as a source of atmospheric light and as an elegant example of Swedish mid-century design.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade was custom made by our in-house atelier. The leather has signs of wear. Minor marks, scratches, and dents on the stem. Due to the age and nature of the materials, the item may have marks and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

18.50 in ø × 57.48 in H

47 cm ø x 146 cm H

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Price category: 2,500 - 5,000 usd / eur

Scandinavian lighting of the 1950s was characterised by streamlined forms, carefully selected materials and an emphasis on practical illumination. Floor lamps were particularly suited to this approach, with slender structures and adjustable elements allowing light to be positioned where needed while occupying little floor space. This Scandinavian model combines these qualities with the classic pairing of brass and black lacquered metal, creating a clear and elegant silhouette typical of mid-century lighting.

The lamp is constructed from a thin black lacquered metal stem that rises from a low circular brass base. The narrow structure gives the lamp a light appearance, while the broad base provides a stable foundation and introduces the warm golden tone of the brass. Small brass details punctuate the stem and create subtle transitions between the darker lower section and the polished upper structure. At the top, the brass neck bends forward at a right angle to hold the shade away from the vertical stem. The neck can be adjusted, allowing the light to be directed according to its placement and use. A broad conical fabric shade completes the design, balancing the slender structure with its wider horizontal proportions. The warm tone and texture of the fabric contrast with the smooth metal surfaces, while the shade filters the light into a soft glow. The combination of the straight vertical stem and curved upper section gives the lamp its distinctive profile while keeping the construction simple and functional.

The adjustable construction makes this floor lamp particularly suitable for task lighting beside a sofa, lounge chair or reading area, where the projecting neck can position the shade directly above the sitter. Its narrow base and slender body also allow it to provide useful illumination without taking up much surrounding space. The combination of brass, black lacquered metal and warm fabric gives the lamp enough contrast to stand out while preserving the restrained character associated with Scandinavian mid-century design.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned, rewired, and repainted. The shade is a later replacement and is adjustable. The brass has minor dents and scratches. Due to the age and nature of the materials, the item may have marks and discolouration. The lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.

Dimensions:

6.10 in W x 20.47 in D x 45.07 in H

15.5 cm W x 52 cm D x 114.5 cm H