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Price category: 2,500 - 5,000 usd / eur

ASEA has a rich heritage rooted in lighting innovation - pushing boundaries and redefining norms, thus playing a pivotal role in shaping the trajectory of Swedish lighting design during the 20th century. Their commitment to quality craftsmanship and avant-garde design principles set them apart as pioneers in the industry and are the reason the company has remained iconic as a manufacturer of Swedish mid-century lighting to this day.

This lamp is constructed around a slender brass stem rising from a circular base, creating a defined vertical axis that gives the piece a light presence. Brass was the preferred material choice during this period, not only for its durability but also for the tonal warmth it lends to simple forms. The minimal structure allows the eye to move effortlessly upward toward the shade, a standout feature of the design. The fabric shade introduces a gentle decorative element through its softly pleated and scalloped edge, a subtle and cosy addition to the otherwise restrained silhouette. This detail adds a sense of softness, while also shaping the light into a warm, diffused glow. The contrast between the smooth, reflective brass and the textured shade of fabric creates a quiet interplay of materials. Despite its simplicity, the proportions are carefully judged, ensuring that all elements work together.

This floor lamp’s presence is an excellent way to elevate the ambience of a room, creating an inviting and stylish atmosphere. The piece is particularly adaptable, capable of blending into a range of interiors while still offering a refined point of interest. It reflects a side of Scandinavian design that prioritises atmosphere and usability, where even the most modest objects are shaped with intention and care.

Condition:

In good vintage condition. Wear consistent with age and use. The floor lamp has recently been reconditioned and rewired. The shade is a later replacement and custom made by our in-house atelier. There are minor dents and scratches in the metal. Due to the age and nature of the brass, the lamp may have marks, and discolouration. This lamp is compatible with an E27 standard fitting. All lighting can be converted for US usage.

Dimensions:

10.43 in W x 23.62 in D x 62.80 in H

26.5 cm W x 60 cm D x 159.5 cm H

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‎‎Price category: 1,000 - 2,500 usd / eur

“GA9” appears to be inspired by a droplet, floating upward the wall. The mouth blown glass with bubbles creates an intricate play between light and shadow, giving the appearance of light travelling through water.

Swedish architect and designer, Erik Gunnar Asplund, is celebrated as the godfather of functionalist design in Sweden. Like his celebrated Stockholm City Library, this wall lamp emphasizes geometric simplicity and clarity of form. The construction of this model is ingenious, with a bent arm holding the glass in place, with yet another arm holding the light source in the centre of the luminaire. The black lacquered metal bends organically into a sinuous form, while the back-plate has a polygon shape. Pairing the geometric elements with the more organic ones shows Asplund’s great eye for design that was well ahead of his time. The large, mushroom-like mouth blown glass shade has a distinctive “drop” on its surface, creating a beautiful effect that becomes even more apparent when the light is on. The atmospheric light it creates is not measurable, nor is it functional in the traditional sense. It is easily forgotten, but nevertheless important when creating a space of well being. It is the most basic and fundamental of all lighting principles, one that has been with us since the dawn of time. Asplund’s life and work served as inspiration to a number of Scandinavian design luminaries, such as lifelong friend and mentee Alvar Aalto, as well as Erik Bryggman and Arne Jacobsen.

An acronym for Allmänna Svenska Elektriska Aktiebolaget (“General Swedish Electrical Limited Company”), ASEA was a Swedish manufacturer of electrical products and industrial infrastructure. The company endures in the hearts of design lovers for their mid-century interior lighting collections produced in collaboration with venerated designers like Gunnar Asplund.

‎Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The metal structure has some marks and scratches. Due to the nature and age of the materials, the item may have discolouration and imperfections. All lighting can be converted for US usage.

Dimensions:

11.02 in W x 16.14 in D x 10.04 in H

28 cm W x 41 cm D x 25.5 cm H

About the designer:

Erik Gunnar Asplund, born in Stockholm in 1885, was a Swedish architect, mostly known as a key representative of the Nordic classicism of the 1920s.

He studied architecture at the Royal Institute of Technology in Stockholm. After completing his studies, he worked for Asplund Tengrom architects, Westman and Ostberg. He completed his architectural training, with long journeys through Sweden and other parts of Europe. Asplund worked alone and obtained a large amount of his work through contests.

Asplund was a professor of architecture at the Royal Institute of Technology from 1931. His appointment was marked by a conference, later published under the title "Our architectural concept of space. Gunnar Asplund is considered perhaps the most important Swedish modernist architect and has had a great influence on successive generations of Swedish and Nordic architects. Among the most significant works of Asplund is the Stockholm public library, built between 1924 and 1928, which represents the prototype example of Nordic classicism and the so-called Swedish grace movement.

During the period from 1931 until his death, Asplund moved away from Modernism and began to show sympathy towards a stripped Nordic classicism. Asplund continued to draw until his death in Stockholm in 1940.