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Price category: 30,000 - 40,000 usd / eur

Swedish architect and furniture designer Axel Einar Hjorth served as the lead designer for Nordiska Kompaniet from 1926 to 1938. During this time, Hjorth designed the “Skoga” series in the early 1930s.

The “Skoga” series was crafted as part of a broader collection of summer-house furniture, intended to be both practical and aesthetically harmonious with the rugged beauty of the Swedish landscape. Despite its utilitarian roots, the series, as well as this table, exudes quiet sophistication and a timeless appeal focusing on simple lines and the material itself. Made of pine wood, this table is strong, reflecting Hjorth’s principles according to which he mixed the ideals of the modernist movement with provincial Swedish traditions, producing a unique and primitive modernism. It is quite robust without being intrusive, naturally standing to be the centre of the room. The legs and stretch-bar base emphasize structural clarity and durability, while the rounded corners and visible joinery express a handcrafted, almost sculptural quality. The rectangular tabletop is comprised of three planks of wood, yet it has a light impression. The large surface shows off the pattern of the wood and colour variation. The absence of heavy ornamentation is also in service of enhancing the organic, simple look that defined Swedish design of the era. Each element, joint and line is well crafted and solid, the attention given to every construction and finishing detail is obvious.

This table doesn’t depend on its details, rather, it is just as arresting from afar as from a proximity. The joinery and woodworking reveal the quality craftsmanship of the experts at Nordiska Kompaniet. The most charming thing about this table however, is that it showcases classic elements and so much history, but it lends itself easily to a modern interior.

Condition:

In good vintage condition. Wear consistent with age and use. Some marks and scratches on the wood.

Dimensions:

70.86 in W x 23.62 in D x 27.55 in H

180 cm W x 60 cm D x 70 cm H

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Price category: 5,000 - 7,500 usd / eur

Swedish modern design remains popular today due to its clean lines, functionalism, and timeless aesthetic. Ultimately, it offers a combination of beauty and practicality that remains highly sought after, even for contemporary interiors.

With its distinctive structure, this cabinet attributed to Ulf Ekdahl epitomises the mid-20th century era, when material and design would become the lead factors in achieving stability, durability, and of course, an aesthetically pleasing outcome. Therefore, the proportions of this piece are finely tuned to successfully achieve something timeless. The design holds a natural expression with its airy and organic design, which is dominated by the natural look of the wood. The geometric panelling on the cabinet doors accentuates the design further, with this subtle decorative element adding depth and visual interest. The craftsmanship is evident in the precision of the woodwork, reflecting the standards of furniture making at the time. The doors and drawers on the front can be opened with lovely wooden doorknobs. Inside, the cabinet offers storage space and a shelf. Overall the form of this cabinet is not loud, it leaves the focus on the wood and the carvings, yet, it has a stately appearance. As a fundamentally functional type of furniture, this model does more than serve its utilitarian purpose.

Swedish modern – despite its name – in many ways transcends the word “modern”, pieces like this can be incorporated successfully into contemporary and traditional interiors alike, lending themselves to a timeless and universal appeal.

Condition:

In good condition. Wear consistent with age and use.

Dimensions:

21.06 in W x 12.60 in D x 54.72 in H

53.5 cm W x 32 cm D x 139 cm H

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Price category: 2,500 - 5,000 usd / eur

In Finland, the second half of the 20th century saw the use of new materials like plastic, synthetics, and fibreglass being combined with advances in manufacturing technologies, allowing designers in Finland to expand their range of colours and forms in mass production. However, this coffee table model still gives preference to natural materials, primarily to its wooden frame.

Utilising and highlighting the qualities of the materials used, combined with the expertise of Esko Pajamies, this coffee table is a beautiful piece that can both define and complement a modern space. The coffee table's round glass top showcases an appealing look. The dark colour of the solid wood that forms the structure of the table contrasts beautifully with the top, as its robustness grounds the design. The combination of materials make this table a stylish example of the period’s design versatility. Coffee tables, in general, serve as design staples in living spaces for a multitude of reasons: beyond their utilitarian function of providing a surface for drinks and books, they anchor a room, creating a focal point around which furniture and conversation revolve. Overall, this table equally emphasises function and visual interest, creating an instantly arresting aesthetic.

The overall form of the table has a light and airy feel, enhancing the 20th century aesthetic which it represents. With its elegant shape and careful design, this piece rises above the endless passing of trends, establishing itself as a modern classic in the realm of interior design.

Condition:

In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Due to the age and nature of the wood, the coffee table may have minor marks, scratches, and discolouration.

Dimensions:

47.24 in ø x 19.68 in H

120 cm ø x 50 cm H

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Price category: 5,000 - 7,500 usd / eur

Ole Wanscher was a leading figure in Danish and Scandinavian design, as was his mentor, the legendary Kaare Klint, renowned to be the “father” of modern Danish furniture design. Together, they made significant achievements in redefining classic forms. Drawing inspiration from human anatomy, his developments influenced the concept of Scandinavian modernism as we know it today. Wanscher’s contribution to the field is widely acknowledged as he acquired his skills at the esteemed Det Kongelige Danske Kunstakademi - Billedkunst Skolerne in Copenhagen.

The post-war era, especially the period spanning from 1940 to 1960 resembled the golden age of Danish furniture, and was when Wanscher created his most well known works. This model "1762" coffee table retains the cherished Danish modernist traits, such as simplicity and functionality, while also reflecting an ongoing precise focus on quality materials. This minimalist approach combined with solid wood creates a timeless appearance that resonates with any design style. The stunning grain pattern of the table top enhances the visual appeal, yet the most eye-catching design (and functional) element remains the curving cross stretchers connecting the legs. Albeit simple, its uncommon overlap - as opposed to bisecting - design catches the eye, and contrasts effectively with the top.

The design of this table encapsulates a rich moment in furniture design history. It is a tangible embodiment of the mid-20th century era’s focus on materiality and craftsmanship, while also reflecting the innovative spirit of Danish designers like Ole Wanscher.

Condition:

In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature and age of the wood, the item has visible marks and scratches, and may show slight discolouration.

Dimensions:

35.44 in W × 21.66 in D × 21.66 in H

90 cm W x 55 cm D x 55 cm H

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Price category: 30,000 - 40,000 usd / eur

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Ib Kofod-Larsen was one of the pioneers of the Danish modern in the 1950s. Rather than a regional phenomenon, Kofod-Larsen saw Scandinavian design as part of international modernism, and he became one of the best-selling Danish architects in the United States in the 1950s. This rare palisander sideboard was produced by Swedish manufacturer Säffle Möbelfabrik in cooperation with the Danish designer in 1958.

This very sought after model features distinctive V-shaped legs that complement the otherwise strict lines. The veneer has a grain that has come out beautifully over time, and gives the sideboard a striking look. This means that each model is different and unique, the pattern always varying. It praises the designer that the body is in an understated, rectangular shape that lets the wood and the legs stand out. Functionality also plays an important role in this model; with its sheer size and four doors, this piece offers a lot of shelving space. The first three doors cover space for height adjustable shelves, while the fourth covers four white, unevenly sized drawers. Each door has a small oval notch on the top, enabling easy opening while maintaining a clean and uncluttered front. Presumably only 40 or 50 of these models have been made when the Säffle factory bought a leftover stack of veneer from another factory. This sideboard is made with outstanding production quality and attention to detail.

Ib Kofod-Larsen's work became increasingly sought-after during the 1950s and 1960s, typically featuring organic and minimal pieces made specifically for the Scandinavian market. This “Trol” sideboard is a beautiful and elegant evidence of Kofod-Larsen’s graphic purity and artistic expression. He was a purist. A man of detail. At first glance, his furniture may seem simple, but at closer inspection it is full of detail.

Condition:

In good condition. Wear consistent with age and use. The veneer has some minor marks.

Dimensions:

95.86 in W x 18.51 in D x 28.3 in H

243.5 cm W x 47 cm D x 72 cm H

Literature:

Mobilia Magazine n°106, May 1964

About the designer:

Ib Kofod-Larsen was born in 1921 in Denmark. Kofod-Larsen was trained as a cabinetmaker with the highest honours in 1944, and later completed his education as an architect from the Royal Danish Academy of Fine Arts in 1948.

His first recognition as a designer came when he won the Holmegaard Glass Competition and received the Danish Cabinetmakers Guild’s annual award. These awards attracted the attention of the Danish furniture manufacturer Faarup Møbelfabrik.

During his time at Faarup, he created some of his most beautiful works, like the rosewood Model 66 sideboard, and established himself as a furniture designer. Learn more about Ib Kofod-Larsen. ~H.

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Price category: 5,000 - 7,500 usd / eur

This impressive Norwegian table is defined by its materials, seamless joinery and distinctive, but soft ornamentation of the tabletop. Designed by Erling Viksjø, one of Norway’s most influential architects from the mid-20th century, this table is characteristic of the postwar exploration with both natural and man-made materials.

Utilising and highlighting the qualities of the materials used, combined with the expertise of Erling Viksjø, this coffee table is a beautiful piece that can both dominate and complement a modern space. The table's rectangular top showcases an appealing textural and colourful look. As a result, the impression is quite elemental and striking. Viksjø often worked with concrete that had interesting rock patterns, which soon became his trademark. He also created new materials and ways of building, resulting in concrete types he named Naturbetong (natural concrete), conglo concrete, and metal concrete. This type of material creates a stunning contrast which is what makes this table stand out. The warm tone of the wooden base also creates a sense of elegance and sophistication, while the modern stone top is smooth to the touch, adding a sense of solidity and durability to the overall design. Norwegian designers of this era aimed to create furniture and home decor that was both aesthetically pleasing and practical. This style has become synonymous with Scandinavian and Nordic design and is still sought after today for its timeless appeal and quality.

This coffee table follows the fundamental Scandinavian design principles both aesthetically and technically. The simple design serves the purpose of showing the understated beauty of the materials and their endless possibilities under the hands of an expert craftsman.

Condition:

In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature of the materials, the item may have some marks, scratches, and discolouration.

Dimensions:

59.05 in W x 29.72 in D x 19.88 in H

150 cm W x 75.5 cm D x 50.5 cm H

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Price category: 12,500 - 15,000 usd / eur

This stunning "L'Italienne" dining table, designed by the renowned French duo Guillerme et Chambron, showcases an exquisite blend of elegant aesthetics and rustic design elements. Crafted in the 1960s by Votre Maison, the table reminds us how form and elegance blend together in the duo's exceptional distinctive craftsmanship style.

At the heart of the construction of this model is the use of oak, a material renowned for its durability and timeless aesthetic qualities. Oak was the preferred material for Guillerme et Chambron, and this piece expertly showcases its rich and robust character, resulting in a solid, functional, and visually captivating work of art. Compared to the duo’s other models, this table is more pared down, relying mostly on the natural appeal of the oak, and its decorative legs. Unlike in most mid-century models, ornamentation was an important part of the duo’s creations, and while apparent, they were never overwhelming. This balance kept the pieces’ elegance, like in the case of this dining table. Furthermore, this piece is full of character and offers expressive and sculptural functionalism. Guillerme et Chambron’s table designs are well-known for their distinctive appearance and multi-functionality; this model is extendable and shows how decorative design and functionality were equally important for the designers, being as sensitive to the use of furniture in everyday life as to the creation of innovative design.‎

The table's form is clean, geometric, and is a testament to Guillerme et Chambron's dedication to modernism, while staying rooted in traditional craftsmanship and joinery techniques. Their work not only represents the fusion of function and form, but also exemplifies the mid-century modern aesthetic, which they played a pivotal role in actively shaping. Their emphasis on quality craftsmanship and the use of noble materials - like oak - has undeniably left a lasting imprint in the world of furniture making, solidifying their legacy in the French design landscape during the mid-century era.

Condition:

In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Due to the nature and age of the wood, the item may have some marks, scratches, and discolouration.

Dimensions:

70.87 in W x 34.45 in D x 28.54 in H

180 cm W x 87.5 cm D x 72.5 cm H

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Price category: 7,500 - 10,000 usd / eur

Swedish architect David Rosén worked alongside renowned designers such as Axel Einar Hjorth and Josef Frank at Nordiska Kompaniet (NK), one of Sweden’s most respected design houses. Rosén crafted this beautiful table for NK in 1938.

Made from pine, this table exudes a lovely charm and robust aesthetic that is characteristic of the era. In early 20th century design, the use of wood held a special significance; it was not merely a material choice, but a philosophy that emphasized the natural and organic over the ornate and extravagant. Moreover, in a rather distinctive way, softness and tradition merge in this coffee table. While it is elemental thanks to the solid pine and interesting construction, the roundness of its top and its elegantly sculpted base still provide a sense of gentleness. It is this well measured tension between the shapes that make the design eye-catching and infinitely interesting. Organic and natural materials often take pride of place in Swedish design, reflecting the Scandinavian and Nordic countries’ relationship to nature. The solid pine wood of this table is not overworked, its natural grain stands out and serves as ornamentation in itself. With minimalism comes timelessness, a guarantee that this coffee table will never go out of style.

With its strong and distinctive details, this table model is a perfect accent table, while also being capable to complement its surroundings. This piece could fit well in a modern interior, as well as in a minimalist or rustic space.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

28.74 in W x 21.65 in D x 23.62 in H

73 cm W x 55 cm D x 60 cm H

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Price category: 2,500 - 5,000 usd / eur

This bookcase is a lovely example of mid-century design, blending form and function. The Italian design language of the 1970s looks just as attractive and fresh today as it did decades ago. Elegance and strength are cleverly combined in this minimalist piece.

Elegant in its simplicity, this bookcase places the emphasis on showcasing the material through a simple, uncluttered design. This model deserts any unnecessary ornamentation in favour of traditional form with the structure being both practical and aesthetically balanced. The proportions are carefully considered, offering a sense of harmony that aligns with the craftsmanship typical of Italian furniture design from the second half of the 20th century. This piece features open shelves and thanks to their arrangement and the large surfaces, the beautiful grain of the wood veneer is highlighted. The material is warm and expressive, enhanced by a natural finish that highlights it’s inherent richness. The bookshelf’s open and airy design offers a sense of visual lightness, making it equally suited to display treasured books or decorative objects.

A timeless piece, this bookshelf embodies the era’s philosophy of democratic design; functional, beautiful, and enduring. It serves not only as a practical storage solution but also as a quiet statement of mid-century elegance.

Condition:

In good vintage condition. Wear consistent with age and use. Some minor chips and scratches.

Dimensions:

33.46 in W x 8.66 in D x 58.66 in H

85 cm W x 22 cm D x 149 cm H

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Price category: 5,000 - 7,500 usd / eur

Firm believers in Functionalism, Danish designers and cabinetmakers avoided short-lived aesthetic trends, instead they concentrated on crafting with quality materials. This model "200" desk by Svend Aage Madsen is characterised by its functionalist design combined with a modern expression – the epitome of the Danish mid-century modern design philosophy.

With a clear statement of simplicity, quality and respect for materials, this table is a great example of Danish mid century design. The rectangular tabletop is made of wood, yet it maintains a light impression. The surface shows off the grain of the wood, including a beautiful colour variety ranging from light to dark brown. The tabletop also offers plenty of functional space with tapering sides and two drawers. This use of the drawers’ evidences the functionalist mindset that can be traced in almost every element of the lower structure. The warm, honey tone of the wood further enhances its sculptural simplicity, capturing the sense of connection to nature that defined Scandinavian design of the 20th century.

This model “200” desk preserves the value and beauty of master craftsmanship and exquisite materials. Danish designers like Svend Aage Madsen were and still are world-renowned for their unmatched skill that distinguishes mid-century furniture.

Condition:

In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Due to the nature and age of the wood, the item may have some marks, scratches, and discolouration.

Dimensions:

40.95 in W x 27.55 in D x 30.31 in H

104 cm W x 70 cm D x 77 cm H

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Price category: 2,500 - 5,000 usd / eur

Originating in the late 19th and early 20th centuries, the Arts and Crafts movement rejected industrial excess in favour of craftsmanship and functional clarity. By the 1930s, these principles had spread across Europe, inspiring makers in the Netherlands to reinterpret these ideals with local traditions and materials.

This wooden coffee table reflects the influence of the Arts and Crafts movement as interpreted by artists such as the Stickley brothers, whose designs emphasized honesty in construction, visible joinery, and the natural beauty of solid wood. The table is constructed from solid wood with a compact, well-balanced silhouette that highlights its structural logic. The softly squared top features rounded corners that subtly lighten the form while maintaining a grounded presence. Beneath, four sturdy legs are connected by a distinctive cross-stretcher, creating both visual rhythm and structural stability. The exposed joinery and straightforward geometry highlight the table’s functional intent, allowing its construction to become central to the piece. The warm tone of the wood and visible grain add depth and character, while slight variations in surface texture speak to careful hand-finishing rather than mass production. The proportions are modest and practical, making the piece equally suited to intimate living spaces and interiors where craftsmanship takes precedence over decoration.

Today, this table stands as a thoughtful example of early 20th century design ideals. Its restrained form, durable construction, and timeless aesthetic allow it to integrate seamlessly into both traditional and contemporary settings, offering enduring appeal. Rooted in Arts and Crafts philosophy and shaped by European influences, this piece embodies a quiet confidence that resonates to this day.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the wood, the item may have some marks, scratches, and discolouration.

Dimensions:

24.80 in W x 24.80 in D x 22.24 in H

63 cm W x 63 cm D x 56.5 cm H

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Price category: 2,500 - 5,000 usd / eur

The 1940s in Sweden were defined by a quiet but deliberate design philosophy rooted in function, clarity, and craftsmanship. As the country transitioned through wartime austerity into postwar renewal, designers and cabinetmakers turned toward a more humanist modernism that emphasized warmth over severity. This approach is exemplified by Swedish Modern design movement, which focused on creating durable, accessible, and elegant furniture for the masses.

This birch side table showcases sensibility through its simple yet perfectly balanced construction. Furniture of this period often showcased the natural qualities of woods. Birch, with its golden hue and intricate grain, became a central material in this movement, prized for its ability to bring light and texture into the Scandinavian home. This table’s top features softly rounded corners and edges. The turned legs are slightly splayed to provide stability, connected by stretchers that form a low geometric rhythm beneath the tabletop. The craftsmanship is evident in the way each joint is fitted cleanly, while the organic character of the wood is emphasized. The table reflects the Swedish preference for comfort and approachability. The warm, honeyed tone of the wood further enhances its sculptural simplicity, capturing the sense of connection to nature that defined Scandinavian design of the 20th century.

Beyond its function, the table represents the enduring values of Swedish Modernism, where honesty of material and attention to human use were paramount. In its restraint and balance, this table embodies the essence of that philosophy, an object both utilitarian and timeless, made to age gracefully within everyday life.

Condition:

In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature and age of the wood, the table may have some marks, scratches, and discolouration.

Dimensions:

33.46 in W x 20.87 in D x 22.83 in H

85 cm W x 53 cm D x 58 cm H