“Berg” Coffee Table by Carl Malmsten for Erik Johansson, Sweden 1950s (sold)
“Berg” Coffee Table by Carl Malmsten for Erik Johansson, Sweden 1950s (sold)
All edges are thoroughly broken, Carl Malmsten often wrote in his drawings. It was nature that was his great source of inspiration and in nature there are hardly any sharp edges or corners. This “Berg” table, designed in 1936, is one of the greatest examples of this sentiment.
Neither the light, the eye nor the person likes to turn against sharp corners, he explained. Therefore, edges should be rounded so that they become friendlier to touch and look at. Carl Malmsten was not only one of Sweden's most famous furniture designers, he was also one of the last century's great cultural personalities with a strong influence on the home environment, public environment and the contemporary public debate. His personality shines through the design of this Berg coffee table as well. The design is dominated by the tripod base and the large, round tabletop. The sculpted base consists of a central leg stand supported by three legs that visually recall the ‘cabriole’ style legs of the 18th century. Since this table was made in the heyday of the mid-century, the legs, and the design as a whole lacks heavy ornamentation and instead focuses on the natural beauty of wood and the rounded edges. The wood is the most attention grabbing on the remarkable tabletop, where the grain is apparent.
Carl Malmsten’s design was materialized by Swedish master cabinetmaker Erik Johansson at Eskilstuna Möbelhantverk during the 1950s. The beautifully sculpted edges testify of his artistry, especially the tri-symmetrical legs that give the table an elegant look. Thanks to the expert design and craftsmanship, this Berg table is sure to stand out whether used as a side or center table.
SOLD
Condition:
In good vintage condition. Wear consistent with age and use. Small scratches and marks on the wood.
Dimensions:
39.37 in ø x 25.98 in H
100 cm ø x 66 cm H
About the designer:
Carl Malmsten (December 7, 1888 – August 13, 1972) was a Swedish furniture designer, architect, and educator. Malmsten was born in Stockholm, Sweden. Malmsten's career took off when he won a competition in 1916 to design furniture for the Stockholm City Hall and shortly after in 1917, he exhibited alongside well-known Swedish architects such as Gunnar Asplund and Uno Åhrén.
In the 1920s he was invited to furnish a room for the crown prince, Gustaf VI Adolf, and his wife Louise in Ulriksdal Palace. He was honoured with an inaugural Prince Eugen Medal for design in 1945. Already as a young designer in the early 20th century, Carl Malmsten advocated an artisanal furniture design based on local ingredients and traditions, available to a wide audience at a reasonable price.
Nature was Carl Malmsten's foremost teacher and source of inspiration. He conveyed his love of craftsmanship as a teacher in his own schools, at Olofskolan in Stockholm, Capellagården on Öland and the Carl Malmsten school on Lidingö, today a branch of Linköping University and one of the country's leading design colleges. As a debater, Malmsten stormed against functionalism, but in retrospect it can be seen that his ideas often coincided with the rational and frugal style ideals of function.
Malmsten has had a lasting influence on Swedish furniture design through the two schools he founded—the Carl Malmsten Furniture Studies (Carl Malmstensskolan), which has been a part of Linköping University since 2000, is situated on the island of Lidingö on the outskirts of Stockholm. Carl Malmsten spoke about the importance of tradition, craftsmanship and the nation. His furniture was in many ways a product of the thoughts and ideals of the time, they have a timeless quality that makes them just as relevant and loved today. ~H.
REQUEST PRICE HERE
Price category: 2,500 - 5,000 usd / eur
In Finland, the second half of the 20th century saw the use of new materials like plastic, synthetics, and fibreglass being combined with advances in manufacturing technologies, allowing designers in Finland to expand their range of colours and forms in mass production. However, this coffee table model still gives preference to natural materials, primarily to its wooden frame.
Utilising and highlighting the qualities of the materials used, combined with the expertise of Esko Pajamies, this coffee table is a beautiful piece that can both define and complement a modern space. The coffee table's round glass top showcases an appealing look. The dark colour of the solid wood that forms the structure of the table contrasts beautifully with the top, as its robustness grounds the design. The combination of materials make this table a stylish example of the period’s design versatility. Coffee tables, in general, serve as design staples in living spaces for a multitude of reasons: beyond their utilitarian function of providing a surface for drinks and books, they anchor a room, creating a focal point around which furniture and conversation revolve. Overall, this table equally emphasises function and visual interest, creating an instantly arresting aesthetic.
The overall form of the table has a light and airy feel, enhancing the 20th century aesthetic which it represents. With its elegant shape and careful design, this piece rises above the endless passing of trends, establishing itself as a modern classic in the realm of interior design.
Condition:
In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Due to the age and nature of the wood, the coffee table may have minor marks, scratches, and discolouration.
Dimensions:
47.24 in ø x 19.68 in H
120 cm ø x 50 cm H
REQUEST PRICE HERE
Price category: 5,000 - 7,500 usd / eur
Ole Wanscher was a leading figure in Danish and Scandinavian design, as was his mentor, the legendary Kaare Klint, renowned to be the “father” of modern Danish furniture design. Together, they made significant achievements in redefining classic forms. Drawing inspiration from human anatomy, his developments influenced the concept of Scandinavian modernism as we know it today. Wanscher’s contribution to the field is widely acknowledged as he acquired his skills at the esteemed Det Kongelige Danske Kunstakademi - Billedkunst Skolerne in Copenhagen.
The post-war era, especially the period spanning from 1940 to 1960 resembled the golden age of Danish furniture, and was when Wanscher created his most well known works. This model "1762" coffee table retains the cherished Danish modernist traits, such as simplicity and functionality, while also reflecting an ongoing precise focus on quality materials. This minimalist approach combined with solid wood creates a timeless appearance that resonates with any design style. The stunning grain pattern of the table top enhances the visual appeal, yet the most eye-catching design (and functional) element remains the curving cross stretchers connecting the legs. Albeit simple, its uncommon overlap - as opposed to bisecting - design catches the eye, and contrasts effectively with the top.
The design of this table encapsulates a rich moment in furniture design history. It is a tangible embodiment of the mid-20th century era’s focus on materiality and craftsmanship, while also reflecting the innovative spirit of Danish designers like Ole Wanscher.
Condition:
In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature and age of the wood, the item has visible marks and scratches, and may show slight discolouration.
Dimensions:
35.44 in W × 21.66 in D × 21.66 in H
90 cm W x 55 cm D x 55 cm H
REQUEST PRICE HERE
Price category: 30,000 - 40,000 usd / eur
Swedish architect and furniture designer Axel Einar Hjorth served as the lead designer for Nordiska Kompaniet from 1926 to 1938. During this time, Hjorth designed the “Skoga” series in the early 1930s.
The “Skoga” series was crafted as part of a broader collection of summer-house furniture, intended to be both practical and aesthetically harmonious with the rugged beauty of the Swedish landscape. Despite its utilitarian roots, the series, as well as this table, exudes quiet sophistication and a timeless appeal focusing on simple lines and the material itself. Made of pine wood, this table is strong, reflecting Hjorth’s principles according to which he mixed the ideals of the modernist movement with provincial Swedish traditions, producing a unique and primitive modernism. It is quite robust without being intrusive, naturally standing to be the centre of the room. The legs and stretch-bar base emphasize structural clarity and durability, while the rounded corners and visible joinery express a handcrafted, almost sculptural quality. The rectangular tabletop is comprised of three planks of wood, yet it has a light impression. The large surface shows off the pattern of the wood and colour variation. The absence of heavy ornamentation is also in service of enhancing the organic, simple look that defined Swedish design of the era. Each element, joint and line is well crafted and solid, the attention given to every construction and finishing detail is obvious.
This table doesn’t depend on its details, rather, it is just as arresting from afar as from a proximity. The joinery and woodworking reveal the quality craftsmanship of the experts at Nordiska Kompaniet. The most charming thing about this table however, is that it showcases classic elements and so much history, but it lends itself easily to a modern interior.
Condition:
In good vintage condition. Wear consistent with age and use. Some marks and scratches on the wood.
Dimensions:
70.86 in W x 23.62 in D x 27.55 in H
180 cm W x 60 cm D x 70 cm H
REQUEST PRICE HERE
Price category: 1,000 - 2,500 usd / eur
Brutalist furniture emerged in the post-war decades as a direct response to both architectural developments and shifting social ideals. Rooted in the principles of Brutalist architecture, this coffee table emphasizes raw materials, structural honesty, and an absence of ornamentation.
Many Dutch Brutalist furniture pieces function not only as practical objects but also as sculptural elements within a space. This coffee table is exemplary of this thanks to its solid oak construction and striking form. The design is composed of a thick, rectangular top supported by two block legs, creating a low, elongated silhouette that emphasizes weight. The proportions are deliberately heavy, reinforcing a sense of stability and permanence which defines Brutalist design. Oak was a preferred material, valued for its strength and expressive grain, allowing makers to highlight the natural character of the wood rather than conceal it. The surface of the wood is left largely untreated to showcase the material’s inherent texture and tonal variation. Rather than relying on decorative features, the table derives its character from this raw materiality and its geometry. Despite its apparent simplicity, the table carries a strong visual presence and sense of intention.
The emphasis on material and form allows this table to age gracefully, developing character over time, while anchoring every space it finds itself in. The piece reflects the enduring appeal of Brutalist furniture: objects that prioritise substance over decoration, offering both functional utility and a lasting architectural presence.
Condition:
In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature and age of the wood, the item has some marks, scratches, and discolouration.
Dimensions:
35.24 in W x 9.45 in D x 11.23 in H
89.5 cm W x 24 cm D x 28.5 cm H
REQUEST PRICE HERE
Price category: 2,500 - 5,000 usd / eur
In most European mid-century designs, there was an early emphasis on wood as it connected everyday objects, such as furniture to nature. This spectacular solid wood coffee table is a perfect example of this sentiment, and the visual benefits of an understated, organic design.
This coffee table reflects a Brutalist ethos through its bold presence and sculptural look. The piece features a free-form top made from solid wood, its organic shape and swirling grain patterns showcase the wood’s natural drama. The grain is not merely a surface detail; it becomes an integral part of the design, contributing to the overall aesthetic of the table, making it entirely unique. The interplay of the asymmetrical and sculptural top with the grounding presence of the legs result in a piece that is both rugged and refined. As there are strong and distinctive details, this model is a perfect accent table, while also being capable to complement its surroundings. It could fit well in a modern interior, as well as in a minimalist space.
This solid wood table, with its natural finish, exemplifies the enduring charm and warmth that 20th century design continues to bring to contemporary interiors, underscoring the timeless appeal of this iconic design era.
Condition:
In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Some minor chips in the wood. Due to the nature and age of the wood, the item may have some marks, scratches, and discolouration.
Dimensions:
24.41 in W x 44.48 in D x 23.62 in H
62 cm W x 113 cm D x 60 cm H
REQUEST PRICE HERE
Price category: 12,500 - 15,000 usd / eur
This stunning "L'Italienne" dining table, designed by the renowned French duo Guillerme et Chambron, showcases an exquisite blend of elegant aesthetics and rustic design elements. Crafted in the 1960s by Votre Maison, the table reminds us how form and elegance blend together in the duo's exceptional distinctive craftsmanship style.
At the heart of the construction of this model is the use of oak, a material renowned for its durability and timeless aesthetic qualities. Oak was the preferred material for Guillerme et Chambron, and this piece expertly showcases its rich and robust character, resulting in a solid, functional, and visually captivating work of art. Compared to the duo’s other models, this table is more pared down, relying mostly on the natural appeal of the oak, and its decorative legs. Unlike in most mid-century models, ornamentation was an important part of the duo’s creations, and while apparent, they were never overwhelming. This balance kept the pieces’ elegance, like in the case of this dining table. Furthermore, this piece is full of character and offers expressive and sculptural functionalism. Guillerme et Chambron’s table designs are well-known for their distinctive appearance and multi-functionality; this model is extendable and shows how decorative design and functionality were equally important for the designers, being as sensitive to the use of furniture in everyday life as to the creation of innovative design.
The table's form is clean, geometric, and is a testament to Guillerme et Chambron's dedication to modernism, while staying rooted in traditional craftsmanship and joinery techniques. Their work not only represents the fusion of function and form, but also exemplifies the mid-century modern aesthetic, which they played a pivotal role in actively shaping. Their emphasis on quality craftsmanship and the use of noble materials - like oak - has undeniably left a lasting imprint in the world of furniture making, solidifying their legacy in the French design landscape during the mid-century era.
Condition:
In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Due to the nature and age of the wood, the item may have some marks, scratches, and discolouration.
Dimensions:
70.87 in W x 34.45 in D x 28.54 in H
180 cm W x 87.5 cm D x 72.5 cm H
REQUEST PRICE HERE
Price category: 2,500 - 5,000 usd / eur
Originating in the late 19th and early 20th centuries, the Arts and Crafts movement rejected industrial excess in favour of craftsmanship and functional clarity. By the 1930s, these principles had spread across Europe, inspiring makers in the Netherlands to reinterpret these ideals with local traditions and materials.
This wooden coffee table reflects the influence of the Arts and Crafts movement as interpreted by artists such as the Stickley brothers, whose designs emphasized honesty in construction, visible joinery, and the natural beauty of solid wood. The table is constructed from solid wood with a compact, well-balanced silhouette that highlights its structural logic. The softly squared top features rounded corners that subtly lighten the form while maintaining a grounded presence. Beneath, four sturdy legs are connected by a distinctive cross-stretcher, creating both visual rhythm and structural stability. The exposed joinery and straightforward geometry highlight the table’s functional intent, allowing its construction to become central to the piece. The warm tone of the wood and visible grain add depth and character, while slight variations in surface texture speak to careful hand-finishing rather than mass production. The proportions are modest and practical, making the piece equally suited to intimate living spaces and interiors where craftsmanship takes precedence over decoration.
Today, this table stands as a thoughtful example of early 20th century design ideals. Its restrained form, durable construction, and timeless aesthetic allow it to integrate seamlessly into both traditional and contemporary settings, offering enduring appeal. Rooted in Arts and Crafts philosophy and shaped by European influences, this piece embodies a quiet confidence that resonates to this day.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the wood, the item may have some marks, scratches, and discolouration.
Dimensions:
24.80 in W x 24.80 in D x 22.24 in H
63 cm W x 63 cm D x 56.5 cm H
REQUEST PRICE HERE
Price category: 5,000 - 7,500 usd / eur
This impressive Norwegian table is defined by its materials, seamless joinery and distinctive, but soft ornamentation of the tabletop. Designed by Erling Viksjø, one of Norway’s most influential architects from the mid-20th century, this table is characteristic of the postwar exploration with both natural and man-made materials.
Utilising and highlighting the qualities of the materials used, combined with the expertise of Erling Viksjø, this coffee table is a beautiful piece that can both dominate and complement a modern space. The table's rectangular top showcases an appealing textural and colourful look. As a result, the impression is quite elemental and striking. Viksjø often worked with concrete that had interesting rock patterns, which soon became his trademark. He also created new materials and ways of building, resulting in concrete types he named Naturbetong (natural concrete), conglo concrete, and metal concrete. This type of material creates a stunning contrast which is what makes this table stand out. The warm tone of the wooden base also creates a sense of elegance and sophistication, while the modern stone top is smooth to the touch, adding a sense of solidity and durability to the overall design. Norwegian designers of this era aimed to create furniture and home decor that was both aesthetically pleasing and practical. This style has become synonymous with Scandinavian and Nordic design and is still sought after today for its timeless appeal and quality.
This coffee table follows the fundamental Scandinavian design principles both aesthetically and technically. The simple design serves the purpose of showing the understated beauty of the materials and their endless possibilities under the hands of an expert craftsman.
Condition:
In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature of the materials, the item may have some marks, scratches, and discolouration.
Dimensions:
59.05 in W x 29.72 in D x 19.88 in H
150 cm W x 75.5 cm D x 50.5 cm H
REQUEST PRICE HERE
Price category: 5,000 - 7,500 usd / eur
Firm believers in Functionalism, Danish designers and cabinetmakers avoided short-lived aesthetic trends, instead they concentrated on crafting with quality materials. This model "200" desk by Svend Aage Madsen is characterised by its functionalist design combined with a modern expression – the epitome of the Danish mid-century modern design philosophy.
With a clear statement of simplicity, quality and respect for materials, this table is a great example of Danish mid century design. The rectangular tabletop is made of wood, yet it maintains a light impression. The surface shows off the grain of the wood, including a beautiful colour variety ranging from light to dark brown. The tabletop also offers plenty of functional space with tapering sides and two drawers. This use of the drawers’ evidences the functionalist mindset that can be traced in almost every element of the lower structure. The warm, honey tone of the wood further enhances its sculptural simplicity, capturing the sense of connection to nature that defined Scandinavian design of the 20th century.
This model “200” desk preserves the value and beauty of master craftsmanship and exquisite materials. Danish designers like Svend Aage Madsen were and still are world-renowned for their unmatched skill that distinguishes mid-century furniture.
Condition:
In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Due to the nature and age of the wood, the item may have some marks, scratches, and discolouration.
Dimensions:
40.95 in W x 27.55 in D x 30.31 in H
104 cm W x 70 cm D x 77 cm H
REQUEST PRICE HERE
Price category: 2,500 - 5,000 usd / eur
The 1940s in Sweden were defined by a quiet but deliberate design philosophy rooted in function, clarity, and craftsmanship. As the country transitioned through wartime austerity into postwar renewal, designers and cabinetmakers turned toward a more humanist modernism that emphasized warmth over severity. This approach is exemplified by Swedish Modern design movement, which focused on creating durable, accessible, and elegant furniture for the masses.
This birch side table showcases sensibility through its simple yet perfectly balanced construction. Furniture of this period often showcased the natural qualities of woods. Birch, with its golden hue and intricate grain, became a central material in this movement, prized for its ability to bring light and texture into the Scandinavian home. This table’s top features softly rounded corners and edges. The turned legs are slightly splayed to provide stability, connected by stretchers that form a low geometric rhythm beneath the tabletop. The craftsmanship is evident in the way each joint is fitted cleanly, while the organic character of the wood is emphasized. The table reflects the Swedish preference for comfort and approachability. The warm, honeyed tone of the wood further enhances its sculptural simplicity, capturing the sense of connection to nature that defined Scandinavian design of the 20th century.
Beyond its function, the table represents the enduring values of Swedish Modernism, where honesty of material and attention to human use were paramount. In its restraint and balance, this table embodies the essence of that philosophy, an object both utilitarian and timeless, made to age gracefully within everyday life.
Condition:
In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature and age of the wood, the table may have some marks, scratches, and discolouration.
Dimensions:
33.46 in W x 20.87 in D x 22.83 in H
85 cm W x 53 cm D x 58 cm H
REQUEST PRICE HERE
Price category: 1,000 - 2,500 usd / eur
In the thriving design landscape of the 1960s, the emergence of Brutalist furniture left an indelible mark on design, and this oak side table epitomises the era's aesthetic medley. Crafted from solid oak, the deep hue exudes warmth amidst the starkness that generally characterised Brutalist design.
The Netherlands embraced Brutalism as a rejection of ornate embellishments, opting for raw, utilitarian forms. The movement, rooted in architectural principles, found resonance in furniture, reflecting a societal shift towards functional simplicity. Oak became the material of choice for many Brutalist pieces due to its durability and malleability, enabling intricate yet robust constructions. The straightforward shape of this table highlights the understated beauty of the material, allowing the beautiful grain of the wood to stand out. The table top is set on four splayed club feet, stained in the same dark, rich colour lending a more dramatic presence to the piece. The base is ideal for ensuring the sturdiness needed for a classic piece of furniture made to withstand the passage of time. Through both its silhouette and solid colour, this side table showcases versatility, while maintaining character. The interplay of a simple structure and refined detailing evokes a sense of harmony, aligning with the era’s focus on utility.
This side table is a testament to the Dutch penchant for functionalism. Its simple, geometric lines serve a purpose beyond aesthetics, offering both visual appeal and practicality. The design encapsulates a rich moment in furniture design history. It's a tangible embodiment of the Brutalist movement's focus on materiality and craftsmanship while also reflecting the innovative spirit of Dutch designers of the era.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the wood, the item may have some marks, scratches, and discolouration.
Dimensions:
23.22 in W x 11.61 in D x 15.74 in H
59 cm W x 29.5 cm D x 40 cm H
REQUEST PRICE HERE
Price category: 5,000 - 7,500 usd / eur
Swedish modern design remains popular today due to its clean lines, functionalism, and timeless aesthetic. Ultimately, it offers a combination of beauty and practicality that remains highly sought after, even for contemporary interiors.
With its distinctive structure, this cabinet attributed to Ulf Ekdahl epitomises the mid-20th century era, when material and design would become the lead factors in achieving stability, durability, and of course, an aesthetically pleasing outcome. Therefore, the proportions of this piece are finely tuned to successfully achieve something timeless. The design holds a natural expression with its airy and organic design, which is dominated by the natural look of the wood. The geometric panelling on the cabinet doors accentuates the design further, with this subtle decorative element adding depth and visual interest. The craftsmanship is evident in the precision of the woodwork, reflecting the standards of furniture making at the time. The doors and drawers on the front can be opened with lovely wooden doorknobs. Inside, the cabinet offers storage space and a shelf. Overall the form of this cabinet is not loud, it leaves the focus on the wood and the carvings, yet, it has a stately appearance. As a fundamentally functional type of furniture, this model does more than serve its utilitarian purpose.
Swedish modern – despite its name – in many ways transcends the word “modern”, pieces like this can be incorporated successfully into contemporary and traditional interiors alike, lending themselves to a timeless and universal appeal.
Condition:
In good condition. Wear consistent with age and use.
Dimensions:
21.06 in W x 12.60 in D x 54.72 in H
53.5 cm W x 32 cm D x 139 cm H