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Price category: 5,000 - 7,500 usd / eur

This beautiful Danish two-seater sofa is an example of Danish Modern design. With a classic mid-century look, this model is the perfect piece to bring the coveted style into any interior. Modernism was an escape from the rigidity of Realism, and a multitude of cultural and aesthetic movements grew from it. Modernism in Denmark incorporated Scandinavia’s core values into the movement, including praising nature, human creativity and faithfulness to traditional materials and craftsmanship.

These traits can be traced in the form of this sofa. The backrest flows directly into the arms in one uninterrupted line, wrapping around the seating area and creating a protective, cocoon-like shape. Rather than projecting outward as separate components, the arms flow naturally from the body of the sofa, giving the piece a sense of cohesion. The result is a piece of furniture that appears soft and sculptural from every angle. The brown upholstery reinforces these curves, allowing light to move gently across the rounded surfaces. Slender tapered legs lift the body from the floor, introducing a sense of lightness and preventing the silhouette from feeling heavy. The slightly reclined back further contributes to the relaxed character of the design.

Timeless yet unmistakably mid-century, this sofa carries a quiet sophistication that transcends trends. It stands as a reminder that Danish modernism at its best is deeply attuned to the rhythms of everyday living. Danish designers and cabinetmakers became masters at this balance, producing pieces that could be both understated and richly expressive.

Condition:

In good vintage condition. Wear consistent with age and use. The sofa has recently been reconditioned. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The sofa has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

70.87 in W x 26.38 in D x 31.89 in H; Seat height 16.54 in; Seat depth 19.69 in; Arm height 22.45 in

180 cm W x 67 cm D x 81 cm H; Seat height 42 cm; Seat depth 50 cm; Arm height 57 cm

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Price category: 7,500 - 10,000 usd / eur

This gorgeous daybed model by the Danish furniture maker Bernhard Pedersen & Søn was inspired by classic Danish furniture design and simplicity.

The streamlined solid wood frame features a curvy top and geometric runner legs. From the minimalist design to the visible joints, “Model 159” has the characteristic “honest” look that Bernhard Pedersen and Søn is known for. The sleek appearance is created by the clean lines, functional design, and expert craftsmanship. The body supports the newly-upholstered cushion, which blends effortlessly into the frame. The attached cylindrical pillow breaks the flatness of the body, adding a modern visual interest, while the premium bouclé fabric makes this daybed an elegant addition to any space.

The period between 1950 and 1970 in particular was characterised by some of the most stunning and well-executed pieces in Bernhard Pedersen & Søn’s history. While they manufactured other designers’ models, they are renowned for their own designs, including this daybed model. Each piece was assembled by hand and numbered individually, according to their tradition.

Condition:

In good vintage condition. Wear consistent with age and use. This daybed has been recently reupholstered in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

Frame

80.51 in W x 40.74 in D x 13.97 in H

204.5 cm W x 103.5 cm D x 35.5 cm H

About the designer:

Bernhard Pedersen & Søn, is a Danish furniture maker company with a long and strong tradition in furniture and cabinetmaking, stretching all the way back to the company’s start in 1902. Through three generations the family firm has created and sold classic Danish furniture to many parts of the world.

The period between 1950 and 1970 in particular was characterized by some of the most stunning and well-executed pieces in Bernh. Pedersen & Søn’s history. Especially the classic mid-century sideboards and daybeds designed by Danish furniture designers, including the world-renowned Johannes Andersen, Svend Aage Madsen and Kurt Østervig who were – and still are – highly valued by customers worldwide.

Every piece of furniture is made in the same factory built by the Bernh. Pedersen family in 1902, located in a small community in the Danish countryside. The workshop and its skilled cabinetmakers are known for their exquisite and dedicated work based on strong Danish craft traditions; traditions recognized around the world for timeless design, high-quality craftsmanship and outstanding longevity. Unique techniques, special tools and original machinery are maintained and used to produce the sideboards in keeping with the first original pieces. The sum of it all is captured in the phrase: Made in Denmark.

Today, the fourth generation in the family, Thomas Bernhard Pedersen is focusing on an exclusive selection of the company’s most exquisite sideboards designed by Danish furniture designers, including the world-renowned architect Johannes Andersen. Every piece of furniture is made in Denmark by skilled cabinetmakers and in keeping with the strong Danish craft traditions. In 2015, great-grandson Thomas Bernhard Pedersen re-established the company and started focusing exclusively on relaunching some of the exquisite furniture designed in the 1950s and 1960s.

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Price category: 9,000 - 12,500 usd / eur

Though the advent of new materials like plastic, foam, and fibreglass revolutionized the production process, Scandinavian designers still valued craft over industrialization. This sculptural sofa is a beautiful evidence of this heritage and the mastery of Danish cabinetmakers.

Many of the most renowned Danish designers were trained architects as well. This knowledge and training can be clearly traced in the structure of this stunning sofa. Many elements emblematic of mid-century design are also apparent: sleek lines, simple geometries, an open layout, and the impeccable quality of the materials and craftsmanship. The design is defined by its angles, starting with the tilted back and the raised seat towards the front. The sculptural wooden arms and legs follow these lines, creating visual balance. The mostly rounded edges are broken by the pair of straight stretchers set between the front and the back legs. The button tufting on the backrest rhymes greatly with the long horizontal lines, and is a stylish feature in itself as well. Though mid-century Danish manufacturers may not have the name recognition as designers do in the mass market, they were evidently just as integral in developing a modern aesthetic in Europe. The sleek and stylish look of this sofa, from the unique wooden frame to the upholstered body and the visible joinery, embodies this aesthetic.

The designer of this model clearly prized the marriage of form and function. Young Scandinavian designers still look to the mid-century masters for inspiration, which should come as no surprise looking at this sofa.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The sofa has been reupholstered recently in premium mohair. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

72.44 in W x 33.85 in D x 29.92 in H; Seat height 13,77 in

184 cm W x 86 cm D x 76 cm H; Seat height 35 cm

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Price category: 7,500 - 10,000 usd / eur

This rare sofa model was designed by Ingvar Stockum in 1965 for Futura Möbler, but was only in production for two years before it was discontinued as a result of high production costs. The design embodies the clean lines and minimalist aesthetic characteristic of the mid-century era, while also incorporating elements that ensure both comfort and style. Its silhouette is sleek and sophisticated, with a low profile that exudes a contemporary feel.

The designer’s fine sense of proportion, line tension and balance between the surfaces, and how skillfully he incorporated the heritage of traditional design, is evident in this sofa. The frame is constructed from wood, which offers durability and stability, while the generous cushioning ensures a comfortable seating experience. Throughout the 20th century, solid wood had been the most important furniture material in Europe. This is especially true for the mid-century, during which natural wood was a staple material to enhance both the structural and visual aspect of furniture, as is the case with this three-seater sofa. The striped upholstery complements the minimalist design and allows the sofa to blend seamlessly into various interior settings. The attention to detail in Stockum's design is evident in the well-proportioned structure and thoughtful use of materials. This piece not only reflects the craftsmanship and design ethos of the 1960s Scandinavian movement, but also serves as a timeless addition to any modern living space, combining form and function with enduring style.

Design-wise, this sofa is in the vein of Scandinavian modernism, with simplicity and functionality, while also showcasing the subtle details and quality mid-century design is known and appreciated for.

Condition:

In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

78.74 in W x 31.30 in D x 29.13 in H; Seat height 16.14 cm; Seat depth 25.20 in; Arm height 23.23 in

200 cm W x 79.5 cm D x 74 cm H; Seat height 41 cm; Seat depth 64 cm; Arm height 59 cm

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Price category: 12,500 - 15,000 usd / eur

As new materials like plastic, foam, and fibreglass revolutionised the production process in the postwar period, Scandinavian designers still valued craft over industrialisation. This sculptural sofa is a beautiful evidence of this heritage and the mastery of Danish cabinetmakers.

Many of the most renowned Danish designers were trained architects as well. This knowledge and training can be clearly traced in the structure of this stunning sofa. Many elements emblematic of mid-century design are also apparent: sleek lines, simple geometries, an open layout, and the impeccable quality of the materials and craftsmanship. The design is defined by its angles, starting with the tilted back and the raised seat towards the front. The sculptural wooden arms and legs follow these lines, creating visual balance. The mostly rounded edges are broken by the pair of straight stretchers set between the front and the back legs. The button tufting on the backrest rhymes greatly with the long horizontal lines, and is a stylish feature in itself as well. Though mid-century Danish manufacturers may not have the name recognition as designers do in the mass market, they were evidently just as integral in developing a modern aesthetic in Europe. The sleek and stylish look of this sofa, from the unique wooden frame to the upholstered body and the visible joinery, embodies this aesthetic.

The designer of this model clearly prized the marriage of form and function. To this day, young Scandinavian designers still look to the mid-century masters for inspiration, which should come as no surprise looking at this sofa.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The sofa has been reupholstered recently in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

72.44 in W x 33.85 in D x 29.92 in H; Seat height 13,77 in

184 cm W x 86 cm D x 76 cm H; Seat height 35 cm

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Price category: 5,000 - 7,500 usd / eur

Henning Kjærnulf was a Danish mid-century designer and architect whose work is associated with the broader Scandinavian modern movement. Although relatively little is known about his personal biography, his furniture designs reveal a strong commitment to craftsmanship and carefully structured forms. Kjærnulf worked with several Danish manufacturers and developed pieces that combined traditional woodworking with modern lines and sculpted forms.

This two-seater sofa reflects those qualities through its solid oak frame and clearly defined architectural presence. The most striking feature is the wooden side and back panels that come together to form a frame for the piece. The frame acts as both a structural support and a visual boundary for the seating area. These panels give the sofa a grounded, natural feel through the deep grain of the oak. The upholstery contrasts with this structure through a layered composition. The seat, backrest, arms are covered in green textile, while the cushions are upholstered in a striped fabric that introduces rhythm across the surface. The pattern emphasizes the geometric shape of the sofa constructed on straight lines. The combination of exposed oak structure and patterned upholstery produces a clear dialogue between rigid frame and soft interior. At the same time, the carving details as well as the metal studs placed alongside the frame provide another dimension of interest, proving the complexity and attention to detail of the maker. 

Together, these elements create a piece that is both functional and visually distinctive. Through the use of different materials and balanced clarity of structure, this sofa offers a great example of mid-twentieth-century Nordic seating.

Condition:

In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. The fabric has some imperfections. The wood has some scratches and dents. Due to the nature and age of the materials, the item may have some marks and discolouration. The item comes with its original upholstery or has been reupholstered by a previous owner. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

57.48 in W x 34.64 in D x 29.92 in H; Seat height 17.12 in; Seat depth 22.44 in; Arm height 29.52 in

146 cm W x 88 cm D x 76 cm H; Seat height 43.5 cm; Seat depth 57 cm; Arm height 75 cm

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Price category: 12,500 - 15,000 usd / eur

This beautiful Danish three-seater sofa features the recognizable touch of Danish Modernism: exquisite materials, craftsmanship, and an elegantly curved shape, because of which this type of sofa is often referred to as the “banana” or “boomerang” style.

The visual appearance of this sofa echoes Danish design and directs the eyes to the voluptuous body, that is the result of the exquisite craftsmanship. Many of the well-known Danish architects of the era felt the urge to try their hand at three-seater sofas, adhering to the period’s streamlined modernism. In combination with the unadorned styles of mid-century design, this sofa brings together the best attributes of the era. The rounded conical wood legs add an organic feel, while also matching the rounded profile of the sofa. The back legs differ from the front ones as they are tapered to reinforce the sofa’s stability. The masterful sense of proportions, the curved back and the soft upholstery guarantee functionality and comfort. While most curved sofas of the era feature tufting and other forms of decoration, this model is free from unnecessary ornamentation, resulting in a sleek, elegant and modern look. This sofa has been reupholstered in a premium light bouclé fabric, accentuating the stained wooden legs and the luxurious feel and look.

Derived from the French word meaning “curled” or “ringed,” bouclé provides a unique range of benefits; it is abundant in texture yet breathable. This durable fabric makes for an easy way to add instant texture and interest to any modern space, and despite its resurgence around 2020, is a timeless trend with longevity that will stand the test of time. Bouclé pairs incredibly well with curvilinear shapes as demonstrated by this sofa.‎

Condition:

In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

78.14 in W x 43.50 in D x 29.13 in H

200 cm W x 110,5 cm D x 74 cm H

About the Designer:

This Danish-made sofa reflects the core traditions and ideals of Danish design, while recalling the shapes of the Art Deco movement. What both movements valued highly is the highest level of craftsmanship and attention to details.

Mid-century pieces such as this early sofa were of great design, using fantastic wood like teak or beech. The mid-century was the heyday of the production by master craftsmen. Mid-century Danish design is world-famous for the partnership between designer and manufacturer, resulting in ground-breaking creations. The Danish design idiom was centred on warm woods, quality fabrics and gentle yet robust support for the spine - qualities that engender contentment and well-being, a defining characteristic of Danish culture. The “Great Danes” believed furniture should be shorn of aesthetic detail and be an amalgam of form and function.

A master cabinet-maker is not a carpenter, as this was a rare breed of craftsman who had to be recognized by the Danish government after several years of toiling at his craft, as well as having to ace gruelling design competitions before becoming a master cabinet-maker. Since Denmark was a special instance of tempered industrialization, it managed to preserve sound traditions and continue to safeguard values of craftsmanship, materiality and usability.

Today, Danish furniture is sought after by collectors for classic looks, storied designs and solid quality, works that are truly soulful and timeless. ~H.

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Price category: 9,000 - 12,500 usd / eur‎

Though the advent of new materials like plastic, foam, and fibreglass revolutionized the production process, Scandinavian designers still valued craft over industrialization. This sculptural sofa is a beautiful evidence of this heritage and the mastery of Danish cabinetmakers.

Many of the most renowned Danish designers were trained architects as well. This knowledge and training can be clearly traced in the structure of this stunning sofa. Many elements emblematic of mid-century design are also apparent: sleek lines, simple geometries, an open layout, and the impeccable quality of the materials and craftsmanship. The design is defined by its angles, starting with the tilted back and the raised seat towards the front. The sculptural wooden arms and legs follow these lines, creating visual balance. The mostly rounded edges are broken by the pair of straight stretchers set between the front and the back legs. The button tufting on the backrest rhymes greatly with the long horizontal lines, and is a stylish feature in itself as well. Though mid-century Danish manufacturers may not have the name recognition as designers do in the mass market, they were evidently just as integral in developing a modern aesthetic in Europe. The sleek and stylish look of this sofa, from the unique wooden frame to the upholstered body and the visible joinery, embodies this aesthetic.

The designer of this model clearly prized the marriage of form and function. Young Scandinavian designers still look to the mid-century masters for inspiration, which should come as no surprise looking at this sofa.

Condition:

In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium fabric.

Dimensions:

72.44 in W x 33.85 in D x 29.92 in H; Seat height 13,77 in

184 cm W x 86 cm D x 76 cm H; Seat height 35 cm

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Price category: 12,500 - 15,000 usd / eur

Edward Wormley took the best elements from classical, historical Scandinavian and other European furniture design and translated them into a Modern vernacular. The result was furniture like this exceptional “New York” sofa - sophisticated, stylish, understated and exceptionally well-made.

Officially known as model “5316”, this sofa was originally designed for the American furniture company, Dunbar in the 1950s. This sofa version of “5316”, was made on license in Sweden by Ljungs Industrier/ DUX. Wormley's USA-based company, Dunbar, collaborated with the Swedish furniture manufacturer DUX, who presented a series of what they called "Bra Bohag", where this version was marketed as "New York" in the most expensive price category. The design stands as a timeless example of the enduring appeal of modernist aesthetics in the world of furniture design. This iconic model epitomizes the clean lines, functionality, and understated elegance that define the modernist movement. The solid wood frame holds the upholstered body effortlessly with an airy arrangement that lets the individual parts all stand out. This is mostly the result of the straight lines with rounded edges, a harmonious blend of form and function. While the design is shorn of decorative elements, the screws, the upholstery and the tufted buttons all serve as ornamentation as well. It is specifically this ability that Wormley's genius lies in: to seamlessly marry the practical with the aesthetically pleasing. The frame's precise angles and proportions give the sofa a sense of balance and proportion that is both pleasing to the eye and comfortable to the body.

The sofa's clean, straight lines and unadorned surfaces exemplify the modernist principle of minimalism, stripping away unnecessary ornamentation in favour of pure, functional design. This “New York” sofa is truly a masterpiece of modernist design, a real statement piece.

Condition:

In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium linen fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

90.15 in W x 31.49 in D x 30.51 in H; Seat height 18.05 in; Arm height 25.19 in

229 cm W x 80 cm D x 77.5 cm H; Seat height 47 cm; Arm height 64 cm

Literature:

Henschen & Blomberg (ed), "Svenskt Möbellexikon", Förlagshuset Nordens Malmö 1961, II, p 747.
Berglund & Engdahl, "Möbelråd", Uppsala, 1961, p 71 (wrongly attributed to Alf Svensson)

About the designer:

Edward J Wormley (December 31, 1907 – November 3, 1995) was an American designer of modern furniture. In 1926, he briefly studied at the Art Institute of Chicago. Due to financial restrictions, he began work as an interior designer for Marshall Fields & Company department store. During the Depression, Wormley was introduced to the president of Dunbar Furniture Company of Berne, Indiana, who hired him to upgrade their product line.

Dunbar made a good choice, as he met immediate success with Wormley's work. In 1944 the company decided to focus strictly on Modern lines, and Edward Wormley rose to the task, incorporating European and Scandinavian innovations.

His eye for quality and the exacting craftsmanship at Dunbar made for furniture that was elegant, understated and exceptionally well-made. Wormley was never really at the forefront of Modern design. Instead, he took the best elements from classical, historical design and translated them into Modern vernacular. The result was furniture that was sophisticated, yet mainstream and very successful.

Wormley's inclusion in the Good Design Exhibitions staged by the Museum of Modern Art and the Merchandise Mart between 1950 and 1955 elevated him to a respected place alongside more cutting edge designers like Bertoia, Nelson and Eames. In 1938 MoMA launched an exhibit they called Useful Objects, in which they showcased “design intended for present-day life, in regard to usefulness, to production methods and materials and to the progressive taste of the day.”

In the wake of America’s postwar prosperity, the exhibit was later renamed Good Design and largely focused on modern furnishings. The exhibit reopened in 1950 under the name Good Design with three of Edward Wormley’s works on display: an adjustable upholstered wood armchair, a “Short John” coffee table with laminated wood legs, and a “Repartee” gray carpet.

Wormley’s inclusion in the exhibit proved that traditional forms still had a place in the modern design movement. During the exhibit’s run thirty Wormley pieces were awarded Good Design designation, cementing him as a peer among other high-profile designers of the era. Wormley understood the essential elements of Modernism but never limited himself to one ideology. His furniture represented a convergence of historical design and 20th century innovation that greatly appeals to today's collectors.

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Price category: 9,000 - 12,500 usd / eur

This Danish cabinetmaker sofa comes from a moment in mid-20th-century Denmark when craftsmanship and comfort were treated with equal seriousness. Cabinetmakers played an important role in shaping the country’s design identity, working to produce furniture that balanced sculptural presence with daily usability. Their work often resulted in pieces with thoughtful proportions, careful joinery, and a level of detail that signaled true mastery. This sofa clearly reflects that tradition.

This mid-20th century piece carries the quiet confidence of an object made by hand, where every curve, and every seam has been shaped with intention. The sofa’s form is soft and inviting, defined by a long, gently scalloped backrest and a subtly rounded silhouette that seems to hold the sitter rather than merely support them. The deep, rhythmic tufting across the back introduces texture without overwhelming the form, creating a sense of movement that brings the whole piece to life. Its arms curve outward slightly, opening the composition. The upholstery, a warm and tactile fabric in an earthy tone, enhances the sense of comfort, allowing the light to move delicately across its surface. Below, the wooden legs ground the piece and ensure sturdiness. Their clean lines and warm tone balance the softness above. From every angle, this piece reveals the quality work of its cabinetmaker, combining a sensitivity to form, proportion and material.

As a whole, this sofa carries a calm, understated beauty that fits seamlessly into both traditional and contemporary settings. It speaks to the Danish approach to living, where simplicity is enriched by craftsmanship and comfort. It is a reminder of why mid-century Danish design endures: its ability to balance refinement and warmth in a way that still resonates today.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The sofa has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

68.70 in W x 35.82 in D x 29.33 in H; Seat height 16.14 in; Seat depth 21.25 in; Arm height 24 in

174.5 cm W x 91 cm D x 74.5 cm H; Seat height 41 cm; Seat depth 54 cm; Arm height 61 cm

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Price category: 12,500 - 15,000 usd / eur

In the years after the Second World War, Danish designers quietly transformed the language of modern furniture. Moving away from the austerity of early functionalism, they explored a softer, more organic approach to furniture making, balancing clean geometry with inviting tactility. Designers experimented with sculptural silhouettes that felt approachable yet sophisticated, often pairing fine craftsmanship with innovative upholstery techniques to achieve furniture that was elegant but deeply comfortable.

This three-seater sofa from the 1950s beautifully embodies that ethos. Its gently flared arms and subtly tilted backrest give the piece a graceful, almost embracing profile, while the deep seat promises true comfort. The upholstery, a textured, off-white fabric, adds warmth and tactile richness, complementing the restrained lines of the frame. Tufted button detailing across the backrest introduces a sense of rhythm and craftsmanship, elevating the sofa from purely functional seating to a thoughtfully composed piece. The proportions are carefully judged: generous enough for lounging yet visually light, with raised wooden legs that lift the form and prevent it from feeling heavy. It is a design that invites long hours of conversation or quiet rest without sacrificing visual elegance.

Timeless yet unmistakably mid-century, this Danish sofa carries a quiet sophistication that transcends trends. Both practical and poetic, it stands as a reminder that modernism at its best is deeply attuned to the rhythms of everyday living. Danish makers became masters at this balance, producing pieces that could be both understated and richly expressive.

Condition:

In good vintage condition. Wear consistent with age and use. Item may have some marks, scratches, and discolouration. The sofa has recently been reupholstered in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

75.59 in W x 37.79 in D x 37 in H; Seat height 20.86 in; Seat depth 22.44 in; Arm height 25.19 in

192 cm W x 96 cm D x 94 cm H; Seat height 53 cm; Seat depth 57 cm; Arm height 64 cm

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‎Price category: 7,500 - 10,000 usd / eur‎

This three-seater mid-century modern sofa is a timeless statement piece. In the world of interior design, few furniture pieces captivate the imagination quite like the mid-century modern sofa. This particular sofa, with its distinctive light banana shape and luxurious aubergine-coloured velvet upholstery, stands as a prime example of the enduring allure of mid-century modern design. Every detail of this exquisite piece, from the button tufting that adorns its back to the graceful conical legs crafted from solid wood, speaks to the elegance and craftsmanship synonymous with this era.

Cabinetmakers of the mid-20th century played a pivotal role in shaping the landscape of interior design. These skilled artisans dedicated their expertise to creating finely crafted, functional, and aesthetically pleasing furniture. Often rooted in European traditions of craftsmanship, cabinetmakers focused on the marriage of form and function. This sofa model, with its sinuous lines and impeccable upholstery, embodies this ethos beautifully. The mid-century modern design movement emphasized clean lines, organic forms, and a focus on the use of new materials and manufacturing techniques. The resulting designs, like this sofa, aimed to enhance the daily lives of their users by promoting both comfort and aesthetics, skilfully combining these ideals. The aubergine-coloured velvet fabric, aside from its luxurious tactile appeal, adds a rich, regal touch to any interior. The deep, warm hue of the colour creates a sense of opulence, making it an ideal choice for a statement piece. The button tufting, in addition to enhancing the sofa's comfort, also acts as a visual highlight that emphasizes its graceful curves. It is a reminder that every aspect of this piece, from its shape to its upholstery, has been meticulously considered.

The importance of a statement piece sofa in an interior cannot be overstated. It serves as the anchor, the focal point, and the conversation starter of a room. In the case of this mid-century modern piece, it not only provides a comfortable seating solution but also adds an element of sophistication and a touch of luxury to any space. Its unique silhouette, combined with the aubergine velvet, ensures that it stands out in any room, creating a striking contrast against neutral backgrounds or complementing vibrant, eclectic decor.

Condition:

In good vintage condition. Wear consistent with age and use. The sofa is upholstered in a premium aubergine coloured velvet fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

79.52 in W x 35.03 in D x 28.34 in H; Seat height 14.96 in; Arm height 20.27 in

202 cm W x 89 cm D x 72 cm H; Seat height 38 cm; Arm height 51.5 cm