Axel Einar Hjorth "Utö" Bench, Sweden ca 1935 (sold)



















Axel Einar Hjorth "Utö" Bench, Sweden ca 1935 (sold)
This “Utö” bench is from the Swedish designer, Axel Einar Hjorth’s Sportstugemöble furniture line.
This bench has a rather simple, yet well-thought out design. The frame is made of pine, mixing the aesthetics of rural, traditional handcraft with international modernism. Produced by AB Nordiska Kompaniet, this bench belongs to Hjorth's line of modernistic cabin furniture from the 1930's. The seat of the bench is thick and robust, with an oval shaped pine board, assuring sturdiness and stability. The symmetrically carved back with a gap in the middle offers comfort and functionality.
The four tapered legs of the bench follow the shape of the backrests on both sides, accentuating the geometrical aspect, and highlighting the symmetry of this piece.
SOLD
Condition:
In good vintage condition. Wear consistent with age and use.
Dimensions:
54.92 in W x 18.7 in D x 31.3 in H ; Seat height 15.55 in
139.5 cm W x 47.5 cm D x 79.5 cm H; Seat height 39.5 cm
Literature:
Christian Björk, Thomas Ekström and Eric Ericson, Axel Einar Hjorth: Möbelarkitekt, Stockholm, 2009, pp. 130, 133.
Christian Björk, Thomas Ekström and Eric Ericson, Axel Einar Hjorth: (Svenska arkitekter och formgivare), Stockholm, 2011, pp. 124, 137.
About the designer:
Hjorth’s designs, from the luxury of neo-classicism to the severity of functionalism, are sharply distinctive in style, materials, and character. Unlike many of his contemporaries, Hjorth did not conform to the socially oriented ideas produced by Svensk Form (the Swedish Society of Crafts and Design). He often incorporated playful ornamentation from different historical periods by which he was inspired, such as the French Art Déco which was characterised by the use of mixed exotic woods, bright colors, and textiles.
In the 1930s, Hjorth designed a furniture collection out of pine meant for serial production known as Sportstugemöbler: ‘furniture for holiday houses’. The collection is based on Swedish rural traditions mixed with international modernism, and had its pieces named after Stockholm's archipelago islands including Blidö, Sandhamn, Toro and Lovö. The pieces are well renowned for being very modern and displaying strong proportions, simplicity in construction, and a brilliant union between tradition and modernism. ~H.
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Price category: 15,000 - 20,000 usd / eur
Swedish architect and furniture designer Axel Einar Hjorth served as the lead designer for Sweden’s Nordiska Kompaniet department store from 1926 to 1938. During this time, Hjorth designed the “Sportstugemöbler” series, (which translates to “sports cabin furnishings”) a collection of wooden furniture designed for country homes. The various models in the sportstugemöbler series took their names from the Stockholm archipelago – including Blidö, Lovö, and famously, Utö.
These Utö chairs were designed in 1932 as part of the collection. Unlike the department store's interiors for floors and villas in the cities, the Utö designs had a simple character with robust and basic shapes in solid pine. Accordingly, the design of these chairs focuses on simple lines and the material itself. Made of pine wood, these chairs are strong, reflecting Hjorth’s principles in which he mixed the ideals of the modernist movement with provincial Swedish traditions. As a result, the design of this set is completely timeless. Each chair demonstrates a conscious construction, where the joinery and fittings related to traditional craftsmanship are emphasized. Dominated by rounded, straight lines, the chairs have spindle backrests and ergonomically carved seats. The form alludes harmony and stability, fitting the summer cabin concept perfectly.
In an international perspective, Hjorth's “sportstugemöbler” series was the forerunner of later pioneering designers such as Charlotte Perriand. It is therefore no surprise that these Utö chairs became part of Swedish and international modernist design history. In their time, the Utö collection may have appeared as pioneering and radical, but today they are viewed as status symbols in interiors of international character.
Condition:
In good vintage condition. Wear consistent with age and use. Some marks and stains on the wood. Due to the nature and age of the wood, the items may have scratches and discolouration.
Dimensions:
18.89 in W x 18.3 in D x 31.49 in H; Seat height 16.92 in
48 cm W x 46.5 cm D x 80 cm H; Seat height 43 cm
Literature:
Christian Bjork, Thomas Ekstrom and Eric Ericson, 'Axel Einar Hjorth: Mobelarkitekt', Stockholm, 2009, p.130
About the designer:
Axel Einar Hjorth was born in a small Swedish village named Krokek, just outside Norrköping, on March 7, 1888. At the age of 20, he moved to Stockholm to study architecture and design at the Högre Konstindustriella Skolan.
Although he never graduated, in the 1920s Hjorth started working as a furniture designer for various manufacturers, such as H. Joop & Co., Myrestedt & Stern, Jonssons, and Nordiska Kompaniet. Hjorth’s designs from this period had neoclassical features combined with Swedish Grace. This romantic national style of Sweden was elegant and refined, yet simple. The anniversary exhibition of 1923 in Gothenburg marked the breakthrough of Swedish decorative arts, and made Axel Einar Hjorth a well-respected artist. From October 1926, Hjorth became the chief designer and architect of Nordiska Kompaniet department store in Stockholm. In the 1930s, Hjorth designed a furniture collection out of pine meant for serial production known as Sportstugemöbler (furniture for holiday houses).
Hjorth’s designs, from the luxury of neoclassicism to the severity of functionalism, are sharply distinctive in style, materials, and character. Unlike many of his contemporaries, Hjorth did not conform to the socially oriented ideas produced by Svensk Form (the Swedish Society of Crafts and Design). He played a significant role in the development of Swedish society as a whole, and particularly in Swedish industrial art
Today Hjorth is often viewed as a precursor to the modern designs popularized by Charlotte Perriand, Jean Royére, Pierre Chapo, or Josef Frank. Recently, there has been a revival of appreciation for his work, showing his genius in a new light. ~H.