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Price category: 5,000 - 7,500 usd / eur

This beautiful Danish two-seater sofa is an example of Danish Modern design. With a classic mid-century look, this model is the perfect piece to bring the coveted style into any interior. Modernism was an escape from the rigidity of Realism, and a multitude of cultural and aesthetic movements grew from it. Modernism in Denmark incorporated Scandinavia’s core values into the movement, including praising nature, human creativity and faithfulness to traditional materials and craftsmanship.

These traits can be traced in the form of this sofa. The backrest flows directly into the arms in one uninterrupted line, wrapping around the seating area and creating a protective, cocoon-like shape. Rather than projecting outward as separate components, the arms flow naturally from the body of the sofa, giving the piece a sense of cohesion. The result is a piece of furniture that appears soft and sculptural from every angle. The brown upholstery reinforces these curves, allowing light to move gently across the rounded surfaces. Slender tapered legs lift the body from the floor, introducing a sense of lightness and preventing the silhouette from feeling heavy. The slightly reclined back further contributes to the relaxed character of the design.

Timeless yet unmistakably mid-century, this sofa carries a quiet sophistication that transcends trends. It stands as a reminder that Danish modernism at its best is deeply attuned to the rhythms of everyday living. Danish designers and cabinetmakers became masters at this balance, producing pieces that could be both understated and richly expressive.

Condition:

In good vintage condition. Wear consistent with age and use. The sofa has recently been reconditioned. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The sofa has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

70.87 in W x 26.38 in D x 31.89 in H; Seat height 16.54 in; Seat depth 19.69 in; Arm height 22.45 in

180 cm W x 67 cm D x 81 cm H; Seat height 42 cm; Seat depth 50 cm; Arm height 57 cm

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Price category: 7,500 - 10,000 usd / eur

This gorgeous daybed model by the Danish furniture maker Bernhard Pedersen & Søn was inspired by classic Danish furniture design and simplicity.

The streamlined solid wood frame features a curvy top and geometric runner legs. From the minimalist design to the visible joints, “Model 159” has the characteristic “honest” look that Bernhard Pedersen and Søn is known for. The sleek appearance is created by the clean lines, functional design, and expert craftsmanship. The body supports the newly-upholstered cushion, which blends effortlessly into the frame. The attached cylindrical pillow breaks the flatness of the body, adding a modern visual interest, while the premium bouclé fabric makes this daybed an elegant addition to any space.

The period between 1950 and 1970 in particular was characterised by some of the most stunning and well-executed pieces in Bernhard Pedersen & Søn’s history. While they manufactured other designers’ models, they are renowned for their own designs, including this daybed model. Each piece was assembled by hand and numbered individually, according to their tradition.

Condition:

In good vintage condition. Wear consistent with age and use. This daybed has been recently reupholstered in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

Frame

80.51 in W x 40.74 in D x 13.97 in H

204.5 cm W x 103.5 cm D x 35.5 cm H

About the designer:

Bernhard Pedersen & Søn, is a Danish furniture maker company with a long and strong tradition in furniture and cabinetmaking, stretching all the way back to the company’s start in 1902. Through three generations the family firm has created and sold classic Danish furniture to many parts of the world.

The period between 1950 and 1970 in particular was characterized by some of the most stunning and well-executed pieces in Bernh. Pedersen & Søn’s history. Especially the classic mid-century sideboards and daybeds designed by Danish furniture designers, including the world-renowned Johannes Andersen, Svend Aage Madsen and Kurt Østervig who were – and still are – highly valued by customers worldwide.

Every piece of furniture is made in the same factory built by the Bernh. Pedersen family in 1902, located in a small community in the Danish countryside. The workshop and its skilled cabinetmakers are known for their exquisite and dedicated work based on strong Danish craft traditions; traditions recognized around the world for timeless design, high-quality craftsmanship and outstanding longevity. Unique techniques, special tools and original machinery are maintained and used to produce the sideboards in keeping with the first original pieces. The sum of it all is captured in the phrase: Made in Denmark.

Today, the fourth generation in the family, Thomas Bernhard Pedersen is focusing on an exclusive selection of the company’s most exquisite sideboards designed by Danish furniture designers, including the world-renowned architect Johannes Andersen. Every piece of furniture is made in Denmark by skilled cabinetmakers and in keeping with the strong Danish craft traditions. In 2015, great-grandson Thomas Bernhard Pedersen re-established the company and started focusing exclusively on relaunching some of the exquisite furniture designed in the 1950s and 1960s.

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Price category: 9,000 - 12,500 usd / eur

Though the advent of new materials like plastic, foam, and fibreglass revolutionized the production process, Scandinavian designers still valued craft over industrialization. This sculptural sofa is a beautiful evidence of this heritage and the mastery of Danish cabinetmakers.

Many of the most renowned Danish designers were trained architects as well. This knowledge and training can be clearly traced in the structure of this stunning sofa. Many elements emblematic of mid-century design are also apparent: sleek lines, simple geometries, an open layout, and the impeccable quality of the materials and craftsmanship. The design is defined by its angles, starting with the tilted back and the raised seat towards the front. The sculptural wooden arms and legs follow these lines, creating visual balance. The mostly rounded edges are broken by the pair of straight stretchers set between the front and the back legs. The button tufting on the backrest rhymes greatly with the long horizontal lines, and is a stylish feature in itself as well. Though mid-century Danish manufacturers may not have the name recognition as designers do in the mass market, they were evidently just as integral in developing a modern aesthetic in Europe. The sleek and stylish look of this sofa, from the unique wooden frame to the upholstered body and the visible joinery, embodies this aesthetic.

The designer of this model clearly prized the marriage of form and function. Young Scandinavian designers still look to the mid-century masters for inspiration, which should come as no surprise looking at this sofa.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The sofa has been reupholstered recently in premium mohair. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

72.44 in W x 33.85 in D x 29.92 in H; Seat height 13,77 in

184 cm W x 86 cm D x 76 cm H; Seat height 35 cm

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Price category: 12,500 - 15,000 usd / eur

As new materials like plastic, foam, and fibreglass revolutionised the production process in the postwar period, Scandinavian designers still valued craft over industrialisation. This sculptural sofa is a beautiful evidence of this heritage and the mastery of Danish cabinetmakers.

Many of the most renowned Danish designers were trained architects as well. This knowledge and training can be clearly traced in the structure of this stunning sofa. Many elements emblematic of mid-century design are also apparent: sleek lines, simple geometries, an open layout, and the impeccable quality of the materials and craftsmanship. The design is defined by its angles, starting with the tilted back and the raised seat towards the front. The sculptural wooden arms and legs follow these lines, creating visual balance. The mostly rounded edges are broken by the pair of straight stretchers set between the front and the back legs. The button tufting on the backrest rhymes greatly with the long horizontal lines, and is a stylish feature in itself as well. Though mid-century Danish manufacturers may not have the name recognition as designers do in the mass market, they were evidently just as integral in developing a modern aesthetic in Europe. The sleek and stylish look of this sofa, from the unique wooden frame to the upholstered body and the visible joinery, embodies this aesthetic.

The designer of this model clearly prized the marriage of form and function. To this day, young Scandinavian designers still look to the mid-century masters for inspiration, which should come as no surprise looking at this sofa.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The sofa has been reupholstered recently in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

72.44 in W x 33.85 in D x 29.92 in H; Seat height 13,77 in

184 cm W x 86 cm D x 76 cm H; Seat height 35 cm

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Price category: 5,000 - 7,500 usd / eur

Henning Kjærnulf was a Danish mid-century designer and architect whose work is associated with the broader Scandinavian modern movement. Although relatively little is known about his personal biography, his furniture designs reveal a strong commitment to craftsmanship and carefully structured forms. Kjærnulf worked with several Danish manufacturers and developed pieces that combined traditional woodworking with modern lines and sculpted forms.

This two-seater sofa reflects those qualities through its solid oak frame and clearly defined architectural presence. The most striking feature is the wooden side and back panels that come together to form a frame for the piece. The frame acts as both a structural support and a visual boundary for the seating area. These panels give the sofa a grounded, natural feel through the deep grain of the oak. The upholstery contrasts with this structure through a layered composition. The seat, backrest, arms are covered in green textile, while the cushions are upholstered in a striped fabric that introduces rhythm across the surface. The pattern emphasizes the geometric shape of the sofa constructed on straight lines. The combination of exposed oak structure and patterned upholstery produces a clear dialogue between rigid frame and soft interior. At the same time, the carving details as well as the metal studs placed alongside the frame provide another dimension of interest, proving the complexity and attention to detail of the maker. 

Together, these elements create a piece that is both functional and visually distinctive. Through the use of different materials and balanced clarity of structure, this sofa offers a great example of mid-twentieth-century Nordic seating.

Condition:

In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. The fabric has some imperfections. The wood has some scratches and dents. Due to the nature and age of the materials, the item may have some marks and discolouration. The item comes with its original upholstery or has been reupholstered by a previous owner. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

57.48 in W x 34.64 in D x 29.92 in H; Seat height 17.12 in; Seat depth 22.44 in; Arm height 29.52 in

146 cm W x 88 cm D x 76 cm H; Seat height 43.5 cm; Seat depth 57 cm; Arm height 75 cm

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Price category: 12,500 - 15,000 usd / eur

This beautiful Danish three-seater sofa features the recognizable touch of Danish Modernism: exquisite materials, craftsmanship, and an elegantly curved shape, because of which this type of sofa is often referred to as the “banana” or “boomerang” style.

The visual appearance of this sofa echoes Danish design and directs the eyes to the voluptuous body, that is the result of the exquisite craftsmanship. Many of the well-known Danish architects of the era felt the urge to try their hand at three-seater sofas, adhering to the period’s streamlined modernism. In combination with the unadorned styles of mid-century design, this sofa brings together the best attributes of the era. The rounded conical wood legs add an organic feel, while also matching the rounded profile of the sofa. The back legs differ from the front ones as they are tapered to reinforce the sofa’s stability. The masterful sense of proportions, the curved back and the soft upholstery guarantee functionality and comfort. While most curved sofas of the era feature tufting and other forms of decoration, this model is free from unnecessary ornamentation, resulting in a sleek, elegant and modern look. This sofa has been reupholstered in a premium light bouclé fabric, accentuating the stained wooden legs and the luxurious feel and look.

Derived from the French word meaning “curled” or “ringed,” bouclé provides a unique range of benefits; it is abundant in texture yet breathable. This durable fabric makes for an easy way to add instant texture and interest to any modern space, and despite its resurgence around 2020, is a timeless trend with longevity that will stand the test of time. Bouclé pairs incredibly well with curvilinear shapes as demonstrated by this sofa.‎

Condition:

In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

78.14 in W x 43.50 in D x 29.13 in H

200 cm W x 110,5 cm D x 74 cm H

About the Designer:

This Danish-made sofa reflects the core traditions and ideals of Danish design, while recalling the shapes of the Art Deco movement. What both movements valued highly is the highest level of craftsmanship and attention to details.

Mid-century pieces such as this early sofa were of great design, using fantastic wood like teak or beech. The mid-century was the heyday of the production by master craftsmen. Mid-century Danish design is world-famous for the partnership between designer and manufacturer, resulting in ground-breaking creations. The Danish design idiom was centred on warm woods, quality fabrics and gentle yet robust support for the spine - qualities that engender contentment and well-being, a defining characteristic of Danish culture. The “Great Danes” believed furniture should be shorn of aesthetic detail and be an amalgam of form and function.

A master cabinet-maker is not a carpenter, as this was a rare breed of craftsman who had to be recognized by the Danish government after several years of toiling at his craft, as well as having to ace gruelling design competitions before becoming a master cabinet-maker. Since Denmark was a special instance of tempered industrialization, it managed to preserve sound traditions and continue to safeguard values of craftsmanship, materiality and usability.

Today, Danish furniture is sought after by collectors for classic looks, storied designs and solid quality, works that are truly soulful and timeless. ~H.

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Price category: 9,000 - 12,500 usd / eur‎

Though the advent of new materials like plastic, foam, and fibreglass revolutionized the production process, Scandinavian designers still valued craft over industrialization. This sculptural sofa is a beautiful evidence of this heritage and the mastery of Danish cabinetmakers.

Many of the most renowned Danish designers were trained architects as well. This knowledge and training can be clearly traced in the structure of this stunning sofa. Many elements emblematic of mid-century design are also apparent: sleek lines, simple geometries, an open layout, and the impeccable quality of the materials and craftsmanship. The design is defined by its angles, starting with the tilted back and the raised seat towards the front. The sculptural wooden arms and legs follow these lines, creating visual balance. The mostly rounded edges are broken by the pair of straight stretchers set between the front and the back legs. The button tufting on the backrest rhymes greatly with the long horizontal lines, and is a stylish feature in itself as well. Though mid-century Danish manufacturers may not have the name recognition as designers do in the mass market, they were evidently just as integral in developing a modern aesthetic in Europe. The sleek and stylish look of this sofa, from the unique wooden frame to the upholstered body and the visible joinery, embodies this aesthetic.

The designer of this model clearly prized the marriage of form and function. Young Scandinavian designers still look to the mid-century masters for inspiration, which should come as no surprise looking at this sofa.

Condition:

In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium fabric.

Dimensions:

72.44 in W x 33.85 in D x 29.92 in H; Seat height 13,77 in

184 cm W x 86 cm D x 76 cm H; Seat height 35 cm

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Price category: 9,000 - 12,500 usd / eur

This Danish cabinetmaker sofa comes from a moment in mid-20th-century Denmark when craftsmanship and comfort were treated with equal seriousness. Cabinetmakers played an important role in shaping the country’s design identity, working to produce furniture that balanced sculptural presence with daily usability. Their work often resulted in pieces with thoughtful proportions, careful joinery, and a level of detail that signaled true mastery. This sofa clearly reflects that tradition.

This mid-20th century piece carries the quiet confidence of an object made by hand, where every curve, and every seam has been shaped with intention. The sofa’s form is soft and inviting, defined by a long, gently scalloped backrest and a subtly rounded silhouette that seems to hold the sitter rather than merely support them. The deep, rhythmic tufting across the back introduces texture without overwhelming the form, creating a sense of movement that brings the whole piece to life. Its arms curve outward slightly, opening the composition. The upholstery, a warm and tactile fabric in an earthy tone, enhances the sense of comfort, allowing the light to move delicately across its surface. Below, the wooden legs ground the piece and ensure sturdiness. Their clean lines and warm tone balance the softness above. From every angle, this piece reveals the quality work of its cabinetmaker, combining a sensitivity to form, proportion and material.

As a whole, this sofa carries a calm, understated beauty that fits seamlessly into both traditional and contemporary settings. It speaks to the Danish approach to living, where simplicity is enriched by craftsmanship and comfort. It is a reminder of why mid-century Danish design endures: its ability to balance refinement and warmth in a way that still resonates today.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The sofa has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

68.70 in W x 35.82 in D x 29.33 in H; Seat height 16.14 in; Seat depth 21.25 in; Arm height 24 in

174.5 cm W x 91 cm D x 74.5 cm H; Seat height 41 cm; Seat depth 54 cm; Arm height 61 cm

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Price category: 12,500 - 15,000 usd / eur

In the years after the Second World War, Danish designers quietly transformed the language of modern furniture. Moving away from the austerity of early functionalism, they explored a softer, more organic approach to furniture making, balancing clean geometry with inviting tactility. Designers experimented with sculptural silhouettes that felt approachable yet sophisticated, often pairing fine craftsmanship with innovative upholstery techniques to achieve furniture that was elegant but deeply comfortable.

This three-seater sofa from the 1950s beautifully embodies that ethos. Its gently flared arms and subtly tilted backrest give the piece a graceful, almost embracing profile, while the deep seat promises true comfort. The upholstery, a textured, off-white fabric, adds warmth and tactile richness, complementing the restrained lines of the frame. Tufted button detailing across the backrest introduces a sense of rhythm and craftsmanship, elevating the sofa from purely functional seating to a thoughtfully composed piece. The proportions are carefully judged: generous enough for lounging yet visually light, with raised wooden legs that lift the form and prevent it from feeling heavy. It is a design that invites long hours of conversation or quiet rest without sacrificing visual elegance.

Timeless yet unmistakably mid-century, this Danish sofa carries a quiet sophistication that transcends trends. Both practical and poetic, it stands as a reminder that modernism at its best is deeply attuned to the rhythms of everyday living. Danish makers became masters at this balance, producing pieces that could be both understated and richly expressive.

Condition:

In good vintage condition. Wear consistent with age and use. Item may have some marks, scratches, and discolouration. The sofa has recently been reupholstered in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

75.59 in W x 37.79 in D x 37 in H; Seat height 20.86 in; Seat depth 22.44 in; Arm height 25.19 in

192 cm W x 96 cm D x 94 cm H; Seat height 53 cm; Seat depth 57 cm; Arm height 64 cm

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Price category: 20,000 - 30,000 usd / eur

During the mid-20th century European designers turned their attention to rethinking domestic comfort, exploring how new ideas of form and proportion could transform the experience of sitting and living. Moving away from traditional ornament and into a culture of experimentation, they began focusing on honest materials, balanced lines, and structure. This was a period when modernism evolved into a human-centered vision of living.

This pair of modular sofas capture that spirit with its thoughtful interplay of geometry and tactility. The frames, crafted in solid wood with box joinery, celebrate craftsmanship while maintaining a striking simplicity. The low, grounded stance gives the pieces a quiet strength, while the broad seats invite relaxed, informal lounging. To complement the solid frame, the backrests feature circular cushions, an unexpected sculptural element that softens the sofas’ rectilinear frames and adds visual interest without unnecessary embellishment. Upholstered in richly textured bouclé fabric, the sofas pair a tactile, inviting surface with the clean lines of their timber base, achieving a compelling balance between warmth and restraint. The traditional joinery details are left visible, underscoring a mid-century belief in structural honesty and the inherent beauty of well-made construction.

As a pair, the sofas are both understated and iconic, a reminder that modern design is not about excess, but about clarity and intention. More than just a functional pair, they reflect a postwar European ethos that embraced innovation while remaining deeply connected to craft and the human experience of comfort.

Condition:

In good vintage condition. Wear consistent with age and use. The sofas may have some marks, scratches, and discolouration due to the age and nature of the materials. The cushions has been recently reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

27.36 in W x 31.10 in D x 31.50 in H (including cushion); Seat height 16.93 in; Seat depth 20.47 in

69.5 cm W x 79 cm D x 80 cm H (including cushion); Seat height 43 cm; Seat depth 52 cm

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Price category: 9,000 - 12,500 usd / eur

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Rino Levi was one of the pioneers of the modern movement in Brazil, advocating for simple, practical and economical design, disparaging the imitation of classicism. ‘Classical spirit’ rather than classical forms was his ideal.

Levi was instrumental in spreading the fame of Brazilian modernism through his furniture designs as well. As this beautiful Brazilian wood sofa shows, by the 1960s, Levi abandoned Italian rationalism in favour of an approach closer to that of the Rio modernists both in his architectural and furniture designs. As a piece of true Brazilian mid-century design, the beauty of the wood and organic shapes and lines dominate this three-seater sofa. The tilted, architectural lines of wood making up the armrests create a visually distinct and exciting appearance. The additional horizontal lines connecting to the backrest are a creative addition, while also supporting the overall stability. The frame with its joinery praises Rino Levi’s craftsmanship and architectural expertise. The beautiful colour of the wood is highlighted by the light upholstery of the body in a premium bouclé fabric, including the three removable cushions.

This sofa model is rare to find, for as during Brazil's military dictatorship, it was against the law to export furniture. The ban on exports only ended in the 1980s, but it still took some time for things to change, not to mention that handmade pieces were created in limited editions. Therefore, it is no exaggeration to say that this sofa is special, and a real rarity.

Condition:

In good vintage condition. Wear consistent with age and use. Some scratches and marks on the wood. The sofa has been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

86.41 in W x 28.74 in D x 30.31 in H; Seat height 16.14 in

219.5 cm W x 73 cm D x 77 cm H; Seat height 41 cm

About the Designer:

Rino Levi was a Brazilian architect important to the development of modernism in Brazil. Levi was born to Italian Jewish parents on December 31, 1901 in São Paulo, Brazil. After graduating from Colégio Dante Alighieri in São Paulo, Levi studied in Milan and Rome under Marcello Piacentini.

In 1924, he moved to the School of Architecture of Rome. There, he met Adalberto Libera (1903 - 1963) and Marcello Piacentini (1881 - 1960) in whose office he did practice. In 1925, he published in O Estado de S. Paulo. He returned to Brazil in 1926 and worked for a year in the Santos Construction Company.

Following his return to São Paulo, Levi established the firm Rino Levi Arquitetos Associados. Levi was known for an architectural practice particularly dissociated from the construction process for his era. In the early 1930s, Levi designed a number of modernist houses in São Paulo for Italian clients. Towards the end of the decade, Levi's practice shifted to the design on theaters including the Cine Ufa Palace and Teatro Cultura Artistic.
His first major work was the Columbus Building at Avenida Brigadeiro Luís Antônio (first apartement complex in the metropolis, demolished in 1971 ), the Cine Ufa Palace in St. John Avenue, the Medici residence in Santo Amaro and Sarti Building in Republic Square. These rationalist buildings have simple volumes, with evident structure. The project Cine Ufa Palace (1936) was a role model for other cinemas projects: Cine Universe (1936), Cine Art-Palace Recife (1937), the Cine Ipiranga (1943) and the Theatre Culture Arts (1942).

Rino Levi participated in the formation and construction of the Institute of Architects of Brazil and was an active member until his death. He is remembered today as a key figure in introducing modernism to Brazil. ~H.

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Price category: 15,000 - 20,000 usd / eur

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This free-standing sofa, better known as “Model V11” is considered among the masterpiece designs of Illum Wikkelsø. The Danish designer created the “V11” series in 1965 whilst working with master cabinetmaker Holger Christiansen in Aarhus.

Wikkelsø’s three-seater sofa combines a rectangular shape and long lines with rounded out edges. The low back and deep seat give the sofa a modern and elegant look. The Brazilian rosewood legs are cone-shaped, a stand-out design element of the sofa. Three loose seat cushions contrast well with the tight edges of the frame, while also guaranteeing sitting comfort. Along with the cushions, the sides, back- and armrests are upholstered in a brown-green leather with beautiful patina.

The sofa was manufactured by Danish manufacturer Holger Christiansen Møbelfabrik in Aarhus in the 1960s. The leather is in a desirable vintage condition. This model has a good sense of balance and a classic look, which makes it a timeless design.

Condition:

In good vintage condition. The legs show minor wear. The leather has some marks and scratches and a beautiful patina. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

91.33 in W x 32.87 in D x 27.55 in H; Seat height 17.32 in

232 cm W x 83.5 cm D x 70 cm H; Seat height 44 cm

Literature:

300 Danske Designmøbler By Per H. Hansen and Klaus Petersen. 2015. Unpaginated.

About the designer:

Kristian Illum Wikkelsø (1919-1999), by his full name, is best known for his seating designs. Like most Danish designers at the time, Wikkelsø trained as a carpenter until 1938 and then followed in the footsteps of many of his later colleagues and continued his studies at the Copenhagen School of Arts and Crafts, graduating on 1941.

In 1944, Wikkelsø moved to Århus to work as an interior designer He was then employed at the carpentry master and architect Jacob Kjær's drawing room and then at Peter Hvidt & Orla Mølgaard Nielsen’s architectural firm, where he worked until 1954. The same year, Illum Wikkelsø began designing his own furniture and a few years later, he established his own workshop. A number of Danish manufacturers produced Wikkelsø’s designs, such as C.F. Christensen, Holger Christiansen and Søren Willadsen.

Like many of his Danish contemporaries, including Arne Jacobsen, Finn Juhl, and Hans Wegner, Wikkelsø’s designs emphasize formal simplicity and biomorphic silhouettes. Wikkelsø’s background in cabinetry engendered in him a profound understanding of materials and an excellent attention to detail. Working with teak and rosewood, he captured delicately sculptural forms. Wikkelsø believed that furniture should be built to last while cradling the body and pleasing the eye.

Though little biographical information survives, the quality of Illum Wikkelsø’s designs affirms his status as an active proponent of Scandinavian modernism in the post-war era. ~H.