Massive Mid-Century Oak Side Table, Scandinavia 1960s (sold)
Massive Mid-Century Oak Side Table, Scandinavia 1960s (sold)
In Scandinavian mid-century design, there was an early emphasis on wood as it connected everyday objects, such as furniture to nature. This rustic, solid oak sidetable is a perfect example of this sentiment, and the visual benefits of an understated, organic design.
Scandinavian Modern represented a break with the traditional past: design-wise, furnishings were often a rejection of Victorian, Colonial, and other historical influences, especially the pseudo-historical use of ornamentation. In comparison, Scandinavian furniture is generally more pared-down, smaller in scale, and uncluttered with unnecessary ornament: on this front, the movement shared qualities with the efforts of the Bauhaus designers’ vehement rejection of ornamentation. This side table has a strong elemental feel to it, which is a result of its thick tabletop and sturdy legs. The focus is on the material, letting the beautiful qualities of the oak wood stand out. Even the shape of the tree trunk is kept, which enhances the organic look.
This massive table follows the fundamental Scandinavian design principles both aesthetically and technically. The simple design serves the purpose of showing the understated beauty of natural materials, shapes, and their endless possibilities under the hands of an expert craftsman. Furthermore, oak is an especially durable hardwood that is extremely multi-faceted with a beautiful grain and texture as seen on the wide, trunk-shaped tabletop. The cracks elevate the rustic look, while the height perfectly balances out the thickness of the wood.
SOLD
Condition:
In good vintage condition. Wear consistent with age and use.
Dimensions:
16.14 in W x 13.38 in D x 16.92 in H
41 cm W x 34 cm D x 43 cm H
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Price category: 5,000 - 7,500 usd / eur
In European mid-century furniture design, there was an early emphasis on wood because it connected everyday objects to nature. This solid oak coffee table is a perfect example of this sentiment, and features the visual qualities of an understated, organic design.
Within the thriving Dutch design landscape of 1970s, Brutalist furniture left an indelible mark and this coffee table shows why as it epitomises the era's aesthetic medley. Crafted from solid oak, the wood’s hues exude warmth amidst the starkness that defines the Brutalist design. This piece has a strong elemental feel to it, which is a result of its thick round tabletop and sturdy yet sleek legs. The Netherlands embraced Brutalism as a rejection of ornate embellishments, opting for raw, utilitarian forms. Oak became the material of choice for many pieces during this time due to its durability and malleability, enabling intricate yet robust constructions. This coffee table exemplifies this, with its neat woodworking and sharp angles connecting the legs with the round top. The table top is layered, with its edge showing the beauty or organically carved wood. The contrast of sleek lines against the natural grain of oak echoes the broader Brutalist ethos: blending the industrial with the natural in a bold, unapologetic way.
The craftsman’s handiwork is visible throughout the table, adding to its character. The piece, with its natural finish, exemplifies the enduring charm that 20th century design continues to bring to contemporary interiors, underscoring the timeless appeal of this iconic design era.
Condition:
In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Minor scratches and dents are present. Due to the nature and age of the material, the item may have some marks and discolouration.
Dimensions:
47.63 in ø x 19.88 in H
121 cm ø x 50.5 cm H
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Price category: 2,500 - 5,000 usd / eur
In the thriving design landscape of the 20th century, the emergence of Brutalist furniture left an indelible mark on design. Brutalist furniture design in the post-war decades came as a direct response to both architectural developments and shifting social ideals. This 1970s side table emphasises raw materials, structural honesty, and an absence of ornamentation.
The Netherlands embraced Brutalism as a rejection of ornate embellishments, opting for raw, utilitarian forms. Oak became the material of choice for many Brutalist pieces due to its durability and malleability, enabling intricate yet robust constructions. Crafted from solid oak, the deep hues of this piece exude warmth amidst the starkness that generally characterised Brutalism. The straightforward shape of this table highlights the understated beauty of the material, allowing the grain of the wood to stand out. The table top is set on four splayed block legs, stained in the same dark, rich colour lending a more dramatic presence to the piece. The base is ideal for ensuring the sturdiness needed for a classic piece of furniture made to withstand the passage of time. The surface of the wood is left largely untreated to showcase the material’s inherent texture and tonal variation. Rather than relying on decorative features, the table derives its character from this raw materiality and its geometry. Despite its apparent simplicity, the table carries a strong visual presence and sense of intention. Through both its silhouette and solid colour, this side table showcases versatility, while maintaining character.
The emphasis on material and function allows this table to age gracefully, developing character over time, while anchoring every space it finds itself in. The piece reflects the enduring appeal of Brutalist furniture: objects that prioritise substance over decoration, offering both utility and a lasting architectural presence.
Condition:
In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. The table has scratches. Due to the nature and age of the wood, the item has some marks and discolouration.
Dimensions:
46.9 in W × 26.4 in D × 29.9 in H
119 cm W x 67 cm D x 76 cm H
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Price category: 30,000 - 40,000 usd / eur
Swedish architect and furniture designer Axel Einar Hjorth served as the lead designer for Nordiska Kompaniet from 1926 to 1938. During this time, Hjorth designed the “Skoga” series in the early 1930s.
The “Skoga” series was crafted as part of a broader collection of summer-house furniture, intended to be both practical and aesthetically harmonious with the rugged beauty of the Swedish landscape. Despite its utilitarian roots, the series, as well as this table, exudes quiet sophistication and a timeless appeal focusing on simple lines and the material itself. Made of pine wood, this table is strong, reflecting Hjorth’s principles according to which he mixed the ideals of the modernist movement with provincial Swedish traditions, producing a unique and primitive modernism. It is quite robust without being intrusive, naturally standing to be the centre of the room. The legs and stretch-bar base emphasize structural clarity and durability, while the rounded corners and visible joinery express a handcrafted, almost sculptural quality. The rectangular tabletop is comprised of three planks of wood, yet it has a light impression. The large surface shows off the pattern of the wood and colour variation. The absence of heavy ornamentation is also in service of enhancing the organic, simple look that defined Swedish design of the era. Each element, joint and line is well crafted and solid, the attention given to every construction and finishing detail is obvious.
This table doesn’t depend on its details, rather, it is just as arresting from afar as from a proximity. The joinery and woodworking reveal the quality craftsmanship of the experts at Nordiska Kompaniet. The most charming thing about this table however, is that it showcases classic elements and so much history, but it lends itself easily to a modern interior.
Condition:
In good vintage condition. Wear consistent with age and use. Some marks and scratches on the wood.
Dimensions:
70.86 in W x 23.62 in D x 27.55 in H
180 cm W x 60 cm D x 70 cm H
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Price category: 1,000 - 2,500 usd / eur
Brutalist furniture emerged in the post-war decades as a direct response to both architectural developments and shifting social ideals. Rooted in the principles of Brutalist architecture, this coffee table emphasizes raw materials, structural honesty, and an absence of ornamentation.
Many Dutch Brutalist furniture pieces function not only as practical objects but also as sculptural elements within a space. This coffee table is exemplary of this thanks to its solid oak construction and striking form. The design is composed of a thick, rectangular top supported by two block legs, creating a low, elongated silhouette that emphasizes weight. The proportions are deliberately heavy, reinforcing a sense of stability and permanence which defines Brutalist design. Oak was a preferred material, valued for its strength and expressive grain, allowing makers to highlight the natural character of the wood rather than conceal it. The surface of the wood is left largely untreated to showcase the material’s inherent texture and tonal variation. Rather than relying on decorative features, the table derives its character from this raw materiality and its geometry. Despite its apparent simplicity, the table carries a strong visual presence and sense of intention.
The emphasis on material and form allows this table to age gracefully, developing character over time, while anchoring every space it finds itself in. The piece reflects the enduring appeal of Brutalist furniture: objects that prioritise substance over decoration, offering both functional utility and a lasting architectural presence.
Condition:
In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature and age of the wood, the item has some marks, scratches, and discolouration.
Dimensions:
35.24 in W x 9.45 in D x 11.23 in H
89.5 cm W x 24 cm D x 28.5 cm H
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Price category: 12,500 - 15,000 usd / eur
This stunning "L'Italienne" dining table, designed by the renowned French duo Guillerme et Chambron, showcases an exquisite blend of elegant aesthetics and rustic design elements. Crafted in the 1960s by Votre Maison, the table reminds us how form and elegance blend together in the duo's exceptional distinctive craftsmanship style.
At the heart of the construction of this model is the use of oak, a material renowned for its durability and timeless aesthetic qualities. Oak was the preferred material for Guillerme et Chambron, and this piece expertly showcases its rich and robust character, resulting in a solid, functional, and visually captivating work of art. Compared to the duo’s other models, this table is more pared down, relying mostly on the natural appeal of the oak, and its decorative legs. Unlike in most mid-century models, ornamentation was an important part of the duo’s creations, and while apparent, they were never overwhelming. This balance kept the pieces’ elegance, like in the case of this dining table. Furthermore, this piece is full of character and offers expressive and sculptural functionalism. Guillerme et Chambron’s table designs are well-known for their distinctive appearance and multi-functionality; this model is extendable and shows how decorative design and functionality were equally important for the designers, being as sensitive to the use of furniture in everyday life as to the creation of innovative design.
The table's form is clean, geometric, and is a testament to Guillerme et Chambron's dedication to modernism, while staying rooted in traditional craftsmanship and joinery techniques. Their work not only represents the fusion of function and form, but also exemplifies the mid-century modern aesthetic, which they played a pivotal role in actively shaping. Their emphasis on quality craftsmanship and the use of noble materials - like oak - has undeniably left a lasting imprint in the world of furniture making, solidifying their legacy in the French design landscape during the mid-century era.
Condition:
In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Due to the nature and age of the wood, the item may have some marks, scratches, and discolouration.
Dimensions:
70.87 in W x 34.45 in D x 28.54 in H
180 cm W x 87.5 cm D x 72.5 cm H
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Price category: 2,500 - 5,000 usd / eur
This coffee table is a stunning example of Modernism in design: clear forms without exaggeration with the high-quality work of a Danish cabinetmaker. Humble in its material and size, this table still draws attention thanks to its distinctive look and personality.
Early on, many of the Danish cabinetmakers’ workshops had been producing historical furniture; master cabinetmakers had been renowned for their solid wooden furniture rendered in various styles of the past. This coffee table, while not specifically historical in style, shows some restrained decorative elements that are generally rather sparse in Scandinavian mid-century furniture. However, accordingly to the design ideals of Danish designers, the scalloping pattern is not overwhelming the table, nor does it demand attention, rather, it is an understated but clever addition to the design. The scalloped patterns on the tabletop and legs differ slightly; the scallops on the legs are more pronounced with straight lines between each scallop, while under the tabletop, it is in a more traditional, round shape.
The wavy effect is even more pronounced thanks to the beautiful grain and colour of the solid oak that is most apparent on the wide, circular top. As it can be expected from Danish design and craftsmanship, visually appealing elements usually serve a functional role as well. In this case, the wooden elements under the table reinforce the stability of the structure in this ingenious manner.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the material, the item may have some marks, scratches, and discolouration.
Dimensions:
35.03 in W x 35.03 in D x 22.04 in H
89 cm W x 89 cm D x 56 cm H
About the Designer:
The practical and comfortable designs of Danish cabinetmakers defined mid-20th century modern seating. The Danish Cabinetmakers focused on minimalist design executed by expertly skilled craftsmen.
Works from the Danish Cabinetmakers' Guild is a concept of its own in collectible design. The Cabinet-Makers' Guild began annual exhibitions in 1927 in Copenhagen. The group formed an exhibit showing each year in October the quality furniture made to drawings by gifted architects. The exhibition took place each year, without interruption, for forty years. A number of successful Danish Design collaborations were formed during this time between cabinetmakers and architects.
Danish Modernism has influenced Scandinavian furniture to a great degree, defined by minimalism, simplicity, and functionality. The muted colours and gentle designs make Danish mid-century furniture an ideal addition to contemporary living spaces. Additionally, master cabinetmakers were highly aware of body proportions, prioritizing comfort just as much as the visual qualities.
The works of master cabinetmakers – such as this chair – are of the highest quality, both in terms of materials and craftsmanship. Cabinetmakers take the art of working with wood one step further, and focus on the finer details of what can be created with the material. Therefore, it comes as no surprise that numerous master cabinetmakers are part of the renowned Danish Culture Canon (Danish: Kulturkanonen). The canon contains no more than 108 works of cultural excellence, based on works with a useful function and that are still recognisable today. These lounge chairs are the perfect illustrations of Danish design, and the work of a true cabinetmaker. ~H.
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Price category: 2,500 - 5,000 usd / eur
The 1940s in Sweden were defined by a quiet but deliberate design philosophy rooted in function, clarity, and craftsmanship. As the country transitioned through wartime austerity into postwar renewal, designers and cabinetmakers turned toward a more humanist modernism that emphasized warmth over severity. This approach is exemplified by Swedish Modern design movement, which focused on creating durable, accessible, and elegant furniture for the masses.
This birch side table showcases sensibility through its simple yet perfectly balanced construction. Furniture of this period often showcased the natural qualities of woods. Birch, with its golden hue and intricate grain, became a central material in this movement, prized for its ability to bring light and texture into the Scandinavian home. This table’s top features softly rounded corners and edges. The turned legs are slightly splayed to provide stability, connected by stretchers that form a low geometric rhythm beneath the tabletop. The craftsmanship is evident in the way each joint is fitted cleanly, while the organic character of the wood is emphasized. The table reflects the Swedish preference for comfort and approachability. The warm, honeyed tone of the wood further enhances its sculptural simplicity, capturing the sense of connection to nature that defined Scandinavian design of the 20th century.
Beyond its function, the table represents the enduring values of Swedish Modernism, where honesty of material and attention to human use were paramount. In its restraint and balance, this table embodies the essence of that philosophy, an object both utilitarian and timeless, made to age gracefully within everyday life.
Condition:
In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature and age of the wood, the table may have some marks, scratches, and discolouration.
Dimensions:
33.46 in W x 20.87 in D x 22.83 in H
85 cm W x 53 cm D x 58 cm H
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Price category: 5,000 - 7,500 usd / eur
Designed by Henning Kjærnulf, this cabinet features a strong angular structure that gives a feeling of strength and durability. The wood construction is carved and sculpted in an unmistakable way, showing the skills of both the designer and the manufacturer. If there is a single common denominator for Danish Modern design, it is the quality of the woodwork and this piece is evidence of that.
Many associate Danish furniture with the country's golden age, the mid-20th century. This model shows why: its design follows in the vein of Scandinavian functionality, timelessness and quality. Combining tradition and modernity, Kjærnulf created his pieces with a great consideration for functionality while not shying away from decorative flair. His wood of choice was oak, a durable long-lasting material that is the perfect canvas for the intricate carved shapes and details to take form. The functional and decorative elements of this design are treated equally, resulting in a stunning but balanced look. The cabinet features a versatile shelving and storage system; three small drawers on the right side, with green fabric lining. The middle compartment is the largest, with two levels divided by one shelf. Finally, at the bottom there are three more larger drawers. The bottom drawers also feature metal ring pulls. These small functional elements also serve an aesthetic function alongside the carved front. The mixture of round and straight shapes is used masterfully, giving depth to the oak. The only thing that is hard to decide in the case of this piece is where to look first, as there is no doubt about its aesthetic or material quality.
This well-constructed piece is truly a beautiful example of Danish modernism, complete with a form that still retains some influence from previous art and design movements. It is sure to stand out as an accent piece, or complement its surroundings thanks to its natural colour and warm tones.
Condition:
In good vintage condition. Wear consistent with age and use.
Dimensions:
74.80 in W x 19.88 in D x 47.24 in H
190 cm W x 50.5 cm D x 120 cm H
About the designer:
Danish mid-century designer and architect, Henning Kjærnulf is somewhat of a mystery. A lot more is known about his designs than Kjærnulf himself. His wooden designs, crafted to perfection, speak for themselves. Kjærnulf mainly designed for the Danish manufacturers EG Kvalitetsmobel, Nyrup Møbelfabrik, and Vejle Stole Møbelfabrik. The latter produced the designer’s well-known teak extending dining table model. The historic archives of the Danish municipality, Stenlille, reveal the history of Nyrup Møbelfabrik, mentioning Kjærnulf’s architectural designs for the company’s factory, referring to him as an architect based in Odense, Denmark.
Kjærnulf’s works reveal quality craftsmanship throughout, featuring clean Danish modern era lines with sculpted edges and shapes. The unique shapes, like his razorblade chair backrests, distinguish him from other Danish mid-century designers.
In light of how sought after his dining sets and lounge chairs are, it remains a mystery why so little is known about the designer. The curious background of Kjærnulf if anything, adds more charm to his pieces.
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Price category: 1,000 - 2,500 usd / eur
In the thriving design landscape of the 1960s, the emergence of Brutalist furniture left an indelible mark on design, and this oak side table epitomises the era's aesthetic medley. Crafted from solid oak, the deep hue exudes warmth amidst the starkness that generally characterised Brutalist design.
The Netherlands embraced Brutalism as a rejection of ornate embellishments, opting for raw, utilitarian forms. The movement, rooted in architectural principles, found resonance in furniture, reflecting a societal shift towards functional simplicity. Oak became the material of choice for many Brutalist pieces due to its durability and malleability, enabling intricate yet robust constructions. The straightforward shape of this table highlights the understated beauty of the material, allowing the beautiful grain of the wood to stand out. The table top is set on four splayed club feet, stained in the same dark, rich colour lending a more dramatic presence to the piece. The base is ideal for ensuring the sturdiness needed for a classic piece of furniture made to withstand the passage of time. Through both its silhouette and solid colour, this side table showcases versatility, while maintaining character. The interplay of a simple structure and refined detailing evokes a sense of harmony, aligning with the era’s focus on utility.
This side table is a testament to the Dutch penchant for functionalism. Its simple, geometric lines serve a purpose beyond aesthetics, offering both visual appeal and practicality. The design encapsulates a rich moment in furniture design history. It's a tangible embodiment of the Brutalist movement's focus on materiality and craftsmanship while also reflecting the innovative spirit of Dutch designers of the era.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the wood, the item may have some marks, scratches, and discolouration.
Dimensions:
23.22 in W x 11.61 in D x 15.74 in H
59 cm W x 29.5 cm D x 40 cm H
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Price category: 2,500 - 5,000 usd / eur
Founded in Stockholm in 1902, Nordiska Kompaniet manufactured many of 20th century’s now iconic Swedish works. One of NK’s designers was David Rosén who was known for balancing tradition and innovation. Rosén designed items that suited the tastes of refined city elites, as well as everyday homes of the expanding middle class. He attended the University College of Arts, Crafts and Design in Stockholm where he mastered the craftsmanship of Scandinavian design, putting a strong emphasis on organic materials and minimalistic, quiet statement pieces like this shelf.
This model “4205881” magazine shelf consists of five horizontal ledges as well as a separating panel in the middle, which showcases the veneered wood’s rich grain beautifully. The interplay of the reddish-brown tones create a warm harmony, lends the surface a sense of depth and refined elegance, aligning perfectly with the gentle softness of the finely curved corners. The open structure of the front and the sides create an airy feel, making it perfect to display magazines and newspapers in a structured manner, or to showcase impressive collections of booklets. The shelves are deep and narrow, providing more than a sufficient amount of storage space. The slender slots with their accessible sides create an honest and functional design element that is elegant. This shelf stands sturdily on the tapered wooden legs, creating a balanced base.
With its elegant shape and careful design, this piece rises above the endless passing of trends, establishing itself as a modern classic in the realm of interior design. A perfect choice that brings a sense of refinement to any setting, whether in the clarity of a professional office or the comfort of a living room. Using clean forms and high-quality materials David Rosén’s timeless works are created to be enjoyed and fully utilised by generations to come.
Condition:
In good vintage condition. Wear consistent with age and use. The back has minor scratches and veneer damage.
Dimensions:
22.83 in W x 13.58 in D x 25.19 in H
58 cm W x 34.5 cm D x 64 cm H
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Price category: 2,500 - 5,000 usd / eur
Modernism is at the core of the design of this shelving system. Modernism brought waves of innovative solutions, materials, and creativity to The Netherlands. At first, most Dutch designers found it challenging to balance modern creativity and classical elegance, but as this model shows, they found a way to overcome that challenge.
The design of this bookshelf model boasts an ingeniously functional and well-thought-out structure crafted from quality wood. In mid-century modern design, the use of wood held a special significance; it was not merely a material choice, but a philosophy that emphasized the natural and organic over the ornate and extravagant. Although the design is asymmetrical it remains minimal. This minimalist approach combined with solid wood creates a timeless appearance that resonates with any design style. Furthermore, furniture such as this piece, held a special place in mid-century design thanks to its open, unobtrusive look. The asymmetrical form accentuates the design, with this decorative element adding depth and visual interest. The craftsmanship is evident in the precision of the woodwork, reflecting the standards of furniture making at the time. This craftsmanship is also highlighted in the design of the shelf’s base, it is more robust than the rest of the piece thus increasing stability and sturdiness. Regardless of where and how it is used, this shelf unit emphasizes the objects placed on it. The beautifully finished details make this an eye-catching classic.
This shelving unit embodies the Dutch commitment to functionality, craftsmanship, and modern design aesthetics. With its organic feel and natural elements, this piece stands out with its timeless appeal. The piece’s simple yet refined structure allows it to integrate into various interior styles, from vintage-inspired rooms to more contemporary settings.
Condition:
In good vintage condition. Wear consistent with age and use.
Dimensions:
38.18 in W x 9.05 in D x 74.80 in H
97 cm W x 23 cm D x 190 cm H
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Price category: 7,500 - 10,000 usd / eur
A drafting table or architect's table is, in its antique form, a kind of multipurpose desk which can be used for any kind of drawing, writing or impromptu sketching or for drafting technical illustrations. Many designs from the mid-century period adopted an almost structural logic, reflecting a broader interest in honest materials and visible craftsmanship, where the making of the object was never concealed but instead highlighted as an integral part of the design.
This worktop desk was made in France around the 1960s. It embodies rustic modernism and brutalist aesthetics through the robust yet carefully considered construction. The solid oak top is thick and slightly contoured, with softened edges that introduce a subtle organic quality to an otherwise rectilinear form, and an ergonomic cutout. Beneath, the base is composed of vertical supports connected by horizontal stretchers, creating a grounded structure. The architectural portico base is connected by solid crossbeams, where the joinery is clearly expressed, each connection contributing to both the strength and the visual identity of the piece. This detail is a testament to the high level of craftsmanship and brutalist influences. At the same time, the open space between these elements ensures that the design does not feel heavy, despite the mass of the material. The natural grain of the oak remains visible across all surfaces, adding depth to the otherwise restrained composition.
This desk maintains a strong presence rooted in its quality, but most of all, it represents a deeply functional piece of furniture. It balance of weight and refinement makes it perfect to serve a practical but elegant workspace.
Condition:
In good vintage condition. Wear consistent with age and use. The desk has recently been reconditioned and showcases a beautiful grain pattern. Due to the nature and age of the wood, the item has minor marks and scratches, and may show slight discolouration.
Dimensions:
49.40 in W × 32.67 in D × 30.31 in H
125.5 cm W x 83 cm D x 77 cm H