Pair of Grethe and Jørgen Duedahl-Larsson Stoneware Table Lamps, Denmark Mid-20th century (sold)


































Pair of Grethe and Jørgen Duedahl-Larsson Stoneware Table Lamps, Denmark Mid-20th century (sold)
In the European design landscape of the mid-20th century, Brutalism emerged as a distinct architectural and artistic movement, influencing not only buildings but also furniture and interiors. Brutalism proudly showcases raw, imperfect materials, bold forms, and a prioritisation of function over adornment. Favouring unfinished materials and sculptural forms, it celebrates the imperfect appeal of handmade items.
The essence of Brutalism is captured in the design of this pair of Grethe and Jørgen Duedahl-Larsson table lamps. Both visually and technically, these pieces celebrate the inherent beauty of the material and the boundless creativity of skilled craftsmanship. The pieces feature a uniquely shaped sculptural body crafted from stoneware, a type of ceramic known for its durability and textured finish. The lamps have a bottle-shaped base, decorated with unique embellishments. From all angles they have something of interest to offer visually, as their pattern is asymmetrical. The three dimensional ridge-like pattern contrasts the muted tone of the lamp body with its saturated dark tone. The stoneware bodies, with textured graphic patterns in relief, combine the era's affinity for natural materials with an emphasis on sculptural details, making this model both a lighting source and a decor element. Through the combination of their strong body and light shade, both in colour and material, the lamps command attention without overpowering a space. The sculptural base narrows towards the top, combining the unique features with traditional elements.
These table lamps command attention in any room, both of them as individual pieces, but even mores as a pair. The lamps tread a fine line between art and design; they are not just a functional object but a piece of decor that encapsulates the earthy, organic aesthetic of mid-20th century European design.
SOLD
Condition:
In good vintage condition. Wear consistent with age and use. The shades are a later replacement.
Dimensions:
16.1 in ⌀ x 23 in H; Base 8.26 in ⌀
41 cm ⌀ x 58.5 cm H; Base 21 cm ⌀
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Price category: 2,500 - 5,000 usd / eur
Niels Rasmussen Thykier was a Danish lighting designer whose works combined carefully considered proportions with traditional materials and the restrained aesthetic associated with Danish modernism. This model “T3 Minor” table lamp, designed during the 1930s, is a delightfully distinctive model. Its combination of forms shows how a relatively simple construction can achieve a strong decorative presence.
The structure is made primarily of metal, with a dark patinated finish that contrasts beautifully with the light-coloured fabric shade. The lamp has a slender, straight stem supported by a low circular base, giving it a light and elegant profile. A short cylindrical fitting connects the stem to the shade, maintaining the clean vertical lines of the construction. The shade is undoubtedly the most distinctive element of the design, with its broad, shallow conical shape and gently curved edges. Its unusual profile is further emphasised by the smaller dark metal cap at the top, which creates a striking contrast with the natural fabric below. The pairing of the metal body and fabric shade creates an interesting textural effect, while the contrast between the narrow stem and the wide horizontal shade gives the lamp a particularly well-balanced appearance. Thanks to the great sense of proportions and carefully considered details, the model is perfectly balanced visually. When illuminated, the fabric softens the light, while the broad shade directs a warm glow downward, creating the comfortable atmosphere associated with Scandinavian lighting.
Apart from its aesthetics, the quality of this table lamp is also representative of the craftsmanship associated with Danish lighting manufacture. Its qualities make it appealing for intimate interiors and reading areas, yet able to complement whatever room it finds itself in.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade was custom made by our in-house atelier. Due to the nature and age of the materials, the item has some marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
14.37 in ø x 18.11 in H
36.5 cm ø x 46 cm H
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Price category: 2,500 - 5,000 usd / eur
Mid-century Danish design is celebrated for its clarity of form, refined material use, and quiet sophistication. Throughout the mid-20th century, Danish designers like Svend Aage Holm-Sørensen focused on creating objects that were as functional as they were elegant, emphasising proportion, restraint, and craftsmanship. Lighting in particular became a defining element of this era, with a focus on design that brought warmth and atmosphere into everyday interiors.
This floor lamp is attributed to Svend Aage Holm-Sørensen. He was a Danish designer best known for his wide collection of light fixtures. As a licensed ornamental metalworker, Holm-Sørensen started his design career in the 1950s, and many of his designs feature metal surface with different ornaments and perforations. The lamp featured three slender brass stems that rise from a compact conical base before coming to the mid-point to transition into two stems branching outward. The wooden element introduces a warm touch, complementing the metals. Each arm terminates in an individually adjustable brass neck, allowing the fabric shades to be directed independently for reading, accent, or ambient lighting. The contrast between the warm brass, dark lacquered base, and textured fabric shades gives the lamp visual richness while remaining understated.
Holm-Sørensen’s work consistently balanced precision and character, and this piece reflects that philosophy. It honours the Scandinavian tradition that valued craftsmanship as much as innovation. The timeless simplicity of this design allows it to integrate into both contemporary and vintage interiors, standing as a testament to the enduring refinement of Danish mid-century lighting design.
Condition:
In good vintage condition. Wear consistent with age and use. The floor lamp has recently been rewired and reconditioned. The shades were custom made by our in-house atelier. The item has some marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
29.52 in W x 15.94 in D x 56.49 in H
75 cm W x 40.5 cm D x 143.5 cm H
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Price category: 5,000 - 7,500 usd / eur
Kähler Keramik, founded in Næstved in 1839, became one of the defining names in Danish studio ceramics through its combination of traditional craftsmanship and artistic experimentation. The sons of Herman H.C. Kähler, Nils and Herman, took over the Kähler family’s ceramic business in the 1940s. The two brothers began their careers as designers, but Nils quickly assumed control of the artistic direction. Nils Kähler was celebrated for his ability to translate traditional pottery techniques into modern forms that resonated with mid-century sensibilities, producing stoneware that emphasised sculptural form, richly developed glazes and hand-worked surface decoration.
Produced during the 1950s, this pair of lamps is a refined example of Danish ceramic design where craftsmanship and material experimentation meet functionality. Each lamp features a tall, finely proportioned stoneware base where the shape moves from a compact cylindrical foot into a long tapering neck. The eye-catching lower sections are covered in a rich blue glaze, thick, deep and full of colour nuances, with subtle diagonal ridges giving the bases a great amount of texture. The glossy blue surfaces highlight Kähler’s artistic touch, while the unglazed clay above has a rough, almost rusty feel that contrasts strongly with the rich glaze below. Each lamp rises into the fitting through the long straight neck. Wide scalloped fabric shades complete the composition, their gently undulating lower edges echoing the rounded ceramic bases and giving the pair a warm, inviting feel. When illuminated, the soft light accentuates the tones of the exposed stoneware and the depth of the blue glaze.
As a pair, the lamps represent the strengths of Danish mid-century design, where simplicity allowed material, form and light to shine. With their ties to Kähler’s ceramic tradition, they offer a blend of artistry, craftsmanship and everyday usability. Stylish yet understated, these lamps stand as a refined expression of Nils Kähler’s design legacy, with the richly glazed ceramic bases and warm scalloped shades giving them a particularly strong presence when placed together.
Condition:
In good vintage condition. Wear consistent with age and use. The table lamps have recently been reconditioned and rewired. The shades are a later replacement. Due to the age and nature of the material, the lamps may have marks, scratches, and discolouration. These lamps are compatible with E26 / E27 (standard) fittings. All lighting can be converted for US usage.
Dimensions:
15.75 in ø x 21.65 in H
40 cm ø x 55 cm H
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Price category: 2,500 - 5,000 usd / eur
Danish lighting of the 1950s was closely tied to the functional principles of Scandinavian modernism, with designers gave particular attention to flexibility, compact construction and the quality of light within an interior. Wall-mounted fixtures were particularly suited to this approach, freeing surrounding surfaces while allowing illumination to be positioned where needed. This wall lamp reflects the Danish Modern philosophy through its graceful lines, adjustable construction and carefully balanced combination of materials.
The defining feature of the lamp is its long, sinuous metal arm. From a narrow vertical wall mount, the black lacquered structure extends outward through a sequence of elegant bends, creating a pronounced linear silhouette before reaching the shade. Along the arm there are pivot points, making the changing geometry of the structure one of the lamp’s most distinctive visual features. The hinges are subtle and integrated into the design, while small polished brass fittings punctuate the dark metal and draw attention to the points of articulation. At the end, the arm extends horizontally to support a broad tapered fabric shade. Its natural woven surface contrasts beautifully with the black lacquered structure, while the polished brass fitting above provides a warm transition between the two materials. The shade filters the light, producing a soft, atmospheric glow that enhances the comforting character of the design. Seen against the wall, the sequence of curves and straight lines gives the lamp a strong graphic rhythm, transforming its adjustable mechanism into an important part of its visual character.
The generous reach and multiple adjustments make this lamp particularly appealing beside a sofa, reading chair or bed, where it can provide focused illumination without occupying any floor or table space. At the same time, the articulated arm gives it a strong presence even when switched off. Its combination of flexibility, warm light, contrasting materials and expressive lines gives the lamp both the practicality and character associated with Danish mid-century lighting.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Some minor marks on the metal. Due to the nature and age of the materials, the item may have scratches and discolouration. All lighting can be converted for US usage.
Dimensions:
11.81 in W x 31.29 in D x 11.81 in H
30 cm W x 79.5 cm D x 30 cm H
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Price category: 2,500 - 5,000 usd / eur
20th century Danish design emerged as a golden era where form seamlessly intertwined with function, giving rise to creative and unique pieces that continue to captivate contemporary sensibilities. Designers from the region like Nis Stougaard brought a refreshing breath of innovation to modern ceramic design.
Meticulously crafted, this table lamp showcases the incredible skill and talent of the attributed designer, Nis Stougaard. The sculptural form takes inspiration from nature, having an organic, fluid look. Surpassing strict functionality, it is a whimsical representation of the innovative experimentation in Danish lighting design. What makes this lamp particularly appealing is the contrast between its restrained form and its highly expressive materiality. The silhouette is simple, yet the surface reveals layer upon layer of visual interest through texture, colour, and craftsmanship. The lampshade’s drum shape contributes to this look as well, while it also balances out the thick stoneware body. The fabric of the shade is quite textural with an elegant and stylish look that stands out even more when the lamp is lit. Combined with the stoneware, the design offers a variety of points of visual interest.
The overall aesthetic of this piece is essentially Nordic modern thanks to the combination of interesting materials, texture and a design inspired by nature. This table lamp feels unique, yet comfortingly familiar, being the perfect addition when it comes to interior decor.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Minor scratches. Due to the nature and age of the materials, the item may have marks, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
19.69 in ø × 17.91 in H
50 cm ø x 45.5 cm H
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Price category: 5,000 - 7,500 usd / eur
This pair of table lamps was designed by Danish artist Einar Johansen and produced by Søholm Stentøj. The manufactory was one of the oldest names in Danish ceramics, founded in Rønne on the Baltic island of Bornholm in 1835 and remaining in production until 1996. Johansen trained as a painter at the Royal Danish Academy of Fine Arts in Copenhagen, an artistic background that is evident in the strong use of colour, relief and surface throughout his ceramic work.
Each lamp has a compact stoneware body covered in a richly varied glaze of deep blue, brown and golden highlights. The surfaces are adorned with distinctive decorative elements on the body, displaying sculptural motifs shaped like fluted steps running down the sides and creating separated sections. Glaze gathers differently across these ridges and recesses, allowing it to emphasise the depth of the decoration. The rounded bodies taper at the necks, creating a clear transition between the dense ceramic bases and the broad shades above. Both lamps are paired with wide fabric shades in a warm natural tone. Their visible texture and softly diffused light complement the strong ceramic surfaces below. The overall aesthetic is essentially Nordic modern thanks to the combination of interesting material choices and a design that feels organic and natural.
During the middle of the twentieth century, Einar Johansen created a wide range of stoneware for Søholm that combined functional forms with a distinctly artistic treatment of ceramic surfaces. Presented as a pair, these lamps have an especially strong decorative presence; they are not just functional objects but pieces of art that encapsulate the organic aesthetic of mid-20th century design.
Condition:
In good vintage condition. Wear consistent with age and use. The lamps have recently been rewired and reconditioned. The shades are later replacements. Due to the nature and age of the material, the items may have some marks, scratches, and discolouration. These lamps are compatible with E26 / E27 (standard) fittings. All lighting can be converted for US usage.
Dimensions:
13.98 in ø × 17.91 in H
35.5 cm ø x 45.5 cm H
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Price category: 2,500 - 5,000 usd / eur
Fridtjof Sejersen founded Sejer Keramik in 1943 after purchasing Middelfart Lervarefabrik. Chamotte stoneware became an important part of his later work, allowing him to develop heavily textured surfaces and more sculptural forms; surviving Sejer Keramik lamps from the 1960s and 1970s frequently use this coarse ceramic body together with relief decoration and varied glazes.
Rather than pursuing strict minimalism, Sejersen’s pieces emphasise depth, surface variation, and a bold handmade charm, giving them a strong presence while remaining rooted in mid-century design. This table lamp has a compact, strongly defined chamotte body built around two contrasting sections. The lower segment is broad, with rounded corners and a dark brown surface adorned by irregular specks, characteristic of the material. The base turns into a narrower neck that tapers inward creating a clear transition to the shade above. The rough chamotte remains visible throughout. A small recessed rectangular motif sits centrally at the front where the neck meets the shoulder, providing a single geometric detail within an otherwise undecorated upper section. Above, the broad conical fabric shade extends past the body. Its sharp, low profile contrasts with the thick, irregular surface of the chamotte, while the narrow neck creates enough separation for the ceramic form to remain clearly visible beneath it.
As a piece, this lamp works beautifully in interiors that value character and material honesty. It adds texture to a room, whether placed on a side table, shelf, or desk, and pairs easily with both modern and more traditional furnishings. Beyond its practical use, it represents a moment in Danish design where studio ceramics and functional objects came together seamlessly.
Condition:
In good vintage condition. Wear consistent with age and use. The table lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the age and nature of the chamotte, the lamp may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.
Dimensions:
16.54 in ø x 15.75 in H
42 cm ø x 40 cm H
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Price category: 2,500 - 5,000 usd / eur
Jo Hammerborg was closely associated with the transformation of Danish lighting manufacturer Fog & Mørup during the post-war period. He joined the company as head of design in 1957 and remained there until 1980, developing numerous lighting models during those years. Under his direction, Fog & Mørup grew as one of the largest lighting manufacturers in Denmark in the 20th century, creating great models, such as this floor lamp.
The “Kardinal” lamp was designed in 1960s, placing it within Hammerborg’s productive time as a director of Fog & Mørup. The piece has a slender construction, with a vertical stem rising from a geometrical square base. Wood is the dominant material, giving both the base and stem a warm surface, that shows the natural grain of the material. Copper elements intertwine with the wood in interrupted sections and create a lovely juxtaposition of materials, tied in by the similar tonal palette. The square base is bold enough to provide visual weight that anchors the otherwise narrow structure. At the top, the stem terminates in a compact textile shade. The simple geometry of the form continues the effect created by the base. Rather than using an elaborate structure, Hammerborg kept the components visually straightforward, allowing visual proportion and material quality to define the lamp.
With over a century of heritage, Fog & Mørup continues to illuminate homes with its unique blend of Danish ingenuity and timeless elegance, and the “Kardinal” lamp demonstrate why. Its design is clear and elegant, while its simplicity allows it to integrate seamlessly into a variety of spaces.
Condition:
In good vintage condition. Wear consistent with age and use. The floor lamp has recently been rewired and reconditioned. The shade was custom made by our in-house atelier. Due to the age and nature of the materials, the lamp may have marks, scratches, dents, and discolouration. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.
Dimensions:
12.01 in W x 12.01 in D x 62.40 in H
30.5 cm W x 30.5 cm D x 158.5 cm H
About the designer:
Danish designer Jo Hammerborg (1920–1982) was one of the defining figures of mid-century Scandinavian lighting. Originally trained as a silversmith, Hammerborg studied at the Royal Danish Academy of Fine Arts before spending eight years at Georg Jensen, where his understanding of metalwork, proportion and craftsmanship took shape. In 1940-45 he participated in Denmark’s resistance and struggle for freedom as a saboteur.
Afterwards, Hammerborg returned to design, and in 1957, became chief designer at Danish lighting manufacturer Fog & Mørup. Under his direction, the company entered its most creative and commercially successful period. A prolific designer with a sharp eye for detail, Hammerborg created more than 180 lamps, combining sculptural forms with a careful understanding of how light interacts with metal and space. His silversmith background is evident throughout his work. Clean silhouettes, organic curves and precisely worked surfaces in materials such as brass, copper and aluminium gave his lamps a distinctly refined character. Designs such as the Orient pendant capture this approach particularly well: elegant and understated, yet unmistakably sculptural.
Hammerborg was as adventurous outside the studio as he was inventive within it. He was an active and very versatile athlete who, was also a pioneer in parachuting and flying. He died in a skydiving accident in 1982 at the age of 62. Today, his lighting remains highly sought after, securing his place among the most distinctive names in Danish mid-century design.
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Price category: 2,500 - 5,000 usd / eur
This table lamp was designed by the brilliant Danish artist, Einar Johansen, and produced by Søholm Stentøj (Søholm Stoneware), a pottery studio located on the island of Bornholm. Johansen was a leading Danish ceramic designer of the mid-20th century. He originally trained as a painter at the Royal Danish Academy of Fine Arts in Copenhagen where he honed his artistic skills before his employment at Søholm Stentøj.
This model “1052” table lamp features a striking ceramic base defined by geometric facets that create a strong, architectural form. The sharp angles, combined with the rich colour of the ceramic remind almost of a raw crystal or precious stone. The rich blue glaze introduces depth and tonal variation across the surface. Subtle shifts in colour emphasise the handmade character of the piece, striving to transmit the unique charm of the piece. The wide conical shade complete the look, its wide form balancing the body and ensuring that the glow is distributed beautifully throughout any room the lamp is placed in. The lamp reflects the Scandinavian ability to combine bold form with restrained elegance. With its playful design and intriguing glazing technique the table lamp provides plenty of visual interest.
Danish ceramic design of this period balanced functional clarity with artistic individuality to elevate everyday objects. The pieces that came as a result continue to impress to this day. Timeless and expressive, this table lamp works effortlessly as both a functional light source and a decorative accent.
Condition:
In good vintage condition. Wear consistent with age and use. The table lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the age and nature of the material, the lamp may have marks, scratches and discolouration. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.
Dimensions:
19.68 in ø x 23.62 in H
50 cm ø x 60 cm H
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Price category: 2,500 - 5,000 usd / eur
Jette Hellerøe was among the ceramic artists who collaborated with the Danish workshop Axella during the 1970s, a period when studio pottery played an increasingly important role in Scandinavian interior design. Axella's production focused on handcrafted stoneware with expressive glazes and decoration, translating the qualities of studio ceramics into functional objects for the home. Hellerøe's designs are characterised by their sculptural forms and carefully worked surfaces, making each lamp unique in its own right.
The piece features a slender, tapering ceramic base with a richly textured glaze. Its surface features tonal variations and a lovely abstract pattern. The base of this piece features decorative motifs which greatly add to the visual interest while also adding depth. This design reflects the approach that an object can be utilitarian yet still anchored in the artistic ceramic traditions that defined Danish craft throughout the mid-20th century. The fabric shade introduces a layer of warmth, diffusing the light into an ambient glow that complements the ceramic below. The earthy tones, ranging from muted browns to softer, lighter hues, reinforce the natural character of the ceramic, allowing the glaze to complement the texture rather than dominate it. What gives this lamp its presence is the way it feels anchored without appearing heavy. The form is simple, yet the surface carries enough detail to hold attention. Whether placed on a side table or console, its material qualities can be appreciated without needing excess ornament to stand out.
Jette Hellerøe’s designs represent the bulk of Axella’s pieces, and lamps like this one demonstrate why her career was so successful. From the carefully modelled ceramic body, tactile relief decoration, and balanced proportions, the lamp is a perfect example of the Scandinavian ceramic tradition.
Condition:
In good vintage condition. Wear consistent with age and use. The table lamp has recently been reconditioned and rewired. The shade is a later replacement. Due to the age and nature of the ceramic, the table lamp may have marks, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
13.78 in ø x 11.02 in H
35 cm ø x 28 cm H
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Price category: 2,500 - 5,000 usd / eur
Jette Hellerøe belongs to the generation of Danish ceramicists who expanded the role of studio pottery during the 1960s and 1970s, bringing hand-thrown stoneware into functional objects for the home. She produced numerous designs for Axella, a Danish workshop founded in the 1970s. Her work for the manufacturer is particularly associated with lamps and other stoneware forms whose surfaces became an important part of their design.
Model “631,” produced during the 1970s, is an Axella design executed in stoneware with a stand-out organic relief decoration. The lamp has a rounded stoneware body that narrows sharply as it transitions into a tall, slender neck. Across the lower section, Hellerøe worked the surface with large flowing carvings that resemble leaves, spirals and curling botanical forms. Recessed outlines separate the motifs while allowing a rich blue glaze to lay within the ridges. The tonal contrast carries on to the neck, which is left unglazed, exposing the chamotte clay, giving the surface an earthy depth and making the relief particularly pronounced. Above, the tall fabric shade expands upwards and outward adding visual substance to the piece. Its simple profile balances the weight of the ceramic base, while the warm diffused light brings out the irregularities of the glaze and the shadows within the relief.
The model “631” has the presence of a ceramic artwork while remaining a functional source of ambient light. The lamp holds enough character to shine on its own on a console, side table or bedside cabinet, as a particularly expressive example of Hellerøe’s work for Axella and of the tactile character associated with Danish ceramics of the 1970s.
Condition:
In good vintage condition. Wear consistent with age and use. The table lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the age and nature of the stoneware, the lamp may have marks, scratches and discolouration. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.
Dimensions:
15.94 in ø x 23.82 in H
40.5 cm ø x 60.5 cm H
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Price category: 5,000 - 7,500 usd / eur
Floor lamps produced throughout Scandinavia in the mid-twentieth century often explored different material combinations while maintaining the restrained forms associated with modern design. The main principles of Danish Modernism centred around simplicity, functionality and craftsmanship, with natural materials playing an important role in the overall appearance. This floor lamp follows these principles while offering plenty of visually arresting qualities.
The combination of wicker, brass and pine gives the piece a subtle warmth, creating an aesthetic that blends traditional craftsmanship with the functional character of Scandinavian lighting. The lamp’s material choice gives it a distinctive appearance, with the slender structure creating a light and elegant silhouette. The circular wooden base supports a long, narrow stem that rises vertically before curving forward in a pronounced arch to hold the striking shade. The stem is wrapped in wicker, adding an element of texture and warmth to its otherwise simple form. Its natural colour complements the pine base and contrasts beautifully with the shade. The curve allows the light to extend outward while giving the lamp a graceful, organic profile. Not only is the stem remarkable, but the conical shade stands out as well. Its broad shape is formed from brass, with a tapered upper section and a wide opening that directs the illumination downward. The warm golden material reflects the light, creating a cosy effect in a room. The contrast between the fine wicker-wrapped stem and the substantial metal shade gives the design a strong visual balance. The craftsmanship involved in creating this piece is evident in the careful transitions between materials and the attention to detail.
Through the use of a unique silhouette paired with natural materials, the maker of this lamp achieved an appealing combination of traditional craftsmanship and modern design, not forgetting practicality. This floor lamp has the capacity to anchor and define the surrounding space, making it an excellent addition to a living room or reading area.
Condition:
In good vintage condition. Wear consistent with age and use. The floor lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the item has marks, scratches, dents and discolouration. This lamp is compatible with an E26 / E27 fitting. All lighting can be converted for US usage.
Dimensions:
35.03 in W x 13.38 in D x 62.20 in H
89 cm W x 34 cm D x 158 cm H