Set of Six Brutalist Solid Oak Dining Chairs, Europe 1960s
Set of Six Brutalist Solid Oak Dining Chairs, Europe 1960s
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Price category: 5,000 - 7,500 usd / eur
In the European design landscape of the mid-20th century, Brutalism emerged as a distinct architectural and artistic movement, influencing not only buildings but also furniture design. The 1960s witnessed the rise of Brutalist furniture pieces, often showcasing the marriage of raw, organic materials and sculptural forms. Today, this style has made a remarkable comeback, capturing the essence of a bygone era while still resonating with contemporary sensibilities.
As we find ourselves in a design era that embraces the nostalgia of the mid-20th century, Brutalist furniture is experiencing a resurgence. Its bold, unapologetic aesthetic resonates with those seeking a departure from the sleek minimalism of recent years. This set of six Brutalist solid oak chairs serves as both a homage to the past and a testament to the timeless allure of Brutalist design. Brutalism, characterized by its bold use of raw and rugged aesthetics, found its way into furniture design during an era marked by experimentation and rebellion against traditional norms. The desire for honest, unadorned materials and the celebration of craftsmanship drove the popularity of Brutalist furniture in much of Europe. Oak, a sturdy and resilient hardwood, became the most favoured choice for creating these robust pieces that reflected the movement's ethos. This set of six solid oak dining chairs from the 1960s stands as a prim example to the enduring appeal and adaptability of this design language in contemporary times and spaces. Crafted with precision and showcasing high-quality wooden joinery techniques, these chairs exemplify the commitment to craftsmanship that defined Brutalist furniture above all else. The oak, with its natural grains and warm tones, becomes a canvas for the subtle sculptural details that adorn these armchairs, highlighting the beauty of simplicity.
What sets these armchairs apart is not just their aesthetic appeal but also the ingenious use of joinery in these chairs is noteworthy, contributing to the structural integrity of the pieces. This integration of form and function exemplifies the essence of Brutalism—design with a purpose.
Condition:
In good vintage condition. Wear consistent with age and use. Some minor scratches and marks on the wood.
Dimensions:
25.19 in W x 19.88 in D x 33.07 in H; Seat height 18.89 in; Arm height 24.4 in
64 cm W x 50.5 cm D x 84 cm H; Seat height 48 cm; Arm height 62 cm
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Price category: 5,000 - 7,500 usd / eur
This set of four pine dining chairs embodies the warmth and clarity that defined Nordic mid century design. Rooted in a philosophy that valued honest materials and practical construction, Scandinavian modernism focused on everyday functionality while maintaining a strong visual identity. Designers across Denmark, Sweden, and Finland favoured native woods such as pine for its availability, durability, and expressive grain. The result was furniture that felt approachable and grounded, yet carefully considered in proportion and detail.
These chairs reflect that tradition through their straightforward silhouettes and subtle shaping, demonstrating how modest forms can achieve lasting character. Each chair features a pine frame with a gently rounded seat and tapering legs that provide both stability and visual lightness. The backrests are made out of slender vertical spindles supporting a shaped top, slightly curved for comfort and ergonomic support. The natural grain of the pine is clearly visible throughout, adding warmth and texture without the need for additional ornamentation. The seats have smooth contours, making them suitable for dining use, and their compact nature allows them to fit easily around a variety of table sizes.
Versatile and well-crafted, this set’s restrained design can integrate seamlessly into both traditional and contemporary interiors. The combination of honest craftsmanship, functional comfort, and proportions makes this set a good and charming addition to any setting that values Scandinavian design principles.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the wood, the chairs may have minor cracks, scratches, and discolouration.
Dimensions:
15.35 in W x 15.55 in D x 34.25 in H; Seat height 18.11 in; Seat depth 15.55 in
39 cm W x 39.5 cm D x 87 cm H; Seat height 46 cm; Seat depth 39.5 cm
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Price category: 2,500 - 5,000 usd / eur
Swedish architect and furniture designer Axel Einar Hjorth served as the lead designer for Sweden’s Nordiska Kompaniet department store from 1926 to 1938. During this time, Hjorth designed the “Sportstugemöbler” series (which translates to “sports cabin furnishings”), a collection of wooden furniture designed for country homes. The various models in the sportstugemöbler series took their names from the Stockholm archipelago – including Blidö, Lovö, and famously, Utö.
The ‘Utö’ chair was designed in 1932 as part of the collection. Unlike the department store's interiors for floors and villas in the cities, the ‘Utö’ design had a simple character with robust and minimalist basic shapes in solid pine. Accordingly, the design of this chair focuses on clean lines and the material itself. Made of pine wood, the chair is strong, reflecting Hjorth’s principles according to which he mixed the ideals of the modernist movement with provincial Swedish traditions, producing a unique and primitive modernism. It demonstrates a conscious construction aesthetic, where the joinery and fittings related to traditional craftsmanship are emphasized. Dominated by rounded, yet defined lines, the chair has a spindle backrest and ergonomically carved seat. The design eludes harmony and stability, fitting the summer cabin concept perfectly.
Hjorth's aesthetic alludes to both the traditional simplicity of the common people and the radical aesthetics of international modernism. The ‘sports cottage furniture’ that this dining chair is part of also had an influence on the designer’s contemporaries and inspired Carl Malmsten, among others. In an international perspective, Hjorth's “sportstugemöbler” series was the forerunner of later pioneering designers such as Charlotte Perriand. It is therefore no surprise that the ‘Utö’ chari became part of Swedish and international modernist design history. In their time, the pieces of the Utö collection may have appeared as pioneering and radical, but today they are viewed as status symbols in interiors of international character.
Condition:
In good vintage condition. Wear consistent with age and use. Some marks and stains on the wood.
Dimensions:
18.89 in W x 18.3 in D x 31.49 in H; Seat height 16.92 in
48 cm W x 46.5 cm D x 80 cm H; Seat height 43 cm
Literature:
Christian Bjork, Thomas Ekstrom and Eric Ericson, 'Axel Einar Hjorth: Mobelarkitekt', Stockholm, 2009, p.130
About the designer:
Axel Einar Hjorthwas born in a small Swedish village named Krokek, just outside Norrköping, on March 7, 1888. At the age of 20, he moved to Stockholm to study architecture and design at the Högre Konstindustriella Skolan.
Although he never graduated, in the 1920s Hjorth started working as a furniture designer for various manufacturers, such as H. Joop & Co., Myrestedt & Stern, Jonssons, and Nordiska Kompaniet. Hjorth’s designs from this period had neoclassical features combined with Swedish Grace. This romantic national style of Sweden was elegant and refined, yet simple. The anniversary exhibition of 1923 in Gothenburg marked the breakthrough of Swedish decorative arts, and made Axel Einar Hjorth a well-respected artist. From October 1926, Hjorth became the chief designer and architect of Nordiska Kompaniet department store in Stockholm. In the 1930s, Hjorth designed a furniture collection out of pine meant for serial production known as Sportstugemöbler (furniture for holiday houses).
Hjorth’s designs, from the luxury of neoclassicism to the severity of functionalism, are sharply distinctive in style, materials, and character. Unlike many of his contemporaries, Hjorth did not conform to the socially oriented ideas produced by Svensk Form (the Swedish Society of Crafts and Design). He played a significant role in the development of Swedish society as a whole, and particularly in Swedish industrial art
Today Hjorth is often viewed as a precursor to the modern designs popularized by Charlotte Perriand, Jean Royére, Pierre Chapo, or Josef Frank. Recently, there has been a revival of appreciation for his work, showing his genius in a new light.
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Price category: 5,000 - 7,500 usd / eur
Produced in 1923, this set of four “Bungalow” dining chairs by Nordiska Kompaniet is a true testament of early 20th century Scandinavian design principles, highlighted by the chairs’ quiet simplicity and quality materials. The vision and aim of Nordiska Kompaniet, a leading Swedish manufacturer since 1902, was to focus on innovative, forward-thinking designers to create pieces that would elevate Stockholm internationally and rival the grandness of Paris.
Made of premium quality wood, the set references the natural materials that are in abundance in the deep forests of Sweden, covering more than three-fifths of the country. With the designer’s choice of combining different materials, the open structure of the rattan seats adds lightness and airiness to the chairs, perfectly balancing out their durable birch structure. Beautifully woven, the rattan is placed neatly and creates a comfortable seating experience. The carved elements at the end of the front legs, as well as an inward ring just below the rattan seating, adds to the quiet charisma of the chairs. The two back legs, which tilt gently, continue a line into the backrest that is completed by two cross-rails that support the sitter. The precious details in the birch grain of each chair are wonderfully unique, while the set still projects cohesion due to its warm-toned hues and colours. The smooth, clean finish of the chairs brings forth a refined and elegant appearance into the space they occupy.
The classic design of this set is suitable for a variety of interiors; whether placed around the dining table or used individually, these chairs offer a sophisticated and distinct blend of style and comfort, inviting the sitter to slow down and rest.
Condition:
In good vintage condition. Wear consistent with age and use.
Dimensions:
17.91 in W x 19.68 in D x 33.07 in H; Seat height 18.11 in; Seat depth 16.14 in
45.5 cm W x 50 cm D x 84 cm H; Seat height 46 cm; Seat depth 41 cm
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Price category: 5,000 - 7,500 usd / eur
Ole Wanscher was a leading figure in Danish and Scandinavian design, as was his mentor, the legendary Kaare Klint, renowned to be the “father” of modern Danish furniture design. Together, they made significant achievements in redefining classic forms. Drawing inspiration from human anatomy, his developments influenced the concept of Scandinavian modernism as we know it today. Wanscher’s contribution to the field is widely acknowledged as he acquired his skills at the esteemed Det Kongelige Danske Kunstakademi - Billedkunst Skolerne in Copenhagen.
The post-war era, especially the period spanning from 1940 to 1960 resembled the golden age of Danish furniture, and was when Wanscher created his most well known works. CADO, a quintessential symbol of Danish craftsmanship, embodies the essence of functional elegance, with each piece they manufacture reflecting a commitment to the design era. This set of dining chairs retains the cherished Danish modernist traits, such as simplicity and functionality, while also reflecting an ongoing precise focus on quality materials and artistry care. The allure of these dining chairs lie in the detailed backrests with two horizontal slats and an elegant dovetail connection. The structure creates an airy and rhythmic look, further complemented by the legs’ thin figure and slight inward bend aligning perfectly with the flow of the backrest. The intricacies of the wood provides a visual richness, with its polished surface revealing a range of brown tones that shift and dance in response to light and surrounding reflections. This set has been reupholstered recently in a premium fabric, which provides ample comfort and softness. The gorgeous deep green colour of the upholstery covering the cushions contributes to the uniqueness of the chairs, evoking the soft texture of moss nestled among forest trees.
The set seamlessly blends traditional precision with modern innovation, where each chair not only serves a functional purpose but also stands as a timeless work of art. With its meticulous attention to detail and premium quality wood, this set is beautiful and harmonious, and would make a charming addition to a variety of interior decor styles.
Condition:
In good vintage condition. Wear consistent with age and use. The seats have been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
19.88 in W x 21.06 in D x 31.49 in H; Seat height 18.89 in; Seat depth 16.53 in
50.5 cm W x 53.5 cm D x 80 cm H; Seat height 48 cm; Seat depth 42 cm
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Price category: 2,500 - 5,000 usd / eur
Featuring clean forms without exaggeration, this set highlights the quality of work produced at Nordiska Kompaniet in the early 20th century. They are crafted from pine - a valuable material used in furniture manufacturing thanks its natural grain that guarantees that each piece is unique. This characteristic is especially important in the case of this set of four, as each chair is unique, but together they still form a gorgeous set.
Humble in their material and design, the chairs draw attention thanks to their distinctive look and personality. The construction strips back the unnecessary, showcasing only essential elements. The pine wood is left in its natural form as much as possible, while also prioritising functionality and longevity. Pine furniture has been favoured in Scandinavia for centuries and we are witnessing a contemporary renewal of interest and appreciation for it as well. While they showcase deliberate plainness, these chairs still have a welcoming look. The sole form of ornamentation in the design is found in the backrests of each chair where two planks of wood are constructed into a ‘T’ shape, creating an airy look. The high backs and seats also provide plenty of surface to expose the beauty of the wood. Furthermore, the ingenious use of joinery in these chairs is noteworthy, highlighting the structural integrity of the pieces.
These chairs are in line with the Swedish ideals of functional furniture. However, they also portray a sense of tranquillity that is unique to Scandinavia. This set is sure to bring this sense to any space while providing stability, sitting comfort, and natural beauty via its material.
Condition:
In good vintage condition. Wear consistent with age and use. Some marks and cracks on the wood.
Dimensions:
Pair with arms:
19.48 in W x 20.07 in D x 36.02 in H; Seat height 16.73 in; Seat depth 17.51 in; Arm height 26.77 in
49.5 cm W x 51 cm D x 91.5 cm H; Seat height 42.5 cm; Seat depth 44.5 cm; Arm height 68 cm
Pair without arms:
16.73 in W x 16.92 in D x 36.02 in H; Seat height 16.73 in; Seat depth 14.56 in
42.5 cm W x 43 cm D x 91.5 cm H; Seat height 42.5 cm; Seat depth 37 cm
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Price category: 5,000 - 7,500 usd / eur
This rare set bears the unmistakeable oak structures created Danish designer and craftsman, Henning Kjaernulf with the distinctive “razorblade” backs. This set was manufactured by the Danish company, Nyrup Møbelfabrik during the 1970s and has an elemental, brutalist look from a mature era of Scandinavian design.
It is easy to see where the nickname of these chairs stem from. The slightly curved backrests have decorative razorblade-shaped cutouts, an unparalleled design feature. The chairs are visually stimulating, featuring both angular and rounded shapes. The scalloped pattern is mirrored in the seats as well, tying in the rest of the structures to the backs. The style and shape of the seats and legs have a much more pared down look that relies on the natural beauty of the oak. The backs have a unique, arched shape formed by the elongated back legs that near each other towards the top. Thanks to the seamless joinery, there are no visible screws, making the chairs effortlessly elegant. While the high level of craftsmanship is evident from afar as well, the smaller details become evident upon closer inspection. The carefully sculpted seats, the hand carved backs accommodating the backrests, and the scalloped details all speak tales of Danish craftsmanship and its preference for high quality woods with stunning natural qualities.
With a commitment to combine tradition and modernity, this rare set is a timeless classic composed of heirloom pieces from Henning Kjærnulf’s more mature design era that is more streamlined without the Baroque-like features. The chairs’ features are greatly enhanced when they are put together, and thanks to the hand carved details, no two of the six chairs are perfectly identical, making this a truly unique dining set.
Condition:
In good vintage condition. Wear consistent with age and use. Some small marks and scratches on the wood.
Measurements:
With armrests:
18.11 in W x 20.47 in D x 35.03 in H; Seat height 17.32 in
46 cm W x 52 cm D x 89 cm H; Seat height 44 cm
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Price category: 5,000 - 7,500 usd / eur
Wood is the most traditional material for furniture, it is organic, elemental, sturdy, and has become very stylish. The Swedish efforts to create applied art attuned to modern man and his needs have been termed a style, Swedish Modern. Exemplified by these chairs by Swedish designer, Yngve Ekström, the style entails cherishing natural forms and an honest treatment of material.
While during the industrial revolution, furniture manufactured from materials such as steel, aluminium, glass and plastic, began to appear, wood has remained a staple material in Swedish furniture manufacturing. The design offers plenty visually with a striking construction and personality. The fan shaped backrests are composed of wooden spindles with a horizontal top with a soft curve that creates a wavy impression. While the masterfully sculpted and symmetrically arranged individual spindles undeniably define the overall look, the seats and legs are just as appealing, showcasing the natural beauty of the wood and the careful craftsmanship. The seats are carved ergonomically to accommodate the sitter, while the legs are splayed to provide stability. For further structural firmness, three stretchers connect the legs. The manufacturer, Nesto Möbel AB, formerly Nässjö Stolfabrik AB, was one of the largest furniture factories in the Nordics which operated from 1870-1992. In 1972, AB Nässjö Stolfabrik changed its name to Nesto Möbel AB.
“To have designed one good chair might not be a bad life’s work” Yngve Ekström once said. With colleagues like Aalto, Mathsson, Jacobsen and Kjaerholm, Yngve Ekström was part of the post-war modern movement that made the concept “Scandinavian Modern” world-famous. His furniture is represented in many permanent collections, including the Victoria & Albert Museum, London.
Condition:
In good vintage condition. Wear consistent with age and use.
Dimensions:
17.51 in W x 20.27 in D x 33.07 in H; Seat height 17.32 in
44.5 cm W x 51.5 cm D x 84 cm H; Seat height 44 cm
About the designer:
Yngve Ekström was born in 1913 in Småland, where the country’s oldest wooden chair factory was situated. His father died young and Ekström started working in joineries in Vaggeryd at the age of 13. His talent for carpentry and his all-round experience gave him a unique feeling for materials and construction.
Ekström is best known for the "Lamino" armchair, an ergonomic, and minimalist easy chair that he designed in 1956 and which has been in continuous production ever since. In 1999, the "Lamino" was named by the influential Swedish magazine Sköna hem as the Swedish furniture design of the twentieth century.
Ekström was the co-founder of the furniture manufacturer ESE-möbler (later renamed Swedese) with his brother Jerker and business partner Sven Bertil Sjöqvist. Ekström worked at Swedese for over 40 years until his death in 1988.
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Price category: 2,500 - 5,000 usd / eur
The “Svensk Fur” furniture line produced by Göran Malmvall and manufactured by Karl Andersson & Söner is a nod to modernist design with traditional Swedish craftsmanship. The design of these chairs relays an insight about the society and culture in which it was produced: closeness to nature, the appreciation of a clutter-free environment and the value of quality handiwork.
Göran Malmvall’s Swedish pine designs often get compared to the designs of Axel Einar Hjorth, even though its pieces are exceptional designs on their own merit. Self-taught, Göran Malmvall was a highly skilled cabinetmaker with considerable technical expertise, and was renowned for the boldness of his innovations. This set of dining chairs holds a strong expression with its sturdy shaped, organic design, which is dominated by the natural beauty of the material. The backrests are formed by straight lines that slightly curve near the edges. This curvature is followed by the seats that are carved ergonomically, creating visual interest. The joinery is visible throughout the chairs, and features both bolts and seamless wooden joinery which is always a sign of quality craftsmanship. The wide backrests showcase the solid pinewood’s beautiful pattern, reinforcing the rustic feel of the design along with the conical legs that are gently tapered and tilted to support stability.
The simple design of these chairs is in line with the Swedish ideals of functional furniture. However, it also portrays a sense of tranquillity that is unique to Scandinavia. This set is sure to bring this sense to any space while providing stability, sitting comfort, and natural beauty via the Swedish pine.
Condition:
In vintage condition. Wear consistent with age and use. Items have scratches and marks on the wood.
Dimensions:
16.14 in W x 17.32 in D x 31.88 in H; Seat height 17.71 in
41 cm W x 44 cm D x 81 cm H; Seat height 45 cm
About the Designer:
Göran Malmvall (1917–2001) was the youngest son of the manufacturing company’s founder, Karl Andersson. He studied furniture design under Carl Malmsten and was involved with the family business from an early age until 1982, mainly in the capacity of an in-house furniture designer.
Self-taught, he was a highly skilled cabinet-maker with considerable technical expertise, and was renowned for the boldness of his innovations. His most notable designs include Svensk Fur, Svitjod and, not least, the KA 72 cabinet series, first created in 1972 and already a modern classic.
The manufacturer, Karl Andersson & Söner was established in 1898, when carpentry master Karl Andersson started to produce “durable and sustainable furniture” in his parents' home in the village of Berghem between Huskvarna and Gränna. Over a hundred years later, the historic company still manufactures quality furniture and designer furniture in their own modern factory in Huskvarna.
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Price category: 5,000 - 7,500 usd / eur
Wood, in many ways, is more valuable than other materials used in furniture manufacturing because its natural grain guarantees that each piece is unique. This is especially important in the case of this set of five, as each chair is unique but together, they still form a gorgeous set. The love for wood was carried well into the late 20th century, inspired by mid-century modernism.
This Scandinavian set carries with it the same beloved modernist characteristics that were applied to mid-century pieces – simplicity, functionality – and shows the continuing appreciation of quality materials and craftsmanship. The set’s aesthetic is defined by the angled and slatted backrests with three horizontal slats. The slats have a gentle “hill” shape with a rounded top. This structure creates an airy and rhythmic look that is further complemented by the legs’ side stretchers that, like the rest of the frames, have straight lines. The solid wood bodies have strong, confident lines, yet, the set still exudes organic charm resulting from the richly coloured pinewood, the gently rounded edges and the upholstered seats. Pine is a truly versatile wood with strong patterns and grain in various colours. Its natural qualities are decorative elements in themselves, adding to the organic charm of this set that is evocative of the mid-century aesthetic. The seats are upholstered in a soft, light sheepskin that pairs beautifully with the wood’s smooth surface and colour. The resulting look is even more impactful when the five chairs are placed together.
Defined by their clean lines, simplicity of design, high quality materials and excellent joinery, each of these dining chairs was created by exceptionally skilled Scandinavian craftsmen who made sure they are just as durable, sturdy, and functional as their predecessors.
Condition:
In good vintage condition. Wear consistent with age and use. The seats are upholstered in sheepskin. We recommend reupholstery due to signs of wear. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
19.09 in W x 22.44 in D x 34.44 in H; Seat height 18.7 in
48.5 cm W x 57 cm D x 87.5 cm H; Seat height 47.5 cm
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Price category: 5,000 - 7,500 usd / eur
This impressive mid-century dining set of six is representative of the fundamental axioms of Scandinavian design that revolve around quality and functionality and pairs it with a distinctive design. Kjaernulf’s works reveal quality craftsmanship throughout, featuring clean Danish modern era lines with sculpted edges and shapes.
The set consists of six chairs made of solid oak with a beautiful grain and colour. The style and shape of the frames recall an almost Baroque design, with a strong angular structure featuring straight as well as curved edges. The design combines this with the organicity of traditional Scandinavian style, and as a result, this set has a visually arresting and individual aesthetic. The stand-out visual appeal is provided by the slender backrests in the famous razorblade shape that is the trademark design element of the famous Danish designer, Henning Kjaernulf. The distinctive pattern also appears under the seats on the front, forming a great visual effect as a set.
The details, such as the joinery and woodworking reveal the high quality craftsmanship of the Scandinavian manufacturer. The chairs feature light upholstered seats that complement the beautiful oaken wood colour. Furthermore, the seats are upholstered in a premium light fabric that provides ample comfort, making this an ideal and impressive dining set.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs’ seats have been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
20.07 in W x 21.25 in D x 39.96 in H; Seat height 17.32 in
51 cm W x 54 cm D x 101.5 cm H; Seat height 44 cm
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Price category: 5,000 - 7,500 usd / eur
This impressive mid-century dining set of six is representative of the fundamental axioms of Scandinavian design that revolve around quality and functionality and pairs it with the distinctive design aesthetic of Henning Kjærnulf.
These chairs belong to Kjærnulf’s so-called “razorblade” designs as they have the characteristic backrests with a shape that is similar to its namesake, a razorblade. Each chair is made of solid oak with a beautiful grain and colour. The style and shape of the frames recall an almost Baroque design, with a strong angular structure featuring straight as well as sculpted curved edges. The design combines this with the organicity of traditional Scandinavian style, and as a result, this set has a visually arresting and individual aesthetic. The stand-out visual appeal is provided by the slender backrests that have the famous razorblade-shape with additional sculpted parts on the top and bottom. The peculiar shapes continue in the ribbed lower seat and the carved front legs that are connected to the back legs with straight stretchers. This latter element shows that while the chairs’ carved and sculpted elements were designed as a form of ornamentation, functionality and structural stability were of equal importance.
The details, such as the impeccable joinery and woodworking reveal the high quality craftsmanship of the Danish manufacturer, EG Møbler. The chairs feature seats upholstered in a smooth black fabric that adds elegance and modernity to the beautiful oak’s appealing, warm colour. Thanks to their intricate design, these chairs are a perfect match for an understated dining table to create an ideal and impressive dining set.
Condition:
In good vintage condition. Wear consistent with age and use.
Dimensions:
19.88 in w X 22.24 in D x 37.99 in H; Seat height 17.32 in
50.5 cm W x 56.5 cm D x 96.5 cm H; Seat height 44 cm
About the designer:
Danish mid-century designer and architect, Henning Kjaernulf is somewhat of a mystery. A lot more is known about his designs than Kjaernulf himself. His wooden designs, crafted to perfection, speak for themselves. Kjaernulf mainly designed for the Danish manufacturers EG Møbler, Nyrup Møbelfabrik, and Vejle Stole Møbelfabrik. The latter produced the designer’s well-known teak extending dining table design. The historic archives of the Danish municipality, Stenlille, reveal the history of Nyrup Møbelfabrik, mentioning Kjaernulf’s architectural designs for the company’s factory, referring to him as an architect based in Odense, Denmark.
Kjaernulf’s works reveal quality craftsmanship throughout, featuring clean Danish modern era lines with sculpted edges and shapes. The unique shapes, like his razorblade chair backrests, distinguish the designer from other Danish mid-century designers.
In light of how sought after his dining sets and lounge chairs are, it remains a mystery why so little is known about the designer. The curious background of Kjaernulf if anything, adds more charm to his pieces.~H.
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Price category: 7,500 - 10,000 usd / eur
Scandinavian furniture design from the first half of the 20th century often reflect a shift toward simplicity, durability, and practical construction. Designers focused on solid wood, especially oak, and prioritised function, with clean lines and well-proportioned elements that could withstand daily use. This set of dining chars was crafted as four reliable, well-made objects that could integrate easily into everyday interiors.
This set features a solid oak construction and clearly defined structure. Each piece is built from thick, durable elements, with legs that splay outward to create a stable and grounded base. The stretchers are arranged in a geometric manner that reinforces the overall frame, connecting the legs to add strength while also contributing to the visual composition. The backrests are formed by horizontal and vertical rails that wraps around to create a continuous, enveloping form. The curvature follows the body to improve comfort during use. This design offers support while maintaining a sense of openness. The oak itself plays an important role in the overall character of the set. Its visible grain and warm tone add texture and depth, while also reinforcing the sense of durability. The material gives the chairs a solid presence, while the relatively straightforward construction balances the look.
Overall, this design relies on proportion, material and structural clarity rather than ornament. As a result, the chairs are well suited to everyday dining use, while their restrained appearance allows them to work comfortably in a range of interior settings.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the material, the items may have some marks, scratches, and discolouration.
Dimensions:
22.04 in W x 18.89 in D x 26.57 in H; Seat height 16.92 in; Seat depth 12.99 in; Arm height 26.57 in
56 cm W x 48 cm D x 67.5 cm H; Seat height 43 cm; Seat depth 33 cm; Arm height 67.5 cm