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Price category: 7,500 - 10,000 usd / eur

Swedish architect David Rosén worked alongside renowned designers such as Axel Einar Hjorth and Josef Frank at Nordiska Kompaniet (NK), one of Sweden’s most respected design houses. Rosén crafted this beautiful table for NK in 1938.

Made from pine, this table exudes a lovely charm and robust aesthetic that is characteristic of the era. In early 20th century design, the use of wood held a special significance; it was not merely a material choice, but a philosophy that emphasized the natural and organic over the ornate and extravagant. Moreover, in a rather distinctive way, softness and tradition merge in this coffee table. While it is elemental thanks to the solid pine and interesting construction, the roundness of its top and its elegantly sculpted base still provide a sense of gentleness. It is this well measured tension between the shapes that make the design eye-catching and infinitely interesting. Organic and natural materials often take pride of place in Swedish design, reflecting the Scandinavian and Nordic countries’ relationship to nature. The solid pine wood of this table is not overworked, its natural grain stands out and serves as ornamentation in itself. With minimalism comes timelessness, a guarantee that this coffee table will never go out of style.

With its strong and distinctive details, this table model is a perfect accent table, while also being capable to complement its surroundings. This piece could fit well in a modern interior, as well as in a minimalist or rustic space.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

28.74 in W x 21.65 in D x 23.62 in H

73 cm W x 55 cm D x 60 cm H

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Price category: 2,500 - 5,000 usd / eur

The 1940s in Sweden were defined by a quiet but deliberate design philosophy rooted in function, clarity, and craftsmanship. As the country transitioned through wartime austerity into postwar renewal, designers and cabinetmakers turned toward a more humanist modernism that emphasized warmth over severity. This approach is exemplified by Swedish Modern design movement, which focused on creating durable, accessible, and elegant furniture for the masses.

This birch side table showcases sensibility through its simple yet perfectly balanced construction. Furniture of this period often showcased the natural qualities of woods. Birch, with its golden hue and intricate grain, became a central material in this movement, prized for its ability to bring light and texture into the Scandinavian home. This table’s top features softly rounded corners and edges. The turned legs are slightly splayed to provide stability, connected by stretchers that form a low geometric rhythm beneath the tabletop. The craftsmanship is evident in the way each joint is fitted cleanly, while the organic character of the wood is emphasized. The table reflects the Swedish preference for comfort and approachability. The warm, honeyed tone of the wood further enhances its sculptural simplicity, capturing the sense of connection to nature that defined Scandinavian design of the 20th century.

Beyond its function, the table represents the enduring values of Swedish Modernism, where honesty of material and attention to human use were paramount. In its restraint and balance, this table embodies the essence of that philosophy, an object both utilitarian and timeless, made to age gracefully within everyday life.

Condition:

In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature and age of the wood, the table may have some marks, scratches, and discolouration.

Dimensions:

33.46 in W x 20.87 in D x 22.83 in H

85 cm W x 53 cm D x 58 cm H

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Price category: 2,500 - 3,000 usd / eur

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This side table is a classic piece of Scandinavian modern design, therefore it comes as no surprise that this model was awarded the Gold Medal at the California Fair in 1960. Folke Ohlsson was a decorated designer, he won a Gold Medal at the 1951 Milan Triennale and was given the Good Design Award by the Museum of Modern Art in New York. His furniture was also one of the first exhibits featured at Stanford’s art museum.

“Frisco” was part of the 'Bra Bohag' production from Tingströms Furnitures, Sweden. ‘Bra bohag’ means‘ good furniture in Swedish, and behind the expression was the lobby organization for better-designed everyday furniture for Swedish homes in the 1950-60s. It consisted of several furniture designers and producers, among them Tingströms AB. This solid wood model has a beautiful veneer that stands out thanks to the simple, uncluttered design. The top features a raised “lip” or edge, a playful and practical design element. Early in his design career Ohlsson almost exclusively designed in natural beech blond wood until critics quickly forced him to move to darker walnut and teak woods. This model was also influenced by this, breaking with the light Swedish modern aesthetic. However, the structure with stretchers set parallel on the legs is still very characteristic of Swedish mid-century modern design, not to mention the top quality.

Folke Ohlsson was one of the first Swedish designers who managed to bring “Swedish Modern” design to the United States’ market successfully. According to the story, when Ohlsson arrived in the United States, he took his suitcase and cardboard to hotels all over the country inviting salesmen, department stores, and decorators to view his miniature designs and watch as he disassembled and reassembled his chair design. He quickly became notorious for his patented “knock-down” construction that reduced shipping and storage costs and helped to make the Swedish company Dux a household name in the USA.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

30.11 in W x 22.04 in D x 20.86 in H

76.5 cm W x 56 cm D x 53 cm H

About the designer:

Folke Ohlsson was a born in Malmö, Sweden in 1919 and died in Atherton California in 2003. Folke studied at the School of the Gothenburg Society of Industrial Design before he began working for the Swedish furniture and bedding manufacturer, Dux. In 1950, he moved to the United States with only a suitcase full of clothes and an exact miniature scaled model furniture of his own design. He also carried a cardboard that contained the broken-down components of one of his chairs.

Many other Swedish designers tried to bring “Swedish Modern” design to the United States market, most notably at the 1939 World’s Fair, but all doing so “haphazardly” Ohlsson once claimed in the Vestkusten newspaper. According to Ohlsson, when he arrived in the United States he took his suitcase and cardboard to hotels all over the country inviting salesmen, department stores, and decorators to view his miniature designs and watch as he disassembled and reassembled his chair. He quickly became notorious for his patented “knock-down” construction that reduced shipping and storage costs and helped to make Dux a household name in the USA. Early in his design career Ohlsson almost exclusively designed in natural beech blond wood until critics quickly forced him to move to darker walnut and teak woods.

At its peak production in 1955, the Dux line was sold in all 50 states including Alaska and Hawaii and grossed upwards of $1,000,000. Folke Ohlsson won a Gold Medal at the 1951 Milan Triennale and was given the Good Design Award by the Museum of Modern Art in New York. His furniture was one of the first exhibits featured at Stanford’s art museum. Ohlsson’s pioneering knock-down concept revolutionized furniture production and transportation and lead to the birth of global companies such as IKEA today.

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Price category: 2,500 - 5,000 usd / eur

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The “Spira” is a collection by Swedish product designer Lisa Hilland. This side table is a contemporary design with a poetic twist, combining modern high-tech production techniques with artisan quality craftsmanship.

As it is with many contemporary pieces, this table balances on the line between sculpture and furniture. This sculptural object, reminiscent of a growing forest in nature, shows quality and attention down to the smallest detail. The line’s Swedish name, spira meaning spire, is self-explanatory, as the structure comprised of small, connecting oak spires. The individual spires are arranged in three levels in a wave pattern, which creates a sense of movement, especially on the top. The round, smooth tabletop is perfect to complement the design and to serve a functional role. Apart from its unique spire structure, this table features a lower level that was created for a pet, hence the cosy throw rug. This is a delightful feature, and has never gone into production, making this model exclusive and unique. With the Spira collection, Hilland highlights the wood's natural beauty and character with a strong focus on quality, maximum sustainability and environmental care. Spira is therefore manufactured exclusively from high-quality and environmentally friendly, socially responsible and economically viable forestry. Thanks to its outstanding design and Hilland’s emphasis on sustainability, the Spira series earned the Plaza Interior’s award of honour in 2021.

Swedish furniture manufacturer, Wigells, has been manufacturing furniture for more than 140 years. They are best known for their wide range of wooden pieces. Everything is still manufactured in Malmbäck, Småland, where with great experience and craftsmanship, they give shape to high-quality pieces.

‎Condition:

In very good condition. Wear consistent with age and use.

Dimensions:

29.33 in D x 29.52 in H

74.5 cm D x 75 cm H

About the designer:

Lisa Hilland (1973-) creates contemporary design with a poetic twist, combining modern high-tech production techniques with artisan quality craftsmanship. After graduating from Central St Martin's College of Art, she worked ten years as a designer in London before setting up her own studio in Sweden in 2005. Her current clients include renowned furniture producers such as Konsthantverk, IKEA, Gärsnäs, Gemla, Design House Stockholm and Svenskt Tenn. Lisa Hilland also founded her very own design range of furniture and accessories, Mylhta in 2018.

“As a designer, I am constantly exploring materials and how they influence our perception of an object. Natural materials are close to my heart, and using them in a careful, sustainable way, creating long-lasting design. In my work I am aim to enhance a material’s natural qualities, celebrating its specific character, functions and beauty. Excellent design triggers our emotions and according to me, materials have a great part to play while designing - or as I call it - giving an object a soul that can be loved”.