Bas van Pelt Oak and Rush Armchair, The Netherlands 1940s (sold)
Bas van Pelt Oak and Rush Armchair, The Netherlands 1940s (sold)
This whimsical armchair in solid oak and rush by Dutch designer, Bas Van Pelt, is a rare model with plenty of visual delights. The construction of this 1940s design is simple at its core, but thanks to its details, it is a playful representation of early Dutch modernism.
While Bas Van Pelt's creative work was primarily influenced by the straight lines of the 1920s dominated by The Hague School, this armchair is the result of his more mature design era, which was primarily dominated by natural materials and more curvature. While made of solid oak, this armchair has an open feel to it thanks to the horizontal open spaces on the back that divide the three original rush panels. The curved lines of the armrests end in two wooden spheres which nicely contrast with the straight lines of the frame, and show wonderful craftsmanship. The rush weaving on the back and seat adds textural interest, adding the appealing roughness of nature to the design. The legs and stretchers are much simpler in their design, serving a primarily structural role, letting the rush weaving and the arms stand out. Thanks to the well-chosen proportions and the expert weaving technique, this armchair provides great comfort. The oak has a beautiful patina due to its age, which further adds to the organic look.
Bas van Pelt’s progressive designs were, in many ways, ahead of his era. The Dordrecht-born designer’s furniture models are quite rare, a few are preserved in the Stedelijk Museum Amsterdam for modern art, contemporary art, and design.
SOLD
Condition:
In good vintage condition. Wear consistent with age and use. Some minor marks and scratches on the wood.
Dimensions:
27.36 in W x 29.13 in D x 39.76 in H; Seat height 12.2 in
69.5 cm W x 74 cm D x 101 cm H; Seat height 31 cm
About the Designer:
Bas Van Pelt (1900 Dordrecht (NL) - 1945 Sandbostel (DE)) was a well-known Dutch interior and furniture designer, known for the clarity and quality of his designs. His works created in the 1930s and 1940s are regarded for their progressive design and quality.
While he is most well-known for his chair designs, van Pelt was also active as an interior designer. He also designed fabrics for window coverings, rugs and carpets, seating and tables, as well as lighting crafted by the best craftsmen in the Netherlands. He worked with multiple manufacturers, including his own firm, Bas van Pelt / My Home and Verto Verenigde Touwfabrikien, where his tubular metal designs were produced. He opened ‘My Home’ in 1931, just before the onset of the great crisis in the midst of major changes in the last century. In the façade of the shop, in the lively centre of The Hague, there was one large window placed so that everyone could look inside and see how things were made, and could be done differently; in his view, modern furniture at the time was light and airy, transparent, made of tubular steel frame, combined with wood. This view was very progressive for the 1930s, when the influence of The Hague School was still dominating most designers.
Unfortunately, in 1940 WWII changed the life of Bas van Pelt as well, who was on the board of the Haagse Kunstkring, where discussions about reconstruction after the war took place. Sadly, Bas van Pelt did not live to see it. He was deported because he gave people in hiding a safe place, saving many lives. While there is very limited information about his life and work, his furniture designs have become collectibles in the past decades that are also found in Dutch museums. Bas van Pelt is remembered as a progressive designer and as a man who saved lives. ~H.
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Price category: 2,500 - 5,000 usd / eur
In the decades after World War II, furniture across Europe pursued a careful balance between simplicity and craftsmanship. In the Netherlands as well as in Scandinavia, there was a rejection of heavy ornament and instead the focus fell on materials like solid wood and textiles while keeping the overall form simple and purposeful. Chairs from this period often reflect a belief that good design should be both visually pleasant and functionally comfortable.
This modernist armchair, in the manner of Jan den Drijver, illustrates these principles through a straightforward yet thoughtful construction. The frame is built from solid wood, finished to reveal a warm, natural grain that highlights its organic beauty. The backrest rises with a gentle backward slope, providing ergonomic support without excess bulk, and the wide, flat armrests extend forward in a smooth and sleek line that aligns with the sitter’s posture. The seat and backrest surround the upholstery, a textured fabric that contrasts softly with the wood while maintaining a neutral palette. The cushions are padded to increase comfort. The legs are sturdy and substantial, ensuring support while not taking away from the rest of the design. This unadorned construction allows the quality of the piece to remain the focus - the clear form, the seamless joinery, and the dialogue between materials allows for the chair to feel timeless and considered rather than fleeting or overtly stylised.
Functionally and visually, this armchair demonstrates how mid-20th century European design could bridge tradition and modernity without sacrificing comfort or structural clarity. It is well suited to domestic living rooms, libraries, or quiet seating nooks while its understated modernism makes it versatile alongside both mid-century and contemporary interiors.
Condition:
In good vintage condition. Wear consistent with age and use. Minor scratches and discolouration. Due to the nature of the material, the item may have some additional marks. The chair has recently been reconditioned and reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.36 in W x 31.49 in D x 30.31 in H ; Seat height 16.33 in; Seat depth 21.85 in; Arm height 22.04 in
69.5 cm W x 80 cm D x 77 cm H ; Seat height 41.5 cm; Seat depth 55.5 cm; Arm height 56 cm
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Price category: 5,000 - 7,500 usd / eur
Bas van Pelt holds a distinctive place in Dutch design history; he is celebrated primarily for his furniture, yet was equally active as an interior designer whose broader spatial vision informed his work. Although his early designs reflected the straight lines associated with The Hague School of the 1920s, this armchair reflects a more assured phase of his career that coincides with the broader development of Dutch modernism. Here, geometric lines soften into gentle curves with a rich use of materials.
The weaved backrest pairs beautifully with the smooth wooden frame, curving to embrace the sitter. It is coupled with a sage green upholstered seat, creating an interplay of line and texture. The seat emphasises an added layer of comfort while still complementing the natural materials used for its construction. The armrests, with their subtle and flowing curves, are carefully shaped to give the chair a sense of movement - juxtaposed with the straight lines and right angles that make up the frame. The overall impression is that of a visually interesting piece full of contrasts, while simultaneously enhancing the comfort of the user at the crucial points of the back, arms, and seat. The legs remain simple in design, serving a primarily structural role, letting the back and seat stand out.
Bas van Pelt’s furniture models are quite rare, with a few preserved in the Stedelijk Museum in Amsterdam for modern art, contemporary art, and design. His progressive designs were, in many ways, ahead of his time. What makes this armchair especially compelling is the combination of materials and techniques that come together harmoniously to make a visually striking piece.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature of the wood, the item may have some marks, scratches, and discolouration. The chair comes with its original upholstery or has been reupholstered by a previous owner. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.52 in W x 24.01 in D x 31.29 in H; Seat height 17.12 in; Seat depth 18.11 in; Arm height 24.21 in
75 cm W x 61 cm D x 79.5 cm H; Seat height 43.5 cm; Seat depth 46 cm; Arm height 61.5 cm
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Price category: 5,000 - 7,500 usd / eur
Bas Van Pelt (1900-1945) was a well-known Dutch interior and furniture designer, known for the clarity and quality of his designs. His works created in the 1930s are regarded for their progressive design and quality.
While Bas Van Pelt's creative work was primarily influenced by the 1920s’ straight lines dominated by The Hague School, this armchair is the result of his more mature design era, which was primarily dominated by natural materials and more curvature. While made of solid oak, this armchair has an open feel to it. The arms and backrests showcase a sense of airiness, highlighted by the slats on the back. This neat detail accentuates the high level of woodworking and creates an effortless look. The arms’ angles are slightly inclined, resulting in a harmonious look while also being ergonomic, with solid support for the spine. The sitting comfort is pleasant, aided by the upholstered cushions. The textured upholstery of the seat and back cushion beautifully complements the frame. The chair embodies comfort and cosiness through the mix of proportions and expertly selected materials. The rich shade of the wood pairs perfectly with the cream upholstery.
Haagse School furniture wasn’t flashy but instead focused on being well-made and to fit a warm, comfortable and welcoming home. As this chair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship is the key to the success of this design period.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the wood, the chair may have minor marks, scratches, and discolouration. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
25.59 in W x 29.92 in D x 34.25 in H; Seat height 17.32 in; Seat depth 17.71 in; Arm height 24.40 in
65 cm W x 76 cm D x 87 cm H; Seat height 44 cm; Seat depth 45 cm; Arm height 62 cm
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Price category: 5,000 - 7,500 usd / eur
During the 1950s, Danish designers led the way in furniture design, with Danish mid-century seating pieces to this day being some of the most iconic of their time.
This armchair embodies the characteristics and ethos of its period. Georg Thams designed this chair in line with his minimalistic, yet functional style for Danish manufacturer Vejen Polstermøbelfabrik, showcasing attention to detail through qualities such as the shape and mix of materials used in the construction. Oak and teak wood are amongst the most durable and naturally beautiful choices of material, making this armchair into a long-lasting and classically elegant piece. Originally, wingback chairs were designed to protect occupants from drafts and offer a touch of privacy, and have since become synonymous with comfort and timeless style. The traditional wingback design is reinterpreted in the mid-century fashion of this piece, moving from the classic rounded and closed structure to a more modern silhouette. The curved sides of the chair maintain their winged look, while the teak armrests feature an open construction. The high, curved back of this piece ensures comfort, transforming the chair into a statement piece of decor with additional subtle details such as the five tufted buttons placed horizontally on the backrest. The brown tones of the angled teak arms and tapered oak legs combine with the soft green coloured upholstery to give the piece a natural, earthy feel.
The quality materials of this armchair ensure durability, while the shape intertwines the traditional design with a quintessential Danish mid-century touch. The beauty of this piece is evident through both its form and function, making it a great addition to a modern interior.
Condition:
In good vintage condition. Wear consistent with age and use. This chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
30.31 in W x 37.80 in D x 39.37 in H; Seat height 17.12 in; Seat depth 21.26 in; Arm height 23.42 in
77 cm W x 96 cm D x 100 cm H; Seat height 43.5 cm; Seat depth 54 cm; Arm height 59.5 cm
Literature:
Mobilia no. 2, February 1956, p. 10, in the advertisement.
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Price category: 5,000 - 7,500 usd / eur
Artifort was founded in 1890, when Jules Wagemans started a business as an upholsterer in Maastricht. A great deal changed with the arrival of the interior and furniture designer Kho Liang Ie, and in 1959 he recruited the French designer Pierre Paulin, beginning a long and fruitful collaboration between Paulin and the Dutch manufacturer. Pierre Paulin’s model “577” lounge chair, also known as the “Tongue Chair” or “Langue” in French, represents a bold and fluid design language that emerged in the mid-20th century.
Designed in 1967, and produced by Artifort, the chair is a hallmark of Paulin’s sculptural approach to furniture. He believed that “a chair should be more than simply functional”. This "577" lounge chair model features a seamless, flowing form that echoes the curve of a human tongue. The lounge chair offers a fresh departure from traditional seating, embodying the futuristic and organic sensibilities of the 1960s. Constructed with a metal frame covered in foam and upholstered in a beautiful off-white textured fabric, the design prioritises both form and comfort. The low armless profile encourages a relaxed posture and makes it visually striking from all angles. Paulin’s innovative use of materials and emphasis on ergonomic design allowed this chair model to become a functional piece and a statement - ideal for modernist interiors that value design and experimentation.
Today, the “577”/ “Langue” chair stands as a timeless icon of modern design, revered for its originality and enduring appeal. Through this design, Pierre Paulin and Artifort captured a unique moment when comfort, form, and avant-garde aesthetics come together beautifully.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
31.88 in W x 38.18 in D x 24.80 in H; Seat height 14.56 in; Seat depth 22.83 in
81 cm W x 97 cm D x 63 cm H; Seat height 37 cm; Seat depth 58 cm
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Price category: 5,000 - 7,500 usd / eur
Danish designer Illum Wikkelsø believed that furniture should be built to last, to indulge the body, and to please the eye. He belonged to a group of cabinetmakers who represented the Golden Age of Danish design during the 1950s and 1960s. With his clear design aesthetic and deep understanding of materials, he was one of the key protagonists in making Danish design style an international phenomenon.
The model “ML 91" effortlessly combines function and aesthetic, keeping the form in service of the user while maintaining an elegant and modern look. The union of the shell-shaped, upholstered body and the crossed wooden legs create a timeless form. While the design is organic and not broken by any heavy ornamentation, the beautifully textured upholstery is utilised to highlight the modern and cosy shape of the piece. This lounge chair also embodies the concept of "hygge," a Danish term that refers to a sense of cosiness, comfort, and well-being. The chair's form promotes relaxation and contentment, inviting one to sit back and enjoy a moment of peace. Its understated elegance creates an alluring atmosphere, making it a perfect piece for the purpose of evoking a hyggelig (cosy) environment in any home.
The Danish modern movement, rooted in the mid-20th century, was not a fleeting trend but a lasting shift in design philosophy. Its principles, grounded in simplicity, functionality, and a deep appreciation for natural elements, have not only withstood the test of time but have become foundational for many contemporary design approaches.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature of the wood, the frame of the chair may have some marks, scratches, and discolouration. The chair has recently been reconditioned and reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
35.82 in W x 34.25 in D x 35.43 in H; Seat height 15.55 in; Seat depth 20.07 in
91 cm W x 87 cm D x 90 cm H; Seat height 39.5 cm; Seat depth 51 cm
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Price category: 2,500 - 5,000 usd / eur
Saying mid-century modernism had a revival would be a serious understatement. In reality, the designs have never gone out of style completely, especially in Scandinavia. Danish cabinetmaker pieces are timeless thanks to their expert craftsmanship, their visual, and the material quality. This armchair showcases this timelessness with its modern form.
This elegantly constructed chair combines comfort with style. From as early as the 1920s, cabinetmakers and architects frequently collaborated to produce exceptional pieces like this. The chairs’ elegant curves, precise angles and structure all testify of this partnership’s success. Thanks to its low back the design appears very grounded. With straight and curving lines following each other, the model has a dynamism rooted in organicity. Unlike pieces from outside the continent, Danish designers’ products weren’t flashy but rather well-made to fit a warm, comfortable and welcoming home. As this armchair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship is the key to the success of mid-century modernism. As an object, the chair reflects the mid-20th century Danish pursuit of everyday beauty, objects designed not just to serve, but to enrich domestic environments.
The classic charm and versatility of this design allows it to be used as a desk chair, an occasional piece in a curated corner, or part of a formal dining set, this chair can bring quiet sophistication to any setting. It is an ideal choice for a range of interior styles thanks to its thoughtful materials, and subtle craftsmanship.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the chair may have some marks, scratches, and discolouration. The chair has recently been reconditioned and reupholstered in premium leather. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
25.19 in W x 18.89 in D x 28.14 in H; Seat height 19.09 in; Seat depth 17.32 in; Arm height 26.57 in
64 cm W x 48 cm D x 71.5 cm H; Seat height 48.5 cm; Seat depth 44 cm; Arm height 67.5 cm
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Price category: 2,500 - 5,000 usd / eur
While the Klismos chair model originated in ancient Greece, the style made its way throughout the globe, being revived in several design movements and eras. This particular Klismos-inspired chair is a beautiful reflection of the Nordic interpretation of the ancient Greek form.
This chair model boasts a functional, well-thought-out structure, crafted from quality materials. The openness of the piece is highlighted by the frame, which is quite distinctive; the wide backrest shows an interesting curvature that is characteristic of the Klismos style. The back legs also retain the design’s distinctive stance - splayed and curved. The upholstered seat, designed for comfort, is finished in a warm, earthy fabric that complements the natural wood tones, emphasizing the organic and utilitarian principles of the early 20th-century era. Chairs from this period also often appeared as accent pieces, however, thanks to their blend of neoclassical influences and Scandinavian restraint, they became versatile enough with their timeless appeal to stand out. This chair’s simple yet refined structure allows it to integrate into various interior styles, from vintage-inspired rooms to more contemporary settings, where it adds a touch of old-world charm.
The Danish design idiom was centred on warm woods, quality fabrics, and gentle yet robust support for the spine - qualities that engender contentment and well-being, a defining characteristic of Danish culture. These aspects are evident in this chair, allowing the piece to be extremely modest and confident at the same time.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reconditioned. Due to the nature and age of the wood, the frame may have some marks, scratches, and discolouration. The seat has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
28.54 in W x 19.29 in D x 32.87 in H; Seat height 19.68 in; Seat depth 16.33 in
72.5 cm W x 49 cm D x 83.5 cm H; Seat height 50 cm; Seat depth 41.5 cm
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Price category: 2,500 - 5,000 usd / eur
Designed by Henning Kjaernulf, this so-called “kurulstol” or kurul chair, is an iconic model by Danish designer, Henning Kjærnulf. The Kurul chair is an ancient folding chair, originally a folding stool with straight or curved legs. Among the Romans, in addition to being an ordinary utility chair, it was symbolically linked to officials, often within the judiciary.
This armchair combines the traditional kurul structure with a rounded and curved appearance with an upholstered seat and backrest that gives the historic look a modern edge. The oak frame is carved and sculpted in an unmistakeable way, showing the skills of both the designer and the manufacturer. The body is composed of two slats of wood of equal length in the front and back, fastened together in a saltire formation (resembling the letter X) which are extended up at the top and back to form the armrests and the backs as well. The seat, upholstered in soft sheepskin, is stretched between the front and back slats connecting the two. Kjærnulf removed the folding function of the historic design, giving his model a more stable, organic look. This impression is further enhanced by the solid oak, which is carved with great precision into straight and curving lines. The rich sheepskin melts these carved and straight lines together, contrasting to the oak’s smoothness. While the historic kurul chair was often decorated with intarsia, this model only showcases subtle decor elements such as the scalloped bridge under the seat, and the curving armrests.
While the kurulstol is a Renaissance classic originating from ancient Rome, thanks to Kjaernulf, Scandinavian modernism remains at the core of the design. Kjærnulf’s designs are easy to spot in a crowd thanks to his originality, making his pieces like the razorblade chair and this model eternally unique. This chair was manufactured by EG Kvalitetsmobel in Denmark during the 1960s.
Condition:
In good vintage condition. Wear consistent with age and use. Some minor scratches and marks on the wood. The chair has been reupholstered recently in premium sheepskin.
Dimensions:
24.8 in W x 26.77 in D x 31.29 in H; Seat height 17.32 in; Arm height 26.18 in
63 cm W x 68 cm D x 79.5 cm H; Seat height 44 cm; Arm height 66.5 cm
About the designer:
Danish mid-century designer and architect, Henning Kjaernulf is somewhat of a mystery. A lot more is known about his designs than Kjaernulf himself. His wooden designs, crafted to perfection, speak for themselves. Kjaernulf mainly designed for the Danish manufacturers EG Kvalitetsmøbel, Nyrup Møbelfabrik, and Vejle Stole Møbelfabrik. The latter produced the designer’s well-known teak extending dining table design. The historic archives of the Danish municipality, Stenlille, reveal the history of Nyrup Møbelfabrik, mentioning Kjaernulf’s architectural designs for the company’s factory, referring to him as an architect based in Odense, Denmark.
Kjaernulf’s works reveal quality craftsmanship throughout, featuring clean Danish modern era lines with sculpted edges and shapes. The unique shapes, like his razorblade chair backrests, distinguish the designer from other Danish mid-century designers.
In light of how sought after his dining sets and lounge chairs are, it remains a mystery why so little is known about the designer. The curious background of Kjaernulf if anything, adds more charm to his pieces. ~H.
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Price category: 2,500 - 5,000 usd / eur
In 1920, the term "Nieuwe Haagse School" was first mentioned by the architect C.J. Blaauw. And not in a positive way. Blaauw thought nothing of the latest developments in modern architecture. "Typical of The Hague" - that was how the designer spoke of the style. The movement blossomed between 1925 and 1940 and brought uniformity to the cityscape. The Hague School style is closely related to the Amsterdam School and the Bauhaus movement, but has more-so been influenced by Art Deco, and it drew a great deal of inspiration from Berlage's rationalism, the Arts and Crafts movement, and De Stijl.
Standing as evidence of the reason many Dutch architects succeeded at the craft of furniture design; the precision of the structure is evident at first glance, showing great geometric order. Driven by function, the maker’s focus was evidently on practicality, structural stability, and a design in favour of these principles. The construction of this chair is traditional and robust - it features a solid yet graceful frame, crafted from a warm, rich wood, which highlights the natural grain of the material. The arms and backrests showcase a sense of airiness. This neat detail accentuates the high level of woodworking and creates an effortless look. The arms’ angles are aligned with the seats and backs’ angles, resulting in a harmonious look while also being ergonomic, with solid support for the spine. The sitting comfort is pleasant, further aided by the stability the sturdy wooden legs provide. The frame is complemented by the elegant rope seat woven tightly in the wood, with the material of the seat giving the piece a warm and cosy feel all while staying very functional. The chair’s simplicity and honest elegance makes it an exceptional piece of furniture.
Haagse School furniture wasn’t flashy but instead focused on being well-made and to fit a warm, comfortable and welcoming home. As this chair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship is the key to the success of this design period.
Condition:
In good vintage condition. Wear consistent with age and use. Item may have some marks, scratches, and discolouration.
Dimensions:
22.04 in W x 21.85 in D x 33.66 in H; Seat height 17.12 in; Seat depth 19.48 in; Arm height 26.57 in
56 cm W x 55.5 cm D x 85.5 cm H; Seat height 43.5 cm; Seat depth 49.5 cm; Arm height 67.5 cm
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Price category: 2,500 - 5,000 usd / eur
This armchair, recalling the Bauhaus, is made of wood and woven rope, and brings to mind iconic designs of the early 20th century. Erich Dieckmann’s furniture models are often characterized by quality hardwoods, cane matting and geometric frames that link the armrests and legs, creating a unique runner construction. This model is visually reminiscent of Dieckmann’s work thanks to the curved armrests and quality materials.
The wooden structure of this chair was a technical innovation in its time as it was created by steam bending the wood. During the process, the wood is exposed to steam to make it pliable. The steam bending is most apparent in the armrests, where the curvature flows down to form the front legs, and in the stretchers where there is a wavy look - these elements allow the otherwise simple design to stand out and become a work of art in its own right. The frame is complemented by the elegant rope seat and backrest woven tightly around the wood, with the woven seating giving it a warm and cosy feel all while staying very functional. The chair’s simplicity and honest elegance makes it an exceptional piece of furniture. This chair is defined by it’s materials, steam bent wood and woven rope. Both techniques require expert skill, which the craftsman and the manufacturer evidently both possessed.
Unlike designs from outside the continent, European designers’ products weren’t flashy but instead focused on being well-made and to fit a warm, comfortable and welcoming home. As this chair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship is the key to the success of this design period.
Condition:
In vintage condition. Wear consistent with age and use.
Dimensions:
23.23 in W x 26.38 in D x 31.5 in H; Seat height 16.53 in; Seat depth 16.92 in; Arm height 24.8 in
59 cm W x 67 cm D x 80 H; Seat height 42 cm; Seat depth 43 cm; Arm height 63 cm
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Price category: 12,500 - 15,000 usd / eur
Generally, Czech mid-century modern designs tend to be more sober than their French, German, American, and even Scandinavian counterparts. However, works by Pavel Novak are an exception - as evidenced by chair. The Czech designer’s repertoire is finally starting to surface, and as this chair shows, we are lucky to witness it.
Novak often worked with a gouge, that originally never had any other vocation than to furnish his farm. This piece is made of hand gouged oak, which is in itself a time-consuming and rare woodcarving technique. While most woodworkers offer help with fixing gouges in wood, Novak used the technique to create this rustic looking body that can be considered to be a functional sculpture. Thanks to the unique, hand-carved texture, the lounge chair is one of a kind, with a unique pattern. The leather seat is suspended between the three legs, one of which is elongated to serve as a backrest. The joinery technique is seamless and shows the outstanding craftsmanship and vision of Novak. The leather straps are inset into the legs in a rough, yet sophisticated way.
In fact, rough yet sophisticated are the adjectives that best define the overall aesthetic of this chair, reflected in the pairing of the materials as well. The patinated leather’s smooth surface contrasts beautifully with the gouged, coarse look of the oak. With its straightforward design, this oiece is a seminal work of Pavel Novak.
Condition:
In good vintage condition. Wear consistent with age and use. Some minor cracks. Due to the nature and age of the materials, the chair may have some marks, scratches, and discolouration.
Dimensions:
40.94 in W x 30.71 in D x 48.82 in H; Seat depth 20.08 in
104 cm W x 78 cm D x 124 cm H; Seat height 51 cm