Otto Wretling "Ideal" Table, Sweden 1936 (sold)




















































Otto Wretling "Ideal" Table, Sweden 1936 (sold)
This beautiful foldable table by Otto Wretling is quite literally ideal. Designed in Umeå, Sweden in 1936, this “Ideal” model was also produced by Wretling and still features the maker’s label inside.
The “Idealbord” (Ideal table) has an inventive design, with flaps that make the tabletop foldable, and a column that can adjust the table’s height. Although this table dates from the dawn of what we now call Scandinavian Mid-Century Modern, functionality was clearly already a core design idea. The column on the base is black lacquered and the metal bearing adjusting the height is also painted black to match it. The table in its closed position has an ebony veneer like the base, while when folded out, the birch becomes visible with its ebony inlays. The inlays have a peculiar pattern and show great craftsmanship.
Thanks to the adjustability of the table’s height and length, it can serve as both a dining and coffee table as well as a console table. It is ideal not only in its name, but also for its versatile functions. It was patented in 1936 by Swedish cabinetmaker Otto Wretling, who designed the table together with his son, Bo Wretling in 1935.
SOLD
Condition:
In very good vintage condition. Item has some minor marks and scratches. Table top has some hair cracks and a few possible older repairs.
Dimensions:
88.19 in W x 26.97 in D x 30.32 in H
224 cm W x 68.5 cm D x 77 cm H
About the designer:
Otto Leonard Wretling (1901-1986) was born in the city of Umea, Sweden. He was a visual artist, designer, painter, and furniture manufacturer. Contemporarily he is best-known for the Ideal table.
Together with brother Wilhelm (1871–1951) Otto Wretling took over the father's painting company in 1897. The business was soon expanded with a furniture carpentry in 1905, and Otto Wretling became the head designer. The company's furniture style was initially inspired by Art Nouveau, but over time it developed into a tighter Scandinavian design. Wretling also designed and built a couple of houses in Umeå. The company in central Umea was active until 1969. Throughout his life, he was active as a visual artist and created a large number of paintings in oil with natural motifs from Norrland (Northern Sweden). In 1928, Company Otto Wretling was selected as the Royal Court Supplier by King Gustaf V. ~H.
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Price category: 2,500 - 5,000 usd / eur
In Finland, the second half of the 20th century saw the use of new materials like plastic, synthetics, and fibreglass being combined with advances in manufacturing technologies, allowing designers in Finland to expand their range of colours and forms in mass production. However, this coffee table model still gives preference to natural materials, primarily to its wooden frame.
Utilising and highlighting the qualities of the materials used, combined with the expertise of Esko Pajamies, this coffee table is a beautiful piece that can both define and complement a modern space. The coffee table's round glass top showcases an appealing look. The dark colour of the solid wood that forms the structure of the table contrasts beautifully with the top, as its robustness grounds the design. The combination of materials make this table a stylish example of the period’s design versatility. Coffee tables, in general, serve as design staples in living spaces for a multitude of reasons: beyond their utilitarian function of providing a surface for drinks and books, they anchor a room, creating a focal point around which furniture and conversation revolve. Overall, this table equally emphasises function and visual interest, creating an instantly arresting aesthetic.
The overall form of the table has a light and airy feel, enhancing the 20th century aesthetic which it represents. With its elegant shape and careful design, this piece rises above the endless passing of trends, establishing itself as a modern classic in the realm of interior design.
Condition:
In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Due to the age and nature of the wood, the coffee table may have minor marks, scratches, and discolouration.
Dimensions:
47.24 in ø x 19.68 in H
120 cm ø x 50 cm H
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Price category: 5,000 - 7,500 usd / eur
In European mid-century furniture design, there was an early emphasis on wood because it connected everyday objects to nature. This solid oak coffee table is a perfect example of this sentiment, and features the visual qualities of an understated, organic design.
Within the thriving Dutch design landscape of 1970s, Brutalist furniture left an indelible mark and this coffee table shows why as it epitomises the era's aesthetic medley. Crafted from solid oak, the wood’s hues exude warmth amidst the starkness that defines the Brutalist design. This piece has a strong elemental feel to it, which is a result of its thick round tabletop and sturdy yet sleek legs. The Netherlands embraced Brutalism as a rejection of ornate embellishments, opting for raw, utilitarian forms. Oak became the material of choice for many pieces during this time due to its durability and malleability, enabling intricate yet robust constructions. This coffee table exemplifies this, with its neat woodworking and sharp angles connecting the legs with the round top. The table top is layered, with its edge showing the beauty or organically carved wood. The contrast of sleek lines against the natural grain of oak echoes the broader Brutalist ethos: blending the industrial with the natural in a bold, unapologetic way.
The craftsman’s handiwork is visible throughout the table, adding to its character. The piece, with its natural finish, exemplifies the enduring charm that 20th century design continues to bring to contemporary interiors, underscoring the timeless appeal of this iconic design era.
Condition:
In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Minor scratches and dents are present. Due to the nature and age of the material, the item may have some marks and discolouration.
Dimensions:
47.63 in ø x 19.88 in H
121 cm ø x 50.5 cm H
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Price category: 40,000 - 50,000 usd / eur
This peculiar “T22” table model is also referred to as the “Eye”. While the name needs no further explanation, the ingenious design certainly does. Pierre Chapo always paired his creative and elegant designs with impeccable craftsmanship that gained him worldwide fame and love.
The “T22” is formed by two arcs, each resting on three cylindrical leg and a central oval module attached to one of the arcs by a sliding system. Placed together, the design forms an “eye”. Not a lot of designs receive a nickname by which they are immediately recognised, but this table is one of those. With its distinctive structure, it epitomises Chapo's research for new systems of joinery, in which the material and the design would be the lead factors in achieving stability, durability, and of course, an aesthetically pleasing outcome. Here, the smaller middle module can be adjusted or removed freely, allowing the table’s modules to be arranged in a variety of ways, for example, it can also be arranged to form a long undulating console. The immense functionality is accompanied by Chapo’s precise joinery techniques and woodworking. Pierre Chapo worked largely in elm wood and has a couple of signature design elements like the visible spline joint and the cylindrical legs as seen here as well. The solid elm has a stunning grain and various patterns that especially stand out on the curvatures of the table.
Chapo’s organic approach to arts and crafts and both designers resisted the stark industrial look that was dominant in the post-war period under the influence of socialism. This coffee table is undoubtedly an emblematic model of post-war French decorative arts and design.
Condition:
In good vintage condition. Wear consistent with age and use. Some small marks. The elm wood has a beautiful patina. Due to the nature and age of the material, the item may have some additional scratches, and discolouration.
Dimensions:
69.48 in W x 51.18 in D x 12.99 in H
176.5 cm W x 130 cm D x 33 cm H
About the designer:
Pierre Chapo, born in Paris in July 1927, was initially interested in becoming a professional painter. However, after a chance meeting with a shipbuilder who introduced him to wood and wood crafts, Chapo changed his focus and decided to study architectural studies at the prestigious École Nationale Supérieure des Beaux-Arts in Paris.
After graduation, Chapo and his wife, the sculptor, and painter Nicole Lormier, started to travel extensively through Scandinavia and Central America. Among the many places the couple visited was the home and studio of Frank Lloyd Wright in Taliesin West. A visit that had a lasting influence on Chapo’s future work and designs. Read more about Pierre Chapo. ~H.
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Price category: 30,000 - 40,000 usd / eur
Swedish architect and furniture designer Axel Einar Hjorth served as the lead designer for Nordiska Kompaniet from 1926 to 1938. During this time, Hjorth designed the “Skoga” series in the early 1930s.
The “Skoga” series was crafted as part of a broader collection of summer-house furniture, intended to be both practical and aesthetically harmonious with the rugged beauty of the Swedish landscape. Despite its utilitarian roots, the series, as well as this table, exudes quiet sophistication and a timeless appeal focusing on simple lines and the material itself. Made of pine wood, this table is strong, reflecting Hjorth’s principles according to which he mixed the ideals of the modernist movement with provincial Swedish traditions, producing a unique and primitive modernism. It is quite robust without being intrusive, naturally standing to be the centre of the room. The legs and stretch-bar base emphasize structural clarity and durability, while the rounded corners and visible joinery express a handcrafted, almost sculptural quality. The rectangular tabletop is comprised of three planks of wood, yet it has a light impression. The large surface shows off the pattern of the wood and colour variation. The absence of heavy ornamentation is also in service of enhancing the organic, simple look that defined Swedish design of the era. Each element, joint and line is well crafted and solid, the attention given to every construction and finishing detail is obvious.
This table doesn’t depend on its details, rather, it is just as arresting from afar as from a proximity. The joinery and woodworking reveal the quality craftsmanship of the experts at Nordiska Kompaniet. The most charming thing about this table however, is that it showcases classic elements and so much history, but it lends itself easily to a modern interior.
Condition:
In good vintage condition. Wear consistent with age and use. Some marks and scratches on the wood.
Dimensions:
70.86 in W x 23.62 in D x 27.55 in H
180 cm W x 60 cm D x 70 cm H
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Price category: 5,000 - 7,500 usd / eur
The Savonarola originates from a chair found in the convent of San Marco in Florence which was used by the 15th century Italian Dominican priest Girolamo Savonarola. Savonarola-style pieces feature a lower structure built from intersecting or flowing supports. In Italian design, it was often constructed from wrought iron, where curved elements replace rigid straight lines and create a sense of movement within the structure.
This dining table reflects that sentiment through its wrought iron base. The structure is made up of slender metal supports that curve and connect across the underside of the table. These elements distribute weight across the base to offer stability while also supporting the glass top above. The glass top introduces a strong contrast to the expressive base. It is flat, clear, and clearly geometrical, allowing the structure beneath to remain fully visible. This transparency turns the base into the focal point of the design rather than hiding it. The table feels balanced, from the mix of juxtaposing materials and shapes. The iron base is strong and bold, yet its curved lines prevent it from appearing rigid. The glass top, in turn, helps avoid visual clutter and makes the table easier to place in a room without overwhelming the space.
Overall, the piece works as both a functional dining table and a sculptural object. The combination of materials highlights the contrast between structure and transparency, while the flowing base connects the design to earlier Italian furniture traditions in a modern form.
Condition:
In good vintage condition. Wear consistent with age and use. Marks and scratches are present on the glass. Due to the nature and age of the iron, the item may have some marks, scratches, and discolouration. Additional imperfections on the glass may be present due to age and manufacturing inconsistencies.
Dimensions:
70.86 in W x 39.37 in D x 29.52 in H
180 cm W x 100 cm D x 75 cm H
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Price category: 2,500 - 5,000 usd / eur
In most European mid-century designs, there was an early emphasis on wood as it connected everyday objects, such as furniture to nature. This spectacular solid wood coffee table is a perfect example of this sentiment, and the visual benefits of an understated, organic design.
This coffee table reflects a Brutalist ethos through its bold presence and sculptural look. The piece features a free-form top made from solid wood, its organic shape and swirling grain patterns showcase the wood’s natural drama. The grain is not merely a surface detail; it becomes an integral part of the design, contributing to the overall aesthetic of the table, making it entirely unique. The interplay of the asymmetrical and sculptural top with the grounding presence of the legs result in a piece that is both rugged and refined. As there are strong and distinctive details, this model is a perfect accent table, while also being capable to complement its surroundings. It could fit well in a modern interior, as well as in a minimalist space.
This solid wood table, with its natural finish, exemplifies the enduring charm and warmth that 20th century design continues to bring to contemporary interiors, underscoring the timeless appeal of this iconic design era.
Condition:
In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Some minor chips in the wood. Due to the nature and age of the wood, the item may have some marks, scratches, and discolouration.
Dimensions:
24.41 in W x 44.48 in D x 23.62 in H
62 cm W x 113 cm D x 60 cm H
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Price category: 2,500 - 5,000 usd / eur
The Brutalist movement of the mid-20th century was known for its use of bold forms and imperfect organic materials, and gave rise to balanced, straightforward designs both in architecture and interiors. The skilled craftsmanship behind the construction of Brutalist furniture resulted in beautiful statement pieces, which celebrated and showcased the striking features of raw materials like wood or stone.
Crafted during a time of architectural innovation, this table boasts a robust, almost industrial aesthetic, marrying form and function with an unapologetic rawness. Its intricate design showcases a hexagonal stone top and crossed metal base. This combination of materials makes it a stylish example of the period’s design versatility. The unique colour variation of the stone top greatly adds to the visual interest of this piece. Stone nowadays is an indispensable element of interior design. Not only is it durable, but it has the power to arrest visual interest through its versatility. Brutalist furniture from Europe in many ways transcends the word ‘modern’, and so does this coffee table. Like the style, this piece can be incorporated successfully into contemporary and traditional interiors alike, lending itself to a timeless and universal appeal.
Coffee tables, in general, serve as design staples in living spaces for a multitude of reasons: beyond their utilitarian function of providing a surface for drinks or books, they anchor a room, creating a focal point around which furniture and conversation revolve. Overall, this table equally emphasises function and visual interest, creating an instantly arresting aesthetic.
Condition:
In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. The metal base has scratches. Due to the nature and age of the materials, the table may have some marks and discolouration.
Dimensions:
45.67 in W x 39.76 in D x 15.94 in H
116 cm W x 101 cm D x 40.5 cm H
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Price category: 2,500 - 5,000 usd / eur
This coffee table is a stunning example of Modernism in design: clear forms without exaggeration with the high-quality work of a Danish cabinetmaker. Humble in its material and size, this table still draws attention thanks to its distinctive look and personality.
Early on, many of the Danish cabinetmakers’ workshops had been producing historical furniture; master cabinetmakers had been renowned for their solid wooden furniture rendered in various styles of the past. This coffee table, while not specifically historical in style, shows some restrained decorative elements that are generally rather sparse in Scandinavian mid-century furniture. However, accordingly to the design ideals of Danish designers, the scalloping pattern is not overwhelming the table, nor does it demand attention, rather, it is an understated but clever addition to the design. The scalloped patterns on the tabletop and legs differ slightly; the scallops on the legs are more pronounced with straight lines between each scallop, while under the tabletop, it is in a more traditional, round shape.
The wavy effect is even more pronounced thanks to the beautiful grain and colour of the solid oak that is most apparent on the wide, circular top. As it can be expected from Danish design and craftsmanship, visually appealing elements usually serve a functional role as well. In this case, the wooden elements under the table reinforce the stability of the structure in this ingenious manner.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the material, the item may have some marks, scratches, and discolouration.
Dimensions:
35.03 in W x 35.03 in D x 22.04 in H
89 cm W x 89 cm D x 56 cm H
About the Designer:
The practical and comfortable designs of Danish cabinetmakers defined mid-20th century modern seating. The Danish Cabinetmakers focused on minimalist design executed by expertly skilled craftsmen.
Works from the Danish Cabinetmakers' Guild is a concept of its own in collectible design. The Cabinet-Makers' Guild began annual exhibitions in 1927 in Copenhagen. The group formed an exhibit showing each year in October the quality furniture made to drawings by gifted architects. The exhibition took place each year, without interruption, for forty years. A number of successful Danish Design collaborations were formed during this time between cabinetmakers and architects.
Danish Modernism has influenced Scandinavian furniture to a great degree, defined by minimalism, simplicity, and functionality. The muted colours and gentle designs make Danish mid-century furniture an ideal addition to contemporary living spaces. Additionally, master cabinetmakers were highly aware of body proportions, prioritizing comfort just as much as the visual qualities.
The works of master cabinetmakers – such as this chair – are of the highest quality, both in terms of materials and craftsmanship. Cabinetmakers take the art of working with wood one step further, and focus on the finer details of what can be created with the material. Therefore, it comes as no surprise that numerous master cabinetmakers are part of the renowned Danish Culture Canon (Danish: Kulturkanonen). The canon contains no more than 108 works of cultural excellence, based on works with a useful function and that are still recognisable today. These lounge chairs are the perfect illustrations of Danish design, and the work of a true cabinetmaker. ~H.
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Price category: 2,500 - 5,000 usd / eur
The 1940s in Sweden were defined by a quiet but deliberate design philosophy rooted in function, clarity, and craftsmanship. As the country transitioned through wartime austerity into postwar renewal, designers and cabinetmakers turned toward a more humanist modernism that emphasized warmth over severity. This approach is exemplified by Swedish Modern design movement, which focused on creating durable, accessible, and elegant furniture for the masses.
This birch side table showcases sensibility through its simple yet perfectly balanced construction. Furniture of this period often showcased the natural qualities of woods. Birch, with its golden hue and intricate grain, became a central material in this movement, prized for its ability to bring light and texture into the Scandinavian home. This table’s top features softly rounded corners and edges. The turned legs are slightly splayed to provide stability, connected by stretchers that form a low geometric rhythm beneath the tabletop. The craftsmanship is evident in the way each joint is fitted cleanly, while the organic character of the wood is emphasized. The table reflects the Swedish preference for comfort and approachability. The warm, honeyed tone of the wood further enhances its sculptural simplicity, capturing the sense of connection to nature that defined Scandinavian design of the 20th century.
Beyond its function, the table represents the enduring values of Swedish Modernism, where honesty of material and attention to human use were paramount. In its restraint and balance, this table embodies the essence of that philosophy, an object both utilitarian and timeless, made to age gracefully within everyday life.
Condition:
In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature and age of the wood, the table may have some marks, scratches, and discolouration.
Dimensions:
33.46 in W x 20.87 in D x 22.83 in H
85 cm W x 53 cm D x 58 cm H
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Price category: 1,000 - 2,500 usd / eur
In the thriving design landscape of the 1960s, the emergence of Brutalist furniture left an indelible mark on design, and this oak side table epitomises the era's aesthetic medley. Crafted from solid oak, the deep hue exudes warmth amidst the starkness that generally characterised Brutalist design.
The Netherlands embraced Brutalism as a rejection of ornate embellishments, opting for raw, utilitarian forms. The movement, rooted in architectural principles, found resonance in furniture, reflecting a societal shift towards functional simplicity. Oak became the material of choice for many Brutalist pieces due to its durability and malleability, enabling intricate yet robust constructions. The straightforward shape of this table highlights the understated beauty of the material, allowing the beautiful grain of the wood to stand out. The table top is set on four splayed club feet, stained in the same dark, rich colour lending a more dramatic presence to the piece. The base is ideal for ensuring the sturdiness needed for a classic piece of furniture made to withstand the passage of time. Through both its silhouette and solid colour, this side table showcases versatility, while maintaining character. The interplay of a simple structure and refined detailing evokes a sense of harmony, aligning with the era’s focus on utility.
This side table is a testament to the Dutch penchant for functionalism. Its simple, geometric lines serve a purpose beyond aesthetics, offering both visual appeal and practicality. The design encapsulates a rich moment in furniture design history. It's a tangible embodiment of the Brutalist movement's focus on materiality and craftsmanship while also reflecting the innovative spirit of Dutch designers of the era.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the wood, the item may have some marks, scratches, and discolouration.
Dimensions:
23.22 in W x 11.61 in D x 15.74 in H
59 cm W x 29.5 cm D x 40 cm H
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Price category: 2,500 - 5,000 usd / eur
This bookcase is a lovely example of mid-century design, blending form and function. The Italian design language of the 1970s looks just as attractive and fresh today as it did decades ago. Elegance and strength are cleverly combined in this minimalist piece.
Elegant in its simplicity, this bookcase places the emphasis on showcasing the material through a simple, uncluttered design. This model deserts any unnecessary ornamentation in favour of traditional form with the structure being both practical and aesthetically balanced. The proportions are carefully considered, offering a sense of harmony that aligns with the craftsmanship typical of Italian furniture design from the second half of the 20th century. This piece features open shelves and thanks to their arrangement and the large surfaces, the beautiful grain of the wood veneer is highlighted. The material is warm and expressive, enhanced by a natural finish that highlights it’s inherent richness. The bookshelf’s open and airy design offers a sense of visual lightness, making it equally suited to display treasured books or decorative objects.
A timeless piece, this bookshelf embodies the era’s philosophy of democratic design; functional, beautiful, and enduring. It serves not only as a practical storage solution but also as a quiet statement of mid-century elegance.
Condition:
In good vintage condition. Wear consistent with age and use. Some minor chips and scratches.
Dimensions:
33.46 in W x 8.66 in D x 58.66 in H
85 cm W x 22 cm D x 149 cm H
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Price category: 7,500 - 10,000 usd / eur
A drafting table or architect's table is, in its antique form, a kind of multipurpose desk which can be used for any kind of drawing, writing or impromptu sketching or for drafting technical illustrations. Many designs from the mid-century period adopted an almost structural logic, reflecting a broader interest in honest materials and visible craftsmanship, where the making of the object was never concealed but instead highlighted as an integral part of the design.
This worktop desk was made in France around the 1960s. It embodies rustic modernism and brutalist aesthetics through the robust yet carefully considered construction. The solid oak top is thick and slightly contoured, with softened edges that introduce a subtle organic quality to an otherwise rectilinear form, and an ergonomic cutout. Beneath, the base is composed of vertical supports connected by horizontal stretchers, creating a grounded structure. The architectural portico base is connected by solid crossbeams, where the joinery is clearly expressed, each connection contributing to both the strength and the visual identity of the piece. This detail is a testament to the high level of craftsmanship and brutalist influences. At the same time, the open space between these elements ensures that the design does not feel heavy, despite the mass of the material. The natural grain of the oak remains visible across all surfaces, adding depth to the otherwise restrained composition.
This desk maintains a strong presence rooted in its quality, but most of all, it represents a deeply functional piece of furniture. It balance of weight and refinement makes it perfect to serve a practical but elegant workspace.
Condition:
In good vintage condition. Wear consistent with age and use. The desk has recently been reconditioned and showcases a beautiful grain pattern. Due to the nature and age of the wood, the item has minor marks and scratches, and may show slight discolouration.
Dimensions:
49.40 in W × 32.67 in D × 30.31 in H
125.5 cm W x 83 cm D x 77 cm H