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Price category: 20,000 - 30,000 usd / eur
With pieces inspired by nature and the tranquility of everyday life, Ilmari Tapiovaara was able to showcase designs that captured the essence of Finnish identity. In a region where darkness dominates much of the year, lighting offers more than illumination - it evokes warmth, optimism and emotional connection. In the case of this pair of sculptural table lamps made of painted metal layers, the comforting resemblance to the beloved character of “Maija Mehiläinen” brings a sense of joy and familiarity into Nordic homes.
Recalling the lovable German children’s book character published in 1912, “Maija Mehiläinen” - meaning Maya the Bee - this model carries undeniable charisma, with Maya’s stripes recognisable in the lamp’s structure. The shades are made up of a tall cylindrical forms of slender metal layered discs, each layer delicately floating above the next, emitting a soft and diffused glow. Resembling the abdomen part of a honeybee, it stands on three elegant brass legs, running up through the fourteen slates, and finally poking out from the top, bearing a resemblance to delicate bee-like antennae. While having the appearance of the insect itself, the design also gives the impression of a beehive - especially when they are switched on and the warm light seeps out in between the gaps of the layers, like drizzling honey from the cracks of honeycomb walls.
This lighting model stands out in the most wholesome and comforting way, capable of evoking dear childhood memories as well as keeping spirits up during the long winter months for those longing for the lightness of spring, full of flowers and life.
Condition:
In good vintage condition. Wear consistent with age and use. The lamps have recently been rewired and reconditioned. The items have been repainted. Due to the nature and age of the materials, the items may have marks, scratches, and discolouration. These table lamps are compatible with E26 / E27 standard fittings. All lighting can be converted for US usage.
Dimensions:
7.28 in W x 6.69 in D x 19.48 in H
18.5 cm W x 17 cm D x 49.5 cm H
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Price category: 20,000 - 30,000 usd / eur
Adrien Audoux and Frida Minet were a French design duo who worked together during the 20th century. They were known for their innovative use of natural, sustainable materials, including rope, wicker, and bamboo. The duo’s work was heavily influenced by the Modernist movement, which sought to create functional and streamlined designs that were accessible to a wider audience.
Audoux & Minet’s pieces are characterised by a strong sense of craftsmanship, with each piece being handmade by the designers themselves or by skilled artisans. This dining table showcases a long rectangular top finished in warm wood veneer, its broad uninterrupted surface displays the grain. The top sits above thick base covered in a tightly woven natural fibre that introduces an immediate depth of tone and texture. The fibre flows across the supports in beautiful braided patterns, emphasising the bold and solid look. Across their faces, the rope is made into a geometric pattern which breaks up the woven surface to create a beautiful rhythm within the structure. The contrast of materials is central to the table’s character: the smooth, richly grained wooden top stands out against the coarse, rough and natural fibre below, allowing two very different surfaces to define the piece.
Today, Audoux and Minet's designs are highly sought after by collectors and are considered important examples of mid-century modern design. Furniture pieces like this table stand out through their unique textures, and their materials, as well as their classic charm.
Condition:
In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature and age of the material, the item has some marks and scratches on the tabletop. Additional imperfections like chips, dents or discolouration may be present.
Dimensions:
67.12 in W x 33.46 in D x 29.13 in H
170.5 cm W x 85 cm D x 74 cm H
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Price category: 2,500 - 5,000 usd / eur
The manufacturer of this lamp, ASEA, has a rich heritage rooted in lighting innovation, pushing boundaries and redefining norms, playing a pivotal role in shaping the trajectory of Swedish lighting design during the 20th century. Their commitment to quality craftsmanship and avant-garde design principles set them apart as pioneers in the industry.
This floor lamp boasts a sleek design, combining a round base, sturdy and durable, with an elongated black lacquered metal stem that gracefully extends upward to support a stunning woven shade. The shade emits a soft, diffused glow, which will enhance the ambiance of any space. The slender stem lends an air of elegance. The brass serves not only a functional purpose, it also allows for a touch of understated luxury with its polished finish. The play of contrast between the dark metal, warm brass, and light fabric evokes the restraint typical of Scandinavian modernism, where atmosphere was achieved through proportion rather than ornament. Moreover, the ability to adjust the position of the shade enhances both the functionality and the sculptural character of the piece, allowing it to adapt to different settings and uses.
Elegant and enduring, this floor lamp demonstrate how Swedish design continues to find beauty in simplicity. It merges function, craftsmanship, and light into a harmonious whole, reaffirming that restraint and refinement can be the most distinct of qualities.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade is a later replacement. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
12.59 in W x 20.86 in D x 46.06 in H
32 cm W x 53 cm D x 117 cm H
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Price category: 12,500 - 15,000 usd / eur
In an era marked by unprecedented cultural dynamism and bold artistic expression, the Art Deco movement emerged as a testament to modernity and sophistication. This period witnessed the creation of exquisite furniture pieces that epitomised the union of form and function, with this pair of armchairs standing out as a prime example.
In line with the Art Deco movement during which they were designed and manufactured, these chairs illustrate the bold, rich and luxurious aesthetic of the era. Before giving way to mid-century modernism and its focus on function over form, Art Deco pieces coupled geometry and craftsmanship to arrive as elegantly impressive additions to the era’s interiors. The upholstery is soft but controlled, with clean planes and subtle curves rather than excess padding. The seats are deep and inviting, designed for practical use, while the proportions remain compact enough to feel composed in a room. The wooden elements frame the upholstery and emphasise the chair’s structure, reinforcing its Art Deco character. Every detail works together, from the block-like legs to the precise transitions between wood and fabric, creating a chair model that feels deliberate, balanced, and quietly strong.
As a pair, this design captures the lasting appeal of Art Deco furniture: comfort shaped by discipline and elegance rooted in form rather than ornament. It works equally well as a statement chair in a living room or as a refined accent in a bedroom or study. Its presence offers visual weight without heaviness and comfort without excess, in true Art Deco fashion.
Condition:
In good vintage condition. Wear consistent with age and use. The armchairs have recently been reconditioned. Due to the age and nature of the materials, the items have marks and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
25.8 in W × 37.8 in D × 31.5 in H; Seat Height: 13.4 in; Seat Depth: 19.7 in; Arm Height: 22.0 in
65.5 cm W x 96 cm D x 80 cm H; Seat Height 34 cm; Seat Depth 50 cm; Arm Height 56 cm
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Price category: 2,500 - 5,000 usd / eur
Founded by Philipp Rosenthal in Selb, Germany, in 1879, Rosenthal began as a porcelain painting business before establishing its own porcelain factory in 1891. From an early stage, the company combined porcelain manufacturing with an interest in contemporary design. Fast forward to 1950, Philip Rosenthal Jr. joined the company and became closely involved with product design, eventually playing a decisive role in its development. He created Rosenthal studio-line, giving a distinct identity to the company’s more design-focused production and its collaborations with contemporary artists, designers and architects.
This 1970s ceramic table lamp belongs to that later period, when Rosenthal’s long tradition of ceramic manufacturing was increasingly connected with international modern design. The ceramic base has a bold bottle-shaped profile, with a broad cylindrical lower body flowing into a narrow neck. Shallow vertical ridges run around the body, subtly breaking up the curved surface and creating highlights and shadows. The glaze is rich, combining rusty browns and amber tones across the surface. A broad cylindrical fabric shade sits at the top, its generous width echoing the bold and plump ceramic beneath it. When illuminated, the warm textile filters the light softly and brings out the deep colour of the glossy glaze, allowing the ceramic surface to become animated.
The lamp has a strong presence without requiring an elaborate form, while the subtle details give the ceramic enough character to remain interesting. Its classic form and quality reflect the generational tradition of great ceramicists and designers that came together to build the history of Rosenthal’s studio-line.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
15.74 in ø × 22.63 in H
40 cm ø x 57.5 cm H
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Price category: 2,500 - 5,000 usd / eur
The mid-century era was marked by a departure from ornate, intricate designs and a shift towards simplicity, functionality, and a seamless blend of form and usability. Evident with this floor lamp, mid-century lighting fixtures are characterised by their sleek silhouettes, geometric shapes, and innovative use of materials.
At the very beginning of modernism, many designers started to balance modern creativity and classical elegance. By entering the mid-century modern era, lighting design across Europe became known for being stylish, clear, and elegant with a creative edge. This floor lamp exemplifies the refinement that defines both the era and Stablet’s pieces. Brass, a favourite material in mid century modern design, gives the piece a subtle luminosity that ages gracefully, while the custom made fabric shade softens the light to create an inviting, intimate atmosphere. The beautiful construction allows for the lamp to look light and airy, yet still appear grounded. The softly structured shade creates a beautiful diffused glow - its fabric adding texture and depth to the otherwise minimal silhouette. Perfect for interiors that value subtlety and craftsmanship, this floor lamp offers a timeless presence without calling attention to itself. Its quiet elegance and warm material palette allow it to integrate effortlessly into both modern and traditional spaces.
This mid-modern floor lamp combines quality craftsmanship with a timeless and versatile design which shines in any interior. The enduring popularity of the design stands as a testament to its continuous allure, and ability to enhance both the look and the feel of a living space.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade was custom made by our in-house atelier. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
13.97 in W x 28.54 in D x 59.64 in H
35.5 cm W x 72.5 cm D x 151.5 cm H
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Price category: 2,500 - 5,000 usd / eur
By the 1950s, Finland had established itself as a force of innovation in design. During this era, the country saw the birth of many of its most iconic lighting models; it was a period of consistency in excellence and sophisticated design. Itsu, short for Itä-Suomen Sähkö (eng. Eastern Finland Electricity), was one of the lesser known gems of Finland’s lighting manufacturers. Founded in 1945, after World War II, Itsu produced characteristic models in small quantities, that endure to this day through their masterful design and great quality.
This ceiling light exemplifies that restrained approach through its striking inverted conical shade made from finely pleated fabric. The tightly gathered pleats radiate from the central brass fitting, creating a crisp geometric pattern that gives the large shade a light, even and ethereal appearance. The brass finial anchors the centre of the fixture, while the shade itself covers the ceiling mount, and thus remaining the visual focus. When illuminated, the pleated fabric softens and diffuses the light evenly across its broad surface, producing a warm ambient glow. This quality even further emphasizes the rhythm of the folds. The generous diameter makes the lamp an effective central ceiling fixture, yet its clean silhouette prevents it from overwhelming a space. The combination of fabric and brass, together with the disciplined geometry of the pleated form, demonstrates how simple materials can achieve a refined and highly architectural result.
This ceiling lamp is the perfect way to add a touch of elegance to any space without being overwhelming. Its emphasis on creating comfortable, atmospheric light, as well as its unique character illustrate the qualities for which Finnish mid-century lighting is appreciated.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the items may have minor marks, scratches, and discolouration. The shade is a later replacement which was custom made by our in-house atelier. All lighting can be converted for US usage.
Dimensions:
27.55 in ø x 11.02 in H
70 cm ø x 28 cm H
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Price category: 2,500 - 5,000 usd / eur
The mid-20th century saw brilliant Danish designers and cabinetmakers working to create furniture of the highest quality that explored modern shapes and forms. Skilled cabinetmakers produced quality furniture in relatively small quantities, while architects and designers increasingly worked with them to refine established furniture types and give greater attention to construction.
This Danish armchair is built from a clearly exposed wooden frame, with upholstered elements forming the seat and backrest. The sides are particularly distinctive: beneath each armrest, three horizontal rails span the distance of the sides, creating an open, ladder-like structure. The construction uses both wood and negative space to create the appearance of enveloping arms that contribute to the chair’s unique look. At the same time, this horizontal arrangement keeps the sides considerably lighter than they would appear as solid panels. Four straight legs support the body, continuing upward to form the supports for the armrests. While the sides create the visual impact, the upholstered seat and back ensure comfort. The muted upholstery contrasts with the warm wood without obscuring any of the chair’s structural elements. Each element of this piece comes together to give a simple chair a surprisingly substantial framework.
The exposed joints, repeated side rails and separation marriage of materials make the chair immediately charming. Rather than hiding its frame, the design uses the frame itself as its principal visual feature - an approach consistent with the attention to workmanship and material construction found within the Danish cabinetmaking tradition.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item has minor marks, scratches, dents, and discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
23.03 in W x 19.68 in D x 25.59 in H; Seat height 4.96 in; Seat depth 14.57 in; Arm height 24.80 in
58.5 cm W x 50 cm D x 65 cm H; Seat height 38 cm; Seat depth 37 cm; Arm height 63 cm
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Price category: 2,500 - 5,000 usd / eur
20th century Danish design emerged as a golden era where form seamlessly intertwined with function, giving rise to creative and unique pieces that continue to captivate contemporary sensibilities. Designers from the region like Nis Stougaard brought a refreshing breath of innovation to modern ceramic design.
Meticulously crafted, this table lamp showcases the incredible skill and talent of the attributed designer, Nis Stougaard. The sculptural form takes inspiration from nature, having an organic, fluid look. Surpassing strict functionality, it is a whimsical representation of the innovative experimentation in Danish lighting design. What makes this lamp particularly appealing is the contrast between its restrained form and its highly expressive materiality. The silhouette is simple, yet the surface reveals layer upon layer of visual interest through texture, colour, and craftsmanship. The lampshade’s drum shape contributes to this look as well, while it also balances out the thick stoneware body. The fabric of the shade is quite textural with an elegant and stylish look that stands out even more when the lamp is lit. Combined with the stoneware, the design offers a variety of points of visual interest.
The overall aesthetic of this piece is essentially Nordic modern thanks to the combination of interesting materials, texture and a design inspired by nature. This table lamp feels unique, yet comfortingly familiar, being the perfect addition when it comes to interior decor.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Minor scratches. Due to the nature and age of the materials, the item may have marks, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
19.69 in ø × 17.91 in H
50 cm ø x 45.5 cm H
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Price category: 2,500 - 5,000 usd / eur
Prior to the more famous and minimalist Swedish designs that were to develop in the post-war period, Swedish Grace developed in parallel with the more famous Art Deco movement, as its Nordic counterpart. This movement seamlessly blended the decorative expressiveness of Art Deco and Neoclassicism with the characteristic Scandinavian restraint (or minimalism, as it would be coined in the early 20th century).
This lamp has a traditional yet playful and eclectic feel to it, making it exemplary of this period. The lamp features a gently curved shade crafted from frosted glass, its soft matte surface diffuses light with a warm ambient glow. The glass features ribs in the thickness of the glass. The frosted surface allows light to pass through while managing to defuse it beautifully. As is the case with most wall sconces, light is directed upwards and outwards, rather than down. Moreover, it is mounted on a metal back-plate featuring a natural element, characteristic of the Swedish appreciation of nature. The rest of the design is not short of subtle decorative elements either. The top bronze detail ties in the link creating vertical symmetry.
Today, this lamp stands as a symbol of a bygone era, a testament to the ingenuity and artistry of its creators. Its timeless appeal transcends trends, captivating admirers with its beauty and charm. In the hands of discerning collectors, it continues to shine bright, illuminating both spaces and imaginations with its captivating presence.
Condition:
In good vintage condition. Wear consistent with age and use. The wall lamp has recently been reconditioned. The brass is patinated. There are minor dents and scratches in the metal. Due to the age and nature of the bronze, the lamp may have marks, and discolouration. There is a chip on the right side of the shade. Additional imperfections on the glass may be present due to manufacturing inconsistencies and age. All lighting can be converted for US usage.
Dimensions:
6.10 in W x 4.72 in D x 18.50 in H
15.5 cm W x 12 cm D x 47 cm H
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Price category: 5,000 - 7,500 usd / eur
Floor lamps produced across Europe in the mid twentieth century often explored new material combinations while maintaining the restrained forms associated with modern design. During this period, artists frequently experimented with metals, finishes, and details to create lighting that felt contemporary while remaining practical for everyday interiors. The combination of the brass body and rattan shade of this floor lamp represents the period.
The lamp’s material choice gives the piece a subtle warmth and sophistication, creating a timeless aesthetic that blends understated luxury with functional craftsmanship. The piece strikes a great balance: while the metal structure provides strength and stability, natural materials soften the overall appearance. The circular brass base transitions into the stem, gracefully curving to support the striking shade. Not only is the brass durable but it develops a beautiful patina over time, adding to the aesthetic value. The adjustable rattan empire lampshade creates a cosy effect when the lamp is lit, as the light peeks through the woven gaps. Since the head of the lamp is adjustable, it allows the user to tailor the light direction, making it a versatile piece. This technical detail allows the expressive structure to combine functionality with visual appeal.
This floor lamp is the perfect way to add a touch of elegance to any space without being overwhelming. Its expert craftsmanship and unique character showcase the beauty obtained when industrial manufacture meets traditional crafts such as rattan weaving.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. Minor dents on the brass base. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
22.05 in W x 19.69 in D x 56.30 in H
56 cm W x 50 cm D x 143 cm H
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Price category: 15,000 - 20,000 usd / eur
Swedish architect and furniture designer Axel Einar Hjorth served as the lead designer for Sweden’s Nordiska Kompaniet department store from 1926 to 1938. During this time, Hjorth designed the “Sportstugemöbler” series, (which translates to “sports cabin furnishings”) a collection of wooden furniture designed for country homes. The various models in the sportstugemöbler series took their names from the Stockholm archipelago – including Blidö, Lovö, and famously, Utö.
These Utö chairs were designed in 1932 as part of the collection. Unlike the department store's interiors for floors and villas in the cities, the Utö designs had a simple character with robust and basic shapes in solid pine. Accordingly, the design of these chairs focuses on simple lines and the material itself. Made of pine wood, these chairs are strong, reflecting Hjorth’s principles in which he mixed the ideals of the modernist movement with provincial Swedish traditions. As a result, the design of this set is completely timeless. Each chair demonstrates a conscious construction, where the joinery and fittings related to traditional craftsmanship are emphasized. Dominated by rounded, straight lines, the chairs have spindle backrests and ergonomically carved seats. The form alludes harmony and stability, fitting the summer cabin concept perfectly.
In an international perspective, Hjorth's “sportstugemöbler” series was the forerunner of later pioneering designers such as Charlotte Perriand. It is therefore no surprise that these Utö chairs became part of Swedish and international modernist design history. In their time, the Utö collection may have appeared as pioneering and radical, but today they are viewed as status symbols in interiors of international character.
Condition:
In good vintage condition. Wear consistent with age and use. Some marks and stains on the wood. Due to the nature and age of the wood, the items may have scratches and discolouration.
Dimensions:
18.89 in W x 18.3 in D x 31.49 in H; Seat height 16.92 in
48 cm W x 46.5 cm D x 80 cm H; Seat height 43 cm
Literature:
Christian Bjork, Thomas Ekstrom and Eric Ericson, 'Axel Einar Hjorth: Mobelarkitekt', Stockholm, 2009, p.130
About the designer:
Axel Einar Hjorth was born in a small Swedish village named Krokek, just outside Norrköping, on March 7, 1888. At the age of 20, he moved to Stockholm to study architecture and design at the Högre Konstindustriella Skolan.
Although he never graduated, in the 1920s Hjorth started working as a furniture designer for various manufacturers, such as H. Joop & Co., Myrestedt & Stern, Jonssons, and Nordiska Kompaniet. Hjorth’s designs from this period had neoclassical features combined with Swedish Grace. This romantic national style of Sweden was elegant and refined, yet simple. The anniversary exhibition of 1923 in Gothenburg marked the breakthrough of Swedish decorative arts, and made Axel Einar Hjorth a well-respected artist. From October 1926, Hjorth became the chief designer and architect of Nordiska Kompaniet department store in Stockholm. In the 1930s, Hjorth designed a furniture collection out of pine meant for serial production known as Sportstugemöbler (furniture for holiday houses).
Hjorth’s designs, from the luxury of neoclassicism to the severity of functionalism, are sharply distinctive in style, materials, and character. Unlike many of his contemporaries, Hjorth did not conform to the socially oriented ideas produced by Svensk Form (the Swedish Society of Crafts and Design). He played a significant role in the development of Swedish society as a whole, and particularly in Swedish industrial art
Today Hjorth is often viewed as a precursor to the modern designs popularized by Charlotte Perriand, Jean Royére, Pierre Chapo, or Josef Frank. Recently, there has been a revival of appreciation for his work, showing his genius in a new light. ~H.
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Price category: 5,000 - 7,500 usd / eur
The mid-20th century was a transformative era for design throughout Europe. Around this period, furniture began blending the streamlined elegance of modernism with the inviting charm of skilled craftsmanship. This period celebrated functionality, comfort, and organic forms by creating pieces that were as practical as they were beautiful, like this armchair.
Works from this era embraced soft curves and beautiful textures, perfectly showcased by this piece. This armchair encapsulates the mid-century modern ethos, standing as a testament of the era’s focus on human-centred design and timeless versatility. The piece features harmonious, seamless curves, breaking the classic angularity of most armchairs, while evoking natural fluidity, through material and colour. The frame is quite distinctive even beyond its curved arms. The shape and construction show the signs of a master cabinetmaker as the chair has an almost sculptural look. The backrest is visually “unattached” to the seat which creates an impression of weightlessness. The piece has an overall flow to it which adds to the visual interest. The light fabric adds to the stylish look as well, as it highlights the wood’s gorgeous colour and pattern. European designers often believed that a chair should always be comfortable to sit on and beautiful to look at from all sides and angles and this piece is evidence of that.
Unlike designs from outside the continent, European furniture wasn’t flashy but designed to be well-made and to fit a warm, comfortable and welcoming home. As this armchair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship is the key to the success of modern design.
Condition:
In good vintage condition. Wear consistent with age and use. The armchair has recently been reconditioned. Due to the nature and age of the materials, the item has minor marks, scratches, dents, and discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.61 in W × 25.98 in D × 34.65 in H; Seat Height 15.75 in; Seat Depth 21.26 in; Arm Height 24.02 in
62.5 cm W x 66 D x 88 cm H; Seat height 40 cm; Seat Depth 54 cm; Arm Height 61 cm
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Price category: 2,500 - 5,000 usd / eur
Olle Alberius was one of Sweden's foremost ceramic and glass designers during the 20th century. After studying at the Konstfack University of Arts, Crafts and Design in Stockholm, he joined Rörstrand in 1963, where he designed both unique stoneware and glass pieces. Founded in 1726, Rörstrand is one of Sweden's oldest and most celebrated ceramic manufacturers, renowned for combining artistic innovation with exceptional craftsmanship over nearly three centuries.
Alberius' work for the company is admired for its refined forms, expressive glazes, and sensitive understanding of ceramic material, all qualities perfectly encapsulated in this table lamp. This piece is defined by its tall stoneware body, finished in a deep blue glaze that shifts in tone across the surface, from rich navy to a sandy-grey. This vertical movement of colour enhances the form. The surface retains slight irregularities, reflecting the handmade nature of the piece. Above, the broad, conical shade introduces a strong geometric element, diffusing the light evenly and balancing the expressive base. The relationship between these two elements creates a cohesive and well-proportioned composition. No aspect of this piece was overlooked in the design process, with the quality craftsmanship being rooted in the rich history of the lamp, as well as in its unique characteristics.
With its refined form and aesthetic, this model “8303” table lamp is more than a source of light—it is a statement piece that reflects Swedish design principles of the mid-century period. Its organic feel and modern influences allow it to blend seamlessly into contemporary settings, while still embodying the unique heritage of mid-century Scandinavian artistry.
Condition:
In good vintage condition. Wear consistent with age and use. The table lamp has recently been reconditioned and rewired. The shade is a later replacement. Due to the age and nature of the stoneware, the lamp may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
14.96 in ø × 25.00 in H
38 cm ø x 63.5 cm H
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Price category: 2,500 - 5,000 usd / eur
This vase exhibits understated elegance and a timeless appeal. With an emphasis on balance and harmony, it blends traditional craftsmanship with organic aesthetics and is exemplary of Maud Fredin-Fredholm’s artistry. The practice of ceramics has a longstanding and celebrated tradition in Scandinavia, although it wasn’t until in the mid-20th century, where artists were drawn again to material experimentation and innovation - balancing the boundaries between function and aesthetics.
This vase is a playful example of the eccentric side of Scandinavian mid-century ceramic design. The organicity is quite literally expressed, representing the rare, more decorative models of Swedish modernism. There is a focus on the ceramic body, as it features a beautiful and organic colour palette with illustrative details, giving a clear artistic touch. Beyond the aesthetic appeal, it also offers practical benefits, serving as a focal point that draws the eye and anchors the room's visual narrative. Both decorative and functional, this object embodies the quiet sophistication that defines Swedish mid-century pieces. As an authentic example of 1940s Scandinavian ceramics, it offers a blend of artistry, craftsmanship, and everyday usability. Stylish yet understated, the vase stands as a refined expression of Maud Fredin-Fredholm and Bo Fajans’ enduring design legacy.
A well-chosen decorative piece can change the overall look of a room and how it feels to inhabit the space. This vase is the perfect addition to bring a touch of organic elegance to any space without it being overwhelming. Its unique character makes it a timeless example of the golden age of ceramic design.
Condition:
In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. The vase comes with a brass insert, which is a later replacement. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration.
Dimensions:
9.45 in ø × 21.26 in H
24 cm ø x 54 cm H
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Price category: 2,500 - 5,000 usd / eur
The 1970s witnessed the emergence of eccentric furniture pieces that seamlessly blended the avant-garde with practicality. Crafted in France, this distinctive "Sequenza" table by François Monnet bears the mark of French ingenuity and artistry, reflecting an era where experimentation in design was the norm.
The modern look of this table carries an industrial quality, yet retains the refined edge of late 20th century design. Each component of this table was designed with functionality and elegance in mind, culminating in a piece that transcends simple utility. It is a striking blend of form and function - the swivel top offers not just practicality, but also a touch of modern charm that can enhance the decor and warmth of an interior. The material choice of stainless steel also makes the piece look lightweight while maintaining its durability. Simplicity meets sophistication in this design, where craftsmanship and finish take center stage. The piece exudes a sense of artistic whimsy and individuality, embodying the best of its era. Objects like this make striking focal points in any modern home and this table is no exception.
Coffee and side tables, in general, serve as design staples in living spaces for a multitude of reasons: beyond their utilitarian function of providing a surface for drinks and books, they anchor a room, creating a focal point around which furniture and conversation revolve. Overall, the table equally emphasizes function and visual interest, creating an instantly arresting aesthetic.
Condition:
In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. There are minor dents and scratches in the metal. Due to the age and nature of the metal, the table may have marks, and discolouration.
Dimensions:
29.92 in W x 17.72 in D x 21.26 in H
76 cm W x 45 cm D x 54 cm H
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Price category: 7,500 - 10,000 usd / eur
Among the collection of talented individuals who have worked for Artifort, Theo Ruth was the acclaimed Dutch furniture manufacturer’s first permanent designer. Ruth’s work significantly advanced Artifort’s laudable reputation, specifically through his designs of chairs. His most famous chair is the 1952 “Congo” model that enjoyed great success.
This pair of “Congo” chairs is representative of Ruth’s craftsmanship and talent. The model is full of exceptional features and details that make it a unique example of the creative overflow that defined mid-century modernism in The Netherlands and Europe. The flowing structure displays beautifully curved lines and rounded edges, ensuring extreme comfort and emphasizing its ergonomic design. The distinct look is the result of the brilliant pairing of materials. The wooden legs’ smooth lines stand out against the textural shearling, while also accentuating the unique look of the upholstery. The soft fibres of the lightweight, feathery shearling drape beautifully over the lounge chairs, while the darker brown colour of the wood adds depth. Mid-century European designers and cabinetmakers were very firm about two things regarding seating designs: the sitting experience must be comfortable and that the model had to look good from every single angle. The ‘Congo’ model fulfills these principles with its arm-less body and interesting, curved legs. As with most lounge chairs, this model is also built in a permanently reclined position, another lovely feature.
Today, Theo Ruth's furniture designs are considered to be important examples of mid-century modern design, and his work continues to be highly valued by collectors and design enthusiasts around the world.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items may have marks, scratches, and discolouration. The chairs have been reupholstered recently in Mongolian shearling. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
22.04 in W x 35.43 in D x 32.67 in H; Seat height 16.14 in; Seat depth 19.68 in
56 cm W x 90 cm D x 83 cm H; Seat height 41 cm; Seat depth 50 cm
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Price category: 2,500 - 5,000 usd / eur
European lighting of the 1970s often pushed modernist forms toward experimental compositions, using lacquered metal, slender structures and sharply defined geometric shades. The diabolo form, created by opposing conical volumes meeting at a narrow centre, is a beautiful example in twentieth-century European lighting.
In this floor lamp, the geometry of the shade is paired with an exceptionally sleek body, giving the design a playful character while preserving the visual clarity associated with late modernism. The black lacquered metal base forms an open circular loop that serves as a base for the design. The body then sweeps upward and flows into the slender stem. The structure reads almost as a continuous line, with the dark base giving way to a warm metallic shaft that rises at a slight angle and makes the lamp appear to lean gently into a space. Near the top, a curved support projects outward to hold the shade. A broad conical shade opens downward, directing light toward the area below, while a smaller inverted cone sits above it. Together they create the distinctive diabolo profile, with the narrow size between the two forms tying in the design with a brass detail. The difference in scale between the cones is effective in creating a dynamic look. Their warm, softly textured surfaces contrast with the fine metal framework beneath them. From the looping base to the inclined stem and projecting shade, the entire composition is built around curves, diagonals and open space, giving the lamp a silhouette that feels timeless and elegant.
Its unique construction gives the lamp a far stronger presence than its slender proportions might suggest. Even when switched off, the asymmetrical profile makes it an expressive object in the room; illuminated, the opposing shades become the focus of the composition, adding charm to any interior.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shades were custom made by our in-house atelier. Due to the age and nature of the materials, the item has some marks, scratches, and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
15.75 in W x 35.24 in D x 72.44 in H
40 cm W x 89.5 cm D x 184 cm H
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Price category: 12,500 - 15,000 usd / eur
The 1950s and 1960s saw brilliant Italian designers working to create furniture of the highest quality that explored truly modern shapes and forms. These designers experimented with new materials and construction methods but, crucially, they kept the elegance inherent in Italian design.
These armchairs were crafted in the manner of Paolo Buffa, an impactful designer who made his mark in the Italian mid-century modern style alongside other renowned creators such as Gio Ponti. Gio Ponti and Paolo Buffa’s influence is clearly visible in these chairs. This pair with the upholstered bodies and polished wooden arms show the general mid-century modern characteristics with an ergonomic and functional design. The characteristic shape of the arms sets the tone of the overall look, creating dynamism. The seats are slightly raised, and the backs tilted, creating an angle that supports the sitter and the lounging experience. The overall design is focused on elegant and measured proportions, balanced compositions, and refined décor elements including the materials. From all angles, these chairs offer beautiful textures and eye-catching forms, combining Italian elegance and modern aesthetics to create a timeless look which is full of modern energy that will endure for generations. This is also thanks to the exceptional visual quality and uncompromising level of craftsmanship.
These chairs encapsulate the essence of Italian mid-century modern design, marrying uniting sophistication with artistry. They are a testament to the enduring allure of this design era, where form meets function, and beauty is eternally intertwined with utility. Whether placed in a contemporary, or a retro-inspired space, this pair is a timeless statement piece.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
22.44 in W x 32.67 in D x 30.9 in H; Seat Height 15.35 in; Seat Depth 21.06 in; Arm Height 23.81 in
57 cm W x 83 cm D x 78.5 cm H; Seat Height 39 cm; Seat Depth 53.5 cm; Arm Height 60.5 cm
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Price category: 5,000 - 7,500 usd / eur
Valinte Oy, established in Finland during a time of great design exploration, was known for its commitment to crafting distinctive lighting solutions. The company was celebrated for its attention to detail and ability to merge form and function seamlessly. Valinte Oy's designs have always embodied the spirit of Finnish craftsmanship and have often incorporated elements of nature, evoking a sense of purity and simplicity.
Lights like this pair can easily create an intimate and cosy experience in a dining room or enhance the ambience of a living room with a warm glow, without creating harsh shadows. These lamps can also draw attention to any architectural element, guiding the eye with a strong first impression. Crafted from brass and opal glass, and thanks to its minimalist form and neutral colour palette, they are quintessentially Finnish modern. Opal glass is durable and resistant to heat, which made it suitable for the functional demands of lighting fixtures. Furthermore, the material allows for a wide range of shapes and designs, thus designers often took advantage of its versatility, shaping it into intriguing and organic forms that could transform a room while being a piece of art in themselves. This adaptability gave designers the creative freedom to experiment and innovate, resulting in lighting fixtures such as this model: both functional and aesthetically pleasing. Another distinctive detail of this lamp pair is the brass netting around the bottom part of the shades. The harmonious fusion of opal glass and brass in this model showcases the maker's dedication to quality and craftsmanship.
As a whole, the lamps embody the understated elegance of Finnish design during the mid-20th century. They bring together a thoughtful form and sensitivity that feels distinctly Nordic. As functional objects, the pair offers illumination that feels inviting and enveloping. This balance of sculptural character and atmospheric softness is what makes the pair resonate so strongly today, fitting seamlessly into various interiors.
Condition:
In good vintage condition. Wear consistent with age and use. The lamps have recently been rewired and reconditioned. There are minor dents and scratches in the metal. Due to the age and nature of the materials, the lamps may have marks, and discolouration. Additional imperfections on the glass may be present due to manufacturing inconsistencies and age. This lamp is compatible with an E26 / E27 (standard) fitting.
Dimensions:
5.12 in ø x 35.43 in H
13 cm ø x 90 cm H
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Price category: 5,000 - 7,500 usd / eur
Nordiska Kompaniet was founded in Stockholm in 1902, and to this day, it is regarded as one of the most renowned Swedish furniture manufacturers. The department store reflected modern society in different ways; it was a palace where much was possible and here, consumption became not just a necessary everyday routine, but a lifestyle and a pleasure.
This piece of furniture carries the Swedish mid-century design history that defined not only the era’s aesthetic, but still influences contemporary design. Functionality plays an important role in this model; with its sheer size, it offers a lot of shelving space. The doors cover space for several shelves. The veneer has a beautiful grain and pattern that stands out on the large surfaces on all sides. The slender legs balance the design perfectly both visually and physically. With its subtle decorative element, the panelling on the doors accentuates the design, adding depth and visual interest. The design of this sideboard isn’t loud, it leaves the focus on the wood and the details, yet, it has a stately appearance. The execution and high attention to detail showcases the uncompromising craftsmanship and high-quality approach to furniture design in Sweden in the mid-to-late 20th century.
With the major rise in popularity that mid-century modern experienced, it’s easy to see touches of 20th century Scandinavian style in contemporary homes. The natural and unfading beauty of wood, and the simple, modern and elegant design is timeless of the era. This piece is sure to add style to any interior.
Condition:
In good vintage condition. Wear consistent with age and use. The sideboard has recently been reconditioned. Due to the age and nature of the material, the item has minor scratches and dents, and may have additional marks or discolouration.
Dimensions:
70.87 in W × 19.69 in D × 28.74 in H
180 cm W x 50 cm D x 73 cm H
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Price category: 2,500 - 5,000 usd / eur
This wall lamp is a striking example of mid-century modern design that blends industrial materials with sculptural elegance. The model was made under the supervision of Louis Kalff at Philips. During this period lighting fixtures became more than utilitarian objects - they were thoughtfully designed elements of interior architecture. This “NX46” wall lamp is a stunning example of Dutch mid-century design.
The modernistic look of the “NX46” lamp is achieved through the simple yet smart design of the silhouette. Crafted from steel and iron, the look is almost industrial, yet has the edge of early mid-century modernism. The geometric shape is very effective in showcasing the juxtaposition between the black and white of the materials, a classic example of the contrast and harmony that designers of the era often sought to achieve. Despite being made of iron and steel, this wall lamp has a lightness to its form. As the lamp is open at both ends, it provides a warm glow when switched on, enhancing the ambience of any space it occupies. The 1950s was a period of renewal, prosperity, and optimism following the world wars. This resulted in lighting designers seeking to create pieces that embodied the spirit of the age, reflecting the fast-paced and industrialised world. Today, mid-century lighting fixtures have become more than sources of illumination - they have emerged as functional art pieces that engage with the viewer on a visceral level.
The masterful combination of materials, aesthetic and functional design, plus expert craftsmanship is indisputable in this model. The impression of this piece is fresh with a retro touch, and completely alluring with its dedication to quality and practicality.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. The lamp has been later repainted. All lighting can be converted for US usage.
Dimensions:
6.69 in W x 8.66 in D x 7.87 in H
17 cm W x 22 cm D x 20 cm H
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Price category: 2,500 - 5,000 usd / eur
The 1960s in Sweden were defined by a quiet but deliberate design philosophy rooted in function, clarity, and craftsmanship. Designers and cabinetmakers turned toward a more humanist modernism that emphasised warmth over severity. This approach is exemplified by Swedish Modern design movement, which focused on creating durable, accessible, and elegant furniture for the masses.
Rather than treating tables as purely functional objects, designers like Hilding Nilsson created furniture that integrated beauty into day-to-day life. Thanks in great part to an early emphasis on wood Swedish furniture design from the mid-20th century era avoided associations with cold industrialisation and machine aesthetics. This table is crafted from pine and because of its universally appealing form and impeccable craftsmanship, it fits almost any design style. It is apparent that equal attention was paid to the aesthetic quality, which is visible in the carefully crafted construction. The minimalist design allows the beautiful grain of the wood to stand out throughout the table. Moreover, the geometric grain pattern and warm patina of the pine speak to decades of gentle use, enhancing the appeal with a sense of history and authenticity.
Like most mid-century pieces, this side table is sure to enhance the daily lives of its users through its visually pleasing and functional design that is timeless in every sense of the word.
Condition:
In good vintage condition. Wear consistent with age and use. The side table has recently been reconditioned. Due to the nature and age of the material, the item has marks, scratches, and discolouration.
Dimensions:
22.64 in W x 12.60 in D x 20.08 in H
57.5 cm W x 32 cm D x 51 cm H
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Price category: 2,500 - 5,000 usd / eur
During the mid-20th century, Danish designers mastered the art of balance between traditional craftsmanship and modernism. This period was guided by the belief that good design should be both beautiful and functional, deeply rooted in natural materials. Wood was frequently combined with metals and textiles, allowing the charm of nature to sit alongside more industrial elements.
This table lamp embodies those ideals through its simple yet deeply considered form. It has a clear composition centered on a tall wooden stem with a slightly tapered profile. Its grain gives the narrow body warmth and visual weight, while polished steel details create a clear transition into the base and socket. The circular foot once again combines materials, the iron being used almost as a frame for the wood, while giving the lamp a stable foundation. Above, a small metallic fitting connects the stem to the upper section. The shade has a low, wide, and sharply tapered form, extending considerably beyond the width of the base and creating a strong horizontal counterpoint to the stem. Its light-colored fabric diffuses the glow and directs the illumination downward. The combination of dark wood, reflective steel, and off-white textile is striking, allowing each material to remain visually distinct.
As with much of Danish Modern design, this lamp represents more than a utilitarian object. It values craftsmanship, atmosphere, and honest materials. Whether placed on a desk, side table, or bedside, this piece brings calm intimacy to its surroundings.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the materials, the item has some marks and discolouration. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.
Dimensions:
16.5 in ø × 15.7 in H
42 cm ø x 40 cm H
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Price category: 9,000 - 12,500 usd / eur
The 1950s were a transformative era for design throughout Europe. Around this period, furniture began blending the streamlined elegance of modernism with the inviting charm of skilled craftsmanship. This decade celebrated functionality, comfort, and organic forms by creating pieces that were as practical as they were beautiful.
Furniture from the 1950s embraced soft curves and beautiful textures, perfectly showcased by this lounge chair that was crafted in the manner of Jean Royère. The ovoid shape creates an inviting and open look, which is enhanced by the soft upholstery that is undoubtedly its main visual feature. The combination of solid wood and high-quality upholstery is traditional in mid-century design for good reason; the two materials complement each other by highlighting their unique qualities. This chair has the power to transform a seat into a safe haven, a place to unwind and reflect. The designer clearly understood the comfortable allure of an ovoid shape. Moreover, this lounge chair is the perfect illustration of how the mixture of craftsmanship, high-quality materials, and luxurious upholstery create exceptional pieces.
A true representation of 20th-century European design, this lounge chair reflects the period's focus on practicality combined with artistic refinement. Ideal for both formal and casual settings, this chair can provide a perfect balance of elegance and comfort, making it an excellent addition to any interior setting
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The lounge chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
31.88 in W x 27.95 in D x 27.16 in H; Seat height 14.17 in; Seat depth 18.11 in
81 cm W x 71 cm D x 69 cm H; Seat height 36 cm; Seat depth 46 cm
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Price category: 2,500 - 5,000 usd / eur
Hans-Agne Jakobsson was one of the central figures of Swedish lighting design during the post-war decades. After training as both a carpenter and architect, he founded his own company in Markaryd in 1951, where he developed lighting that softened the harsher qualities of electric illumination through beautiful shades, natural materials, and restrained forms.
Jakobsson designed this pair of wall lamps in the mid-20th century. It was a revolutionary period in design throughout Scandinavia, where function and form merged in the most intriguing ways. The designer prized the marriage of form and function, with a poise that is hard to imitate or force. The shape and materials of the shades set the overall aesthetic of these lamps. The opaque glass is made into a bulbous form with a that narrows towards the bottom, held securely by the brass shade holders. The holders feel airy, slender, and minimal, allowing the focus to be on the shades and the light they emit. The brass construction also creates a rich, warm glow, enhancing the light while exuding a sense of effortless sophistication. The mid-20th century was defined by leading Swedish designers’ sleek and innovative modernist creations, and Jakobsson’s prowess is evident here as these lamps can both stand out or blend into a room, depending on the interior style.
Sconces are a timeless type of lighting fixture that can easily elevate their surroundings. These fixtures never go out of style and have been in use for centuries for good reason. This model is reflective of a time when creativity knew no bounds, and designers were free to explore new horizons in crafting captivating lighting fixtures.
Condition:
In good vintage condition. Wear consistent with age and use. These lamps have recently been rewired and reconditioned. Minor marks and scratches are present. Due to the nature and age of the materials, the items may have discolouration. Additional imperfections on the glass may be present due to manufacturing inconsistencies and age. This lamp is compatible with an E26 / E27 (standard) fitting.
Dimensions:
5.9 in W x 8.85 in D x 9.05 in H
15 cm W x 22.5 cm D x 23 cm H
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Price category: 12,500 - 15,000 usd / eur
This pair of upholstered armchairs beautifully exemplifies the balance of tradition and forward-thinking design that characterised the first half of the 20th century. Unlike designs from outside the continent, European pieces weren’t flashy but rather well-made to fit a warm, comfortable and welcoming interior.
The chair model is defined by a clear, well-proportioned silhouette and upholstered bodies. The design expertly combines a geometric impression and high quality materials to create a balance that defines the overall form. The wooden curved armrests frame the seats, creating a grounded and sturdy presence. These exposed wooden frames feature a continuous linear structure around the chairs, bending outward into broad armrests before descending directly into the sled-style bases. That uninterrupted curve gives the silhouette a strong architectural quality. The bodies are upholstered in a striped fabric, the pattern introduces rhythm and subtle contour without overpowering the shape. The vertical stripes emphasise the chairs’ height and give structure to its soft silhouette, while the fabric’s texture adds depth and tactility.
This armchair model is a strong example of how 1930s design prioritised comfort while embracing modern restraint. The understated elegance allows the pair to blend easily into both classic and contemporary interiors, whether used as a bedroom accent, or part of a larger seating arrangement. Timeless in form and honest in construction, the pair offers both visual clarity and lasting comfort, making it versatile with an enduring appeal.
Condition:
In good vintage condition. Wear consistent with age and use. The armchairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The armchairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
25.8 in W × 35.4 in D × 29.5 in H; Seat Height 14.2 in; Seat Depth 22.0 in; Arm Height 21.5 in
65.5 cm W x 90 cm D x 75 cm H; Seat height 36 cm; Seat depth 56 cm; Arm height 54.5 cm
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Price category: 5,000 - 7,500 usd / eur
This beautiful chair design was crafted by French duo Audoux-Minet. Adrien Audoux and Frida Minet worked together during the mid-20th century, and are known for their innovative use of natural, sustainable materials, including rope, wicker, and bamboo. Their work was heavily influenced by the Modernist movement, which sought to create functional and streamlined designs that were accessible to a wider audience.
Like in Scandinavia, there was an early emphasis on wood in most French mid-century design - it connected everyday objects to nature. These chairs are a perfect example of this sentiment, and the visual benefits of an understated, organic design. The high quality woven papercord makes the pieces an outstanding example of woven furniture. They feature a fairly traditional shape with soft edges and an airy feel. The straightforward shape highlights the understated beauty of the materials, allowing the beautiful woven pattern and the grain of the wood to stand out. The interplay of a simple structure and refined detailing evokes a sense of harmony, aligning with the era’s focus on blending beauty with utility. The organic design makes these pieces stand out with an elemental edge. The colour palette further allows easy adaptation to almost any interior, functioning to either complement a space or to stand out as an accent.
Today, Audoux and Minet's designs are highly sought after by collectors and are considered important examples of mid-century modern design. Furniture pieces like this pair of armchairs stand out through their unique textures, and their materials, as well as their classic charm.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, dents and discolouration.
Dimensions:
17.51 in W x 20.86 in D x 32.28 in H; Seat height 17.32 in; Seat depth 17.51 in
44.5 cm W x 53 cm D x 82 cm H; Seat height 44 cm; Seat depth 44.5 cm