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Price category: usd / eur
Finnish designer, Carin Lisa Johansson-Pape, was among the most significant Finnish lighting designers in the second half of the 1900s. She designed furniture for Stockmann from 1937.
Condition:
In good vintage condition. Wear consistent with age and use. The lounge chairs have recently been reconditioned. The wood has some scratches and stains. Due to the age and nature of the sheepskin, the chairs may have marks and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.92 in W x 29.53 in D x 29.53 in H; 22.05 in SD
76 cm W x 75 cm D x 75 cm H; 56 cm SD
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Price category: usd / eur
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have marks, scratches, and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
28.93 in W x 35.62 in D x 32.28 in H; Seat height 19.68 in; Seat depth 21.06 in; Arm height 25 in
73.5 cm W x 90.5 cm D x 82 cm H; Seat height 50 cm; Seat depth 53.5 cm; Arm height 63.5 cm
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Price category: 2,500 - 5,000 usd / eur
Brutalist furniture of the second half of the 20th century often gave materials a dominant role, using simple, bold forms to emphasise their natural colour and texture. Stone was particularly effective within this approach, as its irregular surface could provide visual richness without additional decoration. This Posidonia slate coffee table follows that principle closely, with a low architectural form built almost entirely around the distinctive character of the stone.
The coffee table has a broad rectangular top supported by four rectangular legs positioned at its corners. Its construction is extremely clear, with the horizontal tabletop and vertical supports creating a simple geometric structure. Posidonia slate makes up the entire surface, giving the table a consistent material character. The stone has a deep dark tone with lighter areas scattered irregularly across the surface. These natural variations break up the large flat plane and ensures that no area of the table appears completely uniform. The top is particularly effective in constituting a focal point, as its generous uninterrupted surface provides a clear view of the slate's complex pattern. The low height further emphasises the horizontal shape, allowing the long stone top to remain the main focus from every angle. Coffee tables, in general, serve as design staples in living spaces for a multitude of reasons: beyond their utilitarian function of providing a surface for drinks and books, they anchor a room, creating a point around which furniture and conversation revolve.
The strength of this coffee table comes from the direct relationship between its simple construction and expressive stone. This piece represents a particularly striking example of the material-focused furniture associated with the era.
Condition:
In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature of material, the item has some marks, scratches, and discolouration.
Dimensions:
53.35 in W x 33.66 in D x 16.14 in H
135.5 cm W x 85.5 cm D x 41 cm H
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Price category: 12,500 - 15,000 usd / eur
Art Deco seating from the first half of the 20th century brought together strong geometry, rich materials and interesting forms. Upholstered armchairs were particularly suited to this approach, as their larger surfaces could be shaped into bold silhouettes and contrasted with decorative wooden elements. This pair combines dark green upholstery with sweeping walnut-veneered details, creating a design in which wood becomes as visually important as the upholstered body.
The armchairs have substantial, slightly inclined backrests, giving them generous and comfortable proportions. Each backrest is divided into three vertical upholstered sections with a softly scalloped upper edge, adding definition to the broad surface and drawing the eye upward. The dark green upholstery continues across the seats, backs and side panels, giving the bodies a consistent colour and texture. The walnut veneer provides a striking contrast and forms a distinctive feature of the design. Large curved sections run along either side of each chair, forming part of the armrests before continuing downward towards the floor. Their continuous rounded shape complements the upholstered sides and gives the chairs a strong profile from every angle. At the same time, the wood creates gaps in the size, balancing the strong volume of the upholstered sections. The reddish-brown tone and visible grain of the walnut stand out against the muted green fabric, while the polished surface catches the light along each curve. Finally, short rectangular wooden feet support the front of the seats, while the back one mirror the curve of the armrests, tying the look together.
What makes these armchairs particularly appealing is the way the walnut veneer transforms an upholstered chair into a much more individual Art Deco design. Used together in a living room, library or conversation area, they offer both comfortable seating and the rich material character associated with European furniture at its best.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. The armrests have visible repairs made by a previous owner. Due to the age and nature of the materials, the items have marks, scratches, dents and discolouration. The chairs have recently been reupholstered in in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
28.74 in W x 31.10 in D x 31.88 in H; Seat height 17.51 in; Seat depth 20.86 in; Arm height 23.42 in
73 cm W x 79 cm D x 81 cm H; Seat height 44.5 cm; Seat depth 53 cm; Arm height 59.5 cm
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Price category: 2,500 - 5,000 usd / eur
Mid-century lighting design was shaped by a growing interest in balancing functionality with sleek, sculptural form. Brass became a favoured material throughout the period, valued for its warmth, durability, and ability to bring refinement to otherwise restrained forms. This ceiling lamp by Erco Leuchten is a timeless example of these characteristics.
Ceiling lamps in particular offered designers an opportunity to experiment with geometry and proportion, creating fixtures that could define a space while providing soft, atmospheric illumination. The fixture is composed of a broad, gently tapering shade, the softly curved profile creates an elegant silhouette against the ceiling. The fabric diffuses light evenly across the entire surface, concealing the light source while producing a warm and comfortable glow. The brass cage-like element completes the look, introducing a subtle decorative accent and a welcomed contrast to the smooth fabric. The transition between materials allows the brass to complement rather than dominate the composition. When illuminated, the shade appears almost weightless, floating beneath the ceiling while softly radiating light throughout the room. The restrained geometry and balanced proportions embody the calm sophistication that characterises the best examples of German mid-century design.
This light’s compact form makes it suitable for both residential and professional settings, especially in interiors that value clean looks and functional elegance. It demonstrates how Erco Leuchten valued thoughtful construction and material choice in order to elevate ceiling lamps into a lasting example of modernist design.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade was custom made by our in-house atelier. Due to the age and nature of the materials, the item may have minor marks, scratches, and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting.
Dimensions:
24.60 in ø × 8.07 in H
62.5 cm ø x 20.5 cm H
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Price category: 15,000 - 20,000 usd / eur
Italian Modern furniture is defined by unique design, precise execution and a strong relationship with Italy’s tradition of craftsmanship. This pair of “Bergamo” lounge chairs with matching ottomans by Paolo Buffa is a testament to the distinctive character of mid-century modernism in Italy. Buffa’s design language remains coherent with contemporary developments while retaining a clear connection to traditional furniture making, combining measured proportions, refined decorative details and carefully worked wooden structures.
This pair is focused on elegant proportions, balanced compositions and a rich interplay between geometric and flowing lines. The solid wooden frames are shaped with curved upper edges, slender tapered legs and open sides. The front legs rise effortlessly to form the sweeping armrests, creating a continuous line around the upholstered seats. Two crosses on each side introduce a sharper geometric rhythm, while the backs are formed from a sequence of slender vertical and diagonal wooden elements that give the chairs a striking open appearance both when viewed from behind and from the side. Thick upholstered seat cushions are paired with distinctive round back pillows, leaving much of the wooden back structure visible and enhancing the airy character of the design. The warm, light fabric contrasts with the darker wood and softens the architectural quality of the frames. Each chair is accompanied by a matching ottoman, constructed with the same tapered legs, shaped wooden frame and generously upholstered cushion. Placed together, the ottomans extend the composition of the chairs and reinforce the dialogue between solid upholstery and finely worked wood. The crossed panels, curved armrests, slender back elements and rounded cushions gives the set a dynamic appearance while retaining the elegance inherent in Buffa’s work.
Paolo Buffa was passionate about furniture and product design, an area in which he remained faithful to a figurative repertoire rooted in classicism while embracing impulses of modernity. He was highly active within the Milanese design scene, where traditional craftsmanship and modern ideas were continually brought into dialogue. The “Bergamo” chairs capture that combination particularly well, and the presence of their matching ottomans makes the pair especially complete, creating two inviting lounge settings with a strong decorative presence from every angle.
Condition:
In good vintage condition. Wear consistent with age and use. The set has recently been reconditioned. Due to the nature and age of the materials, the items have marks, scratches, dents and discolouration. The chair and ottoman have been reupholstered recently in premium lambswool. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
Chair
25.59 in W x 33.66 in D x 31.10 in H; Seat height 16.73 in; Seat depth 18.11 in; Arm height 22.83 in
65 cm W x 85.5 cm D x 79 cm H; Seat height 42.5 cm; Seat depth 46 cm; Arm height 58 cm
Footstool
20.66 in W x 16.92 in D x 16.53 in H
52.5 cm W x 43 cm D x 42 cm H
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Price category: 2,500 - 5,000 usd / eur
Mid-20th century European design emerged as a golden era where form seamlessly intertwined with function, giving rise to creative and unique pieces that continue to captivate contemporary sensibilities. Designers from the region brought a refreshing breath of humanism and innovation to modern design, as this floor lamp demonstrates.
This table lamp exemplifies the elegance found in the organic, refined craftsmanship often characteristic of mid-century Scandinavian design. The most striking element of this piece is the lamp’s body carved from wood, it showcases the incredible skill and talent of the maker. The sculptural form of the lamp takes inspiration from nature, having an organic, fluid look. Surpassing strict functionality, it is a whimsical representation of the innovative experimentation in 20th century lighting design. To complete the look, the lamp’s shade comes in an off-white colour, showcasing the fabric’s texture. Distinctive in numerous ways, this lamp showcases the versatility that characterised the era.
From the seamless construction to the attention to detail, this floor lamp showcases the mid-century design ethos. With its minimalist elegance, not only does this piece serve as a functional source of warm light, but also as a decor element in a room, embodying the principles of form, function, and beauty.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade was custom made by our in-house atelier. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
24.40 in ø × 64.96 in H
62 cm ø x 165 cm H
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Price category: 2,500 - 5,000 usd / eur
Alain Richard (1926–2017) was a French furniture and interior designer who graduated from the École Nationale Supérieure des Arts Décoratifs in 1949, where he studied under René Gabriel. He established his own agency in 1952 and became part of a generation of French designers developing furniture for serial production during the post-war period. His work included furniture for Meubles TV and lighting for Disderot, alongside increasingly large interior and architectural projects. This model “704” armchair from the 1960s shows his interest in clean construction, contrasting materials, and furniture designed around clear functional elements.
Model “704” combines a compact upholstered seat and backrest with exposed wood and metal elements. The thick seat cushion has a rectangular shape with softly rounded corners, while the backrest is slightly inclined to provide a comfortable sitting position. The piece is upholstered in a textured olive-green fabric that gives the chair a warm, tactile appearance. The armrests feature padded horizontal sections that appear almost suspended on either side of the seat. A shaped wooden frame runs beneath the seat and continues upward behind the backrest, its warm tone contrasting with the upholstery. Dark screws remain visible along the side of the wooden seat rail, adding a small technical detail to the construction. Four slender metal legs are splayed outward beneath the body, countering the volume of the upholstered sections and giving the chair a light stance. The combination of upholstery, wood, and metal creates a clear separation between each part of the chair while keeping the overall composition balanced.
Richard received several important distinctions throughout his career, including the Prix René Gabriel in 1964, and this chair is proof of his talent. Its combination of French modernist design and a balanced mix of materials makes it an interesting addition to a living room, study or reading area, particularly for collectors of post-war French furniture.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials, the chair has some marks, scratches, dents and discolouration. The seat cushion was newly produced and upholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.40 in W x 23.62 in D x 32.28 in H; Seat height 19.68 in; Seat depth 16.53 in; Arm height 25.59 in
62 cm W x 60 cm D x 82 cm H; Seat height 50 cm; Seat depth 42 cm; Arm height 65 cm
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Price category: 20,000 - 30,000 usd / eur
Adrien Audoux and Frida Minet were a French design duo who worked together during the 20th century. They were known for their innovative use of natural, sustainable materials, including rope, wicker, and bamboo. The duo’s work was heavily influenced by the Modernist movement, which sought to create functional and streamlined designs that were accessible to a wider audience.
Audoux & Minet’s pieces are characterised by a strong sense of craftsmanship, with each piece being handmade by the designers themselves or by skilled artisans. This dining table showcases a long rectangular top finished in warm wood veneer, its broad uninterrupted surface displays the grain. The top sits above thick base covered in a tightly woven natural fibre that introduces an immediate depth of tone and texture. The fibre flows across the supports in beautiful braided patterns, emphasising the bold and solid look. The rope is made into a geometric pattern which breaks up the woven surface to create a beautiful rhythm within the structure. The contrast of materials is central to the table’s character: the smooth, richly grained wooden top stands out against the coarse, rough and natural fibre below, allowing two very different surfaces to define the piece.
Today, Audoux and Minet's designs are highly sought after by collectors and are considered important examples of mid-century modern design. Furniture pieces like this table stand out through their unique textures, and their materials, as well as their classic charm.
Condition:
In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature and age of the material, the item has some marks and scratches on the tabletop. Additional imperfections like chips, dents or discolouration may be present.
Dimensions:
67.12 in W x 33.46 in D x 29.13 in H
170.5 cm W x 85 cm D x 74 cm H
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Price category: 2,500 - 5,000 usd / eur
French lighting manufacturer Maison Lunel became known for producing modernist fixtures that balanced sculptural form with functional clarity. Collaborating with designers such as René Mathieu, the company developed fixtures that combined elegant engineering with sculptural forms, often introducing articulated arms and highly distinctive shades that transformed functional lighting into expressive design objects.
The French company popularised the use of lacquered tubular metal and brass in the creation of lighting fixtures. Many of the pieces produced by Maison Lunel borrow the same refined design vocabulary, which makes them highly sought after by collectors and design aficionados alike. This wall lamp combines three main materials to create a stunning look. The sculptural profile balances geometric precision with an organic flow, creating a visual rhythm between the materials. The contrast between the dark lacquered metal and the shiny golden brass creates a harmonious balance and adds another sculptural dimension to the piece. The diabolo shade's simple, clean lines align perfectly with the lamp's overall aesthetic, reinforcing the artistic manner of the mid-century period. Furthermore, the light, when diffused through the fabric shade, casts a warm and inviting glow, creating an ambiance that is both cosy and comforting, which is enhanced by the hue of the brass. The most striking part of this piece is the wall mounting, its belt-like form gives the illusion that the brass rod is floating through the circular element, which greatly adds to the visual interest of the design. It is said that a well-chosen lighting piece can change the overall look of a room and how it feels to inhabit the space. This model is the perfect addition to bring a touch of elegance to any space without it being overwhelming.
The combination of adjustable construction and sculptural form reflects the spirit of French mid-century lighting at its best. From the unique design and materials to the innovative techniques, this lamp offers plenty visual interest.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the age and nature of the materials the item may have some marks, scratches, and discolouration. The shade was custom made by our in-house atelier. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
12 in W x 51.38 in D x 15.94 in H
30.5 cm W x 130.5 cm D x 40.5 cm H
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Price category: 12,500 - 15,000 usd / eur
European seating design from the 1940s often sits at the intersection between late Art Deco and the early stages of modernism. While earlier decades favoured more elaborate ornamentation, this period saw a gradual simplification of form, with designers focusing more on proportion, silhouette, and comfort.
This pair of armchairs follow that direction through their restrained yet carefully shaped form. From the rounded backs, to the tapered wooden legs, the elements reflect both the elegance of Art Deco and a move toward more practical, everyday use. In these armchairs, this is evident in the pronounced curve of the wooden arms that define the overall look. Since the arms create a hollow form, the beautiful upholstery is visible from the sides as well, further complementing the gentle curvature. The upholstery, in a deep green tone, gives the pair its visual identity, introducing both colour and a soft texture that contrasts with the sleek and slender wooden legs below. Each chair stands on slender legs that echo the solid construction and frame the upholstered body without distracting from it.
This pair of armchairs exemplifies a tradition of European seating that values both comfort and design, making them a perfect choice for interiors that appreciate material honesty and functional refinement. The pairing of materials give them a distinctive but versatile presence, whether placed in a living room, study, or relaxed seating area.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have marks, scratches and discolouration. The chairs have recently been reupholstered in in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
52.59 in W x 34.64 in D x 38.77 in H; Seat height 18.11 in; Seat depth 20.07 in; Arm height 24.60 in
65 cm W x 88 cm D x 98.5 cm H; Seat height 46 cm; Seat depth 51 cm; Arm height 62.5 cm
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Price category: 5,000 - 7,500 usd / eur
This beautiful chair design was crafted by French duo Audoux-Minet. Adrien Audoux and Frida Minet worked together during the mid-20th century, and are known for their innovative use of natural, sustainable materials, including rope, wicker, and bamboo. Their work was heavily influenced by the Modernist movement, which sought to create functional and streamlined designs that were accessible to a wider audience.
Like in Scandinavia, there was an early emphasis on wood in most French mid-century design - it connected everyday objects to nature. These chairs are a perfect example of this sentiment, and the visual benefits of an understated, organic design. The high quality woven papercord makes the pieces an outstanding example of woven furniture. They feature a fairly traditional shape with soft edges and an airy feel. The straightforward shape highlights the understated beauty of the materials, allowing the beautiful woven pattern and the grain of the wood to stand out. The interplay of a simple structure and refined detailing evokes a sense of harmony, aligning with the era’s focus on blending beauty with utility. The organic design makes these pieces stand out with an elemental edge. The colour palette further allows easy adaptation to almost any interior, functioning to either complement a space or to stand out as an accent.
Today, Audoux and Minet's designs are highly sought after by collectors and are considered important examples of mid-century modern design. Furniture pieces like this pair of armchairs stand out through their unique textures, and their materials, as well as their classic charm.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, dents and discolouration.
Dimensions:
17.51 in W x 20.86 in D x 32.28 in H; Seat height 17.32 in; Seat depth 17.51 in
44.5 cm W x 53 cm D x 82 cm H; Seat height 44 cm; Seat depth 44.5 cm
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Price category: 7,500 - 10,000 usd / eur
Finnish mid-century design is characterised by simple, elegant forms, which Paavo Tynell was a master of. Like Finnish culture, he embraced timeless beauty, sustainability, and a deep connection to the natural world. His favourite material to work with was brass, and he formed it into distinctive and unique shapes.
Paavo Tynell is one of Finland's best-known and most collected mid-century designers; he pioneered European lighting design and co-founded the first lighting manufacturing company in Finland, Taito Oy. Functionality, a pared-down, simple style, and a thoughtful colour palette are key principles for the Finnish icon, whose "9032" chandelier model features modern elements and focuses on the characteristics of the brass itself paired with five shades. The shades are made of delicate rattan slats which allow the light to shine through, while giving the fixture a subtle sense of organic texture and symmetry. The material introduces depth and visual warmth, softly diffusing the glow while contrasting with the texture of the smooth brass. Small decorative details adorn the central stem, offering the construction a unique charm. Brass, the material of choice for many mid-century lighting pieces, catches the light, creating a layered illumination that is both functional and atmospheric. The proportions of this piece are carefully considered, with the compact cluster of shades balanced by the slender stem above. The prowess of the producer becomes evident as this lamp represents a statement piece.
Rather than relying on excess ornament, this chandelier merges decorative elements with a clear structure. This approach reflects a broader tendency in Finnish mid-century design, where elaborate pieces maintain a sense of restraint and cohesion. Today, ceiling lamps by Taito are appreciated for this balance, offering both sculptural presence and practical illumination.
Condition:
In good vintage condition. Wear consistent with age and use. The chandelier has recently been rewired and reconditioned. The rattan shades are custom made by our in-house atelier. The brass is patinated. Minor dents and scratches in the metal. Due to the age and nature of the brass and rattan, the chandelier may have marks, and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
21.85 in W x 21.26 in D x 17.52 in H
55.5 cm W x 54 cm D x 44.5 cm H
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Price category: 5,000 - 7,500 usd / eur
This “Grand Pedro” armchair shows the curviness that defined the design of the 1950s. Hiort af Ornäs developed this model for his own furniture company, Puunveisto Oy.
The “Grand Pedro” model has a soft, sculptural shape paired with an ergonomic construction, which is very representative of the designer’s beliefs. Hiort af Ornäs was very firm about two things regarding his chair designs: the sitting comfort and that the model must look good from every single angle. “Pedro” fulfils these principles, for as even from the bottom, it showcases the elongated, tapered back legs that are visually captivating. The body has a welcoming look, with outward curving armrests and a slightly bent backrest. In service of utmost comfort, the sheepskin upholstery is extremely soft. The light colour and texture of the sheepskin complements the lacquered wood legs beautifully, highlighting their sculptural lines.
The craftsmanship and quality provided by Hiort af Ornäs is very visible in the “Pedro” collection that includes a sofa besides this chair. The seating designs of the architect/designer have been gradually more and more recognized world-wide, which resulted in the recent exhibition titled “Forgotten Ornäs”.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. The chair has been reupholstered recently in premium sheepskin. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.13 in W x 28.34 in D x 32.67 in H; Seat height 17.32 in
74 cm W x 72 cm D x 83 cm H; Seat height 44 cm
About the designer:
Carl-Gustaf Vilhelm (nicknamed “Nalle”) Hiort of Ornäs was born on 27 February 1911 and lived most of his life in Tapiola/Espoo in Finland and in his later life moved to Spain. He is remembered as a Finnish interior architect and designer known to be uncompromising.
Before the Finnish wars (1939-1944), Hiort af Ornäs spent his time in Pori, working at Björneborgs Mekaniska Verkstad. He studied at the Helsinki University of Technology to become an architect but never graduated. He did, however, become known as an interior designer, and eventually even more known as a furniture designer.
In 1945, Hiort af Ornäs founded the furniture company Puunveisto Oy, for which he developed versatile techniques for shaping plywood. He started the furniture manufacturing shop on Lauttasaari in Helsinki (Veneentekijäntie 14) together with his brother. The wood shop, showroom and office were all located in the same building in Helsinki. Rolf Mesterton was the man in charge of producing the furniture, but there were several other carpenters at work in the woodshop. Hiort af Ornäs’s furniture was exhibited and sold by the shop Nupponen who also distributed Olavi Hänninen’s designs, while Puunveisto’s furniture were also sold by Gösta Westerbergs Möbler in Stockholm, Sweden but, in spite of a good selection of chairs, tables and shelves, did not do too well. Since production costs were high, Hiort af Ornäs faced economic troubles. The company was later sold to Nupponen after which Hiort af Ornäs’s interest in the company waned.
Hiort af Ornäs spent his retirement in Spain, and designed several buildings for Fuengirola’s Los Pacos neighbourhood, which has a large Finnish population. His house that he drew and built in Tapiola, Espoo, Finland, ‘Villa Hiort’, still stands and houses some of the designer’s original drawings. It is a beautiful example of 1950s Modernism and the talent of Hiort af Ornäs that brought him recognition that lasts to this day. ~H.
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Price category: 2,500 - 5,000 usd / eur
The manufacturer of this lamp, ASEA, has a rich heritage rooted in lighting innovation, pushing boundaries and redefining norms, playing a pivotal role in shaping the trajectory of Swedish lighting design during the 20th century. Their commitment to quality craftsmanship and avant-garde design principles set them apart as pioneers in the industry.
This floor lamp boasts a sleek design, combining a round base, sturdy and durable, with an elongated black lacquered metal stem that gracefully extends upward to support a stunning woven shade. The shade emits a soft, diffused glow, which will enhance the ambiance of any space. The slender stem lends an air of elegance. The brass serves not only a functional purpose, it also allows for a touch of understated luxury with its polished finish. The play of contrast between the dark metal, warm brass, and light fabric evokes the restraint typical of Scandinavian modernism, where atmosphere was achieved through proportion rather than ornament. Moreover, the ability to adjust the position of the shade enhances both the functionality and the sculptural character of the piece, allowing it to adapt to different settings and uses.
Elegant and enduring, this floor lamp demonstrate how Swedish design continues to find beauty in simplicity. It merges function, craftsmanship, and light into a harmonious whole, reaffirming that restraint and refinement can be the most distinct of qualities.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade was possibly replaced by a previous owner. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
12.59 in W x 20.86 in D x 46.06 in H
32 cm W x 53 cm D x 117 cm H
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Price category: 2,500 - 5,000 usd / eur
Derived from the French "brut", meaning raw, Brutalism describes the architectural style that emerged in the mid-20th century, featuring minimalist constructions that showcase bare materials and structural elements over decorative design. It originated post–World War II, when low-cost housing and government buildings were composed of mainly raw, unrefined materials. Similarly, in furniture design, Brutalism inspired creators to follow the same look of deliberate simplicity, honesty and strength.
This armchair stands as evidence why many European architects succeeded at the craft of furniture design; the precision of the structure and the rush weaving is evident at first glance, showing great geometric order. Driven by function, the designer’s focus was evidently on practicality, structural stability, and construction in favour of these principles. The straight lines and the absence of excess decoration are very typical of the era’s designers, who saw possibilities in the aesthetics of modernist design and materials. This beautiful chair’s simplicity and honest look combined with brutalist influences enhances the exceptional craftsmanship. The woven back and upholstered seat gives the piece an organic and cosy impression, all while staying very functional. It is perfect to bring natural charm to a minimalist space. The oak has a beautiful patina due to its age, feature that enhances even more its charm.
Its bold, unapologetic aesthetic resonates with those seeking a departure from the sleek minimalism of recent years. This armchair serves as both an homage to the past and a testament to the timeless allure of Brutalism.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the wood, the item has marks, and scratches. The arms show discolouration. The seat cushion has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
25.19 in W x 27.95 in D x 26.77 in H; Seat height 15.74 in; Seat depth 20.86 in; Arm height 23.62 in
64 cm W x 71 cm D x 68 cm H; Seat height 40 cm; Seat depth 53 cm; Arm height 60 cm
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Price category: 2,500 - 5,000 usd / eur
Founded by Philipp Rosenthal in Selb, Germany, in 1879, Rosenthal began as a porcelain painting business before establishing its own porcelain factory in 1891. From an early stage, the company combined porcelain manufacturing with an interest in contemporary design. Fast forward to 1950, Philip Rosenthal Jr. joined the company and became closely involved with product design, eventually playing a decisive role in its development. He created Rosenthal studio-line, giving a distinct identity to the company’s more design-focused production and its collaborations with contemporary artists, designers and architects.
This 1970s ceramic table lamp belongs to that later period, when Rosenthal’s long tradition of ceramic manufacturing was increasingly connected with international modern design. The ceramic base has a bold bottle-shaped profile, with a broad cylindrical lower body flowing into a narrow neck. Shallow vertical ridges run around the body, subtly breaking up the curved surface and creating highlights and shadows. The glaze is rich, combining rusty browns and amber tones across the surface. A broad cylindrical fabric shade sits at the top, its generous width echoing the bold and plump ceramic beneath it. When illuminated, the warm textile filters the light softly and brings out the deep colour of the glossy glaze, allowing the ceramic surface to become animated.
The lamp has a strong presence without requiring an elaborate form, while the subtle details give the ceramic enough character to remain interesting. Its classic form and quality reflect the generational tradition of great ceramicists and designers that came together to build the history of Rosenthal’s studio-line.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
15.74 in ø × 22.63 in H
40 cm ø x 57.5 cm H
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Price category: 5,000 - 7,500 usd / eur
Art Deco pieces, which emerged in the first half of the 20th century, reveal a unique era of craftsmanship and style that remains influential in design to the present day. Characterised by its bold geometric shapes, rich materials, and luxurious aesthetics, Art Deco transformed the way we perceive interior spaces. This testament to the fusion of form and function, and this ethos of opulence, is beautifully exemplified in this armchair.
In the European design world of the 1930s, exceptional seating pieces were created that still embody the elegance of the Art Deco period. This armchair, with its distinctive features, exudes the spirit of the era and remains a stylish example of this influential design movement. Crafted with meticulous attention to detail this chair exudes luxury - the rich, warm wood tones of the overlays on the armrests contrast beautifully with the lighter fabric, enhancing the balanced and sophisticated visual quality of the chair. Moreover, the design aims to maximise comfort while putting an emphasis on elegance and function. This is most visible in the round, welcoming body, enhanced by the fabric and the chair's cushioning. The curved backrest provides ergonomic support and comfort, while the wooden components add structural integrity and reinforce its Art Deco character. Every detail works together, creating a chair that feels deliberate, balanced, and quietly strong.
As a piece, this armchair captures the lasting appeal of Art Deco furniture: comfort shaped by discipline and elegance rooted in form rather than ornament. It works equally well as a statement chair in a living room or as a refined accent in a bedroom or study. Its presence offers visual weight without heaviness and comfort without excess, in true Art Deco fashion.
Condition:
In good vintage condition. Wear consistent with age and use. The armchair has recently been reconditioned. Due to the age and nature of the materials, the chair has some marks, scratches, dents and discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
25.59 in W x 33.46 in D x 32.67 in H; 16.53 in Seat height; 23.22 in Seat depth; 23.42 in Arm height
65 cm W x 85 cm D x 83 cm H; 42 cm Seat height; 59cm Seat depth; 59.5 cm Arm height
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Price category: 5,000 - 7,500 usd / eur
Floor lamps produced across Europe in the mid twentieth century often explored new material combinations while maintaining the restrained forms associated with modern design. During this period, artists frequently experimented with metals, finishes, and details to create lighting that felt contemporary while remaining practical for everyday interiors. The combination of the brass body and rattan shade of this floor lamp represents the period.
The lamp’s material choice gives the piece a subtle warmth and sophistication, creating a timeless aesthetic that blends understated luxury with functional craftsmanship. The piece strikes a great balance: while the metal structure provides strength and stability, natural materials soften the overall appearance. The circular brass base transitions into the stem, gracefully curving to support the striking shade. Not only is the brass durable but it develops a beautiful patina over time, adding to the aesthetic value. The adjustable rattan empire lampshade creates a cosy effect when the lamp is lit, as the light peeks through the woven gaps. Since the head of the lamp is adjustable, it allows the user to tailor the light direction, making it a versatile piece. This technical detail allows the expressive structure to combine functionality with visual appeal.
This floor lamp is the perfect way to add a touch of elegance to any space without being overwhelming. Its expert craftsmanship and unique character showcase the beauty obtained when industrial manufacture meets traditional crafts such as rattan weaving.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. Minor dents on the brass base. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
22.05 in W x 19.69 in D x 56.30 in H
56 cm W x 50 cm D x 143 cm H
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Price category: 12,500 - 15,000 usd / eur
The 1950s and 1960s saw brilliant Italian designers working to create furniture of the highest quality that explored truly modern shapes and forms. These designers experimented with new materials and construction methods but, crucially, they kept the elegance inherent in Italian design.
These armchairs were crafted in the manner of Paolo Buffa, an impactful designer who made his mark in the Italian mid-century modern style alongside other renowned creators such as Gio Ponti. Gio Ponti and Paolo Buffa’s influence is clearly visible in these chairs. This pair with the upholstered bodies and polished wooden arms show the general mid-century modern characteristics with an ergonomic and functional design. The characteristic shape of the arms sets the tone of the overall look, creating dynamism. The seats are slightly raised, and the backs tilted, creating an angle that supports the sitter and the lounging experience. The overall design is focused on elegant and measured proportions, balanced compositions, and refined décor elements including the materials. From all angles, these chairs offer beautiful textures and eye-catching forms, combining Italian elegance and modern aesthetics to create a timeless look which is full of modern energy that will endure for generations. This is also thanks to the exceptional visual quality and uncompromising level of craftsmanship.
These chairs encapsulate the essence of Italian mid-century modern design, marrying uniting sophistication with artistry. They are a testament to the enduring allure of this design era, where form meets function, and beauty is eternally intertwined with utility. Whether placed in a contemporary, or a retro-inspired space, this pair is a timeless statement piece.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
22.44 in W x 32.67 in D x 30.9 in H; Seat Height 15.35 in; Seat Depth 21.06 in; Arm Height 23.81 in
57 cm W x 83 cm D x 78.5 cm H; Seat Height 39 cm; Seat Depth 53.5 cm; Arm Height 60.5 cm
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Price category: 2,500 - 5,000 usd / eur
Danish Modern is an era that defined an essential chapter in design history. Denmark was placed on the world map for its groundbreaking craftsmanship and mid-century modern furniture. This wall lamp displays some of the essential ideals of the style: streamlined modernism accompanied by a functional, timeless design with decorative elements.
This wall lamp features a dynamic brass body that extends outward to hold a stunning glass shade. This wall lamp reflects the danish modern philosophy through its graceful lines, adjustable construction, and thoughtful use of natural materials. The model unfolds through a series of elegant bends that give the brass arm a distinct visual quality. Extending confidently from the wall, the articulated arm allows the light to be positioned with flexibility while creating a striking linear composition. Rather than opting for a classic fabric shade, the designer chose glass as a material. The milky glass contrasts beautifully with the polished brass structure. The shade filters the light, producing a soft, atmospheric glow that enhances the comforting character of the design. Every transition between horizontal and vertical lines feels effortless, revealing the Danish remarkable ability to transform a functional mechanism into something sculptural.
Today we consider the mid-century era a golden age for Scandinavian design and craftsmanship. During these decades, some of the country's most significant luminaires were made, including this exceptional wall sconce.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the item has some marks, scratches, and discolouration. Additional imperfections on the glass may be present due to manufacturing inconsistencies and age. All lighting can be converted for US usage.
Dimensions:
9.05 in W x 31.1 in D x 9.44 in H
23 cm W x 79 cm D x 24 cm H
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Price category: 15,000 - 20,000 usd / eur
Swedish architect and furniture designer Axel Einar Hjorth served as the lead designer for Sweden’s Nordiska Kompaniet department store from 1926 to 1938. During this time, Hjorth designed the “Sportstugemöbler” series, (which translates to “sports cabin furnishings”) a collection of wooden furniture designed for country homes. The various models in the sportstugemöbler series took their names from the Stockholm archipelago – including Blidö, Lovö, and famously, Utö.
These Utö chairs were designed in 1932 as part of the collection. Unlike the department store's interiors for floors and villas in the cities, the Utö designs had a simple character with robust and basic shapes in solid pine. Accordingly, the design of these chairs focuses on simple lines and the material itself. Made of pine wood, these chairs are strong, reflecting Hjorth’s principles in which he mixed the ideals of the modernist movement with provincial Swedish traditions. As a result, the design of this set is completely timeless. Each chair demonstrates a conscious construction, where the joinery and fittings related to traditional craftsmanship are emphasized. Dominated by rounded, straight lines, the chairs have spindle backrests and ergonomically carved seats. The form alludes harmony and stability, fitting the summer cabin concept perfectly.
In an international perspective, Hjorth's “sportstugemöbler” series was the forerunner of later pioneering designers such as Charlotte Perriand. It is therefore no surprise that these Utö chairs became part of Swedish and international modernist design history. In their time, the Utö collection may have appeared as pioneering and radical, but today they are viewed as status symbols in interiors of international character.
Condition:
In good vintage condition. Wear consistent with age and use. Some marks and stains on the wood. Due to the nature and age of the wood, the items may have scratches and discolouration.
Dimensions:
18.89 in W x 18.3 in D x 31.49 in H; Seat height 16.92 in
48 cm W x 46.5 cm D x 80 cm H; Seat height 43 cm
Literature:
Christian Bjork, Thomas Ekstrom and Eric Ericson, 'Axel Einar Hjorth: Mobelarkitekt', Stockholm, 2009, p.130
About the designer:
Axel Einar Hjorth was born in a small Swedish village named Krokek, just outside Norrköping, on March 7, 1888. At the age of 20, he moved to Stockholm to study architecture and design at the Högre Konstindustriella Skolan.
Although he never graduated, in the 1920s Hjorth started working as a furniture designer for various manufacturers, such as H. Joop & Co., Myrestedt & Stern, Jonssons, and Nordiska Kompaniet. Hjorth’s designs from this period had neoclassical features combined with Swedish Grace. This romantic national style of Sweden was elegant and refined, yet simple. The anniversary exhibition of 1923 in Gothenburg marked the breakthrough of Swedish decorative arts, and made Axel Einar Hjorth a well-respected artist. From October 1926, Hjorth became the chief designer and architect of Nordiska Kompaniet department store in Stockholm. In the 1930s, Hjorth designed a furniture collection out of pine meant for serial production known as Sportstugemöbler (furniture for holiday houses).
Hjorth’s designs, from the luxury of neoclassicism to the severity of functionalism, are sharply distinctive in style, materials, and character. Unlike many of his contemporaries, Hjorth did not conform to the socially oriented ideas produced by Svensk Form (the Swedish Society of Crafts and Design). He played a significant role in the development of Swedish society as a whole, and particularly in Swedish industrial art
Today Hjorth is often viewed as a precursor to the modern designs popularized by Charlotte Perriand, Jean Royére, Pierre Chapo, or Josef Frank. Recently, there has been a revival of appreciation for his work, showing his genius in a new light. ~H.
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Price category: 5,000 - 7,500 usd / eur
Kähler Keramik, founded in Næstved in 1839, became one of the defining names in Danish studio ceramics through its combination of traditional craftsmanship and artistic experimentation. The sons of Herman H.C. Kähler, Nils and Herman, took over the Kähler family’s ceramic business in the 1940s. The two brothers began their careers as designers, but Nils quickly assumed control of the artistic direction. Nils Kähler was celebrated for his ability to translate traditional pottery techniques into modern forms that resonated with mid-century sensibilities, producing stoneware that emphasised sculptural form, richly developed glazes and hand-worked surface decoration.
Produced during the 1950s, this pair of lamps is a refined example of Danish ceramic design where craftsmanship and material experimentation meet functionality. Each lamp features a tall, finely proportioned stoneware base where the shape moves from a compact cylindrical foot into a long tapering neck. The eye-catching lower sections are covered in a rich blue glaze, thick, deep and full of colour nuances, with subtle diagonal ridges giving the bases a great amount of texture. The glossy blue surfaces highlight Kähler’s artistic touch, while the unglazed clay above has a rough, almost rusty feel that contrasts strongly with the rich glaze below. Each lamp rises into the fitting through the long straight neck. Wide scalloped fabric shades complete the composition, their gently undulating lower edges echoing the rounded ceramic bases and giving the pair a warm, inviting feel. When illuminated, the soft light accentuates the tones of the exposed stoneware and the depth of the blue glaze.
As a pair, the lamps represent the strengths of Danish mid-century design, where simplicity allowed material, form and light to shine. With their ties to Kähler’s ceramic tradition, they offer a blend of artistry, craftsmanship and everyday usability. Stylish yet understated, these lamps stand as a refined expression of Nils Kähler’s design legacy, with the richly glazed ceramic bases and warm scalloped shades giving them a particularly strong presence when placed together.
Condition:
In good vintage condition. Wear consistent with age and use. The table lamps have recently been reconditioned and rewired. The shades are a later replacement. Due to the age and nature of the material, the lamps may have marks, scratches, and discolouration. These lamps are compatible with E26 / E27 (standard) fittings. All lighting can be converted for US usage.
Dimensions:
15.75 in ø x 21.65 in H
40 cm ø x 55 cm H
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Price category: 20,000 - 30,000 usd / eur
With pieces inspired by nature and the tranquility of everyday life, Ilmari Tapiovaara was able to showcase designs that captured the essence of Finnish identity. In a region where darkness dominates much of the year, lighting offers more than illumination - it evokes warmth, optimism and emotional connection. In the case of this pair of sculptural table lamps made of painted metal layers, the comforting resemblance to the beloved character of “Maija Mehiläinen” brings a sense of joy and familiarity into Nordic homes.
Recalling the lovable German children’s book character published in 1912, “Maija Mehiläinen” - meaning Maya the Bee - this model carries undeniable charisma, with Maya’s stripes recognisable in the lamp’s structure. The shades are made up of a tall cylindrical forms of slender metal layered discs, each layer delicately floating above the next, emitting a soft and diffused glow. Resembling the abdomen part of a honeybee, it stands on three elegant brass legs, running up through the fourteen slates, and finally poking out from the top, bearing a resemblance to delicate bee-like antennae. While having the appearance of the insect itself, the design also gives the impression of a beehive - especially when they are switched on and the warm light seeps out in between the gaps of the layers, like drizzling honey from the cracks of honeycomb walls.
This lighting model stands out in the most wholesome and comforting way, capable of evoking dear childhood memories as well as keeping spirits up during the long winter months for those longing for the lightness of spring, full of flowers and life.
Condition:
In good vintage condition. Wear consistent with age and use. The lamps have recently been rewired and reconditioned. The items have been repainted. Due to the nature and age of the materials, the items may have marks, scratches, and discolouration. These table lamps are compatible with E26 / E27 standard fittings. All lighting can be converted for US usage.
Dimensions:
7.28 in W x 6.69 in D x 19.48 in H
18.5 cm W x 17 cm D x 49.5 cm H
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Price category: 7,500 - 10,000 usd / eur
The mid-20th century saw brilliant European designers working to create furniture that explored modern shapes and forms with innovative techniques, while still maintaining the highest level of quality. Designers experimented with new materials and construction methods, resulting in a harmonious blend of minimalism, organic shapes, and understated elegance. This sculptural wingback armchair is a prime example of European designers' emphasis on beauty and simplicity.
The wingback style is one of the most recognizable forms in European upholstered furniture, with a history dating back to seventeenth-century England. Its characteristic high back and projecting side wings were originally developed to shelter the sitter from drafts and retain warmth near a fireplace. In the case of this piece, the tall back rises from the deep seat, gently widening toward the top before terminating in two rounded wings that curve forward around the sitter. This gives the upper section an enveloping quality, echoed below by the padded armrests that project outward on either side. The seat is generous and cushioned, with softly rounded edges. The entire body is covered in brown upholstery, emphasising the tactile quality of the chair with the soft, cosy material. To complete the design, under this substantial upholstered volume, four short tapered wooden legs provide a simple foundation and lift the body just above the floor, splayed to ensure the stability of the armchair.
The generous seat, high back and embracing wings give the chair a sense of comfort and privacy. Its warm brown upholstery makes the design feel inviting, while the strong silhouette allows it to stand confidently in a space. Positioned beside a fireplace, in a reading corner or alongside a floor lamp, it creates an intimate place to sit while bringing the unmistakable tradition into the twentieth century.
Condition:
In good vintage condition. Wear consistent with age and use. The armchair has recently been reconditioned. The wood has some stains and discolouration. Due to the age and nature of the materials, the chair may have marks and scratches. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
33.27 in W x 37.40 in D x 36.61 in H; 18.11 in Seat height; 22.05 in Seat depth; 22.44 in Arm height
84.5 cm W x 95 cm D x 93 cm H; 46 cm Seat height; 56 cm Seat depth; 57 cm Arm height
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Price category: 12,500 - 15,000 usd / eur
Though most mid-20th century Italian designers may not have the same name recognition as their Scandinavian and American counterparts in the mass market, they were integral in developing a modern aesthetic in Europe. The 1950s marked a particularly important period for Italian furniture design, as postwar modernism encouraged proportion, structure and comfort.
Italian designers combined the clarity of modernist furniture with the country’s strong tradition of craftsmanship, often giving seating a more expressive and elegant character through angled frames, carefully shaped wooden elements and generous upholstery. These armchairs encapsulate these features, bringing together an exposed wooden structure and a beautiful striped fabric. Slender wooden armrests project forward from the angled supports, leaving generous negative space around the upholstered sections and preventing the chairs from appearing heavy. Cream upholstery patterned with fine blue vertical stripes runs across both seat and back, emphasising their angles. Seen together, the chairs achieve much of their character through juxtaposition in terms of construction, materials, and colours.
The pair offers generous seating without creating the visual weight of a club chair, making them an especially attractive expression of 1950s Italian modernism. They embody quality craftsmanship and design tradition in their best form.
Condition:
In good vintage condition. Wear consistent with age and use. The armchairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.02 in W x 31.69 in D x 33.07 in H; Seat height: 13.98 in; Seat depth: 27.76 in; Arm height: 20.28 in
61 cm W x 80.5 cm D x 84 cm H; Seat height 35.5 cm; Seat depth 70.5 cm; Arm height 51.5 cm
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Price category: 9,000 - 12,500 usd / eur
The principle of Functionalism, or Funkis, by its Swedish name, can be summed up in Louis Sullivan's famous 1893 definition; "form follows function". Its key feature is that practical considerations, such as use, material and structure should determine the shape and look of a piece. Functionalism as an architectural movement can be traced back to the 1920s, a time when movements like Nordic Classicism, the Scandinavian equivalent of the European Art Deco movement, were leaving their mark on the design world.
This pair of armchairs represents a reflection of the Scandinavian design landscape of the 1930s, gracefully combining aesthetic elements into a timelessly elegant look. This transitional piece marries a practical Functionalist silhouette, formed by clean lines and simple decorations, with elements of Nordic Classicism. Each chair features a subtly reclined rectangular back over a deep seat along with elegantly curved armrests framed by the birch wood. The legs allow the cosy design to stand out, enhancing the lounging experience. The thick seat cushions and gently bent backs further contribute to the comfort. Still, the arms are in the focus of the design, with a highly distinctive shape and form in the front. The dark-toned upholstery complements the structure’s individuality. The wood is especially appealing, which is why it is also showcased on the arms; its grain and colour makes it a coveted, yet still rare material in Scandinavian seating.
These chairs illustrate the perfect alliance of geometry and function combined with expert craftsmanship. Perfectly suited for a vintage or contemporary interior, this pair combines artistry and comfort, and is sure to become the focal point of any space.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the wood has some marks, scratches, and discolouration. There is a visible crack on the wood. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
23.82 in W × 29.53 in D × 29.53 in H; Seat height 16.73 in; Seat depth 19.29 in; Arm height 24.41 in
60.5 cm W x 75 cm D x 75 cm H; Seat height 42.5 cm; Seat depth 49 cm; Arm height 62 cm
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Price category: 50,000+ usd / eur
Swedish architect and furniture maker Axel Einar Hjorth worked as the lead designer for Sweden’s Nordiska Kompaniet department store from 1926 to 1938. While combining the simple, honest forms of the traditional nordic “allmoge” furniture common in Swedish rural culture, with the international 20th century Modernist movement, Hjorth designed the “Sportstugemöbler” series, (“sports cabin furnishings”) a collection of wooden furniture designed for country homes.
The “Lovö” chair was initially launched by Nordiska Kompaniet in 1932. The series was a response to a new, growing demand for furnishings for leisure houses, thus Hjorth used local pine to create a model that unites the robust and straightforward Nordic style with skilful handcrafting. The result is a modest, yet visually interesting presence with a strong and tall outline. These chairs are crafted from local pine wood, while the backrests feature iron rivets. The juxtaposition between the pine and iron provides a rustic, sturdy and resilient feel, elevating the timeless look of the model. The chairs combine simple and honest forms of the handcrafted style of traditional Nordic “allmoge” furniture, and the international 20th century Modernist movement. The seats feature loose, removable cushions, upholstered in a textural fabric. The cushions further increase the chairs’ special character, ensuring comfort and charm. The design is completed by four square, straight legs, offering the set sturdiness.
The “Sportstugemöbler” series had a lasting influence on Hjorth’s contemporaries, inspiring other big names within Nordic design, such as Carl Malmsten. From an international perspective, this series is the forerunner of later pioneering designs, so it comes as no surprise that these “Lovö” chairs became part of modernist design history.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the chairs have minor scratches and dents, and may have additional marks or discolouration. The chairs have recently been reupholstered in a premium fabric. In addition, the chairs can be purchased including their original striped cushions. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
18.5 in W x 20.86 in D x 37.4 in H; Seat height 17.71 in; Seat depth 16.54 in
47 cm W x 53 cm D x 95 cm H; Seat height 45 cm; Seat depth 42 cm