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Price category: 5,000 - 7,500 usd / eur
Floor lamps produced throughout Scandinavia in the mid-twentieth century often explored different material combinations while maintaining the restrained forms associated with modern design. The main principles of Danish Modernism centred around simplicity, functionality and craftsmanship, with natural materials playing an important role in the overall appearance. This floor lamp follows these principles while offering plenty of visually arresting qualities.
The combination of wicker, brass and pine gives the piece a subtle warmth, creating an aesthetic that blends traditional craftsmanship with the functional character of Scandinavian lighting. The lamp’s material choice gives it a distinctive appearance, with the slender structure creating a light and elegant silhouette. The circular wooden base supports a long, narrow stem that rises vertically before curving forward in a pronounced arch to hold the striking shade. The stem is wrapped in wicker, adding an element of texture and warmth to its otherwise simple form. Its natural colour complements the pine base and contrasts beautifully with the shade. The curve allows the light to extend outward while giving the lamp a graceful, organic profile. Not only is the stem remarkable, but the conical shade stands out as well. Its broad shape is formed from brass, with a tapered upper section and a wide opening that directs the illumination downward. The warm golden material reflects the light, creating a cosy effect in a room. The contrast between the fine wicker-wrapped stem and the substantial metal shade gives the design a strong visual balance. The craftsmanship involved in creating this piece is evident in the careful transitions between materials and the attention to detail.
Through the use of a unique silhouette paired with natural materials, the maker of this lamp achieved an appealing combination of traditional craftsmanship and modern design, not forgetting practicality. This floor lamp has the capacity to anchor and define the surrounding space, making it an excellent addition to a living room or reading area.
Condition:
In good vintage condition. Wear consistent with age and use. The floor lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the item has marks, scratches, dents and discolouration. This lamp is compatible with an E26 / E27 fitting. All lighting can be converted for US usage.
Dimensions:
35.03 in W x 13.38 in D x 62.20 in H
89 cm W x 34 cm D x 158 cm H
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Price category: 2,500 - 5,000 usd / eur
This remarkable armchair was designed by German artist, Willi Ohler. The so-called “Worpsweder” either denote chairs made at the Worpsweder Kunsthütten (Worpsweder arts huts) in Germany, or a specific style of German chairs with solid wood frames, broad armrests, often from tall wood, with woven seats and backs. This piece features all of those characteristics.
Crafted during a time when movements like Modernism were reshaping design worldwide, this early 20th-century armchair reflect a transitional style rooted in both simplicity and elegance. This era emphasises clean lines, unique shapes, and high-quality craftsmanship to achieve timeless pieces like this one. The honey-toned wood highlights the warm patina that has developed over decades. The softly sculpted armrests framing the chair bring both elegance and ergonomic comfort to the overall form. Woven wicker is the main highlight of the piece. The material is used to construct the seat and tall backrest. The beautifully symmetrical pattern showcases the timeless artistry of artisanal furniture. The rectangular, slim legs create a sleek structure while not abandoning sturdiness. This chair preserves the value and beauty of master craftsmanship and exquisite materials.
Worpswede in Lower Saxony is famous nationwide for its long tradition as an artists' colony. Nowadays, about 130 artists and craftsmen and women live there permanently. The artists who created the so called "Worpsweder Kuentlerkolonie" were looking for the simple and original in art and life. The traditional reed and rush woven chairs of this region were greatly appreciated by the artists of the colony, and some of them were still produced around 1900-1920. They have become collectors’ pieces thanks to the craftsmanship that went into each chair’s creation.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials the item has minor scratches and discolouration.
Dimensions:
34.64 in W x 33.07 in D x 46.45 in H; Seat height 16.53 in; Seat depth 19.68 in; Arm height 24.80 in
88 cm W x 84 cm D x 118 cm H; Seat height 42 cm; Seat depth 50 cm; Arm height 63 cm
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Price category: 5,000 - 7,500 usd / eur
This beautiful tray, produced in Spain in the second half of the 20th century, is a refined example of decorative craftsmanship paired with functional design. In 1798, the Valentí family started its first silversmith workshop in Barcelona. In 1925 Fernando Valentí Clúa, founder of the current Valentí, was born. Since then, they have created a company with a solid handcraft foundation, influenced by the decorative arts and the renaissance of craftsmanship applied to modernity.
The tray has a broad, elongated oval shape with a shallow interior and gently raised sides. Its outline has a natural flow, showing its handcrafted nature. The inside has a rich, warm golden brass surface, dramatically enhanced by areas of turquoise. Across the bottom of the tray, the brass almost melts across the blue surface. The pattern it creates is effortlessly organic. The exterior displays a continuous turquoise finish, making the distinction between the inside and outside especially striking. The smooth, shallow form allows the different surfaces to remain clearly visible, while also working functionally as a tray. The combination of materials gives the piece a memorable example of Spanish mid-century decorative metalwork.
Decorative objects of this kind are particularly appealing for their ability to introduce colour, texture and material contrast into an interior. This Valentí tray is an excellent centrepiece for a coffee table, dining table or sideboard, where its richly patterned interior can be appreciated from above. It can also serve as a decorative catchall or simply be displayed as an object in its own right.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature of material, the item has some marks, scratches, and discolouration.
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Price category: 2,500 - 5,000 usd / eur
Christian Krass (1868–1957) was a French cabinetmaker and furniture designer based in Lyon, he became an important figure in the city’s decorative arts during the first half of the 20th century. His work included seating, tables, desks and cabinets, often combining carefully worked woods with the geometric forms and refined materials associated with Art Deco. This armchair, which dates back to circa 1930s, applies Krass’s skill to a compact and elegant seating design.
The armchair is defined by its exposed wooden frame, which combines straight lines with subtle curves. Four tapered legs support the upholstered seat, with the front legs continuing upward to meet the armrests and creating a clear structural outline. The armrests have a particularly interesting shape, extending horizontally into a carved element before turning downward. Their broad wooden surfaces and warm reddish-brown tone contrast with the patterned upholstery while keeping the construction clearly visible. The backrest is generously upholstered and slightly curved, with rounded upper corners that soften the otherwise geometric frame. Its shape follows naturally into the broad seat below, creating comfortable proportions within a relatively compact structure. The green and cream upholstery introduces a small repeating geometric pattern that complements the straight lines of the wood while adding texture and visual depth. The clean junctions between the legs, seat rails, arms, and back show the quality of the woodworking, with each element contributing equally to the overall composition.
The chair captures the more restrained side of French Art Deco, where decorative effect could be achieved through proportion, material and carefully controlled lines. Its scale makes it particularly suitable as a desk chair, side chair or additional seating in a living room or bedroom. It represents an interesting example of French furniture design from the 1930s.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. The armrests have minor marks and scratches. Due to the nature and age of the materials, the item may have some discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
23.42 in W x 25.98 in D x 30.70 in H; Seat height 18.70 in; Seat depth 17.12 in; Arm height 26.77 in
59.5 cm W x 66 cm D x 78 cm H; Seat height 47.5 cm; Seat depth 43.5 cm; Arm height 68 cm
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Price category: 5,000 - 7,500 usd / eur
ASEA, founded in 1883, was a Swedish company that became an important part of the country’s electrical industry. Its production extended across a wide range of equipment, including lighting, and its long manufacturing history placed it firmly within Sweden’s development of lighting design. This hanging lamp, produced in the 1950s, combines the functional character associated with Scandinavian mid-century lighting with an unusually expressive metal construction.
The lamp has a striking composition built from two slender brass stems that descend vertically before terminating into two dark conical metal shades angled upward and outward on either side of the central structure. Above them, a broad metal sheet extends horizontally, creating a striking contrast with the narrow vertical supports. The sheet has a gently curved profile, with its outer edges lifting upward. Its light-coloured underside reflects the illumination from the two conical shades below, producing a warm, indirect glow that highlights the material. The contrast between the dark cones, golden brass and pale upper reflector gives the lamp a particularly graphic appearance. Two black cords continue above the brass stems, maintaining the slender vertical lines of the construction. The combination of forms gives the lamp a distinctive appearance while keeping the overall structure remarkably light. The open space between the different elements is an important part of the design, allowing the individual components to remain clearly visible while creating a balanced composition.
The most appealing aspect of this ASEA ceiling lamp is the way its unconventional construction creates both atmospheric lighting and a strong decorative presence. Its expressive geometry makes it a particularly interesting example of Swedish mid-century lighting, offering something more individual than a conventional pendant or chandelier. This lamp is suitable for a living room, dining area or other space in need of a statement piece.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned. There are minor dents and scratches in the metal. Due to the age and nature of the materials, the lamp may have marks, and discolouration. All lighting can be converted for US usage.
Dimensions:
23.22 in W x 11.81 in D x 64.96 in H
59 cm W x 30 cm D x 165 cm H
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Price category: 12,500 - 15,000 usd / eur
Mid-century modern furniture introduced new approaches to seating, with designers exploring rounded silhouettes and chairs shaped closely around the sitter. This pair of European armchairs belongs to this direction, combining generous upholstery with a compact profile and short wooden legs.
Their continuous curved bodies give them a particularly soft appearance, while the low seating position creates the relaxed character associated with lounge furniture of the period. The shape of these armchairs creates an inviting and enveloping appearance. Each chair has a broad, deep seat framed by substantial upholstered arms that rise gently towards the backrest. The back is formed as a wide panel with softly rounded upper corners, curving around the sitter before flowing directly into the sides of the chair. This continuous transition between the back and arms is particularly effective when the chairs are viewed from behind, where the upholstery creates an uninterrupted curved silhouette. The olive-green fabric covers the entire body, allowing the proportions and shape to remain the focus of the design. Its textured surface gives the colour additional depth. A rectangular seat cushion sits within the upholstered body to ensure comfort for its user. Four short tapered wooden legs lift each chair just above the floor. Their warm brown tone of the wood provides a restrained contrast to the green upholstery, while their outward angle secures the broad stance of the chairs.
The designer ensured to make these chairs attractive from every direction, allowing the option to be positioned away from a wall and used more freely within a larger seating arrangement. Comfortable, compact and visually distinctive, the pair offers an appealing example of the softer forms found in European mid-century seating.
Condition:
In good vintage condition. Wear consistent with age and use. The armchairs have recently been reconditioned. Due to the nature and age of the materials, the items have marks, scratches, and discolouration. The pair have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.52 in W × 34.64 in D × 30.7 in H; Seat height 14.56 in; Seat depth 21.65 in; Arm height 18.5 in
75 cm W x 88 cm D x 78 cm H; Seat height 37 cm; Seat depth 55 cm; Arm height 47 cm
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Price category: 2,500 - 5,000 usd / eur
Valinte Oy, established in Finland during a time of great design exploration, was known for its commitment to crafting distinctive lighting solutions. The company was celebrated for its attention to detail and ability to merge form and function seamlessly. Valinte Oy's designs have always embodied the spirit of Finnish craftsmanship and have often incorporated elements of nature, evoking a sense of purity and simplicity.
The fixture consists of a broad square shade mounted to the ceiling, its pleated fabric surface radiates outward from a central brass fitting. When illuminated, the textile diffuses the light warmly, allowing the folds to become more pronounced and giving the lamp a gentle glow. The material feels organic, yet elegant with its flowing contours. The brass detail acts as a visual anchor within the composition, offering a subtle contrast against the softness of the fabric shade, and drawing the eye in. Despite the relatively simple construction, the interplay between the structured shape and the textile surface gives the lamp a distinctive presence. Finland’s lighting culture evolved alongside the broader Nordic approach to design, prioritising softness, warmth, and an intuitive understanding of how light shapes space during long, dark seasons. Makers like Valinte Oy contributed to this landscape by producing fixtures like this that balanced craftsmanship with gentle innovation, creating objects that were as much about ambiance as they were about illumination.
Mounted close to the ceiling, the lamp provides a calm and balanced source of light. It represents a strong decorative detail without taking up a lot of space, thus being appropriate for interiors of various sizes. Although regardless of where it is placed, this piece is sure to bring warmth and subtle sculptural to a room.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the item may have minor marks, scratches, and discolouration. The shade was custom made by our in-house atelier. The lamp is compatible with an E26 / E27 (standard) fitting.
Dimensions:
23.62 cm W x 23.62 cm D x 10.23 cm H
60 cm W x 60 cm D x 26 cm H
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Price category: 50,000+ usd / eur
Swedish architect and furniture maker Axel Einar Hjorth worked as the lead designer for Sweden’s Nordiska Kompaniet department store from 1926 to 1938. While combining the simple, honest forms of the traditional nordic “allmoge” furniture common in Swedish rural culture, with the international 20th century Modernist movement, Hjorth designed the “Sportstugemöbler” series, (“sports cabin furnishings”) a collection of wooden furniture designed for country homes.
The “Lovö” chair was initially launched by Nordiska Kompaniet in 1932. The series was a response to a new, growing demand for furnishings for leisure houses, thus Hjorth used local pine to create a model that unites the robust and straightforward Nordic style with skilful handcrafting. The result is a modest, yet visually interesting presence with a strong and tall outline. These chairs are crafted from local pine wood, while the backrests feature iron rivets. The juxtaposition between the pine and iron provides a rustic, sturdy and resilient feel, elevating the timeless look of the model. The chairs combine simple and honest forms of the handcrafted style of traditional Nordic “allmoge” furniture, and the international 20th century Modernist movement. The seats feature loose, removable cushions, upholstered in a textured fabric. The cushions further increase the chairs’ special character, increasing both comfort and charm. The design is completed by four square, straight legs.
The “Sportstugemöbler” series had a lasting influence on Hjorth’s contemporaries, inspiring other big names within Nordic design, such as Carl Malmsten. From an international perspective, this series is the forerunner of later pioneering designs, so it comes as no surprise that these “Lovö” chairs became part of modernist design history.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. The chairs show marks and dents Due to the age and nature of the materials, the chairs may have additional scratches or discolouration. The pillows were costum made by our in-house atelier in a premium fabric. In addition, the chairs can be purchased including their original striped cushions. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
18.5 in W x 20.86 in D x 37.4 in H; Seat height 17.71 in; Seat depth 16.54 in
47 cm W x 53 cm D x 95 cm H; Seat height 45 cm; Seat depth 42 cm
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Price category: 7,500 - 10,000 usd / eur
Art Deco was an era-defining movement in furniture design. These chairs were created during an age of aesthetic creativity and instantly recognisable design. As these armchairs show, European furniture designers’ artistic approach was anchored by characteristic Art Deco refinement, expressed through graceful forms and traditional methods.
Though elements of Art Deco and mid-century modern are markedly different, both styles value beauty, shape, and colour. This is evident in the pronounced curve of the arms that define the overall look. Since the arms create a hollow form, the beautiful upholstery is visible from the sides as well, further complementing the gentle curvature. To keep the visual balance, the backs and the lower structures feature straighter lines. The veneered wood’s beautiful grain and colour variation stands out thanks to the upholstery’s restrained, elegant colour. The tightly upholstered seats and backs - while adding plenty of comfort and cosiness to the design - don’t take the attention away from the wooden structures, which shows the design skill of the maker. The pedestal-like legs connect directly to the arms and hold the bodies in an almost gravity defying way. This feature shows the high-level craftsmanship of the era. This chair model was a popular style in Austria and Italy in the first half of the 20th century, it is also reminiscent of works crafted at Heal’s in the 1930s. Heal's was a renowned British furniture retailer founded in 1810 by John Harris Heal.
Perfect for those looking to add some vintage glamour to a space, this pair will bring timeless allure to any room. The design offers a perfect blend of style and comfort, which will endure through the ages while exemplifying Art Deco craftsmanship.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, minor marks and scratches are present on the wood. The chairs have been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
25.59 in W x 31.88 in D x 29.92 in H; Seat height 14.56 in; Arm height 22.44 in
65 cm W x 81 cm D x 76 cm H; Seat height 37 cm; Arm height 57 cm
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Price category: 2,500 - 5,000 usd / eur
20th century European lighting design was shaped by a growing interest in balancing functionality with sleek, sculptural form. Brass became a favoured material throughout the period, valued for its warmth, durability, and ability to bring refinement to otherwise restrained forms. Pendant lamps in particular offered designers an opportunity to experiment with geometry and proportion, creating fixtures that could define a space while providing soft, atmospheric illumination.
This pendant lamp reflects those qualities through a striking combination of clean geometry and material richness. The fixture is crafted entirely from brass, composed around a tapered central body that descends elegantly from a slender suspension rod. The perforated shade creates a striking silhouette that feels architectural. The perforated pattern runs around the shade and when the light is lit, creates a subtle light that is evenly distributed. The design’s focus on the characteristics of the brass itself and the artistic ability to easily connect line and material is especially visible in this unique model. Ceiling lamps, such as this piece have an important role to create an ambience that is cosy and stylish while not compromising on quality and functionality.
The composition and clever decorative elements give this hanging lamp a stylish look that is guaranteed to set the tone of its interior. The modern, sleek design’s organic lines create a perfect balance between the ornamented features of the early 20th century and the later phase of mid-century modernism with its more minimal, simplified lines.
Condition:
In good vintage condition. Wear consistent with age and use. The hanging lamp has recently been reconditioned. The brass is patinated. There are minor dents and scratches in the metal. Due to the age and nature of the brass, the lamp has marks and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
10.63 in ø x 36.22 in H
27 cm ø x 92 cm H
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Price category: 7,500 - 10,000 usd / eur
The so-called “Kurulstol” or “Kurul” chair, is an iconic model by Danish designer, Henning Kjærnulf. The Kurul chair is an ancient folding chair, originally a folding stool with straight or curved legs. Among the Romans, in addition to being an ordinary utility chair, it was symbolically linked to officials, often within the judiciary.
This pair of chairs combine the traditional kurul structure with a rounded and curved appearance, with an upholstered seat and backrest that gives the historic look a modern edge. The oak frames are carved and sculpted in an unmistakeable way, showing the skills of both the designer and the manufacturer. The bodies are composed of two slats of wood of equal length in the front and back, fastened together in a saltire formation (resembling the letter X) which are extended up at the top and back to form the armrests and the backs as well. The seats are upholstered in soft sheepskin, stretched between the front and back slats connecting the two. Kjærnulf removed the folding function of the historic design, giving his model a more stable, organic look. This impression is further enhanced by the solid oak, which is carved with great precision into straight and curving lines. The rich sheepskin melts these carved and straight lines together, contrasting to the oak’s smoothness. While the historic kurul chair was often decorated with intarsia, this model only showcases subtle decor elements, such as the charming sculpted mark in the front with a flower (or the sun) carved into the wood.
While the kurulstol is a Renaissance classic originating from ancient Rome, thanks to Kjaernulf, Scandinavian modernism remains at the core of the design. Kjærnulf’s designs are easy to spot in a crowd thanks to his originality, making his pieces like the razorblade chair and this kurulstol eternally unique. This chair was manufactured by EG Kvalitetsmobel in Denmark during the 1960s.
Condition:
In good vintage condition. Wear consistent with age and use. Some scratches and marks on the wood. The pair has been reupholstered recently in premium sheepskin. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.8 in W x 26.77 in D x 31.29 in H; Seat height 17.32 in; Arm height 26.18 in
65 cm W x 55 cm D x 88 cm H ; Seat height 49 cm; Arm height 63.5 cm
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Price category: 7,500 - 10,000 usd / eur
Paavo Tynell was one of Finland’s most important lighting designers and came to be known as the “man who illuminated Finland”, thanks to his notable models. As a master craftsman, his designs combined a traditional aesthetic with a modern sensibility and an extensive use of glass and brass. His work with Idman followed the company’s acquisition of the majority of shares in Taito Oy in 1953, after which Tynell continued designing on a freelance basis.
This set of four Model “80113” ceiling lamps embodies the sleek and simple aesthetic that characterised Finnish lighting design of the mid-century period. Tynell’s designs merge together simple shapes and carefully considered materials. Each lamp has an eye-catching, shallow rounded milk glass shade with a broad upper section and a softly curved lower profile. The opaque ivory-white glass conceals the light source while allowing the illumination to spread evenly across the entire shade. The edges are just as soft as the light the lamps emit, giving the glass an organic shape despite the simplicity of the design. Thanks to the concealed ceiling holders, the lamps are flush mounted without any prominent exposed parts other than the glass shades. This keeps the construction visually clean and leaves the attention on the material and the quality of the illumination. When lit, the milk glass produces a warm, atmospheric glow and emphasises the smooth curvature of the shades. Used as a set, the repetition of the same compact form creates an effective rhythm across a ceiling while distributing light over a larger area.
The best qualities of Finnish mid-century light fixtures are their atmospheric glow and disciplined, functional design, and these lamps embody those qualities particularly well. The construction makes them suitable for hallways, bedrooms or rooms with lower ceilings, while the simple glass forms integrate naturally into the surrounding architecture. Combining Tynell’s sensitivity to light with Idman’s Finnish manufacture, the model “80113” lamps offer an elegant example of his more restrained ceiling designs.
Condition:
In good vintage condition. Wear consistent with age and use. The lamps have recently been reconditioned. Due to the age and nature of the materials, the lamps have marks, scratches, and discolouration. Additional imperfections on the glass may be present due to manufacturing inconsistencies and age. All lighting can be converted for US usage.
Dimensions:
9.84 in ø x 4.72 in H
25 cm ø x 12 cm H
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Price category: 9,000 - 12,500 usd / eur
Finnish designer, Carin Lisa Johansson-Pape, was among the most significant Finnish designers in the second half of the 1900s. She designed made for Stockmann and participated in New York’s World Fair of 1939 and the Milan Triennial IX. The 1940s marked a golden era for interior design, amidst a booming economy and a newfound sense of optimism. Designers like Johansson-Pape sought to create furniture that felt both modern and human, moving away from the stark metal and glass of the machine age toward objects that could bring warmth and comfort to domestic life.
The design of this pair is full of modern energy that has, and surely will continue to endure for generations thanks to its classic look, quality materials and evident quality of the craftsmanship. Chairs are often considered especially revealing of a designer's skill because of the strict limits placed on their design by the demands of the human body. With these chairs, Johansson-Pape arrived at a clearly-structured solution in which a high degree of coherence is maintained while the chairs appear visually light and open. She followed the mid-century modern philosophy guided by functionality and simplicity. The elegance and honesty of the frames is enhanced by the upholstery which complements both the shape and wooden legs gracefully. The streamlined body and soft fabric create not only a modern and elegant look, but also allows great comfort. The dark colour of the wood contrasts with the sheepskin upholstery creating visual interest while maintaining the perfect aesthetic balance of the chairs. This complementing nature can also be felt on a textural level, with sheepskin adding a tactile dimension through its soft, fluffy appearance, while the tapered legs add a modern, smooth feel.
Quality materials, organic curvature and innovative shape define the design of this pair. With the power to offer feelings of cosiness and comfort, these timeless chairs sit as well in contemporary spaces as they did in 1940s Finnish homes.
Condition:
In good vintage condition. Wear consistent with age and use. The lounge chairs have recently been reconditioned. The wood has some scratches and stains. Due to the age and nature of the sheepskin, the chairs may have marks and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.92 in W x 29.53 in D x 29.53 in H; Seat depth 22.05 in
76 cm W x 75 cm D x 75 cm H; Seat depth 56 cm
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Price category: 12,500 - 15,000 usd / eur
Robert Guillerme and Jacques Chambron established Votre Maison in 1949 together with cabinetmaker Émile Dariosecq, and developed a distinctive body of French furniture during the post-war decades. Their work is particularly associated with solid oak, sculptural woodworking and upholstered seating, with the wooden structure often remaining clearly visible as an important part of the design. This pair of armchairs from the 1960s brings these characteristics together through expressive oak frames and generously upholstered seats and backs.
The chairs are built from solid oak frames with a particularly distinctive construction at the back. A series of vertical wooden spindles follows the curved outline of each backrest, creating an open framework that remains fully visible from behind. The spindles vary in their angle and position, giving the rear of the chairs a strong architectural rhythm while supporting the wide upholstered back cushions. These cushions curve along the backs and are finished with button tufting, adding depth to the textured striped fabric. Broad seat cushions sit above the upholstered lower sections, creating a comfortable body within the exposed wooden structure. The armrests have a gently shaped profile and extend forward to meet thick upright supports, which continue downward into curved front legs. Their rounded surfaces highlight the natural grain and warm tone of the oak. At the rear, the lower ends of the frame curve outward into small feet, adding another carved detail to the silhouette. The muted red, beige and cream tones of the upholstery complement the oak while allowing the elaborate woodworking to remain in focus.
The pair shows why Guillerme et Chambron’s seating is so recognisable within French design of the period. Their furniture gave traditional cabinetmaking a highly individual character through carved oak, unusual structural solutions and an emphasis on comfort. These armchairs are particularly effective as a pair as their open spindle backs make them interesting from every direction.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, dents and discolouration. The cushions have recently been reupholstered in in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
30.31 in W x 29.92 in D x 33.46 in H; Seat height 16.14 in; Seat depth 20.07 in; Arm height 21.25 in
77 cm W x 76 cm D x 85 cm H; Seat height 41 cm; Seat depth 51 cm; Arm height 54 cm
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Price category: 5,000 - 7,500 usd / eur
The European perspective on cabinetmaking is exceptional, and wood was an omnipresent material in mid-century modernism. This sumptuous rounded armchair features the immediately recognisable touches of Modernism: excellent materials, craftsmanship, and elegantly curved shapes.
This armchair holds all the characteristics that define Berga Möbler’s style, from the playful softness, to the organic sophistication. The chair is slightly tilted backwards by the tapered front legs. The curved and rounded backrest and armrests are a few elements that define the elegance of the chair. Slightly inclined towards the backrest, the armrests provide an excellent seating experience, making the chair a wonderful choice for any contemporary living space. Not only this, but the back is tufted with two large buttons that give the pieces a pleasant and welcoming appearance. The upholstery's texture adds to the visual appeal. It enhances the tactile experience, making it a delight to sit on. The frame is constructed from high-quality wood, ensuring durability and sturdiness. Furthermore, apart from being structurally integral, the legs add a touch of mid-century modern flair with their outward bend and smooth finish. The design of this chair possesses an elegant homely curviness, an aesthetic balance that is only seemingly easy to achieve, but this armchair exudes it.
Crafted with precision and finished with attention to detail and care for the aesthetic dimension, this armchair stands the test of time thanks to both its visual and material quality.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.52 in W x 34.25 in D x 32.67 in H; Seat height 18.11 in; Seat depth 19.68 in; Arm height 23.62 in
75 cm W x 87 cm D x 83 cm H; Seat height 46cm; Seat depth 50 cm; Arm height 60 cm
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Price category: 2,500 - 5,000 usd / eur
Mid-century Danish design is celebrated for its clarity of form, refined material use, and quiet sophistication. Throughout the mid-20th century, Danish designers like Svend Aage Holm-Sørensen focused on creating objects that were as functional as they were elegant, emphasising proportion, restraint, and craftsmanship. Lighting in particular became a defining element of this era, with a focus on design that brought warmth and atmosphere into everyday interiors.
This floor lamp is attributed to Svend Aage Holm-Sørensen. He was a Danish designer best known for his wide collection of light fixtures. As a licensed ornamental metalworker, Holm-Sørensen started his design career in the 1950s, and many of his designs feature metal surface with different ornaments and perforations. The lamp featured three slender brass stems that rise from a compact conical base before coming to the mid-point to transition into two stems branching outward. The wooden element introduces a warm touch, complementing the metals. Each arm terminates in an individually adjustable brass neck, allowing the fabric shades to be directed independently for reading, accent, or ambient lighting. The contrast between the warm brass, dark lacquered base, and textured fabric shades gives the lamp visual richness while remaining understated.
Holm-Sørensen’s work consistently balanced precision and character, and this piece reflects that philosophy. It honours the Scandinavian tradition that valued craftsmanship as much as innovation. The timeless simplicity of this design allows it to integrate into both contemporary and vintage interiors, standing as a testament to the enduring refinement of Danish mid-century lighting design.
Condition:
In good vintage condition. Wear consistent with age and use. The floor lamp has recently been rewired and reconditioned. The shades were custom made by our in-house atelier. The item has some marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
29.52 in W x 15.94 in D x 56.49 in H
75 cm W x 40.5 cm D x 143.5 cm H
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Price category: 12,500 - 15,000 usd / eur
Art Deco seating from the first half of the 20th century brought together strong geometry, rich materials and interesting forms. Upholstered armchairs were particularly suited to this approach, as their larger surfaces could be shaped into bold silhouettes and contrasted with decorative wooden elements. This pair combines dark green upholstery with sweeping walnut-veneered details, creating a design in which wood becomes as visually important as the upholstered body.
The armchairs have substantial, slightly inclined backrests, giving them generous and comfortable proportions. Each backrest is divided into three vertical upholstered sections with a softly scalloped upper edge, adding definition to the broad surface and drawing the eye upward. The dark green upholstery continues across the seats, backs and side panels, giving the bodies a consistent colour and texture. The walnut veneer provides a striking contrast and forms a distinctive feature of the design. Large curved sections run along either side of each chair, forming part of the armrests before continuing downward towards the floor. Their continuous rounded shape complements the upholstered sides and gives the chairs a strong profile from every angle. At the same time, the wood creates gaps in the size, balancing the strong volume of the upholstered sections. The reddish-brown tone and visible grain of the walnut stand out against the muted green fabric, while the polished surface catches the light along each curve. Finally, short rectangular wooden feet support the front of the seats, while the back one mirror the curve of the armrests, tying the look together.
What makes these armchairs particularly appealing is the way the walnut veneer transforms an upholstered chair into a much more individual Art Deco design. Used together in a living room, library or conversation area, they offer both comfortable seating and the rich material character associated with European furniture at its best.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. The armrests have visible repairs made by a previous owner. Due to the age and nature of the materials, the items have marks, scratches, dents and discolouration. The chairs have recently been reupholstered in in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
28.74 in W x 31.10 in D x 31.88 in H; Seat height 17.51 in; Seat depth 20.86 in; Arm height 23.42 in
73 cm W x 79 cm D x 81 cm H; Seat height 44.5 cm; Seat depth 53 cm; Arm height 59.5 cm
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Price category: 2,500 - 5,000 usd / eur
Mid-20th century European design emerged as a golden era where form seamlessly intertwined with function, giving rise to creative and unique pieces that continue to captivate contemporary sensibilities. Designers from the region brought a refreshing breath of humanism and innovation to modern design, as this floor lamp demonstrates.
This table lamp exemplifies the elegance found in the organic, refined craftsmanship often characteristic of mid-century Scandinavian design. The most striking element of this piece is the lamp’s body carved from wood, it showcases the incredible skill and talent of the maker. The sculptural form of the lamp takes inspiration from nature, having an organic, fluid look. Surpassing strict functionality, it is a whimsical representation of the innovative experimentation in 20th century lighting design. To complete the look, the lamp’s shade comes in an off-white colour, showcasing the fabric’s texture. Distinctive in numerous ways, this lamp showcases the versatility that characterised the era.
From the seamless construction to the attention to detail, this floor lamp showcases the mid-century design ethos. With its minimalist elegance, not only does this piece serve as a functional source of warm light, but also as a decor element in a room, embodying the principles of form, function, and beauty.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade was custom made by our in-house atelier. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
24.40 in ø × 64.96 in H
62 cm ø x 165 cm H
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Price category: 12,500 - 15,000 usd / eur
Airborne was founded in France by Charles Bernard in 1951 and became known for a wide range of modern seating designs. By the 1970s, the company was producing furniture that explored modularity and new approaches to upholstered seating, allowing individual elements to be combined into larger arrangements. The “Patate” was designed as an ensemble of individual chair, corner and pouf units, with different configurations that could be created from them. This six-piece example captures that versatility.
There is a great balance in the execution of this sofa, achieved through the clever modular design and the continuous curves of its individual elements. Each module has a deep seat and a broad backrest that opens outward toward the upper edge, giving the seating an inviting, enveloping shape. Stitched lines radiate across the backrests and converge toward the seats, creating folds in the upholstery and emphasising the rounded construction. The thick seat cushions have a relaxed feel, with gathered fabric around their edges giving them a soft and rich appearance. The entire sofa is upholstered in soft brown fabric, in which the texture brings out different shades as light moves across the folds and curved surfaces. The six elements include straight seating modules and a rounded corner section, allowing the sofa to form the large curved arrangement shown or to be reorganised according to the space it occupies. This adaptability was fundamental to the original “Patate” system, and it maintains its functionality today.
The “Patate” represents the relaxed and increasingly informal approach to seating that made modular sofas such a distinctive part of 1970s interiors. Its six separate elements allow the composition to change with the space, while the deep seats make it particularly suited to lounging and conversation. As a piece of Airborne history, the “Patate” remains a distinctive example of French furniture from the 1970s.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item has some marks, scratches, cracks, and discolouration. The item comes with its original upholstery or has been reupholstered by a previous owner. We recommend reupholstery for this item, each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
149.60 in W x 110.23 in D x 27.55 in H; Seat height 15.74 in
380 cm W x 280 cm D x 70 cm H; Seat height 40 cm
Individual unit:
38.18 in W x 39.37 in D x 28.74 in H; Seat height 15.74 in; Seat depth 23.62 in
97 cm W x 100 cm D x 73 cm H; Seat height 40 cm; Seat depth 60 cm
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Price category: 2,500 - 5,000 usd / eur
Alain Richard (1926–2017) was a French furniture and interior designer who graduated from the École Nationale Supérieure des Arts Décoratifs in 1949, where he studied under René Gabriel. He established his own agency in 1952 and became part of a generation of French designers developing furniture for serial production during the post-war period. His work included furniture for Meubles TV and lighting for Disderot, alongside increasingly large interior and architectural projects. This model “704” armchair from the 1960s shows his interest in clean construction, contrasting materials, and furniture designed around clear functional elements.
Model “704” combines a compact upholstered seat and backrest with exposed wood and metal elements. The thick seat cushion has a rectangular shape with softly rounded corners, while the backrest is slightly inclined to provide a comfortable sitting position. The piece is upholstered in a textured olive-green fabric that gives the chair a warm, tactile appearance. The armrests feature padded horizontal sections that appear almost suspended on either side of the seat. A shaped wooden frame runs beneath the seat and continues upward behind the backrest, its warm tone contrasting with the upholstery. Dark screws remain visible along the side of the wooden seat rail, adding a small technical detail to the construction. Four slender metal legs are splayed outward beneath the body, countering the volume of the upholstered sections and giving the chair a light stance. The combination of upholstery, wood, and metal creates a clear separation between each part of the chair while keeping the overall composition balanced.
Richard received several important distinctions throughout his career, including the Prix René Gabriel in 1964, and this chair is proof of his talent. Its combination of French modernist design and a balanced mix of materials makes it an interesting addition to a living room, study or reading area, particularly for collectors of post-war French furniture.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials, the chair has some marks, scratches, dents and discolouration. The seat cushion was newly produced and upholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.40 in W x 23.62 in D x 32.28 in H; Seat height 19.68 in; Seat depth 16.53 in; Arm height 25.59 in
62 cm W x 60 cm D x 82 cm H; Seat height 50 cm; Seat depth 42 cm; Arm height 65 cm
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Price category: 2,500 - 5,000 usd / eur
Mid-century lighting design was shaped by a growing interest in balancing functionality with sleek, sculptural form. Brass became a favoured material throughout the period, valued for its warmth, durability, and ability to bring refinement to otherwise restrained forms. This ceiling lamp by Erco Leuchten is a timeless example of these characteristics.
Ceiling lamps in particular offered designers an opportunity to experiment with geometry and proportion, creating fixtures that could define a space while providing soft, atmospheric illumination. The fixture is composed of a broad, gently tapering shade, the softly curved profile creates an elegant silhouette against the ceiling. The fabric diffuses light evenly across the entire surface, concealing the light source while producing a warm and comfortable glow. The brass cage-like element completes the look, introducing a subtle decorative accent and a welcomed contrast to the smooth fabric. The transition between materials allows the brass to complement rather than dominate the composition. When illuminated, the shade appears almost weightless, floating beneath the ceiling while softly radiating light throughout the room. The restrained geometry and balanced proportions embody the calm sophistication that characterises the best examples of German mid-century design.
This light’s compact form makes it suitable for both residential and professional settings, especially in interiors that value clean looks and functional elegance. It demonstrates how Erco Leuchten valued thoughtful construction and material choice in order to elevate ceiling lamps into a lasting example of modernist design.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade was custom made by our in-house atelier. Due to the age and nature of the materials, the item may have minor marks, scratches, and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting.
Dimensions:
24.60 in ø × 8.07 in H
62.5 cm ø x 20.5 cm H
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Price category: 15,000 - 20,000 usd / eur
Italian Modern furniture is defined by unique design, precise execution and a strong relationship with Italy’s tradition of craftsmanship. This pair of “Bergamo” lounge chairs with matching ottomans by Paolo Buffa is a testament to the distinctive character of mid-century modernism in Italy. Buffa’s design language remains coherent with contemporary developments while retaining a clear connection to traditional furniture making, combining measured proportions, refined decorative details and carefully worked wooden structures.
This pair is focused on elegant proportions, balanced compositions and a rich interplay between geometric and flowing lines. The solid wooden frames are shaped with curved upper edges, slender tapered legs and open sides. The front legs rise effortlessly to form the sweeping armrests, creating a continuous line around the upholstered seats. Two crosses on each side introduce a sharper geometric rhythm, while the backs are formed from a sequence of slender vertical and diagonal wooden elements that give the chairs a striking open appearance both when viewed from behind and from the side. Thick upholstered seat cushions are paired with distinctive round back pillows, leaving much of the wooden back structure visible and enhancing the airy character of the design. The warm, light fabric contrasts with the darker wood and softens the architectural quality of the frames. Each chair is accompanied by a matching ottoman, constructed with the same tapered legs, shaped wooden frame and generously upholstered cushion. Placed together, the ottomans extend the composition of the chairs and reinforce the dialogue between solid upholstery and finely worked wood. The crossed panels, curved armrests, slender back elements and rounded cushions gives the set a dynamic appearance while retaining the elegance inherent in Buffa’s work.
Paolo Buffa was passionate about furniture and product design, an area in which he remained faithful to a figurative repertoire rooted in classicism while embracing impulses of modernity. He was highly active within the Milanese design scene, where traditional craftsmanship and modern ideas were continually brought into dialogue. The “Bergamo” chairs capture that combination particularly well, and the presence of their matching ottomans makes the pair especially complete, creating two inviting lounge settings with a strong decorative presence from every angle.
Condition:
In good vintage condition. Wear consistent with age and use. The set has recently been reconditioned. Due to the nature and age of the materials, the items have marks, scratches, dents and discolouration. The chair and ottoman have been reupholstered recently in premium lambswool. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
Chair
25.59 in W x 33.66 in D x 31.10 in H; Seat height 16.73 in; Seat depth 18.11 in; Arm height 22.83 in
65 cm W x 85.5 cm D x 79 cm H; Seat height 42.5 cm; Seat depth 46 cm; Arm height 58 cm
Footstool
20.66 in W x 16.92 in D x 16.53 in H
52.5 cm W x 43 cm D x 42 cm H
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Price category: 20,000 - 30,000 usd / eur
Adrien Audoux and Frida Minet were a French design duo who worked together during the 20th century. They were known for their innovative use of natural, sustainable materials, including rope, wicker, and bamboo. The duo’s work was heavily influenced by the Modernist movement, which sought to create functional and streamlined designs that were accessible to a wider audience.
Audoux & Minet’s pieces are characterised by a strong sense of craftsmanship, with each piece being handmade by the designers themselves or by skilled artisans. This dining table showcases a long rectangular top finished in warm wood veneer, its broad uninterrupted surface displays the grain. The top sits above thick base covered in a tightly woven natural fibre that introduces an immediate depth of tone and texture. The fibre flows across the supports in beautiful braided patterns, emphasising the bold and solid look. The rope is made into a geometric pattern which breaks up the woven surface to create a beautiful rhythm within the structure. The contrast of materials is central to the table’s character: the smooth, richly grained wooden top stands out against the coarse, rough and natural fibre below, allowing two very different surfaces to define the piece.
Today, Audoux and Minet's designs are highly sought after by collectors and are considered important examples of mid-century modern design. Furniture pieces like this table stand out through their unique textures, and their materials, as well as their classic charm.
Condition:
In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature and age of the material, the item has some marks and scratches on the tabletop. Additional imperfections like chips, dents or discolouration may be present.
Dimensions:
67.12 in W x 33.46 in D x 29.13 in H
170.5 cm W x 85 cm D x 74 cm H
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Price category: 2,500 - 5,000 usd / eur
French lighting manufacturer Maison Lunel became known for producing modernist fixtures that balanced sculptural form with functional clarity. Collaborating with designers such as René Mathieu, the company developed fixtures that combined elegant engineering with sculptural forms, often introducing articulated arms and highly distinctive shades that transformed functional lighting into expressive design objects.
The French company popularised the use of lacquered tubular metal and brass in the creation of lighting fixtures. Many of the pieces produced by Maison Lunel borrow the same refined design vocabulary, which makes them highly sought after by collectors and design aficionados alike. This wall lamp combines three main materials to create a stunning look. The sculptural profile balances geometric precision with an organic flow, creating a visual rhythm between the materials. The contrast between the dark lacquered metal and the shiny golden brass creates a harmonious balance and adds another sculptural dimension to the piece. The diabolo shade's simple, clean lines align perfectly with the lamp's overall aesthetic, reinforcing the artistic manner of the mid-century period. Furthermore, the light, when diffused through the fabric shade, casts a warm and inviting glow, creating an ambiance that is both cosy and comforting, which is enhanced by the hue of the brass. The most striking part of this piece is the wall mounting, its belt-like form gives the illusion that the brass rod is floating through the circular element, which greatly adds to the visual interest of the design. It is said that a well-chosen lighting piece can change the overall look of a room and how it feels to inhabit the space. This model is the perfect addition to bring a touch of elegance to any space without it being overwhelming.
The combination of adjustable construction and sculptural form reflects the spirit of French mid-century lighting at its best. From the unique design and materials to the innovative techniques, this lamp offers plenty visual interest.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the age and nature of the materials the item may have some marks, scratches, and discolouration. The shade was custom made by our in-house atelier. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
12 in W x 51.38 in D x 15.94 in H
30.5 cm W x 130.5 cm D x 40.5 cm H
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Price category: 12,500 - 15,000 usd / eur
European seating design from the 1940s often sits at the intersection between late Art Deco and the early stages of modernism. While earlier decades favoured more elaborate ornamentation, this period saw a gradual simplification of form, with designers focusing more on proportion, silhouette, and comfort.
This pair of armchairs follow that direction through their restrained yet carefully shaped form. From the rounded backs, to the tapered wooden legs, the elements reflect both the elegance of Art Deco and a move toward more practical, everyday use. In these armchairs, this is evident in the pronounced curve of the wooden arms that define the overall look. Since the arms create a hollow form, the beautiful upholstery is visible from the sides as well, further complementing the gentle curvature. The upholstery, in a deep green tone, gives the pair its visual identity, introducing both colour and a soft texture that contrasts with the sleek and slender wooden legs below. Each chair stands on slender legs that echo the solid construction and frame the upholstered body without distracting from it.
This pair of armchairs exemplifies a tradition of European seating that values both comfort and design, making them a perfect choice for interiors that appreciate material honesty and functional refinement. The pairing of materials give them a distinctive but versatile presence, whether placed in a living room, study, or relaxed seating area.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have marks, scratches and discolouration. The chairs have recently been reupholstered in in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
52.59 in W x 34.64 in D x 38.77 in H; Seat height 18.11 in; Seat depth 20.07 in; Arm height 24.60 in
65 cm W x 88 cm D x 98.5 cm H; Seat height 46 cm; Seat depth 51 cm; Arm height 62.5 cm
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Price category: 2,500 - 5,000 usd / eur
Brutalist furniture of the second half of the 20th century often gave materials a dominant role, using simple, bold forms to emphasise their natural colour and texture. Stone was particularly effective within this approach, as its irregular surface could provide visual richness without additional decoration. This Posidonia slate coffee table follows that principle closely, with a low architectural form built almost entirely around the distinctive character of the stone.
The coffee table has a broad rectangular top supported by four rectangular legs positioned at its corners. Its construction is extremely clear, with the horizontal tabletop and vertical supports creating a simple geometric structure. Posidonia slate makes up the entire surface, giving the table a consistent material character. The stone has a deep dark tone with lighter areas scattered irregularly across the surface. These natural variations break up the large flat plane and ensures that no area of the table appears completely uniform. The top is particularly effective in constituting a focal point, as its generous uninterrupted surface provides a clear view of the slate's complex pattern. The low height further emphasises the horizontal shape, allowing the long stone top to remain the main focus from every angle. Coffee tables, in general, serve as design staples in living spaces for a multitude of reasons: beyond their utilitarian function of providing a surface for drinks and books, they anchor a room, creating a point around which furniture and conversation revolve.
The strength of this coffee table comes from the direct relationship between its simple construction and expressive stone. This piece represents a particularly striking example of the material-focused furniture associated with the era.
Condition:
In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature of material, the item has some marks, scratches, and discolouration.
Dimensions:
53.35 in W x 33.66 in D x 16.14 in H
135.5 cm W x 85.5 cm D x 41 cm H
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Price category: 5,000 - 7,500 usd / eur
This beautiful chair design was crafted by French duo Audoux-Minet. Adrien Audoux and Frida Minet worked together during the mid-20th century, and are known for their innovative use of natural, sustainable materials, including rope, wicker, and bamboo. Their work was heavily influenced by the Modernist movement, which sought to create functional and streamlined designs that were accessible to a wider audience.
Like in Scandinavia, there was an early emphasis on wood in most French mid-century design - it connected everyday objects to nature. These chairs are a perfect example of this sentiment, and the visual benefits of an understated, organic design. The high quality woven papercord makes the pieces an outstanding example of woven furniture. They feature a fairly traditional shape with soft edges and an airy feel. The straightforward shape highlights the understated beauty of the materials, allowing the beautiful woven pattern and the grain of the wood to stand out. The interplay of a simple structure and refined detailing evokes a sense of harmony, aligning with the era’s focus on blending beauty with utility. The organic design makes these pieces stand out with an elemental edge. The colour palette further allows easy adaptation to almost any interior, functioning to either complement a space or to stand out as an accent.
Today, Audoux and Minet's designs are highly sought after by collectors and are considered important examples of mid-century modern design. Furniture pieces like this pair of armchairs stand out through their unique textures, and their materials, as well as their classic charm.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, dents and discolouration.
Dimensions:
17.51 in W x 20.86 in D x 32.28 in H; Seat height 17.32 in; Seat depth 17.51 in
44.5 cm W x 53 cm D x 82 cm H; Seat height 44 cm; Seat depth 44.5 cm
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Price category: 20,000 - 30,000 usd / eur
The 20th century saw the rise of brilliant designers, like Steen Østergaard, working to create furniture of the highest quality that explored truly modern shapes and forms. Østergaard sought to combine comfort and elegance to achieve timeless designs that remain iconic examples of style and skill to this day.
Immediately, these chairs captivate with their cosy and stylish silhouette. The shell bodies cradle the occupant, providing a sense of intimacy and comfort that transcends mere functionality. The mid-century modern aesthetic is elegantly expressed through clean lines and organic curves, creating a harmonious balance between form and function. The designer managed to create pieces that seamlessly integrate into contemporary living spaces while preserving the warmth and character of natural materials, ideals deeply rooted in the Danish tradition. The wooden frames of these chairs showcase the skillful artistry of Steen Østergaard. The tripod legs, with beautiful joinery, not only add a touch of sophistication but also exemplify the meticulous attention to detail and aesthetic balance. The upholstery of these chairs further enhances their allure. Meticulously chosen fabrics not only contribute to the overall aesthetic appeal but also emphasise the commitment to creating pieces that age gracefully.
Danish modern chairs have not only stood the test of time but continue to inspire contemporary designers and homeowners worldwide. Their enduring popularity is a testament to the genius of Danish modern design, based on both form and function, resulting in pieces that are as comfortable as they are stylish.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the chairs have minor scratches, dents, and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.16 in W × 22.83 in D × 25.78 in H; Seat height 14.37 in
69 cm W x 58 D x 65.5 cm H; Seat height 36.5 cm