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Price category: 5,000 - 7,500 usd / eur
At its most basic level, mid-century modern design is known for juxtaposing sleek lines with organic shapes, using new materials and methods to reimagine traditional pieces. Designers of the period emphasised refined proportions, contrasting textures and streamlined silhouettes. This two-armed floor lamp is a perfect example, with a futuristic look that represents an innovative departure from the past, while reminding of the beautiful Art Deco elegance.
Its unusual construction and contrasting glass and metal shades give it a distinctive appearance. The lamp features a tall, slender structure composed of thin metal rods arranged in an appealing geometric composition. Rising from a circular black base, the rods extend upwards and gradually spread apart, creating a light and airy appearance despite the metal framework. The central section is particularly distinctive, with several narrow brass-toned rods running vertically between the two main supports. Their arrangement creates an interesting visual rhythm, while the contrast between the dark metal and warmer brass details adds depth to the construction. At the top, two slender arms extend to support the contrasting shades, each with a different form and lighting effect. One arm holds a softly rounded opal glass shade, which widens gently towards the top and diffuses light upward. The other supports a black conical metal shade with a series of narrow perforations around its rim, that directs the light to the side. The contrast between the softly glowing glass and the dark, angular metal shade is one of the most visually appealing aspects of the design.
While this unique floor lamp offers plenty of visual interest, its overall appearance remains uncluttered, combining sleek lines with both organic and geometric forms. Balancing mid-century creativity with everyday functionality, it is an appealing example of European lighting design from the 1950s.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the item has some marks scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
19.68 in W x 14.56 in D x 60.82 in H
50 cm W x 37 cm D x 154.5 cm H
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Price category: 5,000 - 7,500 usd / eur
This pair of dining chairs is designed in the manner of Charles Dudouyt, one of the most distinctive figures in French decorative arts of the interwar period. Dudouyt’s work is often celebrated for its rustic charm, and masterful handling of wood, bridging tradition with the evolving aesthetics of Art Deco and modern design.
This pair embodies early 20th century qualities through its grounded presence and confident use of materials. This design is all about the wooden structures. The discreet joinery and seamless construction reflect the French emphasis on detail and quality, elevating the chairs beyond just function to objects of aesthetic value. The chairs are made from solid oak in a rich, dark stain that accentuates the natural grain to create subtle warmth and depth. Adding to their appeal are the geometric backrests, which provide firm support and a subtle architectural detail to the design. The carved elements on the sides showcase the Art Deco interest in geometric adornments. While dining chairs are generally more utilitarian types of seating, this pair still manages to look cosy and warm thanks to the woven rope seats. Moreover, each leg features carved and rounded detailing, lending rhythm and visual weight to the structures. This play between solidity and ornamentation is characteristic of French designs of the era, where pieces were not only functional but also a statement of craftsmanship and artistic individuality.
The essence of early 20th century French design is beautifully captured by these chairs. Functional yet sculptural, rustic yet refined, this pair stands as an enduring testament of the striking balance only master woodworkers are able to create.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items have minor marks, scratches, dents and discolouration.
Dimensions:
16.14 in W x 20.86 in D x 32.87 in H; Seat height 17.32 in; Seat depth 15.55 in
41 cm W x 53 cm D x 83.5 cm H; Seat height 44 cm; Seat depth 39.5 cm
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Price category: 5,000 - 7,500 usd / eur
By the latter half of the 20th century, European furniture design had become an arena for bold experimentation and a renewed fascination with material honesty. The Brutalist movement, though often associated with architecture, influenced furniture makers who explored volume, geometry, and the natural character of wood and other materials to create designs that were both functional and sculptural.
This oak corner bench exemplifies the Brutalist ethos through its striking form. Crafted from solid oak, it features a tall, slatted backrest composed of vertical planks, each slightly angled to provide both visual rhythm and ergonomic support. The corner design creates a natural sense of enclosure, inviting conversation and closeness while optimising space in a room. The bench rests on tapered, splayed legs that lighten the strong presence and introduces a subtle mid-century refinement to its otherwise architectural silhouette. The dark wood’s warm grain and natural patina are left visible, reinforcing the Brutalist emphasis on rawness of materials and celebrating the inherent beauty of solid timber. The geometry of the back contrasts with the softly curved seat edges, striking a balance between strength and human comfort. Beyond its practical use, this bench functions as a statement piece that transforms a corner into an intimate space. Its quiet strength and handcrafted character make it more than mere seating - it is a reflection of a design period unafraid to combine utility with expressive structure.
Ideal for a dining nook, entryway, or modern rustic interior, this bench brings presence to any space. For collectors and designers alike, the bench is a testament to postwar Europe’s exploration of honest forms and enduring materials, offering a blend of sculptural impact and everyday livability.
Condition:
In good vintage condition. Wear consistent with age and use. The bench has recently been reconditioned. Due to the nature and age of the material, the item has some dents, scratches, and discolouration.
Dimensions:
76.77 in W x 56.69 in D x 34.25 in H; Seat height 18.11 in; Seat depth 16.14 in
195 cm W x 144 cm D x 87 cm H; Seat height 46 cm; Seat depth 41 cm
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Price category: 5,000 - 7,500 usd / eur
The 20th century emerged as a golden era where linear forms seamlessly intertwined with function, giving rise to timeless pieces that continue to captivate contemporary sensibilities. Featuring a minimalist and functional design, with distinctive details and high-quality materials, this table lamp is a unique addition to any space.
This lamp features a lacquered metal base, which was a popular choice of material in the mid-20th century era. The choice of having brass elements adds an element of elegance and sophistication, giving the lamp a refined look. The Perspex shade, another signature material of the era, provides a practical function by diffusing light evenly, while simultaneously fulfilling an aesthetic role thanks to its elongated shape. By using Perspex, designers could play around with flexibility in form and durability, while still maintaining the transparency and brightness of traditional glass. Furthermore, what makes this model so remarkable is the unique proportions and ability to seamlessly blend into diverse interior settings. To create an attention-grabbing look, the clever design makes it look like the shade is floating above the base when looked at head-on.
This French table lamp is a statement piece that draws the eye despite its relative simplicity. While the three main materials dictate the look, much attention was paid to their quality and to the craftsmanship that united into a modern, unique look.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the item has some marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
10.62 in W x 5.9 in D x 10.82 in H
27 cm W x 15 cm D x 27.5 cm H
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Price category: 5,000 - 7,500 usd / eur
The mid 1950s in Italy were marked by a new softness in modern furniture. Designers began shifting away from the strict rationalism of the postwar years and toward interiors shaped through comfort and tactility. Lenzi worked inside that transition. Their production merged clarity of proportion with upholstered volume. The result was a kind of modernism that felt warm, human, and atmospheric rather than merely functional.
This armchair features a curved back, low arms, and deep seat all flowing into one continuous shape, to create a soft envelope around the sitter. Upholstered in a rich olive green textile with a subtle pile, the chair gains depth through texture rather than pattern. The fabric reads almost like moss, perfectly natural and comforting. The seat is anchored by four slender brass legs that angle outward with quiet poise. Their gleam has just enough presence to complement the body above without drawing excess attention to themselves. The upper part of the chairs feels steady and welcoming, while the slender metal below introduces air and lightness. Every contour and proportion has been judged toward an overall calm. This chair is the perfect example of great attention to detail mixed with skilled cabinetmaking.
This model speaks to a moment when Italian modernism was not purely decorative, nor austere, but refined in its ability to create atmosphere. They remain compelling examples of Lenzi's charming yet timeless design approach.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Minor marks on the brass. Due to the nature and age of the materials, the item may have some scratches and discolouration. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.92 in W x 26.77 in D x 24.4 in H; Seat height 17.32 in; Seat depth 23.62 in; Arm height 21.25 in
76 cm W x 68 cm D x 62 cm H; Seat height 44 cm; Seat depth 60 cm; Arm height 54 cm
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Price category: 9,000 - 12,500 usd / eur
Art Deco was a movement characterised by geometric shapes, rich materials and luxurious aesthetics, with furniture designers placing particular emphasis on craftsmanship and distinctive silhouettes. This pair of chairs exemplifies why works from the first half of the 20th century are often considered a visual connection between the innovative Art Deco movement and European modern design after the Second World War. The design of this pair is a unique yet immediately recognisable aesthetic based on graceful curves, carefully chosen materials and practical construction.
The armchairs immediately catche the eye with their bold outline, defined by the elegantly curved wooden arms that continue down into the front legs. The exposed wooden frames contrast beautifully with the thick upholstered seats and backs, creating a balanced combination of straight and rounded forms. Each chair has a generously padded seat and a tall backrest with an arched top, upholstered in a muted rose-coloured fabric. The fabric's rich tone complements the warmth of the wood. The backs and seats are outlined with subtle piping, adding another level of visual interest to the pieces. What really sets this pair apart is the adjustable construction of the backrests. The exposed mechanisms allow the backs to change position, while the horizontal wooden supports visible behind the upholstery introduce an interesting architectural element to the design. The obvious quality of the craftsmanship complements the design through the choice of materials, techniques and well-thought-out details.
Created during an age of innovation in materials, shapes and techniques, these chairs showcase the European furniture designers' artistic approach to combining comfort with distinctive forms. Their adjustable backrests add a practical quality that makes them particularly suitable for a living room, library or reading area, while their proportions invite relaxed seating. Exuding warmth and vintage charm, the armchairs can complete a variety of interiors while being visually captivating.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, dents and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
26.96 in W x 31.88 in D x 38.58 in H; Seat height 17.51 in; Seat depth 19.48 in; Arm height 23.22 in
68.5 cm W x 81 cm D x 98 cm H; Seat height 44.5 cm; Seat depth 49.5 cm; Arm height 59 cm
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Price category: 2,500 - 5,000 usd / eur
The Brutalist movement of the mid-20th century was known for its use of bold forms and imperfect organic materials. The period gave rise to balanced, straightforward designs both in architecture and interiors. The skilled craftsmanship behind the construction of Brutalist furniture resulted in beautiful statement pieces, which celebrated and showcased the striking features of raw materials like stone.
The design of this coffee table distills down to its one material. Both the top and the base are made from charcoal coloured stone with an appealing pattern and textural surface. The grain of the stone is not merely a surface detail; it becomes an integral part of the design. As a result, the impression is quite elemental and striking. The roundness of the top is complemented by a more angular element in the shape of a tripod base. Both forms are simple in appearance not to avert the attention from the material. The stone surface shows the handwork that shaped it, making it one-of-a-kind. While uneven, the top still remains functional as it can hold glasses or plates. Overall, this coffee table is striking in balancing large volumes with clean geometrical lines.
Coffee tables, in general, serve as design staples in living spaces for a multitude of reasons: beyond their utilitarian function, they anchor a room, creating a focal point around which furniture and conversation revolve. This piece is ideal to set the tone of a space serving as an accent or complementing a modern interior.
Condition:
In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature and age of the material, the item has some marks, scratches, and discolouration.
Dimensions:
33.46 in ø x 15.35 in H
85 cm ø x 39 cm H
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Price category: 2,500 - 5,000 usd / eur
Maison Arlus, a French lighting design company, was founded in the early 20th century by Robert and Jean Arlus. The company quickly gained recognition for its innovative and stylish lighting fixtures characterised by their use of high-quality materials and focus on unique design, like this one.
The form of this wall lamp assumes a more minimalist look at first glance, yet is coupled with subtle decorative elements that add to the uniqueness of the piece. This lamp features an ebonised wooden that holds the shade. Rather than hiding the material under paint, ebonisation treats the wood from the inside to a deep black tone that allows the natural grain to remain visible. This allows the piece to project the elegance and impact of genuine ebony, while maintaining a lighter weight. On the other hand, the shade is made of opal glass. Its opacity conceals the light sources and diffuses the illumination evenly, producing a warm, atmospheric glow. The cylindric shade juxtaposes the square base, creating a beautiful visual effect. The contrast is also chromatic, with the off-white shade sitting within the dark wood. Additionally, the diamond brass element completes the look with a touch of sophistication. Today, we consider the mid-century era a golden age for lighting design. During these decades, some of the most significant luminaries were created, and remain highly sought-after today.
Over the years, Maison Arlus collaborated with a number of notable designers, including Jacques Biny, Pierre Guariche, and Michel Buffet, and continued to produce a wide range of lighting fixtures that were both functional and aesthetically pleasing. This French table lamp is a statement piece that draws the eye despite its relative simplicity. While the three main materials dictate the look, much attention was paid to their quality and to the craftsmanship.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the item has some marks, scratches, chips and discolouration. This lamp is compatible with a B22 fitting. All lighting can be converted for US usage.
Dimensions:
4.84 in ø x 12.99 in H
12.3 cm ø x 33 cm H
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Price category: 9,000 - 12,500 usd / eur
The 20th century saw the rise of brilliant designers, like Steen Østergaard, working to create furniture of the highest quality that explored truly modern shapes and forms. Østergaard sought to combine comfort and elegance to achieve timeless designs that remain iconic examples of style and skill to this day.
Immediately, these chairs captivate with their cosy and stylish silhouette. The shell bodies cradle the occupant, providing a sense of intimacy and comfort that transcends mere functionality. The mid-century modern aesthetic is elegantly expressed through clean lines and organic curves, creating a harmonious balance between form and function. The designer managed to create pieces that seamlessly integrate into contemporary living spaces while preserving the warmth and character of natural materials, ideals deeply rooted in the Danish tradition. The wooden frames of these chairs showcase the skillful artistry of Steen Østergaard. The tripod legs, with beautiful joinery, not only add a touch of sophistication but also exemplify the meticulous attention to detail and aesthetic balance. The upholstery of the pair further enhances the allure. Meticulously chosen fabrics not only contribute to the overall aesthetic appeal but also emphasise the commitment to creating pieces that age gracefully.
Danish modern chairs have not only stood the test of time but continue to inspire contemporary designers and homeowners worldwide. Their enduring popularity is a testament to the genius of Danish modern design, based on both form and function, resulting in pieces that are as comfortable as they are stylish.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the chairs have minor scratches, dents, and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.2 in W x 22.8 in D x 25.8 in H; Seat height 14.4 in
69 cm W x 58 cm D x 65.5 cm H; Seat height 36.5 cm
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Price category: 5,000 - 7,500 usd / eur
Swedish Grace was an important movement in Swedish design during the 1920s and early 1930s, combining the elegance of classical forms with the simplicity and geometric clarity of early modernism. In furniture and lighting, the style was characterised by carefully considered proportions, decorative metalwork and a restrained approach to ornamentation. This three-armed table lamp from the first half of the 20th century reflects these qualities through its symmetrical construction, contrasting materials, and distinctive arrangement of spherical glass shades.
The lamp features a unique three-armed structure built around a slender central stem, supported by a low circular metal base. The dark vertical column provides a strong central line, while two gracefully curved brass arms extend outward and upward to hold the outer glass shades. Their gentle curves contrast beautifully with the straight stem, creating a balanced and dynamic composition. Each arm terminates in a small metal holder supporting a spherical opal glass shaded. The opaque glass conceals the light sources and diffuses the illumination evenly, producing a warm, atmospheric glow. The contrast between the smooth, rounded glass and the fine metal framework is particularly effective, giving the lamp a light and open appearance despite its substantial elements. When illuminated, the three globes create a striking visual rhythm, while the warm light highlights the golden tones of the brass and the darker finish of the central stem.
The combination of classical symmetry, graceful curves and carefully selected materials makes this table lamp a particularly appealing example of Swedish Grace design. Its three illuminated globes give it a strong decorative presence, making it well suited to a sideboard, console or larger side table where the arrangement can be appreciated from different angles.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the item has some marks, scratches, and discolouration on the brass. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.
Dimensions:
16.53 in W x 16.53 in D x 17.71 in H
42 cm W x 42 cm D x 45 cm H
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Price category: 5,000 - 7,500 usd / eur
This peculiar mid-century easy chair features multiple distinctive characteristics, from its floating back to the curvaceous armrests. This model is, without a doubt, the work of a master cabinetmaker. The period from roughly the 1940s through the 1960s was a high point for Scandinavian furniture makers, and this chair shows why.
The elegant organic lines of the design create a striking silhouette. Its generous proportions and luxurious upholstery provide great sitting comfort. The chair’s seat and backrest are separated in a style that is typical of Swedish designer, Otto Schulz. This stylish feature highlights the beautiful oaken frame. The armrests are in a peculiar shape, wider in the middle, and along with the generous proportions and upholstery, are perfectly sculpted to accommodate the sitter. Schulz was known for his floating back designs as seen here, preventing the chair from looking heavy. As with most lounge chairs, this chair is also built in a slightly reclined position which provides ultimate comfort. Thanks to the open profile and luxurious, organic style, it is an ideal way to draw attention while complementing any space.
Swedish furniture reflected traditional Scandinavian craftsmanship and mixed it with a modern style. This is reflected in the beautiful sheepskin upholstery, which give this easy chair a soft, modern edge. The sturdy frame and armrests are all carved from solid oak and have acquired a beautiful patina over the decades.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the wood, the chair may have marks, scratches, and discolouration. The chair has been recently reupholstered in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.95 in W x 30.90 in D x 31.29 in H; Seat height 16.92 in
71 cm W x 78,5 cm D x 79,5 cm H; Seat height 43 cm
About the (attributed) designer:
Otto Schulz (1882-1970) was Swedish interior designer, furniture designer, publisher and founder of the furniture company BOET in Gothenburg.
Schulz was born in Germany and moved to Sweden in 1907. He mainly produced opulent upholstered furniture, as well as lavishly inlaid, decorative box furniture style-wise between functionalism and traditionalism. He has some of his own invented techniques patented, including the use of decorative nails as part of the design, called Bopoint. After establishing his own furniture company, BOET, he used it as a showroom to exhibit his designs as well.
In the 1920s he started publishing the eponymous magazine BOET, which was also a platform for his own collection. The magazine was at the time the most influential, appearing in regular editions in Sweden and often included interviews with well-known designers and architects. ~H.
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Price category: 1,000 - 2,500 usd / eur
In 1918, Paavo Tynell, “the man who illuminated Finland” co-founded the metalwork and lighting company Taito Oy, the first industrial producer of lighting fixtures in Finland. He worked as the company’s CEO and chief designer until 1953, during which time his creativity brought the world numerous iconic designs. Tynell created lighting models for various public spaces, such as Helsinki’s Parliament House and the office of the Secretary-General of the United Nations.
In the early to mid-20th century, he designed a number of iconic lamps that are still sought after today, including this 1937 model “2016” milk glass ceiling lamp. This piece embodies the sleek and simple aesthetic that characterised early modern Finnish design. Still, even in the absence of ornamentation or elaborate shapes and forms, there was always an emphasis on interesting materials. Milk glass, appropriately named for its opaque or transparent pure ivory white tone, was first created in Venice in the 16th century, known as Lattimo. At that time, it was widely used for decorative purposes and continued to be popular during the 20th century when the material was used to decorate households as home accents. To complement the glass, a nickel-plated base connects the shade to the ceiling, offering the lamp a cool sheen even when unlit. This lamp has a gentle, round shape that is just as soft as the light it diffuses. Milk glass was popular in the 1950s, due in part to its ability to soften and diffuse light, as this model demonstrates.
The 20th century was a time of great innovation in Finnish design, as designers pushed the boundaries of what was possible with new materials and manufacturing techniques. Model “2016” is a modernist design to its core with a look that can integrate and complement any space.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The metal structure has some marks and scratches. Due to the nature and age of the materials, the item may have discolouration and imperfections. All lighting can be converted for US usage.
Dimensions:
6.49 in W x 6.49 in D x 4.33 in H
16.5 cm W x 16.5 cm D x 11 cm H
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Price category: 5,000 - 7,500 usd / eur
Swedish furniture design from the 1940s was characterised by a growing preference for practical construction, natural materials and simple, well-proportioned forms. Cabinetmakers and manufacturers combined traditional woodworking techniques with the restrained aesthetic of Swedish Modern design, creating furniture intended for comfortable everyday use. This chest of drawers by AB Nybrofabriken reflects these qualities through its sturdy wooden construction, carefully considered details, and emphasis on the natural beauty of the material.
The design of this chest of drawers is simple at its core, but thanks to certain details, it perfectly represents Swedish mid-century craftsmanship. Crafted from oak, the piece has a compact rectangular body with four spacious drawers arranged vertically. The warm golden-brown colour of the wood gives it a natural expression, while the visible grain adds texture and variation across the surfaces. Each drawer is fitted with two small wooden handles, shaped with slightly angled sides and projecting gently from the front. Their simple geometric form complements the straight lines of the cabinet and introduces a subtle decorative rhythm across the four drawers. The drawer fronts are framed by the side panels, which extend upwards to form raised edges around the top. The top has a low wooden gallery along the back and sides. This construction gives the piece a distinctive profile while also creating a practical surface for displaying smaller objects. Four short wooden feet complete the design and lift the cabinet from the floor. The combination of clean lines, warm wood tones and carefully shaped details gives the piece a cohesive appearance.
Wood has never gone out of style, and pieces with an emphasis on a natural look continue to hold a particular appeal. This chest of drawers is equally suited to a bedroom, hallway or living room, offering generous storage while occupying relatively little space. Its warm oak finish makes it easy to combine with a variety of materials and interior styles, from traditional Scandinavian furnishings to more contemporary settings.
Condition:
In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Due to the nature and age of the material, the item has some marks and scratches, chips, and discolouration.
Dimensions:
28.14 in W x 17.91 in D x 29.72 in H
71.5 cm W x 45.5 cm D x 75.5 cm H
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Price category: 5,000 - 7,500 usd / eur
Mirrors are versatile pieces of interior décor with the power to influence their surroundings; they create depth, increase light reflection, and add a statement to any space. Fusing function and form, mirrors offer useful reflection while also providing an eye-catching focal point in any room. This beautiful Italian mirror is stylish, with a simple but timeless look.
In the early days, mirrors were made from obsidian, a smooth black stone, and metals, such as copper and bronze. The use of glass in mirror-making was initially developed during the rise of the glass industry, and later revolutionised by Murano glass-makers. The play on materials and geometry, with the mirror’s clean and symmetrical lines, creates a neat, modern look. The brass, the ultimate material of 20th century design is balanced out by the glass surface. The reflective facet and the frame are seamlessly connected, making the frame almost seem like it is floating. The organic frame which showcases the beautiful patina of the brass provides simple elegance, making this mirror perfect for bringing some understated modernism into a room.
As this model shows, an accent mirror can fulfill as a clear role in a home, while reflecting the mid-century Italian style. It can serve equally well in a hallway, bathroom or living room, either mounted on a wall or spontaneously leaned against it.
Condition:
In good vintage condition. Wear consistent with age and use. The mirror has recently been reconditioned. Due to the nature and age of the materials, the item has some marks, scratches, chips and discolouration.
Dimensions:
33.27 in W x 0.78 in D x 36.99 in H
84.5 cm W x 2 cm D x 96.5 cm H
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Price category: 5,000 - 7,500 usd / eur
Bas van Pelt (1900–1945) was a Dutch furniture and interior designer whose work combined traditional craftsmanship with the principles of early modernism. While Van Pelt's creative work was primarily dominated by the Hague School, this armchair is the result of his more mature design period, characterised by natural materials, in order to create a friendly and inviting appearance that combines the warmth of solid oak with the distinctive texture of woven rush.
The construction of this model is simple at its core, but thanks to certain details, it is a playful representation of early Dutch modernism. While made of solid oak, this armchair has an open feel to it thanks to the horizontal spaces on the back that divide the three rush panels. The tall, slightly inclined backrest is framed by two straight wooden uprights, creating a strong vertical outline that contrasts with the more fluid shape of the armrests. The curved lines of the arms contrast nicely with the straight lines of the frame and clearly show wonderful craftsmanship. Each armrest extends outward in a gentle wave, giving the chair a particularly individual character. The rush weaving on the back adds textural interest, bringing the appealing roughness of nature to the design. Its closely arranged vertical strands create a warm, sandy surface, beautifully complemented by the oak's rich brown colour and the similar tone of the upholstery. The legs and stretchers are simple in their design, serving a primarily structural role and allowing the rush weaving and the wooden construction to stand out. The legs are connected by a gently curved wooden rail beneath the seat, while the rear supports continue naturally from the backrest. Thanks to the well-chosen proportions and the combination of natural materials, this armchair provides great comfort while maintaining a remarkable appearance.
Bas van Pelt's progressive designs were, in many ways, ahead of his time. The Dordrecht-born designer's furniture models are quite rare, with examples preserved in the collection of the Stedelijk Museum Amsterdam. Furniture pieces like this easy chair stand out through their unique textures and materials, as well as their classic charm. Its generous backrest and comfortable seat make it particularly suitable for a living room, library or reading area, where the craftsmanship can be appreciated from every angle.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the wood, the item has minor marks, scratches, dents and discolouration. The seat cushion has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.8 in W x 29.13 in D x 38.18 in H; Seat height 14.96 in; Seat depth 22.44 in; Arm height 22.83 in
63 cm W x 74 cm D x 97 cm H; Seat height 38 cm; Seat depth 57 cm; Arm height 58 cm
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Price category: 2,500 - 5,000 usd / eur
Lighting from the mid-20th century period is celebrated for its ability to make simple materials feel elegant through careful craftsmanship. Rather than relying on elaborate decoration, designers often worked with carefully selected woods, metals, and organic materials to create well-balanced silhouettes, allowing the quality of the materials to become the primary visual feature.
The appeal of this table lamp lies in the relationship between its materials. The warm wood provides visual richness, the brass accents introduce refinement, and the restrained silhouette allows each element to remain visible without competing for attention. The balance between clean linear elements and soft curves creates a composition that feels both dynamic and harmonious. The craftsmanship involved in creating this piece is evident in the seamless construction and attention to detail. The wooden body is carefully carved to highlight the natural grain and warm tones of the material, while the brass accent resembling piano keys enhances the lamp’s tactile appeal. Although this piece was crafted in the 1950s, it has an unmistakable Art Deco feel to it, which highlights the enduring impact Art Deco had on design in the 20th century. A wide shade completes the composition, its crisp geometric profile complementing the softly rounded forms below. When illuminated, the broad shade casts a soft, even light that reinforces the lamp's calm, understated presence.
Unlike other aesthetic movements, mid-century modern design is streamlined, while highlighting the materials used. This table lamp is completely alluring with its dedication to quality and practicality wrapped up in beautiful design that never goes out of style.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade was a later replacement. Due to the nature and age of the materials, the item has some marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
19.68 in ø x 25.59 in H
50 cm ø x 65 cm H
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Price category: 9,000 - 12,500 usd / eur
This sofa reflects the quiet confidence of Scandinavian design from circa 1930s, a period when modern ideas were being absorbed into more traditional forms. Swedish furniture of this era often balanced restraint with comfort, favouring clean silhouettes. Rather than chasing novelty, designers focused on proportion, usability, and longevity.
Curved sofas in general are considered statement pieces, for reasons that are eminently present in this three-seater sofa. With its classic shape paired with modern design, the generous size and fully upholstered body, it is outstanding, even when measured to the many beautiful sofas created in Sweden during the first half of the 20th century. The large, curved backrest follows the curve of the voluptuous seat, creating an inviting and open look. This shape is referred to as the ‘banana’ in furniture design, and is perfect to bring people closer together. The armrests are not independent, but rather a continuation of the back. The solid wooden legs provide perfect stability and visual appeal to the upholstered body, while balancing the sizeable body. Wood is the most important material in Swedish mid-century design, and the luxurious upholstery highlights and complements the beautiful colour of the wood.
Free from unnecessary ornamentation, the aesthetic of this three-seater sofa is sleek, elegant and modern. With its curved shape, it is perfect to break the rigour of any space, keeping the elegant appearance, elevated by the warm toned upholstery.
Condition:
In good vintage condition. Wear consistent with age and use. The sofa has recently been reconditioned. Due to the nature and age of the materials, the item has some marks, scratches, and discolouration. The sofa has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
92.51 in W x 33.07 in D x 27.55 in H; Seat height 17.32 in; Seat depth 17.71 in; Arm height 27.55 in
235 cm W x 84 cm D x 70 cm H; Seat height 44 cm; Seat depth 45 cm; Arm height 70 cm
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Price category: 2,500 - 5,000 usd / eur
In the design landscape of Europe, the mid-20th century emerged as a golden era, where form seamlessly intertwined with function, giving rise to timeless pieces that continue to captivate contemporary sensibilities. One such enchanting piece from this era is this graceful floor lamp, a testament to the region's commitment to craftsmanship and new ideas and forms.
Rather than seeking attention through ornament, designers often worked to achieve a quiet refinement through high-quality materials and precision. This floor lamp materialises these ideals both in terms of visual and technical quality. The lamp features three slender stems that rise from a dynamic base. The brass necks allow the shades to be adjusted independently, so their openings can face outward. The tapered fabric shades widen slightly, continuing the movement of the brass arms. Their soft textile surfaces contrast with the polished metal and dark body, while their relatively small scale leaves the structure in focus. The piece is fundamentally functional, at the same time having enough character to stand on its own, making it a distinctive example of European lighting from the 1950s.
Its unique construction gives the lamp a far stronger presence than its slender proportions might suggest. Even when switched off, its profile makes it an expressive object in the room; illuminated, the opposing shades become the focus of the composition, adding charm to any interior.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the brass, the item has some marks and scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
42.12 in W x 27.16 in D x 62.2 in H
107 cm W x 69 cm D x 158 cm H
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Price category: 9,000 - 12,500 usd / eur
These chairs were created by Asko, the Finnish furniture manufacturing company founded in 1918 by Aukusti Asko Avonius, known for the production of high-quality furniture. By 1930, the company had grown to be the largest furniture chain in Finland and the largest supplier of furniture in the Nordic countries. This pair of Model “217” or “Continent” armchairs belongs to this period of Finnish furniture design, combining the generous comfort of traditional upholstered seating with a more restrained and modern appearance.
These armchairs embody comfort and elegance in equal measure. With their soft curves and rounded bodies, they cradle the sitter in a harmonious and just as stylish embrace. The defining feature of these lounge chairs is their enveloping design, which creates a sense of cosy intimacy and warmth. Each chair has a broad, rounded backrest that curves forward at the sides into the upholstered arms. The soft curves that define their shape not only evoke inviting comfort but also serve a practical purpose, as the curvature follows the natural contours of the human body. The chairs appear open and welcoming thanks to the arms and backs curving outwards, while the deep seats and generous padding emphasise their comfortable character. The soft outline of the design remains clearly defined, enhanced by the dark moss-green upholstery. The fabric has a rich, textured surface that accentuates the gentle curves and gives the chairs a warm, inviting appearance. The seats extend forward between the rounded arms, with their upholstered fronts creating a uniform image. Short wooden legs support the chairs, their warm brown colour contrasting beautifully with the green fabric. In the absence of additional ornamentation, the focus stays on the distinctive shape, supported by functionality and comfort.
As part of Asko's furniture production, the model “217” represents an interesting chapter in the development of modern seating. With their cosy appearance, distinctive bodies and appealing material combination, the armchairs bring warmth and character to an interior while retaining the comfort and practicality for which they were designed.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the wood has minor scratches, dents and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.76 in W x 31.89 in D x 27.95 in H; Seat height 15.75 in; Seat depth 20.67 in; Arm height 24.41 in
70.5 cm W x 81 cm D x 71 cm H; Seat height 40 cm; Seat depth 52.5 cm; Arm height 62 cm
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Price category: 5,000 - 7,500 usd / eur
The Brutalist movement of the mid-20th century was known for its use of bold forms and imperfect organic materials, and gave rise to balanced, straightforward designs both in architecture and interiors. The skilled craftsmanship behind the construction of Brutalist furniture resulted in beautiful statement pieces, which celebrated and showcased the striking features of raw materials like stone.
The main design element of this model is the table's base, forming a stable and visually intriguing triangle. The choice of stone as the primary material for this coffee table adds a layer of sophistication and timelessness. The grain of the stone is not merely a surface detail; it becomes an integral part of the design, contributing to the overall aesthetic of the piece, making it entirely unique. While it is elemental thanks to the stone and interesting construction, the roundness of its top and its sculpted base still provide a sense of gentleness. It is this well measured tension between the shapes that make the design eye-catching and infinitely interesting. With its strong and distinctive details, this table model is a perfect accent table, while also being capable to complement its surroundings. This piece could fit well in a modern interior, as well as in a minimalist space.
Coffee tables, in general, serve as design staples in living spaces for a multitude of reasons: beyond their utilitarian function of providing a surface for drinks and books, they anchor a room, creating a focal point around which furniture and conversation revolve. This coffee table, with its distinctive design and robust material, becomes more than just a functional piece; it becomes a statement, a conversation starter, and a timeless addition that will elevate the aesthetics of any space it occupies.
Condition:
In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature and age of the materials, the item has have some marks, scratches, and dents.
Dimensions:
39.37 in ø × 18.3 in H
100 cm ø x 46.5 cm H
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Price category: 9,000 - 12,500 usd / eur
The Italian architect, painter and furniture designer, Guglielmo Ulrich, descended from a noble family with Danish origins. He quickly became a very influential figure in modern Italian design and his models are real delicacies today.
As this pair of 1950s lounge chairs show, Ulrich’s work is elegant and rich in detail. Although his work does not quite conform with the strict norms of simplicity of the time, it fits the prevalent aesthetics of Modernism. In the case of these chairs, the fully upholstered bodies show the general mid-century modern characteristics with an ergonomic and functional design. The seats are slightly raised, and the backs tilted, creating an angle that supports the sitter and the lounging experience. The wooden arms transcending to form the back legs however, truly stand out. The sharp curvature of the armrests and front legs define the look and create an interesting effect, as if the upholstered seats and backs were connected to them without joinery. The carved, dark wood and soft upholstery make them even more pronounced. There are more, subtler features to these chairs, including the wider armrests and the curved backrests, both in service of comfortable lounging. Thanks to the quality of his furnishings, that Ulrich designed and made personally, he became the trusted architects of many upper-class Milanese families. He participates in the furnishing of the most prestigious Italian ships: Cristoforo Colombo, Raffaello, etc.
“A nobleman of yesteryear, with sudden jokes and twists, such as a pipe with an egg in his mouth and a very concrete sense of doing” is how he was often described. This pair of chairs is much like this description with a playful, elegant design completed by quality materials and craftsmanship.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.4 in W x 31.69 in D x 31.49 in H; Seat height 14.17 in; Arm height 23.42 in
62 cm W x 80.5 cm D x 80 cm H; Seat height 36 cm; Arm height 59.5 cm
About the designer:
Guglielmo Ulrich (born 1904, Milan–died 1977) was an Italian architect, furniture designer, and painter. He was born to a notable family of Danish origin. In 1924, Ulrich enrolled in the Scuola Speciale di Architettura at the Accademia di Belle Arti di Brera. He finished his studies at Politecnico di Milano in 1927 and soon became a very influential figure in modern Italian design.
In 1930, along with Scaglia and Wild, Guglielmo Ulrich founded and became head designer of home furnishing company Arca (Arredamento casa, or Home Furnishing), a company engaged in the creation of high-quality furnishing accessories characterized by craftsmanship and the use of premium materials. In the 1950s, he participated in several editions of the Triennale di Milano and concentrated on designing buildings, offices, and retail shops throughout Italy.
Most of Ulrich’s furniture designs from this era, and especially his chairs and chaise lounges, resemble simplified and streamlined design versions of late 19th century pieces and do not necessarily conform to modern designs prevalent in Northern Europe and the U.S. in the 1950s. In the 1960s, Ulrich focused his work toward industrial design and was able to create original and impactful objects. His talent was rewarded on many occasions. In 1961, he won the Fiera di Trieste award for his Trieste chair, produced by furniture maker Saffa.
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Price category: 7,500 - 10,000 usd / eur
Simplicity, functionality, and elegance - these are the basic aspects of Danish design and accordingly, of this sophisticated easy chair as well. As a representation of early modernist seating, there is a profound focus on comfort and cosiness, that invokes a pleasant homelike feeling.
The subtle decorative qualities stemming from the early 20th century art movements and the simple lines deriving from the inter-war art movements gives the chair its elegance. Even though Scandinavian design is generally democratic and meant for the masses, pieces were not stripped of all beauty in order to make them as easy to use as possible. The importance of this balance can be identified in the design and execution of these armchairs as well. This balance is achieved through the clever use of the materials and rounded edges of the upholstered body. The exposed wood outlining the armrests’ shape is the standout design element. Quality craftsmanship was evidently of optimum importance for the cabinetmaker who created this piece, especially visible in the sculpted armrests. The pairing of the bun feet in the front and the short, tapered legs in the back is a quirky Scandinavian detail that adds more visual interest to this model.
This armchair further illustrates how modernist design can be warm and cosy despite its reputation of often cold simplicity. The elegant light wool upholstery highlights the beautiful wood lines of the armrests and the legs. With a classic look, storied design and solid quality, this chair is truly soulful and timeless.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
32.48 in W x 37.4 in D x 32.48 in H; Seat height 16.73 in
82.5 cm W x 95 cm D x 82.5 cm H; Seat height 42.5 cm
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Price category: 2,500 - 5,000 usd / eur
In an era marked by unprecedented cultural dynamism and bold artistic expression, the Art Deco movement emerged as a testament to modernity and sophistication. This period witnessed the creation of exquisite pieces that epitomised the union of form and function. Edgard Brandt was a renowned designer in the Art Deco era, and was specifically known for his metalwork. This beautiful wrought iron table lamp is made in the manner of Brandt.
This lamp exemplifies the refined geometry and material richness characteristic of the movement. The piece is constructed from patinated bronze and glass, and the materials’ tones elegantly highlight both the age and craftsmanship. The interplay between the rich patina of the bronze and the off-white glass shade creates a harmonious contrast. The visual interest of this lamp is accentuated by the form of the triskele base. It bridges sculptural presence and domestic functionality. It also embodies the enduring qualities of the Art Deco movement in Europe: geometric refinement, tonal richness, and atmospheric light. The qualities transform it into a bold design statement, while still able to complement a modern space.
This light is a perfect representation of its era’s sophisticated style. Its combination of materials makes it a striking addition to any space, whether in a vintage or contemporary interior. It remains timeless, evoking the glamour of the Art Deco period while providing a practical lighting solution.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The metal is patinated. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
7.08 in ø x 17.71 in H
18 cm ø x 45 cm H
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Price category: 9,000 - 12,500 usd / eur
Club chairs, often recognised by their deep seats, sleek lines and wide armrests, originated in French gentlemen’s clubs in the early 20th century. They were created for cosiness and relaxation, typically featuring full-body upholstery and sturdy frames that allowed for comfortable seating over extended periods of time. Attributed to Jean Saint-Georges, this pair reflects the rich history of the club chair while introducing the simpler forms associated with mid-century modernism.
These chairs each feature a strikingly voluptuous body, combining both comfort and bold aesthetics. The chairs' plushness and generously rounded arms provide an inviting and enveloping seating experience. Each armchair has a broad, deep seat framed by substantial upholstered sides that curve gently around the front. The armrests are particularly distinctive, with their softly rolled upper edges continuing towards the backrests in a smooth, uninterrupted line. The backs are wide, with separate upholstered cushions providing additional support and comfort. The low, wide seats emphasise a relaxed posture, making the chairs perfect for lounging and unwinding. The upholstery is a beautiful muted blue fabric with a soft, textured surface that accentuates the gentle curves and generous proportions of the chairs. Its uniform colour allows the shape of the bodies to remain the focus of the design. The seats are fitted with thick, rectangular cushions, while subtle piping along the edges defines the different upholstered sections. Short wooden feet remain mostly concealed beneath the chairs, subtly lifting their substantial bodies from the floor.
The curves and material choice make this a striking pair that can bring warmth and character to a variety of interiors, from a comfortable living room to a more formal lounge or library. The chairs' main decorative element is the design itself, combining traditional club chair comfort and European mid-century design, equally captivating and practical.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items have minor scratches, dents and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
34.64 in W x 37.99 in D x 28.54 in H; Seat height 15.74 in; Seat depth 22.83 in; Arm height 23.81 in
88 cm W x 96.5 cm D x 72.5 cm H; Seat height 40 cm; Seat depth 58 cm; Arm height 60.5 cm
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Price category: 5,000 - 7,500 usd / eur
Austrian architect and designer Josef Frank has had an enormous impact on the history of Swedish design. Despite being nearly 50 years old when emigrating to Sweden, he is now widely recognised as one of the country’s most important designers of all time.
These adjustable floor lamps epitomize the harmonious blend of form and function that characterizes Scandinavian design. They feature a distinctive tripod base, which offers both stability and an elegant aesthetic. The legs of the tripod are sleek and gently tapered, exuding a sense of lightness to the overall design - typical of Frank’s approach to furniture - combining modernity with a timeless quality. The adjustable height of the lamps highlights their functional sophistication, allowing for versatile lighting options. The mechanism is seamlessly integrated, ensuring that the lamps maintain their minimalist and refined appearance. The lamps are crowned with traditional, sophisticated shades that diffuse light gently, creating a warm and inviting ambiance.
The model '2326' design is a testament to Josef Frank’s legacy as a master of Swedish design, combining elegance, functionality, and durability. Crafted with meticulous attention to detail, these lamps reflect Josef Frank's commitment to creating pieces that are not only aesthetically pleasing but also practical for everyday use. Their design is understated yet elegant, making them a perfect addition to a variety of interiors.
Condition:
In good vintage condition. Wear consistent with age and use. The lamps have recently been rewired and reconditioned. The shades are later replacements. Due to the nature and age of the materials, the items have marks, scratches, and discolouration.
Dimensions:
16.93 in Ø x 56.10 in H (adjustable)
43 cm Ø x 142.5 cm H (adjustable)
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Price category: 5,000 - 7,500 usd / eur
Ole Wanscher was a leading figure in Danish and Scandinavian design, as was A.J. Iversen. He acquired his skills at the esteemed Det Kongelige Danske Kunstakademi - Billedkunst Skolerne in Copenhagen. Drawing inspiration from human anatomy, Wanscher’s developments influenced the concept of Scandinavian modernism as we know it today, and his contribution to the field is widely acknowledged.
The post-war era, especially the period spanning from 1940 to 1960 resembled the golden age of Danish furniture. This set of dining chairs retains the cherished Danish modernist traits, such as simplicity and functionality, while also reflecting an ongoing precise focus on quality materials and artistry care. The allure of these dining chairs lies in the detailed backrests with the criss-cross design. The structure creates an airy and rhythmic look, further complemented by the legs’ thin figure and slight inward bend aligning perfectly with the flow of the backrest. The upholstered seats are covered in a light, blue fabric that complements the wood’s tone while providing a soft counterpoint to the structure beneath. Every detail, from the gentle sweep of the backrest to the textural contrast between materials, reflects a commitment to harmony and restraint.
The set seamlessly blends traditional precision with modern innovation, where each chair not only serves a functional purpose but also stands as a timeless work of art. With its meticulous attention to detail and premium quality wood, this set is beautiful and harmonious, and would make a charming addition to a variety of interior decor styles.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have some scratches, dents, and discolouration. The seat of the chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
19.48 in W x 20.86 in D x 33.85 in H; Seat height 18.11 in
49.5 cm W x 53 cm D x 86 cm H; Seat height 46 cm
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Price category: 5,000 - 7,500 usd / eur
Floor lamps produced throughout Scandinavia in the mid-twentieth century often explored different material combinations while maintaining the restrained forms associated with modern design. The main principles of Danish Modernism centred around simplicity, functionality and craftsmanship, with natural materials playing an important role in the overall appearance. This floor lamp follows these principles while offering plenty of visually arresting qualities.
The combination of wicker, brass and pine gives the piece a subtle warmth, creating an aesthetic that blends traditional craftsmanship with the functional character of Scandinavian lighting. The lamp’s material choice gives it a distinctive appearance, with the slender structure creating a light and elegant silhouette. The circular wooden base supports a long, narrow stem that rises vertically before curving forward in a pronounced arch to hold the striking shade. The stem is wrapped in wicker, adding an element of texture and warmth to its otherwise simple form. Its natural colour complements the pine base and contrasts beautifully with the shade. The curve allows the light to extend outward while giving the lamp a graceful, organic profile. Not only is the stem remarkable, but the conical shade stands out as well. Its broad shape is formed from brass, with a tapered upper section and a wide opening that directs the illumination downward. The warm golden material reflects the light, creating a cosy effect in a room. The contrast between the fine wicker-wrapped stem and the substantial metal shade gives the design a strong visual balance. The craftsmanship involved in creating this piece is evident in the careful transitions between materials and the attention to detail.
Through the use of a unique silhouette paired with natural materials, the maker of this lamp achieved an appealing combination of traditional craftsmanship and modern design, not forgetting practicality. This floor lamp has the capacity to anchor and define the surrounding space, making it an excellent addition to a living room or reading area.
Condition:
In good vintage condition. Wear consistent with age and use. The floor lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the item has marks, scratches, dents and discolouration. This lamp is compatible with an E26 / E27 fitting. All lighting can be converted for US usage.
Dimensions:
35.03 in W x 13.38 in D x 62.20 in H
89 cm W x 34 cm D x 158 cm H
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Price category: 5,000 - 7,500 usd / eur
Renowned for their innovative, high-quality furniture, Robert Guillerme and Jacques Chambron combined elegant form with straightforward functionality to create their distinctive designs. The French duo established their company, Votre Maison, in 1949, working alongside master cabinetmaker Émile Dariosecq, whose workshop was responsible for manufacturing their furniture. Guillerme drew the furniture designs while Chambron played the part of salesman, and together they developed a recognisable style.
This oak armchair from the 1950s visually represents the very reason Votre Maison significantly influenced French design history, combining natural materials with the comfort and craftsmanship associated with the duo's work. The piece features a sculptural oak frame, a hallmark of the duo's style. The wooden structure rests on four sturdy legs, with the front legs extending upwards to support the carefully shaped armrests. The armrests are carved with great precision to serve a double purpose: an aesthetic role and a functional one. The legs are similarly sculpted, with subtle changes in their thickness and shape adding visual interest to the construction. The backrest has an open slatted wooden structure, concealed by a generously upholstered cushion that rises above the seat. The gray back cushion is adorned with tufted buttons arranged in horizontal rows, adding depth to the textured grey upholstery. The thick padding and slightly reclined position provide additional comfort. A broad seat cushion completes the chair, with its upholstered body resting within the oak structure. Like most of their designs, this chair model displays a beautiful contrast between the wooden frame and the elegant fabric. Thanks to the ergonomic curves and thick, comfortable seat and back cushions, this chair is perfect for cosy lounging.
Guillerme et Chambron's work not only represents the fusion of traditional craftsmanship and modern design, but also exemplifies the distinctive French mid-century aesthetic they helped shape. Their emphasis on quality craftsmanship and the use of noble materials like oak has left a lasting imprint on the world of furniture making. Whether placed in a living room, library or reading corner, this armchair offers an inviting seating experience while introducing the recognisable character of Votre Maison furniture into an interior.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
30.32 in W x 28.74 in D x 37.01 in H
77 cm W x 73 cm D x 94 cm H